Tag: Waylon Jennings

The Fourth of July in Song

american flag There are a number of popular songs that reference the Fourth of July and Independence Day. There are songs that take a historical approach to focus on the drafters and signers of the Declaration of Independence as in the play and movie 1776. And there are popular songs about America like the version of “America the Beautiful” by Ray Charles or the song we discussed on Chimesfreedom last year, Paul Simon’s “American Tune.” But there are also a number of songs that refer to the modern version of the holiday without singing about Jefferson, Franklin, Adams, or purple mountains majesty.

Shooter Jennings: “Fourth of July”

Shooter Jennings, son of the great Waylon Jennings, recorded an excellent song about the holiday in “Fourth of July” off his debut album, Put the O Back in Country (2005). Although the song does not mention the Declaration of Independence or our Founding Fathers, it evokes the Fourth of July that is more familiar to Americans today of having a nice holiday.

Unlike many of the other Fourth of July patriotic songs, Shooter Jennings’s song is completely about the holiday. And it is a fun song. A live version is here.

“Independence Day”

There are two excellent songs titled “Independence Day” that focus on personal escape and independence. In Bruce Springsteen’s song from The River (1980), he sings about leaving home, not necessarily on the Fourth of July.  The song highlights the tension between father and son, with the son leaving:  “Well say goodbye it’s Independence Day / It’s Independence Day all boys must run away.”

While Springsteen’s “Independence Day” portrays a bittersweet aspect of growing up and escaping, Martina McBride sings her “Independence Day” as an angry and empowering anthem. In the song, written by Gretchen Peters, the singer recounts her mom standing up to domestic abuse.

The “Independence Day” in this song refers both to the mother’s action asserting independence as well as to the holiday:  “So I took myself down to the fair in town / On Independence Day.” Here is McBride’s video of the song, which appeared on her album The Way That I Am (1993).

“Fourth of July, Asbury Park”

Springsteen actually does have a song that, unlike his “Independence Day,” is set on the holiday. “Fourth of July, Asbury Park (Sandy)” first appeared on Springsteen’s second album, The Wild, The Innocent and The E Street Shuffle (1973) album.  The song captures a moment of young love on a summer holiday down by the shore.

Here is a young Boss playing the song in 1975 at Hammersmith Odeon. Like Shooter’s song, this one does a great job of capturing the holiday spirit.

Songs About Fireworks

I suspect that many firework displays feature Katy Perry’s “Firework,” from her Teenage Dream (2010) album. Although the song mentions the Fourth of July, it does so in the context of asking the object of the song to “Just own the night like the Fourth of July.”

Like McBride’s “Independence Day,” Perry’s “Firework” is a song of empowerment, but without the arson.

Another song that evokes the annual holiday explosives is Ryan Adams’s excellent song, “Firecracker” from his Gold (2001) CD. The song is about courtship instead of going out to see fireworks on the Fourth of July: “I just want to be your firecracker / And maybe be your baby tonight.”

In this video, Adams performs “Firecracker” in an acoustic version.

“The Great Compromise”

John Prine invokes patriotic imagery as he remembers “a girl who was almost a lady” born on the Fourth of July in his wonderful “The Great Compromise.” The song appeared on Prine’s album Diamonds In The Rough (1971).

The girl in “The Great Compromise,” however, really represents the United States.  Prine’s song about disillusionment with the country during the Vietnam War is one of the great songs about our country. [Thanks to Lucia Ferrara for reminding me about the Prine song.]

Other Singing References to the Fourth

Many other singers and songwriters have planted references to the holiday in their songs.  For example, there are songs by James Taylor (“On the Fourth of July”), U2 (the instrumental “4th of July”), Elliott Smith (“Independence Day”), X (“4th of July”), Ariel Abshire (“Fourth of July”), and Aimee Mann (“4th of July”).

Tom Waits mentions the holiday in “This One From the Heart.” So does Chicago in “Saturday in the Park” but the band was not completely sure about the day:  “Saturday in the park/ I think it was the Fourth of July.”

And Lucinda Williams sang about a “Metal Firecracker,” although the song title referred to a tour bus. PopMatters has a good list of July Fourth songs, and check out the comments below for some more additions.

What is your favorite Fourth of July song? Let us know in the comments. And have a happy and safe Fourth of July.

 

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    The Day the Music Died & American Pie

    Watch a video filled with images explaining possible references in Don McLean’s song “American Pie.”

    day the music died buddy holly book On this date of February 3 in 1959, a small plane crashed in a cornfield near Clear Lake, Iowa, killing the pilot Roger Peterson along with his famous passengers: Buddy Holly, Ritchie Valens, and the Big Bopper. The three were on “The Winter Dance Party” tour throughout the Midwest, a tour that also included Dion and a young bass player named Waylon Jennings. The tour traveled by bus, but for the trip to Moorhead, Minnesota, the three performers chartered a plane.

    In the future, Chimesfreedom plans to revisit more of the story, but for today check out this cool video that someone put together for Don McLean‘s song, “American Pie.” The song is celebrating its fortieth anniversary, as around this time in 1972 following the song’s release a few months earlier on Nov. 27, 1971, the song had climbed the charts so you could not turn on the radio without hearing “American Pie.”

    Through the years, McLean has been notoriously vague about specific meanings of the imagery in the song, but it is widely accepted that the opening and refrain of the song centers on his memories of hearing about the death of the three singers in the plane crash. In his memory, he wondered what would happen to rock and roll after such a great loss, which led to an era of Pat Boone and Fabian songs.

    Of course, now we know, unfortunately, that rock an roll has survived many such losses since then, but these were the early days. Anyway, the video does a good job of explaining some of the imagery, and even if it is not 100% correct about the images, it provides an interesting interpretation to much of the song. Check it out.

    What do you think “American Pie” means? What is your favorite song by Buddy Holly or the others? Leave your two cents in the comments.

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    Devil’s Right Hand Arrest in New York City

    pellet gun Recently, a woman from Tennessee was arrested for carrying a licensed gun in New York City. The case has sparked some uproar because of the unusual facts. The woman, Meredith Graves, apparently was carrying a gun licensed in her home state of Tennessee while visiting the 9/11 Memorial in New York. After seeing a “No Guns” sign, Ms. Graves asked police where she could check her gun. Subsequently, she was arrested under a New York law prohibiting people from carrying a loaded gun, even if the gun is licensed in another state.

    The case is a perfect illustration of the old adage, “Ignorance of the Law is No Excuse.” Generally, that is true in the law, as one may understand that someone should not be able to commit robbery and then say they did not know it was against the law. Only very rarely can ignorance of the law rise to a Due Process problem when someone is punished for violating a law they did not know existed. Under this case, a court would probably hold that when someone travels to another state with a gun, it is not unfair to require them to check the local laws on whether they can pack heat.

    Here, Ms. Graves had every intent to comply with the law and was arrested for violating a New York law she did not know existed. A prosecutor sought a felony conviction, which could result in a sentence of up to 3 1/2 years. This case seems like a perfect one for a prosecutor to use discretion to avoid a conviction of someone who did not wish to cause any harm and who tried to comply with the law — even if she could have done things a little better. My guess is that the prosecutor is using the case to help publicize the New York law to tell tourists to leave their guns at home. 

    There are a number of slang terms for guns, and one of the coolest is “the Devil’s right hand,” used in the song of the same name written by Steve Earle from his album, Copperhead Road (1988). The song begins with the singer’s first encounter with what his mama called “the Devil’s right hand,” illustrating a fascination that ends up with the singer using a gun to kill another man during a fight in the card game. Like Ms. Graves, the singer pleads not guilty and blames it all on “the Devil’s right hand.” Here is a young Steve Earle performing the song.

    It is somewhat surprising that the song has not been covered more often by rock groups, considering the song’s catchy music and edgy lyrics. Perhaps the best cover is by The Highwaymen. That version makes good use of all of the members of the group: Johnny Cash, Waylong Jennings, Kris Kristofferson, and Willie Nelson.

    Two of the members of that group — Waylon Jennings and Johnny Cash — recorded their own solo versions too. Here is the group version. So listen to the song one more time as a reminder to check those gun laws when you travel.

    UPDATE:  In March 2012, Merredith Graves reached a deal with prosecutors so she did not face any jail time for carrying bringing her gun to town.

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    Well … All Right: Buddy’s 75th Birthday Roundup

    Buddy Holly Collection Charles Hardin Holley was born on September 7, 1936, meaning that this Wednesday, the man we came to know as Buddy Holly would have been 75 years old. I like to think there is some universe where Buddy is still making music. But in this universe, we will have to make due with the great music he left us when he died in 1959 at the young age of 22 on a flight from Mason City, Iowa to Moorhead, Minnesota.

    Around the web there are a number of stories celebrating the 75th birthday of the rock pioneer from Lubbock, Texas. Check out the links below (if you want an image of Buddy to guide you while you read this website, click this link).

    – Tribute CDs: Because it is all about the music, the best place to start may be this Rolling Stone link that is offering a free stream of the forthcoming tribute CD, Listen to Me: Buddy Holly (2011). The free steam is only up for a limited time, so now is the time to check out the CD, featuring Stevie Nicks, The Fray, Ringo Starr, and others. Chris Isaak’s version of “Crying Waiting Hoping” is a highlight, but I do not get the point of Eric Idle’s Monty Python-esque reading of “Raining in My Heart.” USA Today has a review of the CD. While the CD has some nice covers, nothing comes close to the originals, of course. Another tribute CD, Rave On Buddy Holly, was out earlier this year, and is reviewed by The Aquarian Weekly. I am a fan of a previous tribute CD, Not Fade Away (1996), featuring The Band, Nanci Griffith, Joe Ely, and the Mavericks. That CD features a haunting “Learning the Game” from Holly’s bassist Waylon Jennings.

    – Walk of Fame: KCBD notes that the birthday celebration includes a new star on the Walk of Fame. Lubbock Online explains how the star event has turned into an overdue celebration.

    – Buddy Holly’s Widow: Holly’s widow, Maria Elena Santiago-Holly, talks to Rolling Stone about the tributes. But Amarillo.com explains why Holly’s widow is trying to stop a tribute concert by a Buddy Holly impersonator.

    – Holly’s Relevance: In Holly’s hometown, Lubbock Online ponders why Holly is still relevant more than fifty years after his death. Similarly, the Houston Chronicle lists several reasons Buddy Holly still has a hold on us at 75.

    – Gary Busey as Holly: TMZ posted a video of Gary Busey, who was nominated for an Academy Award for his outstanding portrayal of Holly in The Buddy Holly Story (1978). In the video, Busey made a recent karaoke attempt to reprise his Holly-style singing on “Maybe Baby” (not for the faint of heart).

    – Life & Career: In “Buddy Holly’s 75th on Wednesday; That’ll Be the Day,” the Los Angeles Times talks to some who remember Holly and discusses the new tribute CDs. Similarly, Cybergrass recounts Holly’s career and discusses the new CD.

    – Odd Tributes to Holly’s Glasses: Finally, for two odd Holly-related photos that were recently posted: First, the Silver Lining Opticians Blog features a photo of Holly to promote a style of spectacles (or you may see how you would look in Holly’s glasses at buddyholly.me). Second, NewMexicoBoxing.com has a photo of boxer Eric Henson, who is nicknamed “Buddy Holly.” You will be able to guess why from the photo.

    Somewhat surprisingly, as the day approaches, there is not as much written about Buddy Holly’s 75th birthday on the web as one might expect. Much of of the news about Holly is related to the new tribute CD. Perhaps because he died so long ago, fewer people connect to him the way we connect to anniversaries regarding John Lennon or Elvis Presley. Oh well, maybe there is not much new to say as long as we have the music.

    “Now, no matter what you think about rock and roll,” check out this clip of Holly singing “Peggy Sue” on The Arthur Murray Dance Party from December 29, 1957, with an introduction that reminds us that Buddy Holly and rock music was on the cutting edge of the times. Thus, he rightfully was among the initial class of ten performer inductees when the Rock & Roll Hall of Fame began in 1986. Buddy, hope you are having a great birthday in your universe.

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    Van Morrison: Til I Gain Control Again

    Van Morrison Pay the Devil In addition to all of his other musical accomplishments, the Northern-Ireland-born Van Morrison is one of the greatest living interpreters of American music, be it blues, jazz, or R&B. One of his best albums in recent years is Pay the Devil (2006), where the entire CD is devoted to country music. And a standout track on the album is Rodney Crowell’s “Til I Gain Control Again,” which first appeared on Crowell’s 1981 self-titled album.

    “Til I Gain Control Again” is a beautiful song about love and heartbreak, where the singer realizes that it is too late to plead for reconciliation but is not yet able to let go. So the singer’s request is not for promises or for a future, but merely “I only hope that you can hold me now /Til I can gain control again.” Crowell has explained that the line, “There are some turns where I will spin,” means that the despair will happen again (“I’ll always pass this way again”). There may not be a sadder song about love’s end.

    Crowell wrote the song not long after he first arrived in Nashville, and has explained he wrote it in sort of a “three-day trance” where it was like the song came to him from another dimension. He also noted that one of the reasons he wrote the song was to get the attention of another great songwriter, Townes Van Zandt. An article from the New York Observer has a good interview with Crowell, where the article’s author concludes that “Til I Gain Control Again” is “one of those songs that are strong enough to change your life.”

    Crowell’s version is fantastic, and there are several excellent covers by other great artists. Emmylou Harris was the first to record the song, which appeared on her 1975 album, Elite Hotel. Other artists who have covered the song include Waylon Jennings, Raul Malo, Albert Lee, and Willie Nelson.

    Interestingly, in an interview on Texas Monthly‘s One By Willie podcast, Crowell explained how his favorite version is a studio recording by Willie Nelson where Crowell sang background. Unfortunately, that version is not widely available, appearing only on an out-of-print album sold as a bonus when people ordered by mail Nelson’s IRS Tapes. Instead, Nelson has released several live versions of the “Til I Gain Control Again.”

    This live version below has both Willie and Emmylou. Check it out.

    Crystal Gayle had the biggest hit with “Til I Gain Control Again,” taking it to number one in 1982. If you want something different, This Mortal Coil does an interesting sort of Goth Emo version.

    It is hard to pick a favorite version, but Van Morrison’s voice and interpretation give a soulful spin on “Til I Gain Control Again.” Although most of the artists who have recorded the song come from the country genre, Morrison does something a little different with the song, taking a brilliant song with so many excellent covers and making it his own.

    What is your favorite version of “Til I Gain Control Again”? Leave a comment.

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