“I’ll Fly Away” and the Prisoner

Albert BrumleyOn October 9, 2013, the state of Arizona executed the 71-year-old Edward H. Schad, Jr. by lethal injection in Florence, Arizona. Schad, the oldest person on the state’s death row, had been convicted of killing a man during a robbery almost 35 years earlier.

The warden asked Schad if he had any last words. And the inmate responded, “Well, after 34 years, I’m free to fly away home. Thank you, warden. Those are my last words.”

The Song That Inspired the Last Words

Reverend Ronald Koplitz, who was Schad’s pastor and who met the prisoner in 1981 while serving as prison chaplain, explained that the last words were a reference to the hymn “I’ll Fly Away.” Rev. Koplitz had become friends with Schad and kept in touch with him after his time as prison chaplain.

Rev. Koplitz gave Schad the song “I’ll Fly Away” a few weeks before the execution.  And apparently, Schad felt a connection to the song.

“I’ll Fly Away”

The song that gave some comfort to the prisoner in his final moments before being killed goes back to 1929.  In that year, Albert E. Brumley wrote “I’ll Fly Away.” The wonderful hymn, about eternal life and flying away “to that home on God’s celestial shore,” is one of the most popular gospel songs of all time.

There are a number of great versions of “I’ll Fly Away.” The song has appeared in several movies, including in nice a version by Alison Krauss and Gillian Welch in O Brother, Where Art Thou? (2000). Doc Watson played an instrumental version of “I’ll Fly Away” in his last public performance.  And the song appeared in The Waltons.

Here is a great live version by Gillian Welch.

“The Prisoner” Inspired the Song that Inspired a Prisoner

When Schad referenced the song on the death gurney in Arizona, he likely did not know that his invocation of the song inside prison walls sort of brought the hymn home. When Brumley began writing the song while picking cotton, he was inspired by a song called “The Prisoner’s Song.”

Brumley thought about that song regarding a prisoner thinking of leaving his love behind.  And he used a brilliant analogy using prison to represent life on earth.

Brumley was inspired by specific lyrics in “The Prisoner’s Song.” The line “Now, if I had the wings of an angel,/Over these prison walls I would fly” led to Brumley’s theme about flying away.

In this video, Johnny Cash sings “The Prisoner’s Song” on a January 20, 1971 episode of his TV show.

During the introduction, Cash refers to the popularity of “The Prisoner’s Song.” Vernon Dalhart initially recorded the song in 1924 as a B-side to his version of “The Wreck of the Old 97.” “The Prisoner’s Song,” which likely was written by Dalhart’s cousin Guy Massey and/or Guy’s brother Robert Massey, became a big hit for Dalhart.

In “I’ll Fly Away,” Brumley also retained the prison theme, using it as representing life on earth: “Like a bird from these prison walls I’ll fly.” It is not hard to see how Brumley’s wonderful song might bring some comfort to someone like Schad, strapped down on the execution gurney facing certain death. Music soothes both saints and sinners.

What is your favorite version of “I’ll Fly Aawy”? Leave your two cents in the comments.

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    Cowboy Jack Clement: “I Guess Things Happen That Way”

    Cowboy Jack Clement I Guess Things Happen That Way Cowboy Jack Clement passed away this week in Nashville from cancer at the age of 82. The singer, producer, and songwriter had a long career with connections to some important figures in music history. Early in his career, Cowboy Jack Clement worked as a producer and engineer for Sam Phillips at Sun Records, helping discover Jerry Lee Lewis and recording him on such songs as “Whole Lotta Shakin’ Goin’ On.” He wrote Johnny Cash’s “Ballad of a Teenage Queen” and produced the singer’s recording of “Ring of Fire.” He also produced several U2 performances in 1987 for their Rattle & Hum album. And he continued producing music until his death, with his most recent work being on Cathy Maguire‘s upcoming 2014 album.

    In 2005, a movie called Shakespeare Was a Big George Jones Fan focused on Clement’s career using his home movies. He had been in the Nashville Songwriter Hall of Fame since 1973, and he was going to be inducted into the Country Music Hall of Fame later this year.

    Among all of Clement’s accomplishments, the one that stands out for me is that he wrote the song, “I Guess Things Happen That Way.” The song was a hit for Johnny Cash in 1958. Almost four decades later, the song appeared on the excellent soundtrack to the underrated Clint Eastwood and Kevin Costner movie, A Perfect World (1993). Here is Cash’s original version of the song. (A live 1994 version is also on YouTube, but I prefer the original recording with the background singers the 1950s slapback sound.)

    “I Guess Things Happen That Way” is one of the great heartbreak songs. In the song, the singer tells the listener about missing his lost love: “You ask me if I’ll miss her kisses./I guess I will, everyday.” He does not know if he will find another love (“I don’t know. I can’t say.).

    But what is great about the song is that amid the pain, the singer and the upbeat music — including the background ba-doo-pa-doo’s — contemplate life getting better: “You ask me if I’ll get along./I guess I will, someway.” And the wonderful refrain reminds all of the heartbroken that they are not alone, “I don’t like it but I guess things happen that way.” It is one of the most perfect songs about the contradictory agony and hope that comes from losing a love.

    Johnny Cash later recorded the song with Bob Dylan in 1969 while Dylan was making Nashville Skyline. “I Guess Things Happen That Way” did not end up on the album but you may listen to their version below. (Thanks to Michael Gray for pointing me to the Dylan-Cash collaboration.)

    Clement originally wrote “I Guess Things Happen That Way” from a man’s point of view: “Heaven help me be a man / and have the strength to stand alone.” But Emmylou Harris shows that the song is more universal by adding a few tweaks (“Heaven help me to be strong”) in this performance at the Ryman Auditorium in Nashville.

    The song also may be performed as a man-woman duet, as shown by Kris Kristofferson and Norah Jones at a Johnny Cash tribute concert.  Finally, here is a recent Clement performance of “Guess Things Happen That Way.” Paul Smith of Boundary Road accompanies Clement at the The Cowboy Arms Hotel and Recording Spa in Nashville, Tennessee.

    We are sad at the passing of Cowboy Jack Clement. But we are thankful for the work he created during his long career giving us a little extra joy and comfort for our short time here on earth. I don’t like it, but I guess things happen that way.

    What is your favorite Cowboy Jack Clement song? Leave your two cents in the comments.

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    Columbia Records Drops Johnny Cash: “God’s Gonna Cut You Down”

    Last Johnny Cash album with Columbia On July 15 in 1986, Columbia Records dropped Johnny Cash from its label after a relationship that lasted more than two and a half decades. According to the Los Angeles Times, Rick Blackburn, head of Columbia-Epic-CBS Nashville, explained, “This is the hardest decision that I’ve ever had to make in my life.”

    Cash had signed with Columbia in 1960, after the label convinced him to leave his first label, Sun Records. During the next few decades, Cash of course had a great career with Columbia, where he recorded many of his classic songs.

    But by 1986, the industry had changed and Cash was no longer producing hits. Cash’s final album with Columbia was Rainbow (1985). The album included Cash’s cover of Creedence Clearwater Revival’s “Have You Ever Seen the Rain” and “Casey’s Last Ride,” which was written by Kris Kristofferson.

    Cash did not stay unemployed for long, and he was soon signed by Mercury Records. And then in 1994 he released his first album with producer’s Rick Rubin’s American Recordings label, beginning a major comeback that included several albums before Cash passed away.

    “God’s Gonna Cut You Down”

    I don’t know what Cash said when he heard that Columbia was dropping him, but I like to imagine it was something like, “God’s Gonna Cut You Down,” the title of a traditional folk song that he later recorded with American Recordings.

    “God’s Gonna Cut You Down” appeared on American V: A Hundred Highways (2006), which came out after Cash’s death. In the song, the singer recounts how one cannot escape God.

    “God’s Gonna Cut You Down” has been recorded by a number of artists, with some using the different title of “Run On.”

    As Cash and Rubin did with other songs, their version of “God’s Gonna Cut You Down”/”Run On” sounds quite different from other versions.  For example, the Cash version differs significantly from this version of “Run On” from another artist who started with Sun Records, Elvis Presley.

    The Blind Boys of Alabama recorded a version of “Run On” that appeared on Spirit Of The Century (2001).

    But the version of the song that most people have probably heard is a song from Moby’s mega-selling album Play (1999).  Moby’s song incorporated sampled vocals by Bill Landford & The Landfordaires.

    In the end, both Cash and Columbia Records managed to run on and do fine. Had Cash stayed with Columbia Records for the rest of his life, he might never have made the brilliant music he did with Rick Rubin at American Recordings.

    And in 2007, Columbia got a new co-head: Rick Rubin.  Rubin then left Columbia in 2012 to revive his American Recordings label imprint.

    What is your favorite version of “God’s Gonna Cut You Down”? Leave your two cents in the comments.

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    Johnny Cash Concert With Glen Sherley Behind Prison Walls

    Johnny Cash Tennessee State Prison

    In 1976, Johnny Cash performed in “A Concert Behind Prison Walls” at the Tennessee State Prison. The video of the full Johnny Cash performance was released as A Flower Out of Place, also featuring performances by Linda Ronstadt, Roy Clark, and Foster Brooks. [May 2016 Update: Unfortunately, the video is no longer available for embedding but you may watch it at this link at iconcerts.]

    The Tennessee Prison show was hosted by Glen Sherley who also performed, but the video omits him and he is not listed as a performer on the 2003 CD release of the show. It is possible he was cut from the release because he was the least known performer. But the film editors may have omitted him because by the time the show was released, Sherley had come to a sad end.

    Cash met Sherley when Sherley was at Folsom Prison for armed robbery. Sherley, who had been in and out of prisons for much of his life, wrote the song “Greystone Chapel” while at Folsom. After Johnny Cash heard a tape of the song, he surprised Sherley by performing the song at his famous 1968 concert at Folsom Prison with Sherley in the audience. With some help from Cash, Sherley had a brief music career when he left prison, but he struggled to adapt to life outside prison bars and to his new fame. Sherley eventually fell back into drug abuse and shot himself to death in May 1978 at the age of 42.

    Here is a video of Sherley performing his song “Greystone Chapel.” The performance appears to have been at the same Tennessee State Prison show, which would have been about two years before his death.

    A movie about Glen Sherley may be in the works with actor Thomas Jane playing Sherley. Jane has been talking about making the film with different possible directors since at least 2009, but as recently as 2012, he was still searching for a studio. Its current status is unclear.

    Sherley’s life has the potential to be a great movie, but nobody would believe it.

    What is your favorite Johnny Cash song in the video? Leave your two cents in the comments.

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    The End of Maryland’s Death Penalty and “Green, Green Grass of Home”

    Maryland 1795 On Thursday, May 2, 2013, Maryland Gov. Martin O’Malley signed a bill passed by the state legislature to make Maryland the eighteenth state (along with Washington, D.C.) to abolish capital punishment. In the last decade, six states have recognized that the death penalty is applied unfairly and that it does not make us safer than other punishments. Additionally, the discoveries of innocent people on death rows have illustrated the risks of the punishment, and studies also show that the death penalty is more expensive than a sentence of life in prison.

    For these and other reasons, in recent years Connecticut, Illinois, New Jersey, New Mexico and New York also have stopped using capital punishment. Other state legislatures are considering bills to abolish the death penalty.

    “Green, Green Grass of Home” and Its Twist Ending

    Thinking about Maryland’s death penalty, I remembered a hit song from the 1960s called “Green, Green Grass of Home.” Claude “Curly” Putman, Jr. wrote “Green, Green Grass of Home,” which is probably his biggest hit song along with Tammy Wynette’s “D-I-V-O-R-C-E” (he also co-wrote the George Jones song “He Stopped Loving Her Today”).

    “Green, Green Grass of Home” belongs in a unique group of songs that have a twist ending. The song begins with the singer talking about a trip home, but in the last verse, we learn that it was all a dream. Although there is no specific reference to the death penalty or executions, the verse makes clear that the singer will die at the hands of the state in the morning.
    green grass
    Then I awake and look around me,
    At the four gray walls that surround me,
    And I realize that I was only dreaming,
    For there’s a guard and a sad old padre,
    Arm in arm we’ll walk at daybreak,
    And at last I’ll touch                                                                                                                                        
    the green green grass of home.

    Putnam performs a clever sleight of hand in the song. He gets us to see the singer as a human being, one with feelings we can relate to, because everyone has been homesick. Only then does he let us know that the singer is on death row. Had the song begun by telling us the singer was condemned, we would have seen him in a different light and judged him as something other than human. But like Steve Earle’s “Over Yonder,” the song “Green, Green Grass of Home” lets us see the humanity even in the worst of us, which is pretty cool.

    Porter Wagoner Version

    Many have performed and recorded “Green, Green Grass of Home,” including Elvis Presley, Johnny Cash, The Grateful Dead, and Gram Parsons. It was first recorded by Johnny Darrell.

    But Porter Wagoner was the first one to have a hit with “Green, Green Grass of Home” in 1965. Check out this performance and note the subtle special effects where the prison bar shadows appear at the end.

    Tom Jones Version

    The next year in 1966, Tom Jones had a hit with the song.  His version went to number 1 on the U.K. charts.

    This TV rendition of the song goes for a less subtle approach than the Porter Wagoner shadows.  Here, Tom Jones sings from a jail cell. The setting of the song, though, kind of spoils the surprise ending.

    Jerry Lee Lewis Version

    Tom Jones was inspired to record “Green, Green Grass of Home” after hearing it on Jerry Lee Lewis’s 1965 album Country Songs for City Folk. While it is easy to remember Lewis’s place in rock and roll history, sometimes his excellent country work is overlooked.

    Here is Lewis’s version.

    Joan Baez Version

    Joan Baez gives a unique version by being one of the rare woman’s voices to tackle the song.  It is appropriate because there currently are approximately sixty women on death rows around the country.

    Baez does a nice job in this performance from The Smothers Brothers Show.

    Finally, in 2006, Lewis and Jones performed “Green, Green Grass of Home” together. While the lyrics of the song constitute a soliloquy that does not lend itself to being a duet, it was still cool to see the great Tom Jones singing with the legend who inspired him to record one of his biggest hits. [October 2014 Update: Unfortunately, the video of the duet is no longer available on YouTube.]

    Capital Punishment After “Green, Green Grass of Home”

    One may only speculate about the impact of the song on society or society’s impact on the song. But in 1965-1966 when the song was a big hit for Porter Wagoner in the U.S. and for Tom Jones in the U.K., the death penalty was at low levels of popularity in those countries.

    Great Britain would abolish the death penalty on a trial basis in 1965 and abolish it permanently in 1969. In the U.S., executions ground to a halt in the late 1960s as courts considered court challenges to the U.S. death penalty.

    Within a decade, after states passed new laws, the U.S. death penalty machine began chugging along in the late 1970s, even as other countries continued to abolish capital punishment. But more recently, since the turn of the century, several states have joined the other states and countries that have decided the death penalty is unnecessary, uncivilized, and wasteful of resources.

    Maryland has now joined those civilized states and countries. The end of the death penalty, unlike “Green, Green Grass of Home,” is not a dream.

    What is your favorite version of “Green, Green Grass of Home”? Leave your two cents in the comments.

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