God May Have a Silver Thunderbird, But Sally Has a Mustang

ford thunderbird On June 16 in 1903, Henry Ford signed the papers incorporating Ford Motor Company. A month later, the first Ford car was manufactured in Detroit. But it would not be until later when the company really began doing well, following the 1908 introduction of the Model T and the 1913 creation of an assembly line allowing mass production.

The automobile is intertwined with American history as well as with popular culture, as there are numerous songs about the highway and cars. Some popular songs are specific about the vehicles, such as Janis Joplin’s desire for a Mercedes Benz, Don McLean’s Chevy at the levy, and Prince’s Little Red Corvette.

Ford Motor Company products appear in songs too. In the video below, Marc Cohn sings about Ford’s Thunderbird car in “Silver Thunderbird.”

The title of the song “Silver Thunderbird” focuses on the car, which began manufacturing in 1955 and ended its run in 2005. But the lyrics of the song address Cohn’s childhood memories of how his father loved his car. “Great big fins and painted steel;/ Man it looked just like the batmobile,/ With my old man behind the wheel.”

“Silver Thunderbird” captures what a car can mean to a family. And I can relate, having grown up with parents who for some reason thought it was important to be loyal to one car company.

“Silver Thunderbird” is from Marc Cohn’s self-titled album from 1991 that also included the hit, “Walking in Memphis.” “Silver Thunderbird” later was covered by Jo Dee Mesina.

The most famous song about a Ford car is also one of the greatest car songs ever. “Mustang Sally” was written by Mack Rice and immortalized by Wilson Pickett in 1966.

The song, which asks Sally to slow her Mustang down, is not quite as wholesome as Cohn’s song about the Thunderbird. But the difference in song themes matches the different reputations of the two cars.

Although nobody can surpass Pickett’s version, there are a number of good covers of “Mustang Sally.” For example, in the excellent rise-and-fall-of-an-Irish-soul-band movie The Commitments (1991), the band’s performance of the song is one of the highlights of the film, which came out the same year as Cohn’s song about the Thunderbird.

The movie scene with The Commitments performing the song is no longer available on YouTube. But here is one of the group’s live performances, featuring lead singer Andrew Strong.

“Mustang Sally” has been performed by a wide range of artists, including Bruce Springsteen, Hootie and the Blowfish, and Sam & Dave. But it is impossible to surpass Pickett’s version.

In the interest of full disclosure, although I have owned other cars, following my parents, I drive a Ford today.

What are your favorite songs about cars? Leave your two cents in the comments.

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    Is That All There Is?: Jerry Leiber, Rest in Peace

    Leiber and Stoller Hound Dog On August 22, 2011, Jerry Leiber, part of the great song-writing team with Mike Stoller, passed away at the age of 78 from cardiopulmonary failure.

    Leiber’s impact on your life may be best summarized by this list of songs he co-wrote, mostly writing the lyrics while Stoller handled the music: Big Mama Thornton and Elvis Presley’s “Hound Dog,” Elvis’s “Jailhouse Rock,” Dion’s “Ruby Baby,” The Drifters’ “There Goes My Baby,” The Coasters’ “Yakety Yak,” The Searchers’ “Love Potion No. 9,” Peggy Lee’s “Is That All There Is?,” Ben E. King’s “Stand By Me” (written w/ Ben E. King and also recorded by John Lennon), Ben E. King’s “Spanish Harlem” (Leiber and Phil Spector), George Benson’s “On Broadway,” and Stealers Wheel’s “Stuck in the Middle With You.”

    Take away Leiber’s work and you have to imagine Elvis without “Jailhouse Rock,” or the movie Stand By Me without the song — or Reservoir Dogs without “Stuck in the Middle With You” (not for the faint of heart).

    Although many may not recognize the name, the above songs and others will be there for generations. Rolling Stone has a nice article about Leiber’s career.  A career that included forming a partnership with Stoller that put them in the Rock and Roll Hall of Fame in 1987.

    Rest in peace Mr. Leiber, and thanks for the songs, including this advice from “Is That All There Is?”:

    For I know just as well as I’m standing here talking to you,
    When that final moment comes and I’m breathing my last breath, I’ll be saying to myself,

    Is that all there is, is that all there is?
    If that’s all there is my friends, then let’s keep dancing;
    Let’s break out the booze and have a ball,
    If that’s all there is.

    UPDATE (Tuesday, Aug. 23, 2011): After the above story was posted, we learned that we lost another great songwriter. Nick Ashford died of cancer at the age of 69. Like Jerry Leiber, Ashford was famous for writing great songs with a partner, Valerie Simpson, who eventually became Ashford’s wife too. Their songs included Diana Ross’s “Ain’t No Mountain High Enough” and “Reach Out and Touch,” Ray Charles’s “Let’s Go Get Stoned” and “I Don’t Need No Doctor” (covered here by John Mayer and John Scofield), Chaka Khan’s “I’m Every Woman” (covered by Whitney Houston too), and one of my favorites, the Marvelette’s “Destination Anywhere,” which was featured in the movie The Commitments. Ashford & Simpson had success as performers too, including a hit with a song that has a title that described Ashford’s songwriting talent: “Solid (as a Rock).”

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