There are a number of reasons to give the movie About Time (2013) a chance, despite its somewhat generic title. The film is written and directed by Richard Curtis, who wrote Love Actually (2003), Bridget Jones’s Diary (2001), Notting Hill (1999), and Four Weddings and a Funeral (1994). While not everyone loves romantic comedies, About Time throws in a twist. In line with a trend previously examined on Chimesfreedom, the film incorporates a science fiction element where the science fiction element, with little or no special effects, is a mere co-star to help explore some interesting aspects of the human condition.
Near the start of the film, a father, played by the wonderful Bill Nighy, tells his 21-year-old son Tim, played by Domhnall Gleeson that the men in the family have an unexplained ability to travel back in time in their lives to change their own past. Before viewers can get too excited about the time-travel concept, though, the dad explains that it is limited to the person’s life, so they cannot go back and kill Hitler, etc. With that limitation in mind and other “rules” we later discover, the rest of the film follows Tim trying to live a good life with his unusual ability to help his family and friends, including the woman with whom he falls in love, Mary, played by Rachel McAdams. As a metaphor for real life, Tim uses his powers much as the way we use our own power to live in the present.
I will not ruin the movie by delving further into the plot (and if you are sure you are going to see the movie, skip the plot-revealing trailer below). But there are additional reasons to see the movie besides the clever writing and the interesting concept, which never comes close to overwhelming the real emotions of the characters. One reason the movie works is the engaging acting by Domhnall Gleeson. His occasional narration will remind viewers of similar narration by Hugh Grant in films like Love Actually and About a Boy (2002), with comparable phrasing and heartfelt insight. But, aside from the Hugh Grant similarities, Gleeson brings much more, adding some goofy humor from a man trying to figure out life. Gleeson, who lacks Grant’s leading-man looks, brings an everyman quality to the role. He interacts well with McAdams, but it may be his work with Nighy as his dad that provides the real heart of the movie. The movie features a fine supporting cast of other secondary characters that are well developed too.
Because of the sweetness of the film is connected to a supernatural element, one is tempted to say the movie is a combination of Love Actually and Groundhog Day (1993). The comparison may raise expectations too much, but you get the idea. Even if About Time does not live up to those movies on your first viewing, it is one that has a chance to grow in popularity with repeated viewings once it starts running on cable TV. After watching the movie for the first time on DVD, I immediately watched it again, which is something I rarely do. And I continued thinking about the movie for several days, a nice respite from the majority of films that vanish from thought ten minutes after they end.
In addition to the engaging characters, the concept of the film makes it re-watchable, as a viewer might analyze the logic of the film’s time-travel concept. Because of the number of questions that are raised by time travel that cannot be completely sorted out in a movie, I could not help thinking that About Time would make an interesting television series.
There were other questions that a TV series might explore more. For example, Tim is a lawyer in the movie. While the movie does not tell us much about his work, someone does make a comment implying Tim has won all of his cases. That off-hand comment makes the viewer wonder if Tim used his time travels in the workplace, which would raise a number of ethical and moral issues. But the movie does not have time to explore them. What the movie does with the time it has, though, is explore the meaning of time, making the viewers think about their own lives. And, even if About Time is not perfect, that experience is a lot more than one expects from most modern movies.
Conclusion? If you like romantic comedies and do not mind an unusual twist that may challenge you and make you think, then you should give About Time a chance. Maybe you will not like it, but then again, it might change your perspective on life.
Other Reviews Because Why Should You Trust Me?: About Time is a movie that seems destined to be loved by a lot of viewers while being scorned by a lot of critics. Rotten Tomatoes gives About Time a so-so rating of 69% from critics while the movie gets a respectable 82% audience rating. Stephanie Zacharek at The Village Voice hated the movie, calling it “mostly dreadful.” Meanwhile, Joel Arnold at NPR enjoyed the film, concluding that About Time “blends genre pleasures with efficient, thematically resonant storytelling and moreover gives its audience a call to action.” Finally, if you get the DVD, check out the deleted scene involving Abbey Road that Curtis was sad to leave out of the movie (no longer available on YouTube).
{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}
What did you think of About Time? Leave your two cents in the comments.
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