Tag: Tom Wilson

The Man Behind the Organ in “Like a Rolling Stone”

Organ Like a Rolling Stone

Alan Peter Kuperschmidt, who became known as musician Al Kooper, was born on February 5, 1944. Kooper played a number of important roles in the history of music, such as work as a producer and writer and for organizing Blood, Sweat & Tears. But most people know his work from a chance role he played in one of the greatest rock songs of all time, Bob Dylan’s “Like a Rolling Stone.”

On June 16, 1965, Kooper showed up for the second day of the production of “Like A Rolling Stone,” which was being produced by Tom Wilson. Kooper, who was a 21-year-old session guitarist, arrived merely as a guest of Wilson.

Initially, Kooper hoped to work his way into the session on guitar. But then he realized that guitarist Mike Bloomfield was more talented than him.

After Paul Griffin moved from playing organ on the song to playing piano, Kooper tried to get Wilson to let him play an organ part. Wilson rejected the idea. But when Wilson left the room, Kooper went into the session and took over the Hammond organ. Wilson let Kooper remain, and Kooper added the now famous organ riff to the song. When Dylan heard the playback, he reportedly asked for more organ.

The following video explains Kooper’s role in the recording of “Like a Rolling Stone,” including an interview with Kooper. Check it out.

Kooper went on to other amazing work, including playing organ for Dylan on tour and playing that instrument on the recording of “Just Like a Woman,” released in 1966.  Among his many other accomplishments, he discovered Lynyrd Skynyrd, producing and performing on their first three albums.  That’s him again on organ in “Free Bird,” even though he was officially credited under the name Roosevelt Gook.  He also played piano, organ, and French horn parts on The Rolling Stones’s “You Can’t Always Get What You Want.”

Kooper’s most recent solo album is WHITE CHOCOLATE (2008).

What is your favorite instrument on the recording of “Like a Rolling Stone”? Leave your two cents in the comments.

  • Dylan Plays “Like a Rolling Stone” With The Rolling Stones
  • A Famous Encounter and “Like a Rolling Pin”
  • The Big Chill Released in 1983
  • High School Trauma for Pop Stars
  • One Degree of Separation Between Bob Dylan & Twilight Zone: Bonnie Beecher & “Come Wander With Me”
  • Sheila Atim Peforming “Tight Connection to My Heart” (Great Bob Dylan Covers)

    • (Some related Chimesfreedom posts.)

    Buy from Amazon

    Dion’s Lost “Kickin’ Child” (Album Review)

    Kickin' Child

    Dion DiMucci remains one of the most underappreciated great early rock and rollers.  Yes, everyone knows his work with the Belmonts and later on classic songs like “Runaround Sue.”  But fans and critics often unjustly overlook other phases of Dion’s career.

    Such is the case with his folk-rock work from the 1960s (as well as his blues music).  Fortunately, Dion – Kickin’ Child 1965 Columbia Recordings — an album that would have been at the forefront of the folk-rock movement had it been released in 1965 when it was recorded in the Spring and Fall of that year — has finally been released.

    The 15 songs on the album produced by Tom Wilson include ten written or co-written by Dion, as well as three Bob Dylan songs. One of the Dylan covers is a wonderful bluesy version of “Baby I’m in the Mood For You.”

    Some of the songs would later appear on compilations, but the album never saw the light of day until now because Columbia refused to release it.  Listening to the album now, it is impossible to understand that decision.  But I am glad we can enjoy it now.

    For example, one may easily imagine an alternate universe where the album was released in 1965.  In that universe, “My Child” became a hit that forms the soundtrack of our memories of the 1960s.

    Dion recently explained to Billboard how he left the record label after they refused to release Kickin’ Child. For decades, the experience gave Dion bad memories.

    But when Dion recently listened to the remastered album, “The cloud lifted like vapor. It just lifted right out of my head. And I heard the music loud and clear like it was present to me. It wasn’t a novelty. It was rich. It was artistic, it was heartfelt. It was live. It was the real deal. And I said, ‘Man, this stuff is good.’ And I was proud of it.’”

    One of my favorite tracks on the album is Dion’s cover of Tom Paxton’s “I Can’t Help But Wonder Where I’m Bound.”

    The liner notes explain how Dion’s work at this time influenced others, even without the release of Kickin’ Child.  For example, he suggested to Wilson to add an electric band to Bob Dylan’s “House of the Rising Sun” (Dylan loved it).

    Critics are now giving the album some of the attention it should have received more than fifty years ago.  For example, Allmusic understandably calls Kickin’ Child “absolutely one of the greatest folk-rock records ever.” American Songwriter gives the album four out of five stars.

    Dion’s voice is in fine form. And the band from the Fall 1965 recording sessions — The Wanderers — has a great sound. The group included included The Belmonts’ Carlo Mastrangelo on drums.

    Another standout track is “Knowing I Won’t Go Back There.”  The song, written by Dion, previously appeared on the compilation album Road I’m On (another Dion album worth seeking out).

    Kickin Child is a wonderful album, and anyone who loves music from the 1960s folk and folk-rock scene should definitely check it out.

    Dion has mentioned that there exists other unreleased music from this era.  So, hopefully there will be more coming as we continue to reassess the great career of Dion.

    Leave your two cents in the comments.

  • Lou Reed Inducting Dion Into Rock Hall
  • Song of the Day: Dion’s “Sanctuary”
  • Valentine’s Day and Two Love Lessons
  • Dion: “New York Is My Home”
  • Anybody Here Seen My Old Friend John?
  • Dion’s Impromptu Lunchtime “Ruby Baby”
    • (Some related Chimesfreedom posts.)

    Biff from “Back to the Future” Is Doing Stand-Up Shows

    Tom Wilson Comedian

    Tom Wilson, who famously played Biff in the Back to the Future movie series, now has a career as a stand-up comic. He had started out doing stand-up comedy as a teenager while he was launching his acting career. In addition to his work in the Back to the Future films, he has worked in a number of movies and TV shows, including doing voices for the SpongeBob Squarepants series. According to his website, though, he is most at home doing comedy on stage.

    In the video below from one of his stand-up performances, Wilson makes fun of his work at sci-fi conventions with a song. Check it out.

    Wilson earlier wrote a song “Biff’s Question Song” to address the annoying questions he constantly gets about the Back to the Future trilogy.

    If you want to know more about Wilson’s thoughts on Back to the Future (his favorite was the third in the series), he put together a “Fact Sheet” to address all of the most common questions about the movies. For more on his stand-up career, check out his website.

    Leave your two cents in the comments.

  • The Man Behind the Organ in “Like a Rolling Stone”
  • Dion’s Lost “Kickin’ Child” (Album Review)
  • Mistakes in “Back to the Future”?
  • “The Big Lebowski” in 60 Seconds
  • Pop Culture Roundup (for Early February 2012)
  • This Week in Pop Culture Roundup (Nov. 20, 2011)

    • (Some related Chimesfreedom posts.)