When is Mickey Newbury’s “33rd of August”?

Mickey Newbury’s song “33rd of August” had a special connection for singers like David Allan Coe. But what is the song really about?

Mickey Newbury’s 1969 album Looks Like Rain is one of the rare albums where every song is great. Newbury, who John Prine called “probably the best songwriter ever,” hits you in the guts with every song. Upon repeated listens, each song on Looks Like Rain grows deeper. And one song in particular that stands out is “33rd of August” (paired on the track with “When the Baby in My Lady Gets the Blues”).

Mickey Newbury was born in Houston on May 19, 1940 and died in Oregon on September 29, 2002. During his lifetime, he became well-respected by his songwriting peers, even if huge commercial success eluded him.

Newbury’s song “33rd of August” has been covered by artists such as Waylon Jennings, Willie Nelson, and Joan Baez. One of the more famous versions is by David Allan Coe. Coe released the song on his third album The Mysterious Rhinestone Cowboy (1974), which was also his first album devoted entirely to country music. Coe, an outstanding songwriter himself, recognized songwriting talent, also including a song by Guy Clark on the album.

David Allan Coe Sings “33rd of August” from a Cell

But Newbury and his song “33rd of August,” obviously touched a special chord with Coe. Coe dedicated his album The Mysterious Rhinestone Cowboy to Newbury. On the album, he even included a letter he had written Newbury, including the line: “Freedom is knowing how to remember the weight of your chains once they’ve been removed, for each man feels his own pain in prison and each man must pull his own time.”

Coe’s references to “freedom” and “prison” were hard won. Coe was sent to reform school at age nine, and subsequently spent a number of years in correctional facilities, including three years serving time at the Ohio Penitentiary.

Around the time he released The Mysterious Rhinestone Cowboy (in 1974 or 1975), he sang “33rd of August” from one of the cells where he had spent time.

When is the 33rd of August?

When a song has a specific date in the title (such as Matthew Ryan’s “3rd of October“), it is logical to ask about the significance of that date to the song. Here, the song is not clear about the meaning behind the made-up date of August 33. So, one might also wonder when is the thirty-third of August since the month only has thirty-one days?

The logical answer, would be that it must be September 2, or two days after August 31. But of course, the song is not really about September 2 or the events of a specific date.

The song opens, apparently, at a train station with a reference to a typical train station welcoming party from film. There is a crowd there, but the band has left. The only remaining musician is a singer who cannot see. The person narrating the song came to town seeking salvation on the thirty-third of August.

Well, today there’s no salvation;
The band’s packed up and gone;
Left me standin’ with my penny in my hand;
There’s a big crowd at the station,
Where a blind man sings his songs;
He can see what I can’t understand,
It’s the thirty-third of August . . .

The singer is troubled, possibly addicted to drugs (with references to “I am finally touchin’ down” and “a thousand voices screamin’ through my brain”). The singer tells us he was once busted for vagrancy and spent time in jail. He has angry thoughts and demons dancing and singing inside his “fevered brain.”

It’s the thirty-third of August,
And I am finally touchin’ down;
Eight days from Sunday, Lord,
Saturday bound.

So what is the significance of the “thirty-third of August” reference? Maybe the singer is trying to beat his addiction. But the day of redemption (Sunday) is farther away than the seven days of a week — it is eight days away. The singer cannot get to Sunday, instead bound for the day traditionally reserved for sinning, “Saturday bound.” And, if you count, “eight days from Sunday” if you are counting from today’s date, it would mean today is also Saturday.

So the singer is stuck on Saturday, trying to get to a Sunday that is out of reach. Similarly, like Sunday’s redemption, the thirty-third of August is a day that never comes.

So the singer is struggling for the salvation mentioned in the first line of the song, trying to get to the day traditionally associated with redemption, Sunday. But the singer remains locked in a cycle of Saturday nights, the traditional night of sin.

One line near the end of the song, though, provides a little hope for the singer, who declares, “Not all my God-like thoughts, Lord, are defiled.” In other words, the singer still has some good thoughts and is still struggling for salvation and has not given up. But that leaves us with the question of whether he would be better off if he had given up and was not reaching for something out of reach, like salvation, or the 33rd of August.

Of course, everyone is entitled to interpret a song in whatever way has meaning for them. Others have found other meaning in “33rd of August.” One commenter has explained, that the lyrics “capture a feeling of disorientation, despair, and resilience in the face of adversity. The lyrics paint a picture of a person trying to make sense of a confusing world while also finding inner strength and resilience.”

Others have found more specific meaning. Another writer has emphasized the religious connections in the song, going so far as to cite other references to the number “33” in the Bible. That author finds the rain the prisoner sees coming from his cell as the rain of redemption and cleansing.

Another website, lists “33rd of August” as an anti-war song, although it does not explain how it came to that conclusion. It does make sense that the narrator in the song might be a veteran of the Vietnam War. Traditionally, it is soldiers who might expect a band welcoming them at a train station. Many vets of that war also battled drug addiction and would have faced violent thoughts from their service.

And in the late 1960s, when the song was released, the war was on everyone’s minds, and so likely the songwriter Mickey Newbury might have placed the song in the voice of a veteran.

I haven’t found any interviews or performances where Newbury talks about the inspiration for “33rd of August.” Of course, listeners can hear whatever they hear. But the song of course had meaning for the songwriter Mickey Newbury. On his album Looks Like Rain, he a line of “33rd of August”(“And outside my cell it sure as hell / It looks like rain”) as the title for the wonderful album that features the song. Below is Newbury’s version of his song with the lyrics.

What do you think “33rd of August” is about? Leave your two cents in the comments.

Leave your two cents in the comments.

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    That Time Willie Nelson Got a Little Emotional Singing with Leon Russell and Ray Charles

    In 2003, viewers saw the emotion on Willie Nelson’s face as he performed with his friend Ray Charles for the last time.

    In 2003, a number of great performers gathered for Willie Nelson’s 70th birthday concert. One unforgettable moment from that concert celebration occurred when Nelson took the stage to sing “A Song For You” with Leon Russell and Ray Charles.

    The performance at New York’s Beacon Theatre, is memorable for a number of reasons. Of course, it is a great teaming of the three friends singing Russell’s classic song and they all do great. But it is the emotional impact of the performance that shines through the most, as you watch Willie Nelson’s face near tears for much of the song.

    Nathaniel Rateliff, on the One By Willie podcast, recently reported that Willie’s sadness was because he knew Ray Charles was very ill. In fact, the performance would the be last with the two old friends. Willie was reportedly very close to Ray Charles, as well as to Leon Russell, so it is a touching performance among the three men.

    I love you in a place
    Where there’s no space or time;
    I love you for my life,
    You’re a friend of mine;
    And when my life is over,
    Remember when we were together
    ;
    We were alone,
    And I was singing this song to you.

    After Russell and Nelson take turns at the beginning, they turn over the song to the great Ray Charles. Check it out, and have some tissues handy.

    The performance, as well as other songs from the concert, appear on Nelson’s album, Live and Kickin‘.

    Leave your two cents in the comments.

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  • Internet Venom, Toby Keith’s Death, . . . and Grace from Willie Nelson

    Many used Toby Keith’s death to make political statements, but the man and the reality were complicated, best summed up by Willie Nelson.

    Not long after I joined Twitter (which is now “X”) in 2010, a lot of folks were tweeting about Charlie Sheen. In early 2011, Sheen was in rehab and fired from his role on the TV show Two and a Half Men. Sheen appeared to have some type of breakdown, making claims about his “tiger blood” and about “winning.” The Internet had a field day.

    While enjoying the Internet humor, I came across a Tweet that changed my perspective. I don’t recall who sent it, but the person basically said in a kind way, “I understand why everyone is saying what they are saying, but it might be good to remember that Charlie Sheen is a real person with a substance abuse problem and that his family, including his dad Martin Sheen, are also real people seeing what we are saying.”

    And then I understood something that should have been obvious. It was s0mething many of us lose sight of in the excitement of an Internet flurry. Famous people are real people and maybe we should not say things about people that we would not say to their face in real life.

    I have tried to maintain that philosophy in my Internet presence, although I’m sure I’ve failed at various points.

    Internet Comments On Toby Keith’s Death

    I thought back to Charlie Sheen the morning we got the news that Toby Keith had died. I had last seen him, his once powerful figure now frail from cancer, performing “Don’t Let the Old Man In” at the 2023 People’s Choice Country Awards. After his death, I went to Twitter/X as a resource to find out more about his passing, but was surprised mainly to see a lot of hostility. And even though I sympathized with some of the criticisms on other days, I was taken aback at how harsh it was at the time of his death. It made me think of Keith and his family.

    So, on the day his death was announced, Twitter was divided about Toby Keith’s legacy. Although in subsequent days the discussions about Keith were more balanced, on the day where his death was news, I found that trending more than “Toby Keith” was “Dixie Chicks” and “Kris Kristofferson.” In the initial response to Keith’s death, there seemed to be mostly Tweets indirectly and directly celebrating his death and making jokes, referencing some combination of real and made-up history about his career.

    The real history was that in the wake of 9/11, after Toby Keith released the song “Courtesy of the Red, White, and Blue (The Angry American),” he engaged in some back-and-forth with the Dixie Chicks’ Natalie Maines, who had criticized President Bush and the Iraq War. The feud started when Maines also criticized Keith’s song as “ignorant” and making country music sound “ignorant.” Keith responded by criticizing Maines’s songwriting skills, and then began using a doctored photo of her with Saddam Hussein on his tour. Maines then wore a t-shirt at an awards show with the letters, “F.U.T.K.” thought by many to be a message of “F You Toby Keith.”

    But made-up history on Twitter also added to Keith’s transgressions, including claims that he had threated Natalie Maines (confusing the real horrible fact that she had actually been threatened by music fans for her statements). And it also ignored that later Toby Keith regretted the whole feud.

    The made-up history also included a lot of references to a Rolling Stone essay by actor Ethan Hawke, who had claimed that at an event celebrating Willie Nelson’s birthday he heard Toby Keith warn Kris Kristofferson not to say any “lefty shit.” And then Kristofferson responded by dressing down and humiliating Keith, who had not served in the military as Kristofferson had. Keith angrily disputed the story at the time. And even though most involved (except Hawke) questioned Hawke’s account, it again became a major story again in light of Keith’s death. (Personally, I think what is most likely is that if there were any truth to the tale, Keith most likely said something in jest and Kristofferson responded in jest too. Or maybe there was some alcohol involved.)

    Now, before you think I’m a Toby Keith apologist, I should reveal that from the start I’ve always been Team Dixie Chicks (now Chicks). And I love the music and respectd the life of Kris Kristofferson, a legend. I also never liked the endorsement of violence and boots-in-asses in Keith’s song “Courtesy of the Red, White, and Blue” as well as to a lesser extent his duet with Willie Nelson on “Beer for My Horses” (“Take all the rope in Texas, find a tall oak tree, / Round up all of them bad boys, hang them high in the street”).

    But, even though I bought Dixie Chicks albums and never owned a Toby Keith album, I do think Keith was a talented songwriter and singer from the hits I’ve heard. Many of his hits songs expressed a delightful sense of humor. And while like many others, I have my problems with the message of “Courtesy of the Red, White, and Blue,” I also recognize that it captured a feeling among many in America after the humiliation and tragedy of 9/11. Along those lines, it is helpful to know that Keith initially did not intend to release the song but only use it in concert. And he had written the song with the subtitle “Angry American” reflecting it was a tribute to his late father’s perspective as an old veteran.

    Further complicating the anger directed at Keith is that Keith’s politics were always more complicated than portrayed. Yes, he supported the military and took pro-America stances. But one may imply too much from that information. He had been a registered Democrat at the time of his “Courtesy of the Red, White, and Blue” song until 2008, later changing to be an Independent (i.e., never a Republican). And while he did perform at a pre-inauguration event for President Donald Trump, he explained it not in terms of support for Trump but in terms of helping any U.S. President who asked. He earlier had voted for Bill Clinton for president and had given a lot of praise to President Barack Obama.

    But still, a lot of folks used the opportunity of Keith’s death to show how funny and cool they were by oversimplifying the history.

    Willie’s Wisdom

    Which all brings me to Willie Nelson. As discussed above, following Keith’s death from cancer, which must have been very difficult for both him and his family, there was the initial dueling outpouring on Twitter of the critics using his death for their jokes and others praising Keith as an “American,” including his songs and his work helping soldiers.

    But in the midst of it all was a Tweet from Willie Nelson, who knew Keith, did a hit song with him, and was allegedly present during the Kristofferson encounter. Willie said simply “Rest in Peace Toby” and “I’ve had a lot of fun singing with Toby. He’s one of us…”

    And that said it all for me, “He’s one of us.”

    One may read it as Willie merely saying Toby Keith was a fellow singer or fellow country musician. But I think his point was broader than that. Toby Keith was human, just like us. And like us, he made mistakes, regretted some of his mistakes, lived his life, and had loved ones.

    And like all of us humans do eventually, often with some suffering, he died.

    And because we all struggle through this life with our own ups and downs and challenges, maybe we should try to avoid delighting in the pain of others, whether it be death or drug addiction and talking about “tiger blood.” Maybe we should err on the side of trying to understand others.

    It is a difficult message these days as we face a country that is very divided politically. But Willie has been around a long time, and maybe we should give some weight to his advice. He is not the first one to say such a thing, but he gave us a timely reminder of what we used to call the Golden Rule.

    Many moons I have lived;
    My body’s weathered and worn;
    Ask yourself how would you be,
    If you didn’t know the day you were born.

    Try to love on your wife;
    And stay close to your friends;
    Toast each sundown with wine;
    Don’t let the old man in.

    “Don’t Let the Old Man In,” Toby Keith.

    Leave your two cents in the comments.

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  • Karen O and Willie Nelson Record “Under Pressure” (Pandemic Song of the Day)

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    Under Pressure Willie

    Karen O and Willie Nelson recently recorded a cover of “Under Pressure,” originally written and performed by Queen and David Bowie. Karen O of the Yeah Yeah Yeahs wrote Nelson seeking his help for a letter seeking funding for independent music venues during the COVID-19 pandemic.  In her letter, she also raised the possibility of working together. And out of that contact came this collaboration.

    Through Nelson’s daughter, Nelson responded to Karen O asking for a suggested song.  And Karen O came up with the idea for a new interpretation of the Bowie-Queen classic.

    This new version begins with the famous bass line, but it remains quieter and acoustic, focusing on the lyrics for our troubled times.  Check out Karen O and Willie Nelson on “Under Pressure.”

    And that is our Pandemic Song of the Day. Leave your two cents in the comments.

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    When the World Seems to be Spinnin’ Hopelessly Out of Control

    During the pandemic, I’ve found a special connection to Willie Nelson’s recording of”Hands on the Wheel.”

    Early in the pandemic as things seemed to become more insane day-by-day, I turned to music for comfort. And one of the albums I found myself repeatedly listening to was Willie Nelson’s Red Headed Stranger. And one song I kept returning to was “Hands on the Wheel.”

    Nelson Hands on the Wheel

    Nelson’s concept album recounts the tale of the Stranger who after killing his wife and her lover begins a journey to find redemption. Finally, after much travel, the Stranger’s discovery of peace is relayed in “Hands on the Wheel.”

    The album’s final song with words was written by Kentucky raised Will Callery, and the song is often also associated with Jerry Jeff Walker. Nelson’s version also appears at the end of the Robert Redford movie The Electric Horseman (1979).

    There is another wonderful version of “Hands on the Wheel” by Carla Bozulich and Willie Nelson on Bozulich’s re-interpretation of the entire Red Headed Stranger album. I’ve also been listening a lot to Bozulich‘s wonderful Red Headed Stranger album too, and I recommend it for fans of Nelson’s album.

    I am not sure why the album and this song have grabbed me even more during these times. Maybe even Willie Nelson saw the connection, as online he performed the song with his sons early on during the pandemic. Perhaps it is something subconscious about how “Hands on the Wheel” begins:

    At a time when the world seems to be spinnin’
    Hopelessly out of control;
    There’s deceivers, and believers, and old in-betweeners,
    That seem to have no place to go.

    Those lines reflect much of the feeling in the air these days. As the pandemic and the economic devastation bring death and suffering to the world, everything seems out of control with failed leadership. At the same time, when I go on Facebook and elsewhere, I see the deceivers echoing falsehoods about the coronavirus. And that takes place while we shelter, seemingly having no place to go.

    It is a pretty depressing opening to a song. Yet, maybe the song also gives us some hope, or I at least I want to believe it does. The singer continues by telling us how in the craziness of the world, he found love, family, faith, and a place in the world.

    And I looked to the stars,
    Tried all of the bars,
    And I’ve nearly gone up in smoke;
    Now my hand’s on the wheel,
    Of something that’s real,
    And I feel like I’m going home.

    And maybe that is it. We have to hang on to whatever is real to try to get through these times. Remember what matters, whatever or whoever that is. And hang onto it for dear life, no matter what the rest of 2020 brings us. Don’t let go. Like the Four Seasons also told us, “hang on to what we’ve got.”

    And maybe not today, or tomorrow, or the day after that, but someday we will wake up and feel like we are not yet home — but at last we are heading that way.

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