When is Mickey Newbury’s “33rd of August”?

Mickey Newbury’s song “33rd of August” had a special connection for singers like David Allan Coe. But what is the song really about?

Mickey Newbury’s 1969 album Looks Like Rain is one of the rare albums where every song is great. Newbury, who John Prine called “probably the best songwriter ever,” hits you in the guts with every song. Upon repeated listens, each song on Looks Like Rain grows deeper. And one song in particular that stands out is “33rd of August” (paired on the track with “When the Baby in My Lady Gets the Blues”).

Mickey Newbury was born in Houston on May 19, 1940 and died in Oregon on September 29, 2002. During his lifetime, he became well-respected by his songwriting peers, even if huge commercial success eluded him.

Newbury’s song “33rd of August” has been covered by artists such as Waylon Jennings, Willie Nelson, and Joan Baez. One of the more famous versions is by David Allan Coe. Coe released the song on his third album The Mysterious Rhinestone Cowboy (1974), which was also his first album devoted entirely to country music. Coe, an outstanding songwriter himself, recognized songwriting talent, also including a song by Guy Clark on the album.

David Allan Coe Sings “33rd of August” from a Cell

But Newbury and his song “33rd of August,” obviously touched a special chord with Coe. Coe dedicated his album The Mysterious Rhinestone Cowboy to Newbury. On the album, he even included a letter he had written Newbury, including the line: “Freedom is knowing how to remember the weight of your chains once they’ve been removed, for each man feels his own pain in prison and each man must pull his own time.”

Coe’s references to “freedom” and “prison” were hard won. Coe was sent to reform school at age nine, and subsequently spent a number of years in correctional facilities, including three years serving time at the Ohio Penitentiary.

Around the time he released The Mysterious Rhinestone Cowboy (in 1974 or 1975), he sang “33rd of August” from one of the cells where he had spent time.

When is the 33rd of August?

When a song has a specific date in the title (such as Matthew Ryan’s “3rd of October“), it is logical to ask about the significance of that date to the song. Here, the song is not clear about the meaning behind the made-up date of August 33. So, one might also wonder when is the thirty-third of August since the month only has thirty-one days?

The logical answer, would be that it must be September 2, or two days after August 31. But of course, the song is not really about September 2 or the events of a specific date.

The song opens, apparently, at a train station with a reference to a typical train station welcoming party from film. There is a crowd there, but the band has left. The only remaining musician is a singer who cannot see. The person narrating the song came to town seeking salvation on the thirty-third of August.

Well, today there’s no salvation;
The band’s packed up and gone;
Left me standin’ with my penny in my hand;
There’s a big crowd at the station,
Where a blind man sings his songs;
He can see what I can’t understand,
It’s the thirty-third of August . . .

The singer is troubled, possibly addicted to drugs (with references to “I am finally touchin’ down” and “a thousand voices screamin’ through my brain”). The singer tells us he was once busted for vagrancy and spent time in jail. He has angry thoughts and demons dancing and singing inside his “fevered brain.”

It’s the thirty-third of August,
And I am finally touchin’ down;
Eight days from Sunday, Lord,
Saturday bound.

So what is the significance of the “thirty-third of August” reference? Maybe the singer is trying to beat his addiction. But the day of redemption (Sunday) is farther away than the seven days of a week — it is eight days away. The singer cannot get to Sunday, instead bound for the day traditionally reserved for sinning, “Saturday bound.” And, if you count, “eight days from Sunday” if you are counting from today’s date, it would mean today is also Saturday.

So the singer is stuck on Saturday, trying to get to a Sunday that is out of reach. Similarly, like Sunday’s redemption, the thirty-third of August is a day that never comes.

So the singer is struggling for the salvation mentioned in the first line of the song, trying to get to the day traditionally associated with redemption, Sunday. But the singer remains locked in a cycle of Saturday nights, the traditional night of sin.

One line near the end of the song, though, provides a little hope for the singer, who declares, “Not all my God-like thoughts, Lord, are defiled.” In other words, the singer still has some good thoughts and is still struggling for salvation and has not given up. But that leaves us with the question of whether he would be better off if he had given up and was not reaching for something out of reach, like salvation, or the 33rd of August.

Of course, everyone is entitled to interpret a song in whatever way has meaning for them. Others have found other meaning in “33rd of August.” One commenter has explained, that the lyrics “capture a feeling of disorientation, despair, and resilience in the face of adversity. The lyrics paint a picture of a person trying to make sense of a confusing world while also finding inner strength and resilience.”

Others have found more specific meaning. Another writer has emphasized the religious connections in the song, going so far as to cite other references to the number “33” in the Bible. That author finds the rain the prisoner sees coming from his cell as the rain of redemption and cleansing.

Another website, lists “33rd of August” as an anti-war song, although it does not explain how it came to that conclusion. It does make sense that the narrator in the song might be a veteran of the Vietnam War. Traditionally, it is soldiers who might expect a band welcoming them at a train station. Many vets of that war also battled drug addiction and would have faced violent thoughts from their service.

And in the late 1960s, when the song was released, the war was on everyone’s minds, and so likely the songwriter Mickey Newbury might have placed the song in the voice of a veteran.

I haven’t found any interviews or performances where Newbury talks about the inspiration for “33rd of August.” Of course, listeners can hear whatever they hear. But the song of course had meaning for the songwriter Mickey Newbury. On his album Looks Like Rain, he a line of “33rd of August”(“And outside my cell it sure as hell / It looks like rain”) as the title for the wonderful album that features the song. Below is Newbury’s version of his song with the lyrics.

What do you think “33rd of August” is about? Leave your two cents in the comments.

Leave your two cents in the comments.

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    “Last Train to Clarksville” as a Protest Song?

    The Monkees

    One of the biggest hits recorded by The Monkees is “Last Train to Clarksville,” which was released in 1966.  Many of us grew up singing along to the song without realizing it was written as a protest against the Vietnam War.

    Take the last train to Clarksville
    And I’ll meet you at the station,
    You can be here by four-thirty,
    ‘Cause I’ve made your reservation, don’t be slow,
    Oh, no, no, no,
    Oh, no, no, no.

    If you listen closely to the lyrics sung by Micky Dolenz, you can hear that The Monkees’ “Last Train to Clarksville” is actually in the voice of someone frightened about going off to war.

    Now I must hang up the phone,
    I can’t hear you in this noisy railroad station,
    All alone, I’m feeling low.
    Oh, no, no, no,
    Oh, no, no, no,
    And I don’t know if I’m ever coming home.

    The song does not specifically mention the war, but songwriters Tommy Boyce and Bobby Hart explained that they kind of “snuck in” the Viet Nam references.  They noted, “We couldn’t be too direct with the Monkees.”

    And that is the story behind the song.

    What is your favorite song about the Vietnam War or about trains? Leave your two cents in the comments.

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    Steve Earle Looks Back on “Copperhead Road”

    Steve Earle Anniversary Steve Earle and the Dukes are celebrating the anniversary of the release of the album Copperhead Road, including a 30th Anniversary Tour.  Uni Records released Earle’s third album on October 17, 1988.

    Steve Earle made a conscious effort with the album to reach rock radio.  And the songs rocked harder than Earle’s previous two excellent albums, Guitar Town (Remastered)(Bonus Track) (1985) and Exit O (1987).

    You can hear Earle making a name for himself from the first chords on the opening and title track.  “Copperhead Road” tells the story of a Vietnam vet returning home to grow marijuana.

    Copperhead Road also featured one of the greatest songs ever written about guns, “The Devil’s Right Hand,” which was covered by Waylon Jennings.

    George Stroumboulopoulos of The Strombo Show from CBC Radio 2 recently talked to Earle about the album.  Check out the insightful interview where Earle recounts making the album and the music’s legacy.

    What is your favorite song on Copperhead Road? It is hard for me to name one song, but I do love “Even When I’m Blue.” Leave your two cents in the comments.

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    The Ambiguous Anti-War Underpinnings of “Galveston”

    Anti-war song Galveston

    One of the late Glen Campbell’s greatest recordings is of the Jimmy Webb penned classic, “Galveston.” Although it has been called one of the best anti-war pop songs (even bordering on sedition), the anti-war elements are so understated that I had heard the song many times without ever recognizing its references to war.

    Rolling Stone
    has noted how Webb originally wrote the song as a protest song during the Viet Nam era.  Don Ho first recorded the song and introduced it to Campbell.  Then, Campbell made some small changes to the lyrics to make it a bit more ambiguous.

    The ambiguity is increased by the soaring music and the fact that Campbell wore a uniform in the official video.

    The Lyrics to “Galveston”

    Yet, it is the ambiguity that makes the song so great. The singer thinks back to the town of Galveston and the love he left there: “I still see her dark eyes glowing./She was twenty one, when I left Galveston.”

    The listener hears the first verse and has no idea why the singer left Galveston. But then in the second verse, there is a reference to cannons and the wonderful line, “I clean my gun, and dream of Galveston.”

    Yet, to find any anti-war message, a listener must look to the next verse and the song’s final lines.

    “Galveston, I am so afraid of dying,
    Before I dry the tears she’s crying,
    Before I watch your sea birds flying in the sun, at Galveston, at Galveston.”

    One may still view the song as a soldier looking back on the love he left behind. In that sense, the song is similar to Bing Crosby’s recording of “White Christmas.” Or one may take the line about the fear of dying as a reminder of the horrors of war, which takes the lives of so many young people.

    Original Lyrics

    Webb was a great writer, but it is hard to argue that the ambiguous verse Campbell added to replace Webb’s more anti-war verse was not an improvement. In fact, when Webb recorded his song in 1972, he sang it with Campbell’s tweak to the lyrics.  What did Campbell change?

    According to Wikipedia, the original second verse as sung by Don Ho was:

    “Wonder if she could forget me;
    I’d go home if they would let me;
    Put down this gun,
    And go to Galveston.”

    The video below of someone’s trip to the beach in Galveston features these original lyrics in the Don Ho version.

    Campbell replaced that verse with the verse about cannon’s flashing and cleaning his gun. Gone was the reference to the fact that the soldier would leave the war if he could. Instead, we just know he thinks of Galveston and his love while he cleans his gun.

    Still, there is not much difference in meaning.  And Campbell also left in the line about the fear of dying.

    Webb and Campbell

    In the video below, Webb and Campbell discuss the song before playing a slower, soulful version with Webb on the piano.

    Webb himself has been a bit ambiguous about the meaning behind the song. In a Sound Observations interview, he claimed: “If there was a statement, and obviously I was saying something, I prefer to say it wasn’t anti-war – that it was more about an individual getting involved in a war and realizing that he’d rather be somewhere else.” He then went on to explain that it was not to be a “hit-you-over-the-head” protest song.

    Yet, Webb’s comments did reveal there was a message that became hidden in Campbell’s version: “But a lot of people didn’t get it anyway. Because, Glen pretty much cut it up-tempo. It was kind of like a march. It was kind of happy. It sounded almost patriotic.”

    Either way, it is a beautiful song, likely made more beautiful by the clash of the anti-war writer and the more conservative singer who supported the Viet Nam War. One can hear that tension in the beautiful song about a soldier longing for his Texas home, made more beautiful by the wonderful voice of Glen Campbell.

    What is your favorite anti-war song? Leave your two cents in the comments.

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    My Lai and “The Battle Hymn of Lt. Calley”

    On March 16, 1968, U.S. troops in Vietnam killed approximately 300-500 unarmed civilians in what became known as the My Lai Massacre. But it would not be until November 1969 before the incident became public knowledge in the United States.

    Despite various charges being filed, only Second Lieutenant William Calley Jr., a platoon leader in C Company, would be convicted of any crimes. After being found guilty of killing a number of people in the village, he was sentenced to life in prison, although he would serve three and a half years.

    When Calley’s trial began in late 1970, I was a little kid, absorbing various pieces about the war in Vietnam, as they filtered through various lenses of my childhood. I did not understand much about My Lai, but it became more prominent in my consciousness when after a trip to a local five-and-dime store, I picked up what looked like an interesting 45 RPM record called “The Battle Hymn of Lt. Calley.”

    “The Battle Hymn of Lt. Calley”

    I did not know anything about the record, so I suppose I selected it because the title looked interesting.  I thought it might be one of those funny records, popular at the time, that featured questions with humorous responses using song clips.  So, with nothing else I wanted to buy that week with my allowance, I took “The Battle Hymn of Lt. Calley” home.

    When I played it on my small record player, I became mesmerized by the song with the recognizable music of “The Battle Hymn of the Republic.” I played it over and over again.

    There were other songs about Calley and My Lai at the time.  But I only remember “The Battle Hymn of Lt. Calley,” written by Julian Wilson and James M. Smith.  At least three different artists recorded the song. The song was eventually covered by John Deere and Jones Bros. & Log Cabin Boys.  At one point, Tex Ritter covered the song but then his company decided it was too controversial to release.

    But the version I bought was the original by Terry Nelson and “C” Company.  The recording featured Alabama disc jockey Terry Nelson Skinner, who would later write the Air Supply hit “Even the Nights are Better.” Studio musicians provided the music. The group sold over one million copies of the single, and it peaked at number thirty-seven on the Billboard Hot 100 chart in May 1971.

    The flip side to “The Battle Hymn of Lt. Calley” was another song about the horrors of being a soldier in the war called “Routine Patrol.”  I repeatedly listened to that song too, although it was more scary, documenting men killed on a “routine patrol,” counting down like “Ten Little Indians.”

    The Real Story and Some Real Heroes

    As “The Battle Hymn of Lt. Calley” illustrates, many sided with Calley in debates about what happened at My Lai.  They claimed he was doing his duty in a land where one could not easily recognize the enemy.

    Because my childhood understanding of the story came from the song, that would be my image for awhile. But as much as I liked the record, something always seemed off to me about the tale. Growing up as a kid during that time, we knew that Vietnam was complicated and an awful mess, whichever side you were on.

    My Lai
    Hugh Thompson Jr.

    Calley rarely spoke about the My Lai massacre. In 2009, though, he apologized for his part in the killings, although he continued to assert that he was following orders on that day.

    Unfortunately, because I learned about My Lai from the song, I only knew the name of Calley. I did not know the names of those innocent people who were killed.

    And it would be decades before I would learn that there were real heroes that day, including helicopter pilot Hugh Thompson, Jr. and his crew Lawrence Colburn and Glenn Andreotta. The three men were flying in the area when they saw the massacre taking place. Backed by Colburn and Andreotta, Thompson intervened at the risk of his own safety to stop the slaughter and save the lives of many civilians. After people learned about what happened at My Lai, some Americans attacked Thompson instead of recognizing him as a hero.

    It is a shame that it took so long before I learned about Thompson, Colburn, and Andreotta. Someone should have written a song about them.

    Photo of Hugh Thompson, Jr. via public domain.

    Leave your two cents in the comments.

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