When is Mickey Newbury’s “33rd of August”?

Mickey Newbury’s song “33rd of August” had a special connection for singers like David Allan Coe. But what is the song really about?

Mickey Newbury’s 1969 album Looks Like Rain is one of the rare albums where every song is great. Newbury, who John Prine called “probably the best songwriter ever,” hits you in the guts with every song. Upon repeated listens, each song on Looks Like Rain grows deeper. And one song in particular that stands out is “33rd of August” (paired on the track with “When the Baby in My Lady Gets the Blues”).

Mickey Newbury was born in Houston on May 19, 1940 and died in Oregon on September 29, 2002. During his lifetime, he became well-respected by his songwriting peers, even if huge commercial success eluded him.

Newbury’s song “33rd of August” has been covered by artists such as Waylon Jennings, Willie Nelson, and Joan Baez. One of the more famous versions is by David Allan Coe. Coe released the song on his third album The Mysterious Rhinestone Cowboy (1974), which was also his first album devoted entirely to country music. Coe, an outstanding songwriter himself, recognized songwriting talent, also including a song by Guy Clark on the album.

David Allan Coe Sings “33rd of August” from a Cell

But Newbury and his song “33rd of August,” obviously touched a special chord with Coe. Coe dedicated his album The Mysterious Rhinestone Cowboy to Newbury. On the album, he even included a letter he had written Newbury, including the line: “Freedom is knowing how to remember the weight of your chains once they’ve been removed, for each man feels his own pain in prison and each man must pull his own time.”

Coe’s references to “freedom” and “prison” were hard won. Coe was sent to reform school at age nine, and subsequently spent a number of years in correctional facilities, including three years serving time at the Ohio Penitentiary.

Around the time he released The Mysterious Rhinestone Cowboy (in 1974 or 1975), he sang “33rd of August” from one of the cells where he had spent time.

When is the 33rd of August?

When a song has a specific date in the title (such as Matthew Ryan’s “3rd of October“), it is logical to ask about the significance of that date to the song. Here, the song is not clear about the meaning behind the made-up date of August 33. So, one might also wonder when is the thirty-third of August since the month only has thirty-one days?

The logical answer, would be that it must be September 2, or two days after August 31. But of course, the song is not really about September 2 or the events of a specific date.

The song opens, apparently, at a train station with a reference to a typical train station welcoming party from film. There is a crowd there, but the band has left. The only remaining musician is a singer who cannot see. The person narrating the song came to town seeking salvation on the thirty-third of August.

Well, today there’s no salvation;
The band’s packed up and gone;
Left me standin’ with my penny in my hand;
There’s a big crowd at the station,
Where a blind man sings his songs;
He can see what I can’t understand,
It’s the thirty-third of August . . .

The singer is troubled, possibly addicted to drugs (with references to “I am finally touchin’ down” and “a thousand voices screamin’ through my brain”). The singer tells us he was once busted for vagrancy and spent time in jail. He has angry thoughts and demons dancing and singing inside his “fevered brain.”

It’s the thirty-third of August,
And I am finally touchin’ down;
Eight days from Sunday, Lord,
Saturday bound.

So what is the significance of the “thirty-third of August” reference? Maybe the singer is trying to beat his addiction. But the day of redemption (Sunday) is farther away than the seven days of a week — it is eight days away. The singer cannot get to Sunday, instead bound for the day traditionally reserved for sinning, “Saturday bound.” And, if you count, “eight days from Sunday” if you are counting from today’s date, it would mean today is also Saturday.

So the singer is stuck on Saturday, trying to get to a Sunday that is out of reach. Similarly, like Sunday’s redemption, the thirty-third of August is a day that never comes.

So the singer is struggling for the salvation mentioned in the first line of the song, trying to get to the day traditionally associated with redemption, Sunday. But the singer remains locked in a cycle of Saturday nights, the traditional night of sin.

One line near the end of the song, though, provides a little hope for the singer, who declares, “Not all my God-like thoughts, Lord, are defiled.” In other words, the singer still has some good thoughts and is still struggling for salvation and has not given up. But that leaves us with the question of whether he would be better off if he had given up and was not reaching for something out of reach, like salvation, or the 33rd of August.

Of course, everyone is entitled to interpret a song in whatever way has meaning for them. Others have found other meaning in “33rd of August.” One commenter has explained, that the lyrics “capture a feeling of disorientation, despair, and resilience in the face of adversity. The lyrics paint a picture of a person trying to make sense of a confusing world while also finding inner strength and resilience.”

Others have found more specific meaning. Another writer has emphasized the religious connections in the song, going so far as to cite other references to the number “33” in the Bible. That author finds the rain the prisoner sees coming from his cell as the rain of redemption and cleansing.

Another website, lists “33rd of August” as an anti-war song, although it does not explain how it came to that conclusion. It does make sense that the narrator in the song might be a veteran of the Vietnam War. Traditionally, it is soldiers who might expect a band welcoming them at a train station. Many vets of that war also battled drug addiction and would have faced violent thoughts from their service.

And in the late 1960s, when the song was released, the war was on everyone’s minds, and so likely the songwriter Mickey Newbury might have placed the song in the voice of a veteran.

I haven’t found any interviews or performances where Newbury talks about the inspiration for “33rd of August.” Of course, listeners can hear whatever they hear. But the song of course had meaning for the songwriter Mickey Newbury. On his album Looks Like Rain, he a line of “33rd of August”(“And outside my cell it sure as hell / It looks like rain”) as the title for the wonderful album that features the song. Below is Newbury’s version of his song with the lyrics.

What do you think “33rd of August” is about? Leave your two cents in the comments.

Leave your two cents in the comments.

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    Andrew Combs Need Not Be A “Worried Man” (CD Review)

    Andrew Combs Worried Man

    I do not quite get the album art on Worried Man (2012), the debut full-length CD by Andrew Combs. Is he cold? Is it supposed to be a picture of a “Worried Man”? I do not think the album cover adequately prepared me for what to expect when I heard the music. One thing I do know, though, is that it is the best album by a new artist I have heard in a long time.

    Because Worried Man came out in October 2012, I realize I am a little slow in discovering Andrew Combs. But seeing a video of Andrew Combs performing on the Twang Nation website recently led me to check out his album. Listening to Worried Man starting with the first track of “Devil’s Got My Woman” has been one of those periodic experiences that restores my faith in new music.

    Combs, who is originally from Texas and now resides in Nashville, wrote all of the songs on the album, and he sings with an ache in his voice in the best country and Americana tradition. The album includes heartbreak, whiskey, and pedal steel, and the title track reminds one of an old murder ballad (even if the violence stops short of killing). You can hear the influences of Combs’s heroes who include Harlan Howard, Willie Nelson, Mickey Newbury, Guy Clark, Jackson Browne, and Tom T. Hall. Combs pulls off connecting to these past influences while also sounding modern at the same time, as he does in this performance of “Please, Please, Please.”

    Every artist is different, of course, but for comparison purposes, a lot of the songs remind me of another artist I like a lot, Slaid Cleaves. “Please, Please, Please” sounds like it could be a great Heartbreaker-era Ryan Adams track. The song “Worried Man” sounds like it is off of the album of another Texan, Ray Wylie Hubbard . For now, Andrew Combs has made a stream of the album available so you can listen for yourself below Check it out.

    Combs, who released the album on his own Coin Records, also co-produced the album with Mike Odmark. Singer-songwriter Caitlin Rose adds her voice to several of the tracks. I look forward to more music from Andrew Combs, whatever the cover looks like.

    What is your favorite track off of Worried Man? Leave your two cents in the comments.

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    Kenny Rogers Just Dropped In

    Last week on American Idol, producer Jimmy Iovine selected one of the songs for each of the contestants, as did the judges. One of the oddest choices was the selection of the Kenny Rogers song “She Believes In Me” for Scotty McCreery. The song style was not odd, as it is a pop-country classic and that style fits McCreery like a glove. What did not work was the subject of the song and McCreery’s youth.

    Kenny Rogers & the First Edition In “She Believes In Me,” the singer laments how he has let down his wife or girlfriend and how he has failed to keep the promises he made when he was younger. The singer recalls, “I told her someday if she was my girl, I could change the world / With my little songs, I was wrong.” It seemed odd to hear the seventeen-year-old McCreery singing the lyrics. Did he promise his girl he would be a national success before he turned sixteen?

    Still, the American Idol country song choices were pretty safe for the top two Scotty McCreery and Lauren Alaina. The two largely have glided through by only singing country songs without being challenged to branch out for some variety. In past seasons, contestants were often forced to sing in other styes, which sometimes worked and sometimes did not. But this season, the judges and America seem content to allow the young contestants to remain in one genre.

    I would have liked to have seen Jimmy Iovene pick a more surprising Kenny Rogers song like “Just Dropped In (To See What Condition My Condition Was In).” Although I grew up hearing the pop-country Kenny Rogers songs like “The Gambler,” “Lucille,” “Don’t Fall in Love With a Dreamer” and “Islands in the Stream” overplayed on the radio, I often forget that early in his career he recorded “Just Dropped In” with The First Edition when he was more of a hippy than a silver-bearded pop singer.

    You may recall the Kenny Rogers song from a dream sequence in the movie The Big Lebowski in 1998, but it first was a hit in 1967. “Just Dropped In” was written by one of Kenny Rogers’s former high school friends — Mickey Newbury, who also composed “An American Trilogy,” discussed in a previous post. “Just Dropped In” sounds unlike “Coward of the County” and the other pop songs Rogers recorded later in his career. Even his voice sounds different. And the lyrics deviate from the literalness of most of his hits:

    I pushed my soul in a deep dark hole and then I followed it in;
    I watched myself crawlin’ out as I was a-crawlin’ in;
    I got up so tight I couldn’t unwind;
    I saw so much I broke my mind;
    I just dropped in to see what condition my condition was in.

    According to Wikipedia, the song was a warning about using LSD. But a Dec. 23, 2000 Billboard article “The Story So Far” quotes Rogers explaining that Newbury did not intend the song to be taken completely seriously. “Mickey wrote a quasi-psychedelic song with elements of humor,” he explained. “It’s a tradition in country music to have your tongue in cheek, and that’s the case here.” (“The Story So Far,” at K-2)

    Maybe it would sound odd to have the 17-year-old Scotty McCreery singing the lyrics on American Idol, but it still would be a better song choice than “She Believes In Me.” And with Kenny Rogers on vocals and Glen Campbell playing the guitar on the original recording, you cannot say that country stars cannot handle “Just Dropped In.”

    Check out this psycedelic video from The Smother Brothers Hour. I would like to see this type of production on American Idol too. Groovy.

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    Anniv. of Civil War’s Start: Elvis’s American Trilogy

    Fort SumterOn April 12, 1861, the first shots of the American Civil War were fired. In the early morning hours at 4:30 a.m., Confederate soldiers opened fire on the Federal Government’s Fort Sumter in Charleston Bay, South Carolina.

    The state of South Carolina had seceded from the United States in December 1860 soon after Abraham Lincoln was elected president. By the time he took office in March, the situation at Fort Sumter was nearing a crisis and seven states had seceded.

    Once the bombardment of Fort Sumter began on the morning of this date, it continued for 34 hours. And, on April 13 U.S. Major Robert Anderson surrendered the fort to Confederate General P.G.T. Beauregard.

    According to David Herbert Donald in the book Lincoln (1995), during the weeks between Pres. Lincoln’s inauguration and the first shots at Fort Sumter, the president was physically exhausted by stress. But there was some relief after this date. Because the first shots were fired by the Confederates, the rebels now had the burden of starting the war, not the North.

    And after the first shots of the Civil War, Lincoln’s choices became clearer. Two days later, Pres. Lincoln issued a proclamation calling for volunteer soldiers. Within a week, Virginia voted to secede, and more states followed. The war would rage for the next four years.

    Perhaps no song in recent history has attempted to encapsulate the Civil War era like “An American Trilogy,” a song that Elvis Presley performed regularly in concert toward the end of his life. The song was actually three popular American songs arranged by Mickey Newbury. It begins with the unofficial Confederate anthem “Dixie,” followed by the African-American spiritual, “All My Trials,” and closes with “The Battle Hymn of the Republic,” the Yankee marching song.

    What is the meaning of “An American Trilogy”? Paul Simpson’s The Rough Guide to Elvis notes that Mickey Newbury’s original intent is unclear, as the combination could have been about America’s lack of innocence or been intended ironically in reference to Pres. Nixon and the Viet Nam War.

    For Elvis, “An American Trilogy” might have been about patriotism. But Charles Reagan Wilson wrote in Judgment and Faith in Dixie (1997) that Elvis’s “slow, reflective, melancholy” performances of the song in the 1970s “suggested an emotional awareness of the complex past of regional conflict and Southern trauma.”

    In his excellent book Mystery Train (1975), critic Greil Marcus considered “An American Trilogy” to be Elvis’s attempt to combine all aspects of America and bring everyone together in a fantasy of freedom. But Marcus believed that Elvis’s song failed in that goal because the lack of complexity in the song creates “a throwaway America where nothing is at stake.” (p. 124.) For example, Marcus claimed, “There is no John Brown in his ‘Battle Hymn,’ no romance in his ‘Dixie,’ no blood in his slave song.”

    Maybe Marcus wants too much out of a four-minute song. Yes, the song is gaudy in its performance, and Elvis’s jumpsuit is a long way from the soldiers and slaves. But as discussed in another Chimesfreedom post, John Brown is inherent in “Battle Hymn,” just as the romance is inherent in “Dixie,” and as blood is inherent in the dying in “All My Trials.”

    There is another layer of confusion regarding the meaning of the song today because Elvis sings it. And Elvis, especially since his death, has become a complex American icon, as some consider him a revolutionary, some call him a thief, and some see him as a fat man steeped in excess. Yet perhaps the contradictions of Elvis, like the contradictions of the song, are the only way you can try to sum up the Civil War, in particular, and the complexity of America in general.

    Finally, one additional complication is that what Newbury and Presley apparently thought was an African-American spiritual, was not. Many today believe that the center of the trilogy, “All My Trials,” which is also sometimes called “All My Sorrows,” has somewhat muddled origins. Many current scholars believe that the song was assembled from fragments of existing songs in the 1950s and set to the music of a lullaby from the Bahamas to make it sound like a traditional spiritual.

    Newbury and Presley were not the only ones who thought it was an actual slave spiritual. In the 1950s, music critic Nat Hentoff wrote that it came from an African-American song, and in the 1960s, Joan Baez and others referred to the song as a slave spiritual.

    So, there are more questions in “An American Trilogy” than answers. But on a day that started the deadliest war in our nation’s history, I prefer the people with questions over the armed generals who think they have the answers.

    Bonus American Trilogy Version: For you Celebrity Apprentice fans, here is Meat Loaf singing “American Trilogy” at a 1987 tribute to Elvis Presley.

    What do you think is the meaning of “American Trilogy”? Leave a comment.

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