Is Kris Kristofferson’s Greatest Song “Sunday Mornin’ Comin’ Down”?

Kris Kristofferson got his big break with “Sunday Mornin’ Comin’ Down,” which may be the greatest song ever written about loneliness.

Kris Kristofferson passed away on Saturday, September 28, 2024. As many of the obituaries point out, he had an amazing career, songwriter, actor, singer, Rhodes scholar, army helicopter pilot, and so much more. I was lucky while visiting a childhood friend to see Kristofferson in Houston back in March 1990 as he started the first Highwaymen tour with Johnny Cash, Willie Nelson, and Waylon Jennings. But if you ask me the first thing that comes to mind when I think of Kristofferson, it is the song “Sunday Morning Comin’ Down.”

Kristofferson may have had greater songs, and you can easily make the case for “Me and Bobby McGee” or “Help Me Make It Through the Night,” among others. But “Sunday Mornin’ Comin’ Down” may be the greatest song ever written about loneliness.

On the Sunday morning sidewalks,
Wishing, Lord, that I was stoned;
Cause there’s something in a Sunday,
That makes a body feel alone;
And there’s nothin’ short of dyin’,
Half as lonesome as the sound,
On the sleepin’ city sidewalks,
Sunday mornin’ comin’ down.

Johnny Cash first recorded the song. In 1969, Kristofferson was working sweeping floors at Columbia studios and hoping to be a songwriter. You can hear this part of Kristofferson’s life in “Sunday Mornin’ Comin’ Down,” where he had moved to Nashville, alone, alienated from his family, and struggling to get by.

Kristofferson famously flew a helicopter to Johnny Cash’s house to get Cash’s attention and give the singer a tape of his songs that included “Sunday Mornin’ Comin’ Down.” Cash subsequently played the song on his weekly television show, telling the audience about the up-and-coming songwriter. Cash released the song on record, and his version became the one that most people remember hearing first.

Lyrics and Johnny Cash’s Changes

Johnny Cash did tweak a few of the words in “Sunday Mornin’ Comin’ Down.” In his version, he refers to “Then I washed my face and combed my hair / And stumbled down the stairs to meet the day.” But in Kristofferson’s original version, he sings about shaving instead of washing, “And I shaved my face and combed my hair / And stumbled down the stairs to meet the day.”

Also, Kristofferson’s original describes the kid differently than Cash: “But I lit my first and watched a small kid / Cussin’ at a can that he was kickin’.” Cash took out the referencing to cussing: “But I lit my first and watched a small kid /
Playin’ with a can that he was kickin’.”

Why did Cash change a few words? Some have speculated Cash’s version is a little more optimistic, with the singer washing off his sins and seeing kids playing instead of cussing. I have not seen Cash or Kristofferson explain the small changes, but my theory is a little different.

Recall that when Cash first recorded the song, Kristofferson was not the established songwriter we know. He was new to the business and was the annoying guy trying to get his songs heard. So, Cash, even while recognizing a great song, did not approach it with reverence. So, he might have just thought the word changes sounded better. Regarding the kid kicking the can, Cash’s change got rid of the more blatant alliteration “cussin’ at a can” and stretched it out more, tying together the “w” in the first phrase (“watched”) to two more “w” words in the next phrase (“with”/”was”). Regarding the other change, he may have just liked the elongated sound of “washed” over “shaved.”

Cash’s tweaks were small, and he left most of the song alone, including what I consider the most heartbreaking line in the song, about smelling frying chicken. Most folks who have moved away from home can relate to recalling family dinners on Sundays and what it means to now be on your own.

Then I crossed the empty street,
And caught the Sunday smell of someone fryin’ chicken;
And it took me back to somethin’,
That I’d lost somehow, somewhere along the way.

We lost something else when we lost Kris Kristofferson, but we still have his music to lift us up and to comfort us when we are down and alone.

Leave your two cents in the comments.

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    Internet Venom, Toby Keith’s Death, . . . and Grace from Willie Nelson

    Many used Toby Keith’s death to make political statements, but the man and the reality were complicated, best summed up by Willie Nelson.

    Not long after I joined Twitter (which is now “X”) in 2010, a lot of folks were tweeting about Charlie Sheen. In early 2011, Sheen was in rehab and fired from his role on the TV show Two and a Half Men. Sheen appeared to have some type of breakdown, making claims about his “tiger blood” and about “winning.” The Internet had a field day.

    While enjoying the Internet humor, I came across a Tweet that changed my perspective. I don’t recall who sent it, but the person basically said in a kind way, “I understand why everyone is saying what they are saying, but it might be good to remember that Charlie Sheen is a real person with a substance abuse problem and that his family, including his dad Martin Sheen, are also real people seeing what we are saying.”

    And then I understood something that should have been obvious. It was s0mething many of us lose sight of in the excitement of an Internet flurry. Famous people are real people and maybe we should not say things about people that we would not say to their face in real life.

    I have tried to maintain that philosophy in my Internet presence, although I’m sure I’ve failed at various points.

    Internet Comments On Toby Keith’s Death

    I thought back to Charlie Sheen the morning we got the news that Toby Keith had died. I had last seen him, his once powerful figure now frail from cancer, performing “Don’t Let the Old Man In” at the 2023 People’s Choice Country Awards. After his death, I went to Twitter/X as a resource to find out more about his passing, but was surprised mainly to see a lot of hostility. And even though I sympathized with some of the criticisms on other days, I was taken aback at how harsh it was at the time of his death. It made me think of Keith and his family.

    So, on the day his death was announced, Twitter was divided about Toby Keith’s legacy. Although in subsequent days the discussions about Keith were more balanced, on the day where his death was news, I found that trending more than “Toby Keith” was “Dixie Chicks” and “Kris Kristofferson.” In the initial response to Keith’s death, there seemed to be mostly Tweets indirectly and directly celebrating his death and making jokes, referencing some combination of real and made-up history about his career.

    The real history was that in the wake of 9/11, after Toby Keith released the song “Courtesy of the Red, White, and Blue (The Angry American),” he engaged in some back-and-forth with the Dixie Chicks’ Natalie Maines, who had criticized President Bush and the Iraq War. The feud started when Maines also criticized Keith’s song as “ignorant” and making country music sound “ignorant.” Keith responded by criticizing Maines’s songwriting skills, and then began using a doctored photo of her with Saddam Hussein on his tour. Maines then wore a t-shirt at an awards show with the letters, “F.U.T.K.” thought by many to be a message of “F You Toby Keith.”

    But made-up history on Twitter also added to Keith’s transgressions, including claims that he had threated Natalie Maines (confusing the real horrible fact that she had actually been threatened by music fans for her statements). And it also ignored that later Toby Keith regretted the whole feud.

    The made-up history also included a lot of references to a Rolling Stone essay by actor Ethan Hawke, who had claimed that at an event celebrating Willie Nelson’s birthday he heard Toby Keith warn Kris Kristofferson not to say any “lefty shit.” And then Kristofferson responded by dressing down and humiliating Keith, who had not served in the military as Kristofferson had. Keith angrily disputed the story at the time. And even though most involved (except Hawke) questioned Hawke’s account, it again became a major story again in light of Keith’s death. (Personally, I think what is most likely is that if there were any truth to the tale, Keith most likely said something in jest and Kristofferson responded in jest too. Or maybe there was some alcohol involved.)

    Now, before you think I’m a Toby Keith apologist, I should reveal that from the start I’ve always been Team Dixie Chicks (now Chicks). And I love the music and respectd the life of Kris Kristofferson, a legend. I also never liked the endorsement of violence and boots-in-asses in Keith’s song “Courtesy of the Red, White, and Blue” as well as to a lesser extent his duet with Willie Nelson on “Beer for My Horses” (“Take all the rope in Texas, find a tall oak tree, / Round up all of them bad boys, hang them high in the street”).

    But, even though I bought Dixie Chicks albums and never owned a Toby Keith album, I do think Keith was a talented songwriter and singer from the hits I’ve heard. Many of his hits songs expressed a delightful sense of humor. And while like many others, I have my problems with the message of “Courtesy of the Red, White, and Blue,” I also recognize that it captured a feeling among many in America after the humiliation and tragedy of 9/11. Along those lines, it is helpful to know that Keith initially did not intend to release the song but only use it in concert. And he had written the song with the subtitle “Angry American” reflecting it was a tribute to his late father’s perspective as an old veteran.

    Further complicating the anger directed at Keith is that Keith’s politics were always more complicated than portrayed. Yes, he supported the military and took pro-America stances. But one may imply too much from that information. He had been a registered Democrat at the time of his “Courtesy of the Red, White, and Blue” song until 2008, later changing to be an Independent (i.e., never a Republican). And while he did perform at a pre-inauguration event for President Donald Trump, he explained it not in terms of support for Trump but in terms of helping any U.S. President who asked. He earlier had voted for Bill Clinton for president and had given a lot of praise to President Barack Obama.

    But still, a lot of folks used the opportunity of Keith’s death to show how funny and cool they were by oversimplifying the history.

    Willie’s Wisdom

    Which all brings me to Willie Nelson. As discussed above, following Keith’s death from cancer, which must have been very difficult for both him and his family, there was the initial dueling outpouring on Twitter of the critics using his death for their jokes and others praising Keith as an “American,” including his songs and his work helping soldiers.

    But in the midst of it all was a Tweet from Willie Nelson, who knew Keith, did a hit song with him, and was allegedly present during the Kristofferson encounter. Willie said simply “Rest in Peace Toby” and “I’ve had a lot of fun singing with Toby. He’s one of us…”

    And that said it all for me, “He’s one of us.”

    One may read it as Willie merely saying Toby Keith was a fellow singer or fellow country musician. But I think his point was broader than that. Toby Keith was human, just like us. And like us, he made mistakes, regretted some of his mistakes, lived his life, and had loved ones.

    And like all of us humans do eventually, often with some suffering, he died.

    And because we all struggle through this life with our own ups and downs and challenges, maybe we should try to avoid delighting in the pain of others, whether it be death or drug addiction and talking about “tiger blood.” Maybe we should err on the side of trying to understand others.

    It is a difficult message these days as we face a country that is very divided politically. But Willie has been around a long time, and maybe we should give some weight to his advice. He is not the first one to say such a thing, but he gave us a timely reminder of what we used to call the Golden Rule.

    Many moons I have lived;
    My body’s weathered and worn;
    Ask yourself how would you be,
    If you didn’t know the day you were born.

    Try to love on your wife;
    And stay close to your friends;
    Toast each sundown with wine;
    Don’t let the old man in.

    “Don’t Let the Old Man In,” Toby Keith.

    Leave your two cents in the comments.

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    Make It Through the Night

    In 1970, Kris Kristofferson and Rita Coolidge met on an airplane flight, leading to Kristofferson getting off the plane with Coolidge in Memphis instead of continuing on to his planned destination of Nashville. The two would eventually marry. Although the marriage would not last, the two made some great recordings, including performances of Kristofferson’s “Help Me Make It Through the Night.”

    In the 1972 UK live performance below, a viewer can easily see that the two are captivated by each other. Kristofferson does not take his eyes off Coolidge and the two are touching or nearly touching throughout the song.

    The performance appears to capture two people intensely in love in the time leading up to their marriage the following year. Or maybe they were just acting. You be the judge.

    In 1978, Kristofferson and Coolidge both appeared on an episode of The Muppet Show. During that episode, Coolidge sang her hit song “We’re All Alone.”

    On the episode, Kristofferson did sing “Help Me Make It Through the Night.” But he had a new partner, Miss Piggy.

    Kristofferson and Coolidge divorced in 1980 after a rocky marriage reportedly marred by Kristofferson’s alcoholism and infidelities. The two had a child, created some great music, and got through some lonely nights together.

    “Help Me Make It Through the Night” originally appeared on Kristofferson’s self-titled 1970 album. The album also features other classics written by Kristofferson, who recently retired.

    Leave your two cents in the comments.

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    Senator Robert Byrd Played Fiddle On Hee Haw

    Byrd Fiddle Many people remember Robert Byrd as a Senator from West Virginia. He served in the U.S. Senate from 1959 to 2010, making him the longest serving Senator in U.S. history. And that is not counting his earlier service in the House of Representatives from 1953 until 1959. But did you know at one time he played a mean fiddle, including a performance on Hee Haw?

    Byrd was born in North Carolina on November 20, 1917, and he died while still in office on June 28, 1910. His long service made him the last Congressman to have served while Harry S. Truman was president. Although he had filibustered against the 1964 Civil Rights Act (and earlier been a member of the Ku Klux Klan), he later publicly changed his position on civil rights. And although he had supported the Vietnam War, he received attention near the end of his career as a Republican who strongly opposed the Iraq War.

    Byrd also was a fiddle player. He played square dances as a teen and played until 1982 when a benign hand tremor affected his playing. After becoming Senator, he made several appearances with his fiddle, including the Kennedy Center, the Grand Ole Opry, and Hee Haw.

    Byrd played fiddle and sang the traditional song “The Roving Gambler” on a 1979 episode of Hee Haw. Unfortunately, that episode is not currently available on YouTube, but in the below video he performs on Pop Goes the Country.

    In 1978, the Senate Majority Leader also recorded an album. Appropriately, it was titled, U.S. Senator Robert Byrd: Mountain Fiddler (1978).

    Below from the album is “Come Sundown,” which was written by Kris Kristofferson and made famous by Bobby Bare.

    Who is your favorite performer who recorded as a secondary career? Leave your two cents in the comments. Portrait of Senate Majority Leader Robert Byrd by Michael Shane Neal via public domain.

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    Kris Kristofferson and Willie Nelson Put Johnny Cash’s Poetry to Music

    Johnny Cash PoemsKris Kristofferson and Willie Nelson join forces to pay tribute to their late friend and former collaborator Johnny Cash.  In “Forever Words / I Still Miss Someone,” Kristofferson and Nelson take a final poem written by Johnny Cash and put it to music.

    Cash’s son John Carter Cash explained to Rolling Stone that after his father died in 2003, they found a folder of letters and poems.  Johnny Cash wrote the letters and poems in his old age after the death of his wife June Carter Cash.

    Among the sad poems was one called “Forever.”  The poem is about life going on and recognizing that “the trees that I planted are still young.”  Kristofferson and Nelson took the poem to create “Forever Words / I Still Miss Someone.”

    The track features Kristofferson’s reading of the poem and Nelson’s guitar.  In addition, they added an instrumental track from Cash’s 1958 song “I Still Miss Someone.”

    The video below shows Kristofferson and Nelson on the track.  And it also includes them talking about their deceased friend and former Highwayman colleague.  Check it out.

    “Forever Words / I Still Miss Someone” is the lead track on the upcoming album Johnny Cash: Forever Words. The album features Cash’s poetry interpreted musically by friends, family, and other artists, such as John Mellencamp, Rosanne Cash, Elvis Costello, Chris Cornell, Alison Krauss, Carlene Carter, The Jayhawks, and Brad Paisley.

    Forever Words hits stores and the Internet on April 6, 2018. An accompanying book, Forever Words: The Unknown Poems, has also been released.


    Leave your two cents in the comments.

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