Ain’t No Mountain High Enough, Ain’t No Valley Low Enough

Gaye Terrell
“Ain’t No Mountain High Enough” is one of those rare songs with two definitive hit versions. The song, written by Nickolas Ashford and Valerie Simpson in 1966 became a hit in 1967 as a duet for Marvin Gaye and Tammi Terrell. Then, the tune climbed the charts again in 1970 in a solo version by Diana Ross.

“Ain’t No Mountain High Enough” features typical pop love song lyrics about loving someone using hyperbole and grand images. But the lyrics work, especially lifted by the music going from the verse into the rousing joyful chorus.

Remember the day I set you free,
I told you, you could always count on me darling;
From that day on, I made a vow;
I’ll be there when you want me,
Some way, some how.

‘Cause baby there ain’t no mountain high enough,
Ain’t no valley low enough,
Ain’t no river wide enough,
To keep me from getting to you babe.

The Gaye-Terrell version hit the top twenty on the pop charts on the Tamia label, which was a division of Motown. Originally, Dusty Springfield wanted to record the song, but Ashford and Simpson held out because they wanted to be on Motown. They got their wish when Gaye and Terrell recorded the song.

Interestingly, Gaye and Terrell did not record this classic duet together. Terrell recorded her part by herself, and Gaye’s vocals were added later. The two, however, did get together for the video.

For fans of sports movies, you might remember that this version appears in Remember the Titans (2000). I have seen that movie so many times, I no longer can hear the song without thinking of the Titans.

The Gaye-Terrell version also appears in Stepmom (1998). Below, Susan Sarandon introduces her movie kids to the beauty and joy of the recording.

As an uplifting duet, “Ain’t No Mountain High Enough” makes a great movie bonding song.

Before making her own solo hit recording of the song in 1970, Diana Ross in 1968 recorded a version of “Ain’t No Mountain High Enough” with the Supremes on a crossover group recording with the Temptations.

The 1968 version with the Supremes and the Temptations features a production very similar to the hit version by Gaye and Terrell.  Check it out.

Supposedly, Ross was reluctant to record the song again when asked to do so as a solo artist. But she did so anyway for Motown in March 1970, giving the song a new sound. Her gospel-sounding recording also featured the songwriters Ashford & Simpson singing background vocals.

Ross’s 1970 solo version also features a segment of Ross talking instead of singing. Reportedly, Motown head Barry Gordy was not a fan of the talking part of the song, but listeners loved the recording. It went to number one on the pop and R&B charts in the United States.

Other artists have since covered “Ain’t No Mountain High Enough.” And Diana Ross and Marvin Gaye had great success with other songs that everyone knows. Yet, you might wonder why you may not know much about Tammi Terrell.

Terrell did have other successful songs, such as another duet with Gaye on “Your Precious Love.” But on October 14, 1967, the same year “Ain’t No Mountain High Enough” was released, she collapsed onstage into the arms of her friend Gaye. She was subsequently diagnosed with a malignant brain tumor, and she died on March 16, 1970, the same week Diana Ross was recording her version of “Ain’t No Mountain High Enough.”

Regarding the mountain of the song, TMZ recently caught up with Valerie Simpson to ask her if she had a certain mountain in mind when she wrote the song. She replied, perhaps with tongue in cheek, that she was thinking of tall buildings in Manhattan.

What is your favorite version of “Ain’t No Mountain High Enough? Leave your two cents in the comments. Photo via Fair Use.

  • The Groundbreaking Rock and Roll Movie, “The T.A.M.I. Show”
  • 10 Thoughts on Bruce Springsteen’s “Only the Strong Survive”
  • 10 Best True-Life Sports Movies
  • You’ve Taken Away My Reason for Livin’
  • Metallica’s National Anthem at the NBA Finals
  • “What’s Up?” is What’s Up Again
  • (Some related Chimesfreedom posts.)

    Metallica’s National Anthem at the NBA Finals

    Last night, Metallica‘s James Hetfield and Kirk Hammett kicked off game five of the NBA Finals with a metal version of the “Star-Spangled Banner.” Members of the U.S. armed forces held a large American flag while the guitars wailed prior to the start of the game between the Cleveland Cavaliers and the Golden State Warriors.

    While my favorite version of the national anthem played before a basketball game remains a legendary performance by Marvin Gaye, this Metallica version was still pretty cool. Check it out.

    Leave your two cents in the comments.

  • Queen Latifah’s Jazzy Anthem
  • Star-Spangled Banner: Francis Scott Key & Singers Who Redefined His Words
  • Ain’t No Mountain High Enough, Ain’t No Valley Low Enough
  • Sweet Victory . . . and Sweet Forgiveness
  • The Groundbreaking Rock and Roll Movie, “The T.A.M.I. Show”
  • “What’s Up?” is What’s Up Again
  • (Some related Chimesfreedom posts.)

    The Groundbreaking Rock and Roll Movie, “The T.A.M.I. Show”

    TAMI Show

    On December 31, 1964, American International Pictures released The T.A.M.I. Show in theaters as a “once-in-a-lifetime experience.” This early rock concert film gave rock and roll fans a snapshot of some of the biggest bands of the time and was groundbreaking.

    “T.A.M.I.” stands for “Teenage Awards Music International,” although some promotional materials also used “Teen Age Music International.” But the important part of The T.A.M.I. Show is the music, filmed from the standpoint of the audience.  The technique made viewers feel like they were at the show recorded at the Santa Monica Civic Auditorium on October 28 and 29, 1964.

    Below is the trailer for the film.

    The general consensus is that James Brown gives his greatest filmed performance here, an outstanding display of passion and performing experience that made the Rolling Stones regret they had to follow him. But there are other highlights throughout the concert, including the 18-year-old Lesley Gore and a surprisingly loose performance by The Beach Boys.

    Although producer Bill Sargent lost the rights to the film and it disappeared for decades, it is now available for your viewing on DVD (with extras) and with various performances on YouTube.  Below, James Brown performs “Please, Please, Please.”

    Performers include Jan and Dean (over the credits), Chuck Berry, Gerry & the Pacemakers, Smokey Robinson and The Miracles, Marvin Gaye, Lesley Gore, The Beach Boys, Billy J. Kramer and The Dakotas, The Supremes, The Barbarians, James Brown and The Famous Flames, and The Rolling Stones.

    Artists are still making great music today, but it is hard to imagine people agreeing on so many great performers in one film now. So, travel back to another time, and check out the Rolling Stones closing the show, joined by others on the stage.

    Some trivia tidbits: The opening credits list The Blossoms with the performers, but they are not introduced when they appear as the backing singers for Marvin Gaye (or when later they appear to encourage James Brown to return to the stage). The Blossoms were used to not getting credit, having recorded the 1962 hit “He’s a Rebel” without credit.

    Also, future actress Teri Garr and future recording star Toni Basil appear as background dancers in the film, and singer Glen Campbell and musician Leon Russell played in the show’s backing band, The Wrecking Crew. Reportedly, filmmaker John Landis and future Partridge Family star David Cassidy, who were seventh grade classmates at the time, were in the audience for the show.

    What are your favorite parts of The T.A.M.I. Show? Leave your two cents in the comments.

    Buy from Amazon

  • Song of the Day: “You Don’t Own Me”
  • Ain’t No Mountain High Enough, Ain’t No Valley Low Enough
  • James Brown Records Live at the Apollo: Oct. 24, 1962
  • How Smokey Robinson Inspired a Who Song
  • Who Had a Hit with “He’s a Rebel”?
  • The Big Chill Released in 1983
  • (Some related Chimesfreedom posts.)

    “What’s Up?” is What’s Up Again

    what's up?

    Linda Perry recently reunited with 4 Non Blondes to perform “What’s Up?” live together for the first time in twenty years. Fortunately, someone was there on Saturday, May 10, 2014 to capture on video the group at “An Evening With Women,” the Los Angeles Gay & Lesbian Center‘s annual fundraising event.

    “What’s Up” is one of the most memorable songs from the 1990s. It first appeared on the group’s 1992 album, Bigger, Better, Faster, More! before being released as a single in 1993.

    Do you recall why the song is called “What’s Up?” even though the phrase never appears in the lyrics? Reportedly, Perry chose the title instead of the chorus’s “what’s going on” to avoid confusion with Marvin Gaye’s classic song of that name. Anyway, check out the recent performance of the worldwide hit song.

    Perry left 4 Non Blondes in 1994, but they still sound great together on “What’s Up?”

    Leave your two cents in the comments.

  • Ain’t No Mountain High Enough, Ain’t No Valley Low Enough
  • Metallica’s National Anthem at the NBA Finals
  • The Groundbreaking Rock and Roll Movie, “The T.A.M.I. Show”
  • The Big Chill Released in 1983
  • Queen Latifah’s Jazzy Anthem
  • Jackie Wilson’s Final Performance on Sept. 29, 1975
  • (Some related Chimesfreedom posts.)

    The Big Chill Released in 1983

    In 1983, Columbia Pictures released “The Big Chill,” a film featuring an ensemble of great young actors (including a rising star cut out of the movie) as characters looking back on the 1960s with nostalgia, loss, and wonderful music.

    Big Chill Soundtrack

    On September 28, 1983, Columbia Pictures released The Big Chill. The film, directed by Lawrence Kasdan, featured baby boomer college friends reuniting around fifteen years after school for the funeral of a friend who committed suicide. The film perfectly encompassed the baby-boomer anxiety about selling out in life and a loss of innocence.

    And of course, there was the humor.  And the movie featured the great soundtrack with such performers as Marvin Gaye, Creedance Clearwater Revival, and Aretha Franklin.

    The move taught me an important lesson that had little to do with the lost idealism or the friendship of the characters. I learned how great it can be not to know anything about a movie before you see it.

    When I was in college, I went to a shopping mall with friends and we decided to see a movie. As we debated what to see, none of us had yet seen any advertisements for The Big Chill. I only knew that my sister had seen it and liked it, but I had no idea about the story or the actors.

    Well, we decided to see The Big Chill based on my sister’s vague recommendation. By the time the movie got to the scene with the Rolling Stones’ “You Can’t Always Get What You Want,” I was hooked.

    For the time period, with MTV only about two years old, the movie seemed like something new and refreshing, using rock music to explore the 1980s nostalgia for the 1960s. I do not know if I would have loved the movie so much had I known what to expect. So I learned the best way to see a movie is without expectations. Now, before I see a movie I try to learn only as much as I need in order to decide whether or not I want to see it.

    Thus, in case you have not seen the The Big Chill, I will not say much more about the plot. Many have fond memories of the movie, which had a great ensemble cast of Tom Berenger, Glenn Close, Jeff Goldblum, William Hurt, Kevin Kline, Mary Kay Place, Meg Tilly, and JoBeth Williams.

    Much later, we would read that the dead friend Alex, who we never see in the film, was originally played by a young Kevin Costner.  In this reunion video, you may hear more about a deleted flashback scene featuring Costner.

    Critics are somewhat divided on the film.  I understand how looking back at the movie through today’s lens, one may see too many clichés.

    But for the time, seeing the movie through my own innocence, it helped connect me a tiny bit to thinking about how I might one day look back on my own life. And today, I find myself older than the characters in the film looking back nostalgically at where I was when I first saw The Big Chill during my own college years.

    What is your favorite scene in The Big Chill? Leave your two cents in the comments.

  • The Man Behind the Organ in “Like a Rolling Stone”
  • The Groundbreaking Rock and Roll Movie, “The T.A.M.I. Show”
  • History and the “Hatfields & McCoys” (Review)
  • “Horizon: An American Saga” Trailer
  • Ain’t No Mountain High Enough, Ain’t No Valley Low Enough
  • “All You Need Is Love” Worldwide Broadcast
  • (Some related Chimesfreedom posts.)