Glen Sherley: Prison, Johnny Cash, & “Greystone Chapel”

Glen Sherley’s first brush with fame came while in Folsom Prison when Johnny Cash sang one of his songs. Despite his talents, though, Sherley could not escape his demons.

Glen Sherley

Singer-songwriter Glen Sherley was born in Oklahoma on March 9, 1936. Between his birth and his self-inflicted death in Gonzales, California on May 11, 1978 at the age of 42, Sherley’s life had several highs and lows. He is most known for his brief brush with fame when Johnny Cash performed one of Sherley’s songs during his famous 1968 concert at Folsom Prison.

When Cash performed the song, Sherley sat in the audience. He was serving time for armed robbery.

Greystone Chapel

Sherley wrote songs while in prison. He and his wife had had a son, Bruce, and a daughter Ronda. And his extended family often visited him, giving him tapes to record his songs. One of those tapes made it to Johnny Cash.

Prior to Johnny Cash’s 1968 performance at Folsom Prison, Floyd Gressett, a Folsom preacher and friend of Cash’s, gave Cash a copy of Sherley’s song “Greystone Chapel.” Cash liked the song about the chapel at Folsom, and he decided to perform it at the show. On January 11. with Sherley in the front row, Cash surprised the inmate by introducing him and singing his song. Cash later recognized it was a “terrible thing” to single out Sherley in such a setting, but the other inmates cheered.

The recording of the show was released as the album At Folsom Prison (1968) was a crossover hit for Cash, resurrecting his career. And as singer-songwriter Marty Stuart explained, the Sherley’s song “was kind of the heart of that record.”

Cash was not Sherleys’ only encounter with fame while in prison. After being transferred to Vacaville Prison in California, Sherley befriended country singer and former television personality Spade Cooley, who was serving life in prison for the murder of his wife. Sherley and Cooley even wrote a song together in 1969 called “Big Steel Prison Gate.”

And in 1971, another one of Sherley’s songs was recorded by a country star. Eddy Arnold recorded Sherley’s “Portrait Of My Woman.”

And then Sherley was given the chance to record his own album live while still in prison in 1971. The record company originally released the album as entitled Glen Sherley, and later it was re-released as Glen Sherley Live at Vacaville California (Bear Records).

Also in 1971, an episode of This Is Your Life was devoted to Johnny Cash. The show featured a video of Sherley in prison thanking Cash. You can see Cash’s jaw drop when the announcer introduces Sherley. And then Cash tears up at the warm tribute (starting around the 6-minute mark in the video below).

Release from Prison

Sherley was paroled from prison later in 1971. Johnny Cash welcomed him to freedom at the gates of the prison. Cash began a mentorship trying to help Sherley on the outside with his career and life.

The former country star who had befriended Sherley in prison, Spade Cooley, however, was not around to provide additional support. Although Cooley had been granted parole effective a year earlier, he died of a heart attack in late 1969 while giving a concert on furlough before he could be released.

Sherley remarried in 1972. Cash took Sherley on tour. Sherley’s children Bruce, 14, and Ronda, 11, for the first time saw their dad perform, not in a club, but at the Los Angeles Forum with an audience of 17,000 people.

Later that year, Ronda moved from California to Nashville to live with her dad. But she saw him struggling with the change from prison to the musician’s life. She later explained that although he knew how to be in prison, “he didn’t know how to be the person people wanted him to be out here.”

A Flower Out of Place

In 1974, Sherley, apparently with support from Johnny Cash, hosted a TV special recorded at Tennessee State Prison called A Flower Out of Place. Sherley performed some songs, alone and with Johnny Cash, while introducing other acts like comedian Foster Brooks, Linda Ronstadt, and Roy Clark.

In watching the special, one may wonder whether Sherley was nervous or maybe back on drugs. Though his song performances are still very good, the title of the special captured an aspect of Sherley’s life outside the joint.

Out of prison, Sherley could not escape whatever demons haunted him from his past. Sherley, whose migrant farmer family moved from Oklahoma to California when he was young, was apparently in trouble often since a young age, often while drunk. In the 1950s, he committed crimes with little planning, such as robbing a man of a cash roll of one-dollar bills or holding up an ice cream company for $28 with a toy gun. By the time Cash met Sherley at Folsom, his armed robbery career had sent him to serve time in several penal institutions.

And once out of prison, Sherley again had behavior issues, carrying a gun and finding solace in drugs and alcohol. Eventually, reportedly he threatened to kill Johnny Cash’s bass player and road manager Marshall Grant (“I love you but what I’d really like to do to you, I’d like to get a butcher knife and start cutting you all to hell”).

So, reluctantly, Johnny Cash, who had turned his own life around to become sober, dismissed Sherley from his performing group. The setback for Sherley preceded other problems such as more drugs, alcohol, and Pall Malls, eventually becoming estranged from his wife and kids.

Sherley’s Downward Spiral

And despite great talent and a taste of fame, Glen Sherley ended up losing his star. He worked other non-music jobs, including feeding cattle at a cattle farm. Like many who struggle after life in prison, his use of drugs and alcohol contributed to the downward spiral.

According to Wikipedia, in May 1978, while high on drugs, Sherley shot another man in California. But it is hard to find any details about that shooting anywhere else, so I am not sure if that is true.

But we do know that on May 11, 1978, Sherley, who did not want to go back to prison, stood on his brother’s porch and committed suicide by shooting himself with a gun to his head.

Johnny Cash paid for Sherley’s funeral. Sherley was buried outside Bakersfield, California, a place made famous by another singer-songwriter who had attended a Johnny Cash concert while in San Quentin prison, Merle Haggard.

Sherley’s Legacy

Knowing Sherley’s story, it is hard to separate the man’s life (as well as his incarceration at the time) from the music while listening to Glen Sherley Live at Vacaville California (or the re-released version with bonus tracks Glen Sherley: Released Again). The narration and lyrics to the live performances often remind the listener of the singer’s situation.

But it is also hard to ignore that Glen Sherley was a great talent who showed much potential. With a booming voice, he sounds great, and his songs at their best show flashes of Cash, Haggard, Paycheck, and Jones. For example, his version of “Portrait of My Woman” illustrates a tenderness that outshines Eddy Arnold’s cover.

In his live performances, perhaps he understandably at times tries a little too much to copy Johnny Cash’s swagger. And maybe that swagger, trying to copy Cash’s bravado without understanding how Cash eventually embraced his vulnerability too, helped keep Sherley playing the tough guy in his life even when he needed help.

And of course, in the 1970s, there was not the type of understanding or mental health support that someone getting out of prison would need. Despite all Johnny Cash tried to do for Sherley, he could not have understood that Sherley needed much more than a guitar and an audience to adjust to life and freedom.

Sherley largely remains a footnote to the Johnny Cash story, unfortunately. Even his hosting and performing in the A Flower Out of Place TV special was later edited to completely exclude Sherley in a DVD release as well as scrubbed from a Johnny Cash album called A Concert: Behind Prison Walls (2003) (even while it includes the drunk comedy routine of Foster Brooks).

There exists more music that Sherley wrote and recorded as demos while in prison. His family has talked of releasing some of it, although so far the only additional music are three extra bonus tracks added to the Bear Records release of Glen Sherley Live at Vacaville California. And below, his daughter plays one of the tapes. She introduces the unreleased song “My Last Day,” a song about a man on death row. If there are more songs like these recent releases, I hope some day we get to hear more of Sherley’s music stored on cassette tapes in a box.

Leave your two cents in the comments.

How Merle Haggard Almost Gave “Today I Started Loving You Again” to Marty Robbins

Merle Haggard and Marty Robbins had a close relationship that connected in their songs as well as Merle’s impersonation of Marty.

After Merle Haggard wrote one of his greatest songs, he originally planned to give it to another artist. As Haggard wrote and first sang “Today I Started Loving You Again,” he thought it sounded like it should be a song by Marty Robbins.

Haggard then planned to give the song to Marty Robbins. But, unfortunately for Robbins, the timing did not work out right.

Haggard and Robbins

As Haggard explains in the video below, after he wrote “Today I Started Loving You Again,” he ended up going into the studio to record an album before he talked to Robbins. So, he went ahead and recorded the song himself. And the classic song is remembered in Haggard’s voice.

Perhaps had there been cell phones back then, Haggard would have texted Robbins right after he wrote “Today I Started Loving You Again.” And history would have been a little different.

You can get a sample of how the song sounds in the voices of both of the great singers below.

Haggard’s Song

Haggard wrote “Today I Started Loving You Again” in 1967. At the time, he was still married to Bonnie Owens, who often wrote down the songs as Haggard created them.

Although the two would divorce in 1978 and later find other partners in love, they remained close to each other through the rest of their lives. Owens continued to sing backup in Haggard’s band until 2006. And “Today I Stopped Loving You” remained with a special meaning for the two.

Haggard released “Today I Started Loving You Again” as a B-side in 1968, and today is a classic, even though the original release did not hit the charts. The song began reaching a wider audience when Sammi Smith covered the song in 1975, and it has since been covered by a number of artists.

As for Marty Robbins, Haggard and Robbins had a mutual respect and friendship. Robbins later did record a version of Haggard’s “If We Make It Through December.”

Beyond the song connections, their personal connection is even more apparent in this video of Haggard doing a spot-on impersonation of Robbins.

If that is not enough of a connection between the two to illustrate their friendship, Haggard named his son Marty after Robbins, who passed away December 8, 1982. Merle Haggard passed away on April 6, 2016.

What Merle Haggard song do you wish Marty Robbins would have recorded? Leave your two cents in the comments.

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  • Merle Haggard: “No Time to Cry”
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  • Johnny Cash’s Concerts at San Quentin
  • Merle Haggard: “Kern River”
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    Merle Haggard: “No Time to Cry”

    Haggard 1996

    Our song of the day features Merle Haggard covering an Iris DeMent song that appeared on one of his overlooked albums from the 1990s. In “No Time to Cry,” the singer begins by remembering his father’s funeral from a year before, moving into a meditation on live, it’s joys and it’s pains.

    When I first heard Haggard’s version from his album 1996, I though he might have wrote it or that it had been written for him. The song perfectly fits his weathered voice at the time of an older person. Although Merle Haggard was only in his late 50’s when he recorded “No Time to Cry,” he always seemed much older than his age.

    The singer looks back through the years, realizing life is full of pain. But in the end, you cannot stop the pain or cry for everyone.

    Now I sit down on the sofa and I watch the evening news:
    There’s a half a dozen tragedies from which to pick and choose;
    The baby that was missing was found in a ditch today;
    And there’s bombs a’flying and people dying not so far away;
    And I’ll take a beer from the refrigerator,
    And go sit out in the yard and with a cold one in my hand;
    I’m going to bite down and swallow hard,
    Because I’m older now: I’ve got no time to cry.

    Iris DeMent’s Version

    In Haggard’s version, he sounds weary. He sounds hardened by what he has seen. By contrast, in Iris DeMent‘s original version from her album My Life (1993), her haunting voice sounds like someone barely able to keep from crying. Her version reveals the raw emotions nearer to the surface than the old man in Haggard’s version. She takes longer

    Listen to just the way Haggard adds “it’s true” near the end at around the 3:45 mark. It is as if the singer is reminding himself that he cannot cry. DeMent’s version does not add that declaration, perhaps because the singer does not quite believe it is true.

    DeMent’s recording clocks in at nearly seven minutes, while Haggard’s song takes just four and a half minutes. He is making a declaration, telling you his story, while DeMent takes longer because she is trying to convince herself of her strength in the wake of everything. Both versions are wonderful. Here is DeMent’s take on her song “No Time to Cry.”

    Haggard’s choice to cover the song reveals his great taste in music that fits him. But he also admired DeMent’s work, having earlier praised DeMent’s version of his song “Big City” on the Haggard tribute album, Tulare Dust.

    Which version of “No Time to Cry” do you like best? Leave your two cents in the comments.

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  • How Merle Haggard Almost Gave “Today I Started Loving You Again” to Marty Robbins
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    Enjoy the History of Country Music with Cocaine & Rhinestones Podcast

    One of my favorite podcasts lately has been Cocaine & Rhinestones by Tyler Mahan Coe.  In each episode, Coe delves deep into the history of country music in the twentieth century.

    Cocaine & Rhinestones Episodes run anywhere between forty minutes and two hours, and each one may examine an artist’s career or may analyze the history behind a certain song, or both.  For example, one two-part episode centered on the relationship between Buck Owens and his guitarist Don Rich.  Another episode tells the story about how radio stations banned Loretta Lynn’s song, “The Pill.”  Another episode focused on Bobby Gentry’s “Ode to Bille Joe” while also giving a fascinating overview of Gentry’s career.

    Coe does an outstanding job trying to tell the truth behind the stories behind country music.  An avid reader, Coe delves into books that tell the stories, comparing versions of events so he can explain his best estimate of what really happened.

    Coe’s goal of telling us what really happened is part of the reason why he does not use original interviews but wraps information together to tell us the stories.  And at the end of each podcast, Coe also fills us in with “liner notes,” telling us a little more about his sources and other information that might not have fit in the main tale.

    As you might guess from the title Cocaine & Rhinestones, Coe does not shy away from the darker legends of country music, such as the first episode about how Ernest Tubb once showed up in slippers to try to shoot someone.

    But Coe is most interested in the music behind these artists.  His podcasts feature excepts from important songs, and he often breaks them down to help you hear them in a new way.

    Coe recently explained to The New Yorker how one of his radio inspirations is Paul Harvey, who hosted, among other shows, The Rest of the Story.  I used to listen to those shows as a kid too, and I even bought books with written versions of Harvey’s episodes.  So, I can hear the connection, mostly in the way that Coe tells a good story that keeps you entertained while you learn something new.

    Tyler Mahan Coe’s background in country music goes back to his birth, as he is the son of country legend David Allan Coe and later played guitar in his dad’s band.  Now, he lives in Nashville as he spreads the gospel of country music through the Internet.

    So, check, out the episodes from the first season of Cocaine & Rhinestones at the show’s website.  Find an artist or topic that interests you and start with that episode.  One of my favorites was his take on The Louvin Brothers (Running Wild), which also inspired me to read one of the books Coe recommended.

    Yet, part of the joy is learning about people you do not know and the way Coe ties together a number of country music characters throughout the episodes. So, yes, start with a song or artist you think you know already.  But, like me, you probably will just give in and decide to go back and listen to all of the episodes of Cocaine & Rhinestones in order.  And then you will wait anxiously for Season Two.

    What is your favorite episode of Cocaine & Rhinestones? Leave your two cents in the comments.

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    Johnny Cash’s Concerts at San Quentin

    Johnny Cash first performed at San Quentin Prison in 1958, and one of the prisoners attending was a young Merle Haggard.

    Johnny Cash Merle Haggard

    On January 1 in 1958, Johnny Cash gave his first performance at San Quentin Prison.  It would not be his only prison concert, as prisoners often wrote the singer following the 1955 release of his hit song “Folson Prison Blues.”  At the time of his first San Quentin appearance, Cash had already played at Huntsville State Prison in 1957.

    Around a decade later in January 1968, with his career not doing well, Cash went to Folsom Prison for a concert to be recorded for an album.  He also then returned to San Quentin on February 24, 1969 to record another live album At San Quentin.  That album and At Folsom Prison became two of the best-selling live albums of all time.

    The 1969 San Quentin Concert and “San Quentin”

    One of the highlights of At San Quentin was Cash’s performance of the song he wrote about the prison, “San Quentin.”  Cash performed two new songs for the prisoners, with one being “San Quentin” and the other being “A Boy Named Sue.”  He performed “San Quentin” twice.

    Cash’s most famous prison song, “Folsom Prison Blues” conveys sadness and hopelessness, despite the boast about shooting a man in Reno.  But “San Quentin”is a harder song, reeking of anger: “San Quentin I hate every inch of you.” Below is Cash’s performance at San Quentin in 1969.

    The 1958 Performance and Prisoner A-45200

    Although the 1958 concert at San Quentin did not yield an album, it did significantly affect music history. A year earlier, an 18-year-old man had been arrested for burglary and, after an attempt to escape from jail, he was sent to San Quentin Prison. Although a judge sentenced the man to fifteen years, the prisoner only ended up serving two. But during those two years, the young man attended the 1958 Johnny Cash concert. And it helped inspire the young prisoner, whose number was A-45200 and whose name was Merle Haggard. The prisoner worked to change his ways, joined a prison band, and devoted his own life to country music.

    Haggard later recalled Johnny Cash’s performance at the prison. “He had the right attitude. He chewed gum, looked arrogant and flipped the bird to the guards—he did everything the prisoners wanted to do. He was a mean mother from the South who was there because he loved us.”

    For more on Merle Haggard, the following clip features Haggard talking about his stint at San Quentin (starting at around the 17-minute mark).



    What is your favorite prison song? Leave your two cents in the comments.

  • Glen Sherley: Prison, Johnny Cash, & “Greystone Chapel”
  • Clarence Ashley: “The Cuckoo” & “Little Sadie”
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  • Willie and Merle Are “Missing Ol’ Johnny Cash”
  • The First Farm Aid
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