As part of Michelle Obama’s “Let’s Move” campaign to end childhood obesity and encourage parents to get up and move around with their children, she appeared on Late Night with Jimmy Fallon this week. To show that she does not just talk-the-talk, she got up and danced with Jimmy Fallon in this funny video that illustrates the “Evolution of Mom Dancing.” Get up and join in!
The funny Obama-Fallon collaboration on “Evolution of Mom Dancing” may remind one of Fallon’s famous collaborations with Justin Timberlake on “The History of Rap.”
What is your favorite part of “Evolution of Mom Dancing”? Leave your two cents in the comments.
In the latest funny take on the Batman trailer for the upcoming Dark Knight Rises, Pee Wee Herman provides the voices. The video was put together for Late Knight with Jimmy Fallon. Check it out, as the short video is worth it for Pee-wee’s interpretation of Bane alone.
Another one of the film’s trailers previously was rendered in Legos. Who else would you like to see do a voice-over for The Dark Knight Rises? Leave your two cents in the comments.
After hearing that Late Night with Jimmy Fallon was devoting a whole show to Bruce Springsteen, I had little doubt that they would reprise a Niel Young-Bruce Springsteen duet like they did on an earlier show with “Whip My Hair.”
But last night, instead of a Born-to-Run-era Springsteen, the Boss got out his old bandana and came as Born-in-the-USA Springsteen. This time, they sang LMFAO’s “Sexy and I Know It,” with Springsteen in on the joke making fun of his former muscle-shirted self exchanging his usual “whoa, whoa, whoa” with “wiggle, wiggle, wiggle.”
(May 2012 Update: The link from NBC apparently no longer works, but you may also see the video on YouTube here.) If you missed the show and wish to see the Springsteen interview as well as his performances with the E Steet Band of two new songs from the new album — “Death to My Hometown” and “Jack of All Trades” — as well as a rousing “E Street Shuffle” with the Roots, you may find them at Consequences of Sound and at Blogness on the Edge of Town.
What do you think of the cover of “Sexy and I Know It”? Funny or just a retread of “Whip My Hair”? Leave your two cents in the comments. If you like the post, retweet it!
This week on “Late Night with Jimmy Fallon,” John Legend and The Roots performed an excellent cover of Bruce Springsteen’s “Dancing in the Dark” from Springsteen’s Born in the USA (1984). To top it off, Legend also made the performance MP3 available to fans with a free download.
2024 Update: Unfortunately, the performance with the Roots is no longer available, but here is another performance by Legend singing “Dancing in the Dark”:
What do you think of John Legend’s cover? Leave your two cents in the comments.
Bruce Springsteen’s new album, Wrecking Ball will be released on March 6, and this week Late Night with Jimmy Fallon features a Springsteen theme, with artists covering Springsteen songs as well as the man and his band appearing last night and again on Friday. Last night, Springsteen performed the first single, “We Take Care of Our Own” as well as the title track, which is below.
The song “Wrecking Ball” may be familiar to Springsteen fans because in 2009 Springsteen debuted the song at the Meadowlands, i.e., Giants Stadium, during his final shows at the stadium before it succombed to the wrecking ball. The song maintains references to the stadium being demolished (“where the blood is spilled, the arena’s filled, and Giants played”), but it holds up on the album because the song connects the stadium’s wrecking ball to more universal themes of aging, hard times, and standing up to both.
[2020 Update: Unfortunately, the Jimmy Fallon video is no longer available so below is Springsteen performing “Wrecking Ball” at Giants Stadium.]
While the lyrics on the album are touched by our recent economic troubles, the music of several of the songs are influenced by Springsteen’s uplifting work with the Seeger Sessions Band. This recession-era CD is the first E Street band album without Clarence Clemons, so it seems appropriate that the album is tinged with sorrow while steeped in joyful horns helping us through the rough times.