Last night’s Saturday Night Live, had several highlights, including a funny return visit by cranky 1860s newspaper critic Jebidiah Atkinson reviewing holiday shows and movies (“the Charlie Brown Christmas Special was garbage!”). One of the laugh-out-loud segments featured host Paul Rudd as Dan Charles, the number one fan of the show’s musical guest, One Direction. The segment gives an interesting take on obsessive fandom, but mostly it is funny (and a little bit creepy). The guys in One Direction gamely play along, showing they have a sense of humor too. Check it out.
What was your favorite part of last night’s Saturday Night Live? Leave your two cents in the comments.
In the new trailer for Anchorman 2: The Legend Continues, the sequel to 2004’s Anchorman: The Legend of Ron Burgundy, we see that the famous San Diego news team led by Ron Burgundy (Will Ferrell) goes to New York City in the era of 24-hour news. The change in setting offers some promise that the new film will come up with some new laughs.
The trailer reveals that key characters Brian Fantana (Paul Rudd), Champ Kind (David Koechner) and Brick Tamland (Steve Carell) return to the screen with Burgundy. Slate, which critiques the trailer, notes that reported cameos in the film include Kanye West, Tina Fey, Harrison Ford, Will Smith, and Nicole Kidman. Such an esteemed group ensures the movie will stay classy.
Do you think Anchorman 2 can match Anchorman’s laughs? Leave your two cents in the comments.
In this video, director Brian Billow imagines how Kiss might have come to write their hit song “Beth” from their 1976 Destroyer album. Bob Winter, executive creative director at Crispin Porter + Bogusky, had the idea for the story. Check out this “historically inaccurate tale of the song’s inspiration.”
[2015 Update: If the video does not work for you, it is also available on Vimeo.]
The video, however, is not as “historically inaccurate” as it claims. Guitarist and songwriter Stan Penridge wrote a version of “Beth” while he was in the band Chelsea, which future Kiss drummer Peter Criss joined for awhile. In the song’s original version, the title name was “Beck” after Becky, Chelsea bandmate Mike Brand’s wife, who often called during practices.
Penridge later explained that the genesis of the song is not that far from Billow’s funny video. Penridge stated that the lyrics came “almost word for word, from Mike Brand’s responses to his wife’s constant calls that interupted our rehearsals. It got to the point where I wrote down his remarks over a period of 3 or 4 days . . . ”
Although I have always heard “Beth” as a love song, Penridge explained that one might see the song as “a hen-pecked hubby’s remarks to his nagging wife.” While in David Leaf’s and Ken Sharp’s book KISS: Behind the Mask Penridge acknowledges that the song was “basically written as a joke,” he also appreciates that the song evolved into something different that he also likes.
There are some questions about how much writing credit for the final version of “Beth” should be given to Criss, who sings lead on the Kiss recording of “Beth” and is listed as a co-writer with producer Bob Ezrin. Although sources name Criss as one of the co-writers of the final version, band co-founder Gene Simmons claims that the song was written only by Penridge and Ezrin. Simmons and Criss on not on the best terms, but Penridge seemed to confirm Simmons’s version in a 2000 interview (“Another poorman’s copyright by me in ’70”).
Still, Criss’s relation with the song goes back before Kiss. After Criss was in Chelsea and even before he was in Kiss, he recorded “Beck” with a band called Lips.
The name of the song was later changed to “Beth” so it would be a more recognizable woman’s name. Here is a Kiss version of the song we all know from the 1978 TV-movie Kiss Meets in Phantom of the Park.
After “Beth” was recorded, nobody realized it would become such a big hit. Some band members did not want it on the album, and it was initially released not as a single but as a B-side to “Detroit Rock City.” But then “Beth” became Kiss’s first gold record and one of their most recognizable songs.
No matter what role he played in the lyrics, Criss’s great vocals on the recording certainly helped make it a hit. Others have sang the song too. Eric Singer has rotated in and out and back into Criss’s seat behind the drums with Kiss, so Singer also has performed “Beth.”
There are a number of covers of “Beth,” including a nice one by Adam Lambert when he was on American Idol in 2008. Not surprisingly, the Glee cast performed the song too. Perhaps the most unusual cover appears in the movie Role Models (2008), where Paul Rudd wins back his girlfriend named Beth by making up some new lyrics to the song.
I have not been able to find what happened to Mike Brand and “Becky,” the two who inspired the song. But I hope they are still together and that she still calls him at work after all these years. It would make a great love song.
What is your favorite version of “Beth”? Leave your two cents in the comments. Note: This post was updated March 2014 to include Gene Simmons’s comments about the writing of the song.
Below are some good reviews of some good movies that we liked that you might have missed. Both of these movies, which are very different, are available on Blu-Ray and DVD.
How Do You Know (2010) seemed to fly mostly under the radar as just another romantic comedy, perhaps partly because of the generic-sounding name. It bombed with critics and bombed at the box office, perhaps partly due to poor marketing, as explained in The Washington Post. But How Do You Know was written and directed by James L. Brooks, who also directed and co-wrote screenplays for As Good As it Gets (1997) and Terms of Endearment (1983). And like those two movies, How Do You Know features Jack Nicholson, although in a smaller role than the previous films. While How Do You Know does not live up to those predecessors, it does have a touch of the Brooks magic in that it is not a predictable romp with two-dimensional characters like so many modern romantic comedies. The film features nice performances by Reese Witherspoon, Owen Wilson, and Paul Rudd. If you have high expectations, though, you might agree with Manohla Dargis at The New York Times that it is “an airless, sometimes distressingly mirthless comedy.” Okay, the reviews are pretty much horrible (except this one from Australia’s Sydney Morning Herald). At the beginning of the film, I felt like something was missing, but as it went on, it was entertaining. It is not great, but if you are looking for a decent romantic comedy and go into it with modest expectations, you might be pleasantly surprised by this film.
Spring, Summer, Fall, Winter… and Spring (2003) has critics and audience ratings of 90+% on the Rotten Tomatoes website. I do not think everyone will love it, and suspect that the high rating among audience members is because the people who would see this movie are the ones who would like it. Among others, Movie Habit gives the movie a good review. The South Korean film starts off with a boy being raised by a monk in an isolated area, and it follows the boy as he grows into a man. The movie has dialogue, but not a lot, so it is almost like watching a silent movie in a beautiful setting full of symbolism. I am still trying to decide how much I like it, but unlike How Do You Know, I will remember this one for a long time.
{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}
What did you think of How Do You Know and of Spring, Summer, Fall, Winter… and Spring? Leave your two cents in the comments.
Penridge acknowledges that the song was “