Jerry Lee Lewis is releasing a new album on October 28, Rock & Roll Time. Like his other recent albums of duets, Last Man Standing (2006) and Mean Old Man (2010), the new album features help from some famous names like Keith Richards, Ron Wood, Neil Young, Robbie Robertson, Shelby Lynne, and Nils Lofgren.
The Memphis Commercial Appeal reports that the album will have eleven tracks, with roughly half originals and half covers (like “Folsom Prison Blues” and Bob Dylan’s “Stepchild”). Check out the title track, “Rock & Roll Time,” below.
Rock & Roll Time is not all we will be hearing from Jerry Lee Lewis. On September 23, Saguaro Road Records is releasing The Knox Phillips Sessions, a previously unreleased 1970s album from Lewis that was produced by Knox Phillips (the son of the legendary producer Sam Phillips). Additionally, a new Jerry Lee Lewis authorized biography Jerry Lee Lewis: His Own Story hits bookstores October 28. For the book, Lewis sat for interviews with author Rick Bragg.
It looks like there’s going to be a lot of Jerry Lee Lewis this Fall. The more Killer the better.
What is your favorite Jerry Lee Lewis song? Leave your two cents in the comments.
On December 4, 1956, Elvis Presley, Carl Perkins, Jerry Lee Lewis, and Johnny Cash gathered at the Sun Record Studios in Memphis, Tennessee. The gathering was not planned, but because of the fast thinking of a recording engineer, it created a unique moment in music history.
How the Gathering Started
On that date, Carl Perkins was in the studio to record a follow-up to his hit “Blue Suede Shoes.” A still-unknown Jerry Lee Lewis, whose “Whole Lotta Shakin’ Goin’ On” would be released in a few weeks, played piano for Perkins.
During the session, Johnny Cash dropped by. And the 21-year old Elvis Presley, who already had left Sun for RCA, stopped by with his girlfriend to say hello. Soon, the singers began jamming together.
Recording engineer Jack Clement had the smarts to run a tape of the session, although the tape would not be heard for decades. But Sam Phillips called a local reporter to take a picture. The local paper used the caption that is still how we remember the session: the “Million Dollar Quartet” (which also later inspired a Broadway musical).
The session includes Elvis playing piano and the group running through a number of songs. Near the end, after Presley got up to leave, Lewis took over the piano and continued playing and singing.
Did Johnny Cash Sing With the Group?
In the recordings, you do not hear Johnny Cash’s voice up front, which has led to some speculation about whether he stayed around to sing with the other three men. In his autobiography, though, Cash explained that he was there the whole time but was furthest from the mike and singing higher than normal to be in key with Presley.
Cash also revealed it was the first time he had heard Jerry Lee Lewis. Cash explained why Elvis left after Lewis took over the piano. “If you’re wondering why Elvis left right after Jerry Lee got started,” he explained, “the answer is simple: nobody, not even Elvis, ever wanted to follow Jerry Lee.”
Available Recordings
The above recording is listed as a “complete” session of the session. There are a number of CD versions, including a 1990 release. Then the songs were reordered for a later 2006 release that also included some additional tracks.
No matter which CD version you hear, I love the recording of the men jamming and laughing together. I periodically listen to the CD of the session the whole way through.
Although we know of the great talent of these four men, it is often easy to forget the joy they found in the music. But that joy radiates through this recording.
What is your favorite part of the Million Dollar Quartet recording? Leave your two cents in the comments.
After much debate on on Oct. 8, 1957, Jerry Lee Lewis poured his divided soul into recording “Great Balls of Fire” at Sun Studio in Memphis, Tennessee. The song was released on November 11 of that year, and it went on to enter the top ten on the U.S. country, pop, and R&B charts, as well as number one on the U.K. pop charts.
A “Blasphemous” Song?
But Lewis initially refused to record the song. Lewis grew up in the Assemblies of God church and had attended Southwest Bible College in Texas before getting expelled for playing rock and roll music.
Lewis was tortured about whether or not to record this song. Many in the church considered the southern expression “Great Balls of Fire” to be blasphemous, as it refers to the Holy Spirit appearing as fire.
Argument with Sam Phillips
Before the recording of the song in October 1957, Lewis argued with Sun Studio’s Sam Phillips about whether or not he could bring himself to record the song. Phillips encouraged Lewis, telling him that he could save souls.
Lewis responded, “How can the devil save souls?…I got the devil in me!” The tape was rolling during the argument, so you may hear Lewis and Phillips discussing the song in the clip below:
The argument continued in a dialogue that appears somewhat disjointed. But after awhile, Lewis came around and recorded the song.
After the Recording of “Great Balls of Fire”
Lewis, who is cousins with preacher Jimmy Swaggart, would continue to be tortured by the divide between his upbringing and his rock and roll lifestyle. As recounted in a book and movie about his life, after his rise to fame, audiences deserted him because he married his 13-year-old cousin. Lewis’s career would be resurrected eventually, and he continues to record and perform.
Lewis must have found peace with the blasphemous song, which he continued to perform. But he could not have predicted in 1957 that he would become so associated with the phrase “Great Balls of Fire.” It would become the title for his biography and the movie about his life, starring Dennis Quaid in an interesting, over-the-top performance.
What do you think of the song and the movie “Great Balls of Fire”? Leave a comment.
about his life, starring Dennis Quaid in an interesting, over-the-top performance.