Tinker to Evers to Chance

tinker to evers to chance Happy baseball opening day! One of the most famous works of art about the sport is the poem, “Baseball’s Sad Lexicon” by New York newspaper columnist Franklin Pierce Adams. The 1910 poem is about the Chicago Cubs double-play combination of Joe Tinker, Johnny Evers, and Frank Chance. In the poem, a New York Giants fan calls “Tinker to Evers to Chance” as “the saddest of possible words,” bemoaning the players’ ability to turn a hit into a double play. Richard Brundage narrates the poem in this video:

The line “Ruthlessly pricking our gonfalon bubble” always puzzled me. But “gonfalon” refers to a flag or pennant, so the line is a reference to the Cubs capturing the National League pennant, which they won four times (1906-1908, 1910) while going on to win two World Series wins (1907-1908). The poem first appeared in the New York Evening Mail in July 1910, and the Cubs would go on to win the pennant that Fall. But it was the last for the dynasty, as the poem’s author Franklin Pierce Adams got to see his New York Giants take the gonfalon in 1911 and the following two years (but not the World Series).

The poem’s biggest effect may have been the fame it heaped upon Tinker, Evers, and Chance. Fans have noted that the three men made double plays at around the average of the league and their batting averages were less than spectacular. So many believe the New York poem was the reason all three Cubs were elected to the Baseball Hall of Fame in 1946. Meanwhile, the other Cubs infielder who was left out of the poem, Harry Steinfeldt, never made it to the Hall of Fame.

So whether your favorite player this day is a big-name star like the poetic double-play trio or a lesser-known player like Steinfeldt, enjoy your opening day, where every team is still in the race for the gonfalon.

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    Bruce Springsteen on Jimmy Fallon: Wrecking Ball

    Springsteen Jimmy Fallon Nils Lofgren
    Nils Lofgren Directs the Horns

    Bruce Springsteen’s new album, Wrecking Ball will be released on March 6, and this week Late Night with Jimmy Fallon features a Springsteen theme, with artists covering Springsteen songs as well as the man and his band appearing last night and again on Friday. Last night, Springsteen performed the first single, “We Take Care of Our Own” as well as the title track, which is below.

    The song “Wrecking Ball” may be familiar to Springsteen fans because in 2009 Springsteen debuted the song at the Meadowlands, i.e., Giants Stadium, during his final shows at the stadium before it succombed to the wrecking ball. The song maintains references to the stadium being demolished (“where the blood is spilled, the arena’s filled, and Giants played”), but it holds up on the album because the song connects the stadium’s wrecking ball to more universal themes of aging, hard times, and standing up to both.

    [2020 Update: Unfortunately, the Jimmy Fallon video is no longer available so below is Springsteen performing “Wrecking Ball” at Giants Stadium.]

    While the lyrics on the album are touched by our recent economic troubles, the music of several of the songs are influenced by Springsteen’s uplifting work with the Seeger Sessions Band. This recession-era CD is the first E Street band album without Clarence Clemons, so it seems appropriate that the album is tinged with sorrow while steeped in joyful horns helping us through the rough times.

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    Super Bowl Songs: The Only Living Boy in New York

    NY Giants Tailgater Football Now that we have already discussed this year’s Super Bowl movies and a song for the New England Patriots, it is time to pick a song for the New York Giants. A New York team gives us several options of the many “New York” songs. After I discovered there was not a good video of John Coltraine playing “Giant Steps,” I was leaning toward one of my favorite Bruce Springsteen songs, but then I remembered the beautiful Simon & Garfunkel song, “The Only Living Boy in New York.” Considering that the Giants play their home games in New Jersey, the song also has a connection to that state, having been featured in the movie Garden State (2004), which is set in the “Garden State” of New Jersey.

    Although the song may work for the listener in many contexts, such as in that movie, much of the perfection of the song comes from the fact that it had personal meaning for Paul Simon:

    “Tom, get your plane right on time;
    I know your part will go fine;
    Fly down to Mexico.”

    Simon and Garfunkel started out in 1957 performing under the name “Tom & Jerry,” so one may see from the opening line that the song is a message to Tom, i.e., Art Garfunkel. In an interview, Simon explained, “That was written about Artie’s going off to make Catch 22 in Mexico.” At the time, Garfunkel had left Simon in New York to act in the movie Catch 22 (1970). One hears Simon’s melancholy at being left behind by his friend and singing partner in the chords of the song.

    The song appeared on Bridge Over Troubled Water (1970), the last studio album from the team, and one hears the dissolution of the collaboration and the sadness of a deteriorating friendship that had started in high school. In the original, one hears the sadness in both voices, and you still hear it in Simon’s voice looking back as an older man.

    As for this weekend, New York Giant fans hope they will not have sadness in their voices after Sunday’s game.

    Post-Super Bowl Update: After the Giants won the game, the song played in the stadium was “Empire State of Mind” by Alicia Keys and Jay-Z. Another good song choice.

    What do you think of “The Only Living Boy in New York”? What “New York” song would you pick for this year’s Super Bowl? Leave your two cents in the comments.

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