The Marcus King Band: “Goodbye Carolina”

Marcus King Carolina

Marcus King has one of those soulful voices that make you feel the person was born to sing southern music. Add in this young artist’s guitar playing, his songwriting skills, and combine with some additional music talent, and one has the recipe for one of the best bands you may never have heard until today.

In late 2018, The Marcus King Band released its third full-length album, Carolina Confessions. And all songs on the album were written or co-written by the 22-year-old King. The singer, who comes from a line of musicians, was born and raised in Greenville, South Carolina.

The music ranges from slow soul, to hard-driving southern rock, to sweet country. I feel a little Black Crowes, Otis Redding, and Allman Brothers running through the music.

One of my favorite tracks from the album is “Goodbye Carolina.” It is a song about leaving something behind. But it also is about searching for something more. King sings, “So, Goodbye Carolina, searched my whole life to find you / I hate to leave you but I hope you’ll know /Where I’m going I’ll be seeing you.”

Below, The Marcus King Band performs the song on The Late Show with Stephen Colbert. Check it out.

What do you think of The Marcus King Band? Leave your two cents in the comments.

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    Emmylou Harris recently appeared on The Late Show With Stephen Colbert with her band The Red Dirt Boys and gave a moving performance of Steve Earle’s “The Pilgrim.” The song is my favorite from Earle’s bluegrass album The Mountain (1999), so it was great to hear Harris’s wonderful voice giving it a new interpretation and a new meaning.

    In introducing the song, Harris touched upon today’s political culture and the plight of refugees. She noted, “This song is for the over 65 million displaced persons around the world.”

    And then she began the song.

    I am just a pilgrim on this road, boys;
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    Sometimes the road was rocky long the way, boys;
    But I was never travelin’ alone.

    Check it out.

    Harris and The Red Dirt Boys are touring to celebrate the 25th anniversary of her classic album Emmylou Harris and the Nash Ramblers At The Ryman, which was recently re-issued.

    What is your favorite cover of a Steve Earle song? Leave your two cents in the comments.

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    For example, at the beginning of one episode the announcer (Colbert) exclaimed that one of the guests would be Troubled Waters, a Paul Simon tribute band. For those who stayed awake for the end, the “tribute band” did not disappoint, turning out to be made up of Paul Simon. Troubled Waters then performed “Me and Julio Down by the Schoolyard” from Simon’s 1972 self-titled album.

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    I have felt a special pop-culture bond with Colbert for some time. About a year before he began his run on The Colbert Report, I went with a friend to a taping of The Daily Show. At first, the audience was disappointed to learn that Jon Stewart was taking a rare night off, but Stephen Colbert filled in for Stewart well, foreshadowing that he would one day have his own show. At one point during a commercial break, Colbert was goofing around and leaned against his desk with his arms in the air playing to the studio audience, “I’m Ultraman!” Nobody laughed but me, and he nodded at me saying, “We’re the only ones who know who Ultraman is?” as I nodded back. As a kid, inspired by the Japanese television series on my Midwestern black and white TV, I used to pretend I was Ultraman as I played in my backyard. In the New York City studio, though, I found joy in discovering a connection so far away from my childhood home.

    This week, Colbert ended The Colbert Report with an over-the-top final episode. It was funny and illustrated his numerous big-name connections. Check out the farewell of “We’ll Meet Again” with numerous celebrity cameos, starting at around the 1:10 mark in the video below (although Colbert actually ended the show with another song, “Holland, 1945” by Neutral Milk Hotel, playing over the final credits, apparently in a nod to his family). [2019 Update: Unfortunately, the video is no longer available.]

    Craig Ferguson’s final week on his show, which also began in 2005, has been relatively relaxed, hip, and low-key, consistent with his approach in the late-night spot. Still, he gave us several treats this week, such as an introduction to Josh Robert Thompson, the man behind the remotely controlled skeleton Geoff Peterson (see video at end of post).

    Whereas The Colbert Report seemed so much a product of our time with its satire of cable TV politics, Ferguson’s show has always been simultaneously cutting toward the future and the past. Kids liked him, but so did my mom. Ferguson’s rejection of late-night norms has been innovative, even as his show with a talking skeleton sidekick and other outrageous antics nodded to a past of Ernie Kovacs, Sid Caesar, and Imogene Coca. [2019 Update: Unfortunately, the video is no longer available for embedding.]

    Ferguson was refreshing for the way he seemed less connected to our modern celebrity-driven media, even while interviewing celebrities. Like Colbert, his final episode also featured a song with celebrity cameos, using the quirky choice of “Bang Your Drum,” a song about carving your own path by Scottish band Dead Man Fall (see video above, which begins as a music video and ends with Ferguson performing with a band and choir).

    Like a real late-night conversation in your home or dorm, Ferguson’s interviews with a guest could easily slip into an insightful discussion of famous painters or philosophers while still being funny. His monologues could touch on honest personal experiences as his did when he famously discussed his own alcoholism. In one of his great interviews, Dr. Cornel West told Ferguson, “You have a spirituality in your honesty.” So, it does not surprise me to hear that Ferguson recently explained how a conversation with Desmond Tutu affected the way he is leaving The Late Late Show.

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