Highwaymen Reunite at Grammys (Sort Of)

Sunday night the 56th Annual Grammy Awards had various moments, including what was billed as a reunion of The Highwaymen. The two surviving members of the supergroup — Willie Nelson and Kris Kristofferson — were joined by Merle Haggard and Blake Shelton. But the performance was only partly a tribute to the band that released three albums and a recognition of its deceased members Johnny Cash and Waylon Jennings, as most of the performance acknowledged the individuals on stage. That was okay, though, as it was good to see the three legends on stage with Blake Shelton giving the group a little shot of “youth.”

As you may see in the following video, the performance opens with the two surviving Highwaymen singing a little of the group’s hit “Highwayman,” a song about reincarnation written by Jimmy Webb. Then, they are joined by Haggard and Shelton, singing Haggrard’s “Okie from Muskogee” and “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” which had been a hit for Nelson and Jennings.

Many years ago, I saw the original Highwaymen perform at the Houston Astrodome. It was a memorable experience to see the country music legends all together, and at that performance they did a lot of individual songs too. So in a sense, the reunion continued that tradition of being more than just about songs by the Highwaymen. With Cash and Jennings gone, of course the band can never be the same. But like another Grammy sort-of reunion of another great quartet that had Paul McCartney and Ringo Starr playing together, we will take what we can get, while also remembering those who can no longer perform.

What was your favorite performance at the Grammys? Leave your two cents in the comments.

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    Tompall Glaser RIP

    Wanted The Outlaws Country outlaw Tompall Glaser passed away this week. Glaser had a distinguished career, performing with his brothers and running a publishing company. But most of us know him for his work on the first “outlaw” country album, appropriately named Wanted! The Outlaws. The 1976 album — which also featured Willie Nelson, Waylon Jennings and Jessi Colter — was a landmark album that went platinum.

    One of the songs Glaser performed on the album, along with “Put Another Log on the Fire,” was “T for Texas.” Here he is performing the song in the 1980s.

    Glaser also co-wrote the great song, “Streets of Baltimore,” for Bobby Bare. The song contains a lot of alt-country street cred because of the wonderful version by Gram Parsons. More recently, the song has been covered by The Little Willies. Here is a 2006 Virginia performance of the song by Ryan Adams.

    T for thanks for the great music, Mr. Glaser. Rest in peace.

    What is your favorite Tompall Glaser song? Leave your two cents in the comments.

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    80 Years of Willie: From Opry Singer to Outlaw to Wizard

    Willie Nelson Heroes Eighty years ago this week, Willie Hugh Nelson was born on April 29, 1933 in Abbott, Texas. Nelson is still going strong making music, and he using his annual birthday concert to benefit the West, Texas volunteer fire department that was affected by the recent fertilizer plant explosion that killed fourteen people and injured many others.

    We have highlighted some of Nelson’s songs in other posts, and the man has such a range it is hard to select one song to celebrate the special occasion. So here are several spanning the birthday boy’s career.

    Here is some early Willie Nelson from before the long hair and the beard. In this video, he performs a medley of songs at the Grand Ole Opry. One of the songs he performs is “Night Life,” which he wrote and which became a hit for Ray Price. Nelson also played bass for a time in Price’s band. Nelson also performs part of his classic ‘Crazy,” which of course was a big hit for Patsy Cline.

    Around 1970, Nelson left Nashville and moved back to Texas, where he became an “outlaw.” Here in this performance from 1974, Nelson performs “Good-Hearted Woman,” which he wrote and recorded with Waylon Jennings.

    Here is a 1975 performance of “Blue Eyes Crying in the Rain.” The song was written by Fred Rose, but the song is forever linked to Willie Nelson after he covered the song on his great concept album, Red-Headed Stranger (1975).

    Here is one you might have missed, a more recent song from Nelson. Nelson is a great interpreter of a range of styles and songwriters, which he shows here in a cover of “Gravedigger,” a Dave Matthews song. The song appeared on Nelson’s 2008 album Moment of Forever.

    Finally, here is something even more recent showing Nelson’s sense of humor. Conan O’Brien recently showed Willie Nelson’s audition tape for the role of Gandalf in Hobbit 2. Of course, there is some of Nelson’s pot humor as well as a short rendition of “Mamas Don’t Let Your Babies Grow Up to be Orcs.”

    Whether you like early Willie, Outlaw Willie, or modern Willie, put on some music today.

    What is your favorite Willie Nelson song? Leave your two cents in the comments.

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    Three Unusual (But Awesome) Coldplay Covers

    coldplay x&y Songs by Coldplay often seem ripe for reinterpretation despite the fact that lead vocalist Chris Martin does have a great voice. But his voice is so distinctive that sometimes hearing someone else sing a Coldplay song helps reveal another side of the song.

    One cover, which may be the most familiar Coldplay cover because of its use in a Chipolte commercial, is Willie Nelson’s cover of “The Scientist,” which appears on his Heroes (2012) album. Willie Nelson, long known for his ability to interpret songs by other artists, takes the Coldplay song and gives it new meaning, aided by the video from Chipolte that addresses a message more serious than tacos. The accompanying “Back to the Start” short movie by film-maker Johnny Kelly made me see “The Scientist” in a whole new light.

    Another animated video for a Coldplay cover is “Yellow” by Renee & Jeremy on their A Little Love (2012) CD. The singers Renee Stahl and Jeremy Toback record songs together as Renne & Jeremy for listeners of all ages with the idea of recording songs for kids that adults enjoy too. The following charming video was created and directed by Jon Izen.

    My favorite cover of a Coldplay song appeared in the movie Young@Heart (2007). The film (reviewed by Cinematical here) is about senior citizens from Massachusetts who formed a singing group called Young@Heart. Hearing one of the elderly men sing Coldplay’s “Fix You” when he is himself near death and has lost a number of friends sends chills down your spine, giving the song a meaning that the younger singer cannot quite capture no matter how good they are.



    What is your favorite Coldplay cover? Leave your two cents in the comments.

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    Andrew Combs Need Not Be A “Worried Man” (CD Review)

    Andrew Combs Worried Man

    I do not quite get the album art on Worried Man (2012), the debut full-length CD by Andrew Combs. Is he cold? Is it supposed to be a picture of a “Worried Man”? I do not think the album cover adequately prepared me for what to expect when I heard the music. One thing I do know, though, is that it is the best album by a new artist I have heard in a long time.

    Because Worried Man came out in October 2012, I realize I am a little slow in discovering Andrew Combs. But seeing a video of Andrew Combs performing on the Twang Nation website recently led me to check out his album. Listening to Worried Man starting with the first track of “Devil’s Got My Woman” has been one of those periodic experiences that restores my faith in new music.

    Combs, who is originally from Texas and now resides in Nashville, wrote all of the songs on the album, and he sings with an ache in his voice in the best country and Americana tradition. The album includes heartbreak, whiskey, and pedal steel, and the title track reminds one of an old murder ballad (even if the violence stops short of killing). You can hear the influences of Combs’s heroes who include Harlan Howard, Willie Nelson, Mickey Newbury, Guy Clark, Jackson Browne, and Tom T. Hall. Combs pulls off connecting to these past influences while also sounding modern at the same time, as he does in this performance of “Please, Please, Please.”

    Every artist is different, of course, but for comparison purposes, a lot of the songs remind me of another artist I like a lot, Slaid Cleaves. “Please, Please, Please” sounds like it could be a great Heartbreaker-era Ryan Adams track. The song “Worried Man” sounds like it is off of the album of another Texan, Ray Wylie Hubbard . For now, Andrew Combs has made a stream of the album available so you can listen for yourself below Check it out.

    Combs, who released the album on his own Coin Records, also co-produced the album with Mike Odmark. Singer-songwriter Caitlin Rose adds her voice to several of the tracks. I look forward to more music from Andrew Combs, whatever the cover looks like.

    What is your favorite track off of Worried Man? Leave your two cents in the comments.

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