Chimesfreedom previously examined some of the famous versions of “The Star Spangled Banner” performed at sporting events, and it looks like there is another interesting version to add. Last night at the NFL season opener between the Dallas Cowboys and the New York Giants, Queen Latifah took a jazzy take on the National Anthem, somewhat reminiscent of the famous Marvin Gaye version. Many are divided on whether or not they like it, but I do like it.
Check it out for yourself.
What do you think of Queen Latifah’s take on the National Anthem? Leave your two cents in the comments.
On September 29 in 1975, Jackie Wilson was performing as part of Dick Clark’s Good Ole Rock ‘N Roll Revue in New Jersey. While singing “My heart is crying” from his signature song “Lonely Teardrops,” Wilson had a heart attack and fell and hit his head. Medical personnel saved his life. But because of the time it took them to revive Wilson, he ended up in a coma.
Jackie Wilson’s Death
Although Wilson recovered slightly, his great voice never spoke again. He spent the rest of his life in a semi-comatose state, dying on January 21, 1984.
A few months after Wilson died, Marvin Gaye was killed on April 1, 1984 when he intervened in a fight between his parents and his father shot him. I remember hearing about Gaye’s death that year, but I do not recall hearing anything about Wilson.
There are a number of reasons why Gaye’s death may have received more attention than Wilson’s death in the news. There were was not many years between the 49-year-old Wilson and Gaye who was one day short of his 45th birthday. But Wilson seemed less relevant and from another era.
Gaye was in the middle of a comeback, having won a Grammy for “Sexual Healing” a year earlier. By contrast, Wilson was still performing his classic songs on an oldies tour before spending almost a decade a coma. Also, Gaye’s death was more surprising and violent then Wilson’s, which also may have contributed to the media attention.
Wilson’s Troubled Life
Wilson’s coma and death were not the only indignities and problems he faced in his troubled life. He fought drug addiction, and his womanizing led to an angry lover shooting him in 1961.
During the height of Wilson’s career, he had to play to segregated audiences in the South. At one point New Orleans police arrested and beat him after they disapproved of one performance.
Wilson faced other problems. In 1967, he was arrested on morals charges in South Carolina for being in a motel room with a white woman. In 1970, his 16-year-old son was killed by a neighbor during an argument.
Wilson faced financial difficulties too. Throughout his career, his manager did not handle money properly and Wilson was left with tax debts and no money.
In the early 1970s, though, Wilson started turning his life around. He gave up alcohol and drugs. And he got rid of the manager who caused his financial problems. But then he had the heart attack. When he died, he was penniless, so he was buried in an unmarked grave in Detroit, like a pauper.
I absolutely love his recording of “Lonely Teardrops.” I love Jackie Wilson’s voice, and I love to see his performances. You can see the precursor to some of Michael Jackson’s moves in Wilson’s dancing.
On the Million Dollar Quartettapes, you may hear Elvis Presley talking about seeing Jackie Wilson sing Presley’s “Don’t Be Cruel,” and you can hear the admiration in Presley’s voice. Wilson’s talents inspired other artists, like Van Morrison who wrote and recorded “Jackie Wilson Said (I’m in Heaven When You Smile).”
Those artists heard the jubilance and rapture in Wilson’s performances, which explains why he was called “Mr. Excitement.” I like to think that when Jackie Wilson was on stage that last time in 1975, singing about his heart crying, that his final moments of real consciousness were of the type of joy conveyed in the performance below.
Bonus Performance: In this clip from 1974 around a year before Wilson’s final performance, Roy Orbison and Del Shannon introduce Jackie Wilson performing “(Your Love Keeps Lifting Me) Higher and Higher” along with “Lonely Teardrops.”
Why do you think Jackie Wilson is not given more attention? What are your favorite Jackie Wilson songs? Leave a comment.
On September 13 in 1814, a 35-year-old American lawyer wrote down a poem aboard a ship. He had just watched Fort McHenry in Maryland being bombarded by the British all night long during the War of 1812. British troops had already attacked Washington, D.C. and were now looking to take Baltimore.
The lawyer had come to Baltimore to successfully negotiate the release of a prisoner who was his friend. Now, he became inspired when during dawn’s early light, he saw the U.S. flag still flying over Fort McHenry.
The Song
And so, immediately, the lawyer began writing a poem called “The Defense of Fort McHenry.” Francis Scott Key’s poem began invoking his sight of the flag, “Oh, say, can you see, by the dawn’s early light, / What so proudly we hailed at the twilight’s last gleaming?.”
After the poem was published in newspapers, the words were linked to the music of an English drinking song by John Stafford Smith, “To Anacreon in Heaven.” The union of the American poem and the British music took on a life of its own as “The Star-Spangled Banner.” And eventually it was adopted as the U.S.’s official anthem in 1931.
Criticisms of “The Star Spangled Banner”
There are many critics of the national anthem. Some critics note that the song is difficult to sing. Thus, we get various poor performances ranging from Cyndi Lauper’s minor lyrics flub at the 2011 U.S. Open to more disastrous results.
Others criticize the song because it celebrates war over the nation’s other accomplishments. Personally, I love “America the Beautiful,” which many advocate as a replacement anthem. But there is something inspirational in the old drinking song tune put to Key’s words.
As a pre-Civil War song, the reference to the “land of the free” is about a land where American slaves were excluded from that freedom. In fact, Francis Scott Key had owned slaves, worked against abolitionists in his law career, and generally held a number of racist principles.
Thus, it is fascinating that the greatest versions of the song were performed by African-American singers and a man born in Puerto Rico. These singers instilled the song with different meanings.
Whitney Houston’s 1991 Super Bowl Performance
The most recent of these versions is the rousing and patriotic Super Bowl version by Whitney Houston at the Super Bowl in January 1991. She performed the song while the nation was involved in the Gulf War.
People immediately recognized her version was something special. I remember seeing the single CD of the beautiful performance for sale in record stores, and Houston made the national anthem a best-seller.
The fact that Houston pre-recorded the vocals and sang into a dead microphone does nothing to take away from how amazing her rendition of “The Star-Spangled Banner” is — or how much she gave to the performance. Her voice rose over a full band.
On a day when the nation was on high alert and Americans were unsure of the future, Houston altered the 3/4 waltz of the national anthem by changing it to 4/4 time. She thus elongated the notes, steeping the song in the time signature of the blues.
Jimi Hendrix at Woodstock in 1969
Maybe the single most famous public performance of “The Star-Spangled Banner” is the Jimi Hendrix guitar version from Woodstock in 1969. His instrumental version instills new meaning into the song and captures the turbulent time.
Although Hendrix had been scheduled to close the Woodstock Music and Art Fair on Sunday night, various delays resulted in him taking the stage around 8 a.m. on Monday morning, August 18, 1969. Thus, the closing act appeared before a crowd that had thinned out since the beginning of the weekend.
Hendrix first performed many of his most popular songs. Next, as the band began improvising, Hendrix told the crowd, “You can leave if you want to. We’re just jammin’, that’s all.” And then in the midst of the jam, he launched into “The Star-Spangled Banner.”
Even though Hendrix had played the tune on stage in the past, this performance was one for the ages. Hendrix took a song written about two nations fighting a battle, and he turned it into an elegy to a nation battling itself.
Marvin Gaye at the 1983 NBA All-Star Game
The third example is one of my favorites, which is Marvin Gaye’s performance of “The Star-Spangled Banner” at the 1983 NBA All-Star game. In what could have been just another pre-game performance, Marvin Gaye surprised us all.
At the time, Gaye was fighting a serious drug addiction problem, and within a little more than a year, he would be killed by his own father. On the night of this performance, he must have wondered how the crowd would react. He was running behind schedule on his way to the game after his only rehearsal of the song had not gone well.
That night, I remember watching the All-Star game. After Gaye began, at first, I wondered what was going on. Then, like the crowd, I began to realize that something incredibly special was taking place.
Gaye, like Hendrix before him, was reclaiming the national anthem, transcending the original warrior lyrics, capturing the pain and celebrating the joy of a troubled country, and giving it a little bit of soul.
José Feliciano at the 1968 World Series
Before any of the above versions, José Feliciano, another person who would have been excluded from Francis Scott Key’s country, reinterpreted the national anthem during an afternoon game of the 1968 World Series.
Feliciano performed in Detroit before Game 5 of the series between the Tigers and St. Louis Cardinals. The Tigers and NBC received angry calls and letters following the unconventional performance.
But one may find an attempt to heal a divided nation in Feliciano’s voice. The year had already seen the assassinations of Martin Luther King Jr. and Robert F. Kennedy. Riots erupted in August at the Democratic National Convention. As the Viet Nam conflict continued, the nation seemed to be coming apart.
You may hear Feliciano’s amazing version below. Also, check out his discussion of the controversy caused by his October 7, 1968 performance.
In less than a month, the country elected Richard M. Nixon as president. The war continued and the nation remained divided. But Feliciano — like Gaye, Hendrix, and Houston — had reminded us that the national anthem and the nation still could be saved.
What is your favorite version of “The Star Spangled Banner”? Leave a comment.
As a pre-Civil War song, the reference to the “land of the free” is about a land where American slaves were excluded from that freedom. In fact,