The World Needs a Little Louis Armstrong Right About Now

As the U.S. and the world face a load of uncertainty surrounding the spread of the coronavirus, we are told to limit our contacts with others. But at least we still have some things to comfort us, like the warm sound of Louis Armstrong.

grocery panic buying
The pasta section of a local grocery store

Last week, we had someone try to break into our apartment around 3 a.m. I was already up feeding our baby when I heard a pounding noise in the hallway that kept continuing. So I went to the door and listened, until the person started kicking at our door.

I yelled at the guy through the door, where I soon realized he was drunk and did not live in our building. But he continued to kick our door and others until the police arrived.

Anyway, it turned out that the guy had gone out and gotten extremely drunk in response to some of the news about the coronavirus (reacting to being worried because of what turned out to be inaccurate statements by our president). And he ended up in our neighborhood, where he kicked in two doors of our apartment building.

The point being that while businesses and local leaders are trying to tackle the physical health aspects of the coronavirus and to some extent worrying about the economic impact, this thing is also taking its toll on our mental health. So it is important that each of us take care of each other and ourselves the best we can.

There are ways we can help our neighbors, like making sure elderly neighbors have precious toilet paper until the run on toilet paper and panic buying subsides. We can also give to local food banks that will be needed to help people financially impacted by the closings. One source to find your local food bank is the Feeding America website.

Another way to help ourselves is to take a break from the news, as reporters constantly barrage us with the inevitable growing number of cases. Remember that all of the closures and actions are not designed to stop the spread, which largely be done once we have a vaccine, which will come. But these closures are meant to slow things down so our system can handle the coronavirus until health care officials have a better handle on it.

When you step away from the news, put on an old comforting movie. Or play some music you like. In times like these, we need music that can comfort us.

Louis Armstrong saw a lot of changes and lived through some troubled times in America. But his trumpet and voice broke through the pain and helped us find that joy still exists.

Nowhere is that joy found more clearly than in his performances of “Rockin’ Chair.” Below, Armstrong and Jack Teagarden (vocal and trombone) perform “Rockin’ Chair” in 1957 in New York City with Peanuts Hucko (clarinet), Marty Napoleon (piano), Arvell Shaw (bass), and Cozy Cole (drums). Give it a listen and let your worries subside for a few minutes.

Hoagy Carmichael wrote “Rockin’ Chair” and it was first recorded in February, 1929. Armstrong and Carmichael recorded it in December of that year. Of course, between those dates, the stock market had crashed, and the song gave joy to many as they faced the Great Depression.

My dear old aunt Harriet, in Heaven she be,
Send me sweet chariot, for the end of the trouble I see;
Old rocking chair gets it, judgement day is here;
Chained to my rocking chair.

A year after the above performance, Teagarden and Armstrong performed “Rockin’ Chair” again at The Newport Jazz Festival in 1958. Check it out.

Wash your hands, and take care of yourself.

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    Louis Armstrong and Jimmie Rodgers: “Blue Yodel 9” (Duet of the Day)

    On July 16, 1930, two of the great forefathers of American music met in a Los Angeles recording studio. Louis Armstrong, the great jazz and blues man — and probably America’s greatest contributor to music, had been hired to back up the “Father of Country Music” Jimmie Rodgers on “Blue Yodel 9 (Standing on the Corner).”

    History does not record how the two men came to record this song together. Armstrong and his wife Lillian, who played piano on the recording, had recently moved to California. Armstrong was signed to a different record company (Okeh) than where they were recording at Victor.

    Some have guessed that the two legends must have somehow ran into each other, or that Rodgers proposed the meeting. On “Blue Yodel 9,” Rodgers included some lyrics he took from Nolan Walsh’s 1926 blues recording of “The Bridewell Blues.” And, in addition to the lyrics, Rodgers must have liked the trumpet accompaniment on Walsh’s song, played by Louis Armstrong.

    Unfortunately, Armstrong did not get to sing, but he played his trumpet. Armstrong and Rodgers would never get to record together again, as Rodgers died from tuberculosis in 1933. But they made a great record, and there may have never been a greater teaming of two artists in American music history.

    Although Rodgers and Armstrong never got to combine their vast talents again, Armstrong did later get the chance to return to “Blue Yodel 9” with another country music legend. In the fall of 1970, he appeared on Johnny Cash’s variety show on ABC. During the show, the two men performed the song.

    At the time, Armstrong was not in good health (he would die on July 6, 1971). And his doctors had told him not to play his trumpet. But he did anyway, and this time he got to throw in some vocal riffs with Cash’s yodels. Not surprisingly, Armstrong got a standing ovation. It was awesome.

    Leave your two cents in the comments.

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    Barbara Dane’s Cool Musical Legacy: “Wild Woman,” “Gasser,” “Hard-Hitter”

    Dane Barbara

    Folk, blues, and jazz singer Barbara Dane was born in Detroit on May 12, 1927.  Smithsonian Folkways recently released a retrospective of the singer and political activist who has worked with many musical giants of the 1950s, 1960s, and beyond.

    In her long career, Dane performed and recorded with artists such as Louis Armstrong, Memphis Slim, Otis Spahn, Memphis Slim, Willie Dixon, Pete Seeger, Mose Allison, Big Mama Thornton, Lightnin’ Hopkins, T-Bone Walker, and many others. Below she sings with Louis Armstrong on the Timex All-Star Jazz Show, which was broadcast on CBS on January 7, 1959.  Armstrong famously described Dane with the compliment, “She’s a gasser!”

    She also made a wonderful album with The Chambers Brothers. Here, they perform “I am a Weary and Lonesome Traveler” from Barbara Dane and the Chambers Brothers.

    A new album from Smithsonian Folkways collects a number of Dane’s recordings into a retrospective. Below is a promo for the two-CD retrospective, Hot Jazz, Cool Blues & Hard-Hitting Songs (2018).

    More on Barbara Dane

    Dane has had a long career with great music while also being active politically for such causes as the civil rights and anti-war movements. If you are unfamiliar with her work, her website is a good place to start. And another resource is the audio documentary, A Wild Woman Sings the Blues: The Life and Music of Barbara Dane.

    Finally, fortunately for us, Dane continues to be active. Below is a video of her performing and talking about her career at the San Francisco Library in 2014.

    Happy birthday Ms. Dane!

    What is your favorite Barbara Dane recording? Leave your two cents in the comments.

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    “It’s All In the Game”: The Hit Song Co-Written By a Vice President

    It's All In the Game Charles G. Dawes served as Vice President of the United States under Calvin Coolidge during 1925-1929. At various times, he was a banker, a military general, and the co-winner of the 1925 Nobel Peace Prize (for his work on a post-World War I plan to help Germany stabilize its economy). If all that was not enough, he also co-wrote “It’s All in the Game,” the 1958 hit song recorded by Tommy Edwards.

    Dawes’s Melody in A Major

    Dawes wrote the music for what would become “It’s All in the Game” in 1911 while he was a banker. The amateur pianist and flautist then played his composition, “Melody in A Major,” for a musician friend who then took the sheet music to a publisher.

    The tune became popular and was often played at appearances by Dawes. Below is a 1924 recording of “Melody in A Major,” featuring Carl Lamson on piano.

    “It’s All in the Game”

    Dawes, who was born in Marietta, Ohio on August 27, 1865 and passed away on April 23, 1951, just missed seeing his tune become a chart-topping pop standard. In the summer of 1951, not long after Dawes’s death, songwriter Carl Sigman took the melody that Dawes wrote and added lyrics to create “It’s All in the Game.”

    Many a tear have to fall,
    But it’s all in the game;
    All in the wonderful game,
    That we know as love.

    Tommy Edwards Versions in 1951 and 1958

    A number of artists sang “It’s All in the Game,” including Dinah Shore and Louis Armstrong. The Virginia-born R&B singer Tommy Edwards had a popular version of the song first with his 1951 recording.

    But seven years later, Edwards recorded it again in 1958 in a rock and roll version.  This recording went on to top the charts, becoming the version most people recognize today.

    First, here is Edwards’s 1951 version.

    Now, listen to the differences between that 1951 version and Edwards’s 1958 recording of “It’s All in the Game.” The later recording illustrates the influence of rock and roll in the intervening years after Elvis Presley first recorded “That’s All Right” at Sun Studios in 1954.

    Edwards also performed this version of “It’s All in the Game” on The Ed Sullivan Show on September 14, 1958 (only two years after Presley’s first appearance on the show).  Below, though, is his hit recording.

    Edwards had some other minor hit songs, but he never again matched the success of “It’s All in the Game.” Edwards died on October 22, 1969 at the age of 47.

    The Songwriters

    As for the songwriters, Sigman wrote lyrics for other popular songs, including “(Where Do I Begin?) Love Story” (the theme from the 1970 tear-jerker movie Love Story) and “Ebb Tide,” the 1965 Righteous Brothers hit.

    Sigman passed away on September 26, 2000 in Manhasset, New York.  He was 91.

    The other songwriter who wrote the melody, as noted above, went on to become the only U.S. Vice President to co-author a hit song.  On top of that, he also is the only Nobel Peace Prize winner with a hit song (so far).

    While you may not remember much from school about Dawes’s political career or his Nobel Peace Prize or his years as U.S. Ambassador to the United Kingdom, you likely recognize his important work on a great song that was made an American classic with some help by Carl Sigman and Tommy Edwards.

    “It’s All in the Game” continues to touch people, whether in the version by Edwards or by other artists like Nat King Cole, Cliff Richard, the Four Tops, Van Morrison, George Benson, Tom T. Hall, Ricky Nelson, or Michael Buble. So, while I am still waiting for that hit song from Dick Cheney or Joe Biden or Mike Pence, for now, Charles Dawes remains the only vice president to get so many greats to sing his tune.

    And that is the story behind the song.

    Photo via public domain. Leave your two cents in the comments.

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    Happy Birthday Eleanora Fagan (i.e., Billie Holiday)!

    complete billie holiday On April 7 in 1915, Eleanora Fagan was born in Philadelphia, Pennsylvania. As a young 13-year-old girl, Eleanora learned songs and began singing while working in a brothel. After getting arrested and serving time in a workhouse, the girl began seeking a singing career and adopted her new first name from the actress Billie Dove and her last name from a jazz guitarist who was her father, Clarence Halliday (although that name later transformed into “Holiday”).

    By 1946, Billie Holiday was so well-known for her singing that she appeared in the film New Orleans with Louis Armstrong, where she sang “The Blues are Brewin’.”

    After a lifetime of facing racism, drug abuse, drinking, and abusive men, Holiday died in 1959 suffering from liver and heart disease. She was only 44. While she was in the hospital dying, police raided her room and arrested her for drug possession. Despite her troubled life, she had a unique influence on American music, much like Louis Armstrong. Thanks Eleanora.

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