Moral Ambiguity and “Lawman” (Missed Movies)

Burt Lancaster stars in “Lawman,” an underrated Western that veers into unexpected territory.

Burt Lancaster Western Lawman is an excellent underrated 1971 Western that should stand next to the better-known classics in the Western canon. The film, directed by Michael Winner, features the brutality and moral ambiguity of other more highly regarded films like The Wild Bunch (1969), McCabe & Mrs. Miller (1971), and Unforgiven (1992). Lawman also features excellent acting from Burt Lancaster, Robert Ryan, Lee J. Cobb, Robert Duvall, Sheree North, and many other familiar supporting actors.

Lancaster plays Jared Maddox, the lawman of the title, who comes to town seeking the cowboys who got drunk and shot up his town and accidentally killed a man, as shown in the movie’s opening scene. Lee J. Cobb is the cattle baron Vincent Bronson who employs the cowboys.  And Robert Ryan plays the local marshal who basically works for Cobb.

With that setup, early on a viewer might expect a good-guy-versus-evil-cattle-baron Western.

But that is not what happens.

While some of Bronson’s men are hotheads, Bronson is a practical man who initially tries to reason with Maddox. As the movie progresses, one begins to see that Maddox is relentless in his pursuit to follow the rule of law.  Thus, he begins to seem like a Western version of Inspector Javert from Victor Hugo’s Les Misérables.

Even though Maddox realizes that the wanted men will most likely face a fine if brought to justice, various encounters lead to more and more bloodshed. Ryan’s marshall and Maddox’s former lover (Sheree North) question what is happening in the town. As the film moves to a chilling climax, the viewer begins to question what is right and what is wrong. But I will not reveal any more about the plot.

The wonderful screenplay is by Gerald Wilson, and Winner does an excellent job with the direction. Winner, who would revisit themes around violence three years later in Death Wish (1974), here highlights both the beauty and loneliness of the desert landscape (filmed in Durango, Mexico), doing the same with Lancaster’s face. His Western attempts to give a realistic portrayal of violence and the difficulty of living in the West.

Conclusion? If you are looking for a Western that features twists on classic stereotypes and you like movies that challenge conventions, you will probably enjoy Lawman. While Lawman may not be on the same level as some other classic challenging Westerns — such as McCabe & Mrs. Miller from the same year, it is still worth seeking out if you are in the mood for an unusual Western.

Other Reviews Because Why Should You Trust Me? The somewhat unusual Lawman garnered mixed reviews at the time of its release, although I wonder if it is a movie better appreciated as time has passed. Rotten Tomatoes gives the film an 80% critics rating and a 61% audience rating. The lower audience rating might be because some viewers were disappointed that the movie did not follow the usual Western conventions and featured a somewhat unusual resolution. Roger Ebert gave the film only two stars, calling it “a Western with a lot of sides but no center.” The New York Times found the movie “unresolved in substance” but “long on sting.” One of the few reviews of the film on the Internet is one by Dennis Schwartz, who gives the movie a B- and calls it a “wannabe thoughtful Western.” Schwartz also calls Lawman and “unofficial remake” of 1955’s A Man With a Gun, and I see some similarities in plot to that also underrated Western, which stars Robert Mitchum. Meanwhile, Jeremy Poulos on Letterboxd found the film enjoyable and noted similarities to spaghetti Westerns.

{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

Thanks to Tony Fontane for telling me about Lawman on Twitter. Leave your two cents in the comments.

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    Apocalypto: Mad Max Meets Rambo (Missed Movies)

    Apocalypto Amazon Blu-Ray When Mel Gibson announced he was going to follow up his hit The Passion of the Christ (2004) with unknown actors in a film set in the Mayan kingdom in the early 1500s using the Yucatec Maya language with subtitles, many thought he was crazy (besides other reasons that people think he is crazy). But Apocalypto (2006) is not a dry history lesson but the type of exciting action yarn one might expect from Gibson, despite its unusual setting.

    The film begins in a peaceful village and you are immediately drawn to the characters despite the language barrier. Among the characters, we are introduced to the young warrior Jaguar Paw (Rudy Youngblood) and his pregnant wife, Seven (Dalia Hernandez). But soon, things are disrupted when warriors from the center of the civilization arrive to destroy the village, attack the women, and take the men back to the temple in the city for sacrifice. As Jaguar Paw becomes separated from his wife after hiding her and his son, we wonder if he will be able to escape the captors led by Zero Wolf (Raoul Trujillo) to be able to return to rescue her.

    The film has some similarities to Gibson’s The Passion of the Christ and Braveheart (1995) in that they all follow a movie tradition of having the hero suffer brutality so that the audience wishes for some type of vengeance against the tormentors. And there are scenes of blood and brutality. But the film that Apocalypto most reminded me of was First Blood (1982), the original Rambo movie. Like that Sylvester Stalone film, the hero here is captured and we watch as he tries to escape, survive, and defeat his pursuers.

    Of course, nowadays any film attached to Mel Gibson suffers because of his controversial behavior away from the screen, and the film likely suffered at the box office because of its connection to Gibson. Questions about the film’s accuracy in portraying an ancient civilization also caused some controversy. But as a film, Apocalypto has much going for it, as recognized by other actors and directors like Robert Duvall and Quentin Tarantino.

    Conclusion?: If you avoided Apocalypto when it was released because a film about Mayans in another language sounded boring, and if you like action adventure films, you should give the film a chance. It might be worth reading the subtitles to see an entertaining and exciting action film.

    Other Reviews Because Why Should You Listen to Me?: Critics at Rotten Tomatoes combine to give Apocalypto a 65% rating, but audience members enjoyed the action yarn more, giving the film a 79% rating. On ReelViews, James Berardinelli gave Apocalypto 3-1/2 stars (out of four) and concluded that “it’s unlike any other movie to reach theaters this year and, because it is as visual an experience as it is visceral.” By contrast, Rob Gonsalves at eFilmCritic.com pans the film, calling it “a skimpy action flick.”

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    What do you think of Apocalypto? Leave your two cents in the comments.

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    Rating the Lonesome Dove Series, Part 1: The Prequels

    The original Lonesome Dove is one of the finest miniseries and westerns. Lonesome Dove, based on the novel by Larry McMurtry, originally ran on television in 1989. It followed the adventures of Augustus “Gus” McRae, played by Robert Duvall, and Woodrow F. Call, played by Tommy Lee Jones, and also featured Diane Lane, Danny Glover, Anjelica Huston, and Chris Cooper.

    Lonesome Dove Lonesome Dove’s success spawned several sequels and prequels. Maybe you have not seen any of them and are wondering where to start, or maybe you have seen Lonesome Dove and wondered whether the others are worth your time. Well, Chimesfreedom is grading each series on a scale of 1-10, addressing each one in chronological order by the time period covered. In this post, we rate the prequels as well as the original Lonesome Dove. Future posts will address other series in the franchise.

    Dead Man’s Walk (1996)

    Set in the early 1840’s, Dead Man’s Walk follows the adventures of a young Gus and Woodrow, including a deadly forced walk across a desert after they are captured by the Mexican Army. Generally, the acting is good, featuring standout performances by Keith Carradine and Edward James Olmos. Johnny Lee Miller also does a very good job as the young Woodrow Call, while David Arquette’s portrayal of Gus leaves one wondering how the goofy young man survived to be the competent westerner portrayed in Lonesome Dove by Robert Duvall.

    Overall, the characters are engaging and the story and suspense are very good in Dead Man’s Walk, with the small exception of an odd sequence of events at the end to help Gus and Woodrow get home, leaving one thinking, “WTF?” Rating: 7

    Comanche Moon (2008)

    Comanche Moon follows a little older Woodrow and Gus in the 1850s-1860s. Of all of the series, this one has the fewest big name actors, with Val Kilmer as the sole major movie star in an odd over-the-top character performance.

    You will recognize other actors from TV, such as Linda Cardellini (from Freaks & Geeks and ER) as Clara. Steve Zahn, who often plays the comic sidekick in movies like That Thing You Do!, plays Gus McRae. His performance largely mimics Robert Duvall’s acting in Lonesome Dove, and it grew on me. You may enjoy the Robert Duvall impersonation or be annoyed by it.

    You may recognize other faces too.  Karl Urban, the Dr. McCoy in the new Star Trek franchise, plays Woodrow Call.  Additionally, Wes Studi (Dances with Wolves, Last of the Mohicans) stars as Buffalo Hump, the father of Blue Duck, who features more prominently in the original Lonesome Dove.

    Comanche Moon probably received the worst reviews of all of the Lonesome Dove series.  And it has the weakest stand-alone story and acting of the series.

    But unlike Dead Man’s Walk, which just told an adventure story using two of the main characters from Lonesome Dove, Comanche Moon provides a back story of the characters to set up Lonesome Dove, like the way the Star Wars prequels did. If you really love Lonesome Dove, you might want to see more of the background of the familiar characters, how Newt was born, how the town of Lonesome Dove got started, how Gus lost Clara, etc. But some things may be better left to the imagination. Rating: 5

    Lonesome Dove (1989): The Classic

    Lonesome Dove is the cream of the crop of all of the Lonesome Dove series. The series follows an aging Gus and Woodrow in the 1870s out for one last big adventure, while also conveying a meditation on friendship, aging, family, mortality, and the end of the West. By far, of all the series, this one has the best story, the best acting, the best music, etc.

    Lonesome Dove is not only the best of this series, it ranks with the greatest Western films of all-time. Time Out London recently ranked it among the Top 50 Westerns, although I’d rank it even higher than they did. Robert Duvall recently said in Esquire (Jan. 2011): “When I finished Lonesome Dove, I said to myself, Now I can retire. I’ve done something. Let the English play Hamlet. I’ll play Augustus McCrae.” Amen. The book won the Pulitzer Prize and the series won seven Emmys. Rating: 10

    Another Prequel?

    In 2014, the movie Lonesome Dove Church, directed by Terry Miles and starring Tom Berenger, was released.  Is there any connection between the film and the Lonesome Dove series?  Promotional material for the movie, including an interview with Berenger, make no reference to the series.  But Barnes & Noble claims that the movie is a prequel to the series started by Larry McMurtry.

    Lonesome Dove Church is advertised as the true story of the founding of the Lonesome Dove Church in Grapevine, Texas.  Berenger plays a preacher in the old West who works to save his outlaw son and eventually build a church.

    Because the church is named after the preacher sees a dove and because it is located in a town called Grapevine, it is likely that the church in the series has nothing to do with the fictional town created by Larry McMurtry.  Yet, McMurtry has noted that he came up with the name “Lonesome Dove” while eating at a steakhouse and seeing a church bus for Lonesome Dove Baptist Church from Southlake, Texas.  Thus, while Lonesome Dove Church is a decent but not great Western, we are not going to discuss it further in the context of the Lonesome Dove universe.

    In Part 2 of this series, Chimesfreedom will consider the Lonesome Dove miniseries that take place after Lonesome Dove, including how the network struggled to keep one main character alive while author Larry McMurtry summarily killed the character with merely a sentence. Check out all four posts on Rating the Lonesome Dove Series.

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    10 Genres Defined by Robert Duvall Movies

    Is there another actor who has been in more classic movies from different film categories than Robert Duvall? If you consider various movie genres and the top handful of movies in each category, a large number of those groups include movies with Robert Duvall. Consider:

    Robert Duvall(1) Gangster Movies: Godfather I and II
    (2) Sports Movies: The Natural
    (3) Lawyer Movies: To Kill a Mockingbird
    (4) War Movies: Apocalypse Now
    (5) Westerns: Lonesome Dove (and True Grit)
    (6) Social Commentary: Network
    (7) Satire: M*A*S*H and Network.
    (8) Preacher Movies: The Apostle
    (9) Singer Movies: Tender Mercies (and Crazy Heart)
    (10) Cop Movies/Car Chase Movies: Bullitt

    In each category, the movies listed are among the top few. And yes, we are using a loose definition of “genre,” and the list is starting to stretch for categories a little at the end. But we stopped before adding “Military Family/Angry Father Movies” (The Great Santini).

    The list is for movies where he appeared, so To Kill a Mockingbird qualifies even though he had a very small (yet important) part. Also, Lonesome Dove was a TV mini-series, but it still ranks up there among the very top classic westerns, and Duvall has said it was his favorite role.  But if you do not like that one, replace it with the original True Grit (see the Chimesfreedom comparison of the two versions of True Grit).  Two other Duvall westerns, Open Range and Broken Trail were excellent, but not top classic status.

    Although Duvall is respected, he usually is not mentioned with quite the same respect as actors like Robert DeNiro and Al Pacino. But few actors have the range of work shown from the genre list above, due largely to his ability to become a character besides “Robert Duvall.”  In one great scene from Lonesome Dove where he embodies the classic character of Gus McCrae, you can see the pain in his face when he has to hang an old friend who has fallen in with a bad gang. In particular, he conveys a world of meaning in the first few seconds after the hanging just through his face and his body language. [Update: Unfortunately a clip of that scene is no longer available on YouTube, but another scene from the miniseries is below.]

    The movies in the genre list are true classics, among the best in each category.  Through acting skill, excellent movie choices, and some luck, maybe no other actor has accomplished a similar feat of being in classic movies in so many different categories.

    What is your favorite Robert Duvall Movie? Can you think of another actor who appeared in Great Movies in so many categories? Leave a comment.

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