When a Cowboy Trades His Spurs for Wings

Buster Scruggs Song

During repeated viewings of the Coen Brothers’ The Ballad of Buster Scruggs (2018), I began to fall in love with the duet at the end of the first segment of the Netflix movie. This first chapter that provides the title for the film ends with a funny duet on the song, “When a Cowboy Trades His Spurs for Wings,” which I later discovered was written by two artists I admire.

Well, it is funny on first viewing, but in subsequent viewings I found the song to be deeper and sadder, even as the tune is presented with humorous visuals. [Spoilers ahead.] In the tale, we meet Buster Scruggs (wonderfully played by Tim Blake Nelson), a quirky, funny, singing, and deadly cowboy. As in old Westerns, the character is the fastest gun until someone else comes along and kills him. Then, The Kid (played by Old Crow Medicine Show‘s Willie Watson) and Buster’s spirit engage in a duet about dying.

Let me tell you, buddy,
And it win’t be long,
Till you find yourself singing
Your last cowboy song.

Yippee-ki-yi-yay;
When the roundup ends;
Yippee-ki-yi-yay;
And the campfire dims.

Yippee-ki-yi-yay;
He shalt be saved,
When a cowboy trades
His spurs for wings.

The wonderful musicians Gillian Welch and David Rawlings wrote “When a Cowboy Trades His Spurs for Wings.” Once I found out who wrote the song, it did not surprise me that I would fall in love with the song. It also did not surprise me that the song received an Oscar nomination for Best Original Song.

Welch and Rawlings recorded their own version of the song. Their version takes a sweeter, more mournful approach than the humorous visuals in the Coen Brothers movie. Without Buster Scruggs, “When a Cowboy Trades His Spurs for Wings” becomes a more realistic dying cowboy’s lament. Check it out.

What is your favorite cowboy movie song? Leave your two cents in the comments.

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    “The Ballad of Buster Scruggs” (Short Review)

    Buster Scruggs ReviewWhen it was announced that the Coen Brothers were releasing a new movie Western on Netflix called The Ballad of Buster Scruggs (2018), I was quite excited as I love both Westerns and Coen Brothers films. The movie, which is really an anthology of six stories, creates an experience like reading a book of entertaining and thoughtful short stories.

    Short stories do not have the benefit of substantial character development, as does a novel. Some of the tales in The Ballad of Buster Scruggs may leave you wishing for more. And, like a book of short stories, some of the stories are stronger than others.  But the whole seems to get stronger the longer you watch.

    Six Tales

    Without spoiling any of the stories, I would note that even if you do not love the first two stories — “The Ballad of Buster Scruggs” and “Near Algodones” — you should continue. The segment that gives the movie its title features a happy singing gunslinger played by Tim Blake Nelson. “Near Algodones,” which features James Franco, is good but goes by too fast, like eating a small bag of potato chips. But you are likely to get drawn into the odd story of the third segment, “Meal Ticket,” featuring Liam Neeson.

    The fourth and fifth tales may be the strongest. “All Gold Canyon” features singer-songwriter Tom Waits doing a great acting job as a grizzled gold prospector in what may be the happiest of all the stories. And “The Gal Who Got Rattled” features many elements of a traditional wagon train epic.  It focuses on the plight of a woman whose companion on the trip, her brother, dies. Of all the segments, it is “The Gal Who Got Rattled” that appears most like it could have been developed into a feature film on its own.

    The Ballad of Buster Scruggs ends with a story set mainly in a stagecoach, “The Mortal Remains.” This segment plays more like a coda that connects again to issues about death and the frontier that echo throughout all of the segments.

    Rotten Tomatoes currently gives the movie a 91% critics rating and a 74% audience rating. In short, The Ballad of Buster Scruggs is a worthwhile trip through various Western tropes, such as gunslingers, con men, outlaws, wagon trains, gold prospectors, stagecoaches, and death. Partly because of the anthology nature, you likely will not find it to be your favorite Coen Brothers film.  But it is extremely enjoyable and worthwhile nonetheless.

    Which tale in “The Ballad of Buster Scruggs” is your favorite? Leave your two cents in the comments.

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    Tommy Lee Jones and “The Homesman” (Missed Movies)

    Tommy Lee Jones The odds are pretty good that you might have missed even hearing about a movie last year directed by and starring Tommy Lee Jones that also featured Hillary Swank, Meryl Streep, John Lithgow, James Spader, Tim Blake Nelson, Hailee Steinfeld, and several other stellar actors. But through the miracle of DVDs, you may now catch up on the odd but fascinating movie The Homesman (2014).

    The movie is based on a book by Glendon Swarthout, who wrote several books that have been made into movies, including Bless the Beasts and the Children and The Shootist. Although the actors and crew argue about whether or not The Homesman is a Western, the film is set in the 1850s of what was the West at the time, the Nebraska Territory (although much of it is filmed in northern New Mexico). And, like many Westerns, the film features beautiful images of the open landscape with wonderful cinematography (by Rodrigo Prieto).

    Much of The Homesman centers on Mary Bee Cuddy (Swank), a resourceful, intelligent, and lonely woman living on the frontier. In several disturbing scenes, the movie shows us how harsh conditions and tragedies affect the mental health of three women who live near Cuddy. As a result of their deterioration, the townspeople select Cuddy to take the mentally ill women back to civilization. As she prepares for her journey, Cuddy encounters George Briggs, who through some odd circumstances she recruits as the “homesman” of the title, a term for someone who takes immigrants back home.

    Threads of mental illness, loneliness, and the harsh landscape run throughout the movie, which features haunting images throughout. Few movies present such scenes of oddness that touch on the fact that the Old West must have contained many disturbed characters, although we see flashes of it in somewhat odd movies like Missouri Breaks (1976) (with Marlon Brando in an odd portrayal of a character talking to his horse) and Dwight Yoakam’s interesting but messy South of Heaven, West of Hell (2000). Similarly, there is a standout strange scene in Dances With Wolves where Costner encounters a soldier driven crazy by his time on the frontier.

    Homesman is made up of many such images but ties them together in a fascinating story that seems real and honest. None of the characters are perfect and they all have their own demons and weaknesses. Because of that, the movie strays from the traditional Western format that focuses on heroes who save the day. The movie is not predictable, and while not perfect, you will not soon forget it. Tommy Lee Jones continues to show a unique directing eye as he did in The Three Burials of Melquiades Estrada (2005) and The Sunset Limited (2011).

    Conclusion? If you have a taste for an unpredictable honest raw movie about unusual but real characters, and if you enjoy beautiful shots of the desolate Western United States, you might enjoy The Homesman. While it is not a great classic, it is a memorable unusual film that generally received good reviews and is worth your time.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    What did you think of Homesman? Leave your two cents in the comments.

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