When I heard that Patty Griffin appears on a song on the new album from Shooter Jennings, I had to track it down. The new song, “Wild and Lonesome” is from Jennings’s album The Other Life, coming out March 12. Jennings brings a traditional country sound to the song, and Griffin, who takes a break from her work with Robert Plant here, provides outstanding harmonies. The song is already earning great reviews and creating anticipation for the album. Check it out.
The album The Other Life will accompany a film by the same name, with the film also featuring Jennings on a supernatural trip of self discovery. Jennings is also working on a film about his late father, Waylon Jennings. Meanwhile Patty Griffin will have her own new album, American Kid, out on May 7.
What do you think of “Wild and Lonesome”? Leave your two cents in the comments.
Happy April Fool’s Day. Today, we consider the prank played by Train’s song, “Hey, Soul Sister,” where upon hearing the title you expect the song to be some type of soul song. Train’s joke is revealed from the moment you hear the strumming of the ukelele and you soon realize instead that “Hey, Soul Sister” is a boy band song. And a darn good one at that.
I liked Train since they released their first self-titled album in 1998. And when they later released “Drops of Jupiter” in 2001 on the album of the same name, I loved the song even as it was played endlessly on the radio. But then I did not hear about them for years, and suddenly there was this big hit I saw referenced several times before I actually heard it, “Hey, Soul Sister” from Save Me, San Francisco (2009).
According to Wikipedia, “it is the 8th most downloaded song in history, the most downloaded song of all time for Columbia Records, the top-selling song on iTunes in 2010.” Eighth in history? And I realize that it may not be fair to compare songs that were not released for the first time in the age of the Internet, but if it is the most downloaded song of all time for Columbia, it has been downloaded more times than Bob Dylan’s “Like a Rolling Stone” and Bruce Springsteen’s “Born to Run.” It was huge.
While “Hey, Soul Sister” is a good song, I must admit I never understood why it became such a gigantic hit for Train. According to Train lead singer Patrick Monahan, who co-wrote the song, he was inspired by imagining what it would be like to attend Burning Man, a party in the desert with naked people running around. But for some reason, I doubt they listen to “Mr. Mister” at Burning Man, so I do not know what he was thinking. Here’s the acoustic ukelele-only version.
Monahan has an excellent voice, and you cannot help but sing along, but it seems odd that a man of Monahan’s age (40 the year the song was released) sings the cheesy line, “You’re so gangsta, I’m so thug.” Yet, the line works when someone young sings the song, as a young man might be so naive — and sincere — to make such a silly claim to the object of his affection. The rest of the lyrics fit better for a naive young singer too.
You gave my life direction, a game show love connection we can’t deny; I’m so obsessed, my heart is bound to beat right out my untrimmed chest; I believe in you, like a virgin, you’re Madonna, and I’m always gonna wanna blow your mind.
“My untrimmed chest”?
That is why the song works so much better as a boy band song, and why I never particularly “got” the song until I heard it performed by singers on Glee on one of the few episodes of the TV show I have seen. While I am not a fan of of the boy band era of music, I am not so snooty that I can resist a good pop song. And if you are going to do a boy band song, it should be left to the boy bands. And the song works much better for Darren Criss and the Warblers, who make the hit song their own on Glee.
Which version do you like? Is there any soul in “Hey, Soul Sister”? Leave your two cents in the comments.
Although the song may work for the listener in many contexts, such as in that movie, much of the perfection of the song comes from the fact that it had personal meaning for Paul Simon:
“Tom, get your plane right on time; I know your part will go fine; Fly down to Mexico.”
Simon and Garfunkel started out in 1957 performing under the name “Tom & Jerry,” so one may see from the opening line that the song is a message to Tom, i.e., Art Garfunkel. In an interview, Simon explained, “That was written about Artie’s going off to make Catch 22 in Mexico.” At the time, Garfunkel had left Simon in New York to act in the movie Catch 22 (1970). One hears Simon’s melancholy at being left behind by his friend and singing partner in the chords of the song.
The song appeared on Bridge Over Troubled Water (1970), the last studio album from the team, and one hears the dissolution of the collaboration and the sadness of a deteriorating friendship that had started in high school. In the original, one hears the sadness in both voices, and you still hear it in Simon’s voice looking back as an older man.
As for this weekend, New York Giant fans hope they will not have sadness in their voices after Sunday’s game.
Post-Super Bowl Update: After the Giants won the game, the song played in the stadium was “Empire State of Mind” by Alicia Keys and Jay-Z. Another good song choice.
What do you think of “The Only Living Boy in New York”? What “New York” song would you pick for this year’s Super Bowl? Leave your two cents in the comments.
