Sturgill Simpson has adopted a new name for his latest album, Passage du Desir (2024). Citing other artists who have adopted a different name for their work, like Eric Clapton’s Derek & the Dominoes or David Bowie’s Ziggy Stardust, Simpson is currently using the name Johnny Blue Skies.
Simpson has long explained that he planned to release only five albums. So following his release of five albums — plus two pandemic era bonus bluegrass albums — fans wondered what he would do next. Simpson has said that in adopting a new name for his albums, it frees up his creativity while also allowing him to keep his birth name for himself.
The new identity comes out of Simpson’s struggles with a vocal cord injury and his travels in Thailand and Paris. Additionally, he lost several people close to him, including one friend to suicide. These experiences gave Simpson new directions in his life, although the name “Johnny Blue Skies” originated from a name he was called by a Kentucky bartender when he was 21. The name has popped up in other work by Simpson, such as in the gatefold of his album Sailors Guide to Earth (“Beware of the dread pirate Johnny Blue Skies”). So, as he has noted there was not a lot of planning in choosing the name, but “the paperwork was already done, I owned the name.”
Of course, all of that biographical drama is mainly an interesting distraction for a listener who wonders what does Passage du Desir sound like? Well, to my ears, it sounds a lot like a Sturgill Simpson album, meaning, great music. It does feature some more orchestration than past albums, somewhat reminding me of Bruce Springsteen’s intentional sound deviation for Western Stars.
Many of the songs have a country sound, but the album also incorporates some R&B, such as on “One for the Road” and “If the Sun Never Rises Again,” perhaps the biggest deviation from most of Simpson’s previous work.
One of my favorite tracks is “One for the Road.” While it features lusher orchestration than we generally expect from Simpson’s past work, it would not be that out of place on A Sailor’s Guide to Earth album.
Similarly, Pitchfork has called Passage du Desir sort of a comeback for Simpson, arguing that while it deviates in some ways from past work, it is a true follow-up to A Sailor’s Guide to Earth following Simpson’s deviation into bluegrass and The Ballad of Dood & Juanita. Giving the album 8.5 out of 10, it states, “This is country music caught between earthiness and spaciness, and it reintroduces him as one of Nashville’s oddest artists, who understands and subverts both the square mainstream and the outlaw fringes of country music.”
Overall, if you love Simpsons’ past work, you’ll probably love Johnny Blue Skies too. Sturgill’s fans have always known we are in for a non-traditional ride with the guy. And that’s true of Johnny Blue Skies too.
Below, Simpson discusses the new album and Johnny Blue Skies further.
Leave your two cents in the comments.
