Taxi Driver Music: “The Pilgrim, Chapter 33”

Martin Scorsese made deliberate choices in the music for “Taxi Driver,” including Kris Kristofferson’s “The Pilgrim, Chapter 33.”

Taxi Driver Music In a recent post, we discussed the link between Van Morrison’s Astral Weeks and the movie Taxi Driver (1976). In this post, we consider a musical connection between the movie and another song: Kris Kristofferson’s “The Pilgrim, Chapter 33.”

In Taxi Driver, perhaps the one moment a viewer might think that there is a slight bit of hope for Travis Bickle (Robert DeNiro) is when he first courts Betsy (Cybill Shepherd). After he charms her into going to a diner for a bite to eat, she quotes a song: “He’s a prophet, he’s a pusher… partly truth and partly fiction… a walking contradiction.” Bickle focuses on the “pusher part,” saying he has never been a pusher, but she explains she brought it up for the “walking contradiction” part. Bickle is amused, and a later scene shows him at a record store, apparently buying the album, which he later gives to her on their next date.  And then he ruins the date by taking her to see a pornographic film.

Although we do not hear the song or the name of the song in those scenes, the quote is from Kris Kristofferson’s song “The Pilgrim, Chapter 33,” which was off of his second album, The Silver Tongued Devil and I (1971). The album’s biggest hit was “Loving Her Was Easier (Than Anything I’ll Ever Do Again),” and the album also included Kristofferson’s version of “Jody and the Kid.”

“The Pilgrim, Chapter 33,” which was not a hit for Kristofferson, has held up well through the years. A number of artists have covered the song, including Emmylou Harris, Willie Nelson, and Jerry Lee Lewis (with Kristofferson).

When a tribute CD was put together for Kristofferson, they took the song for the title of the CD, The Pilgrim: A Celebration Of Kris Kristofferson. On that album, in the introduction to the title track, Kristofferson explains that he wrote that song “for a good friend of mine, Donny Fritts [Kristofferson’s long-time keyboard player], and Dennis Hopper and Johnny Cash. . .” and then he goes on to list a number of people ranging from Ramblin’ Jack Elliott to Mickey Newbury to “maybe me and I guess my father.” As Kristofferson has aged and seeped into musical legend as one of our classic country elders, the song seems to be more and more about him.

It is a beautiful song, and while like Astral Weeks it is not completely in sync with the story of Travis Bickle, you can see where Martin Scorsese got a little inspiration from the song. Like “Madame George,” the song “The Pilgrim, Chapter 33” also contains some of the themes of isolation and loneliness that Martin Scorsese tried to capture in Taxi Driver.

Kris Kristofferson Silver Tonged Devil He has tasted good and evil in your bedrooms and your bars,
And he’s traded in tomorrow for today;
Runnin’ from his devils, Lord, and reachin’ for the stars,
And losin’ all he’s loved along the way;
But if this world keeps right on turnin’ for the better or the worse,
And all he ever gets is older and around,
From the rockin’ of the cradle to the rollin’ of the hearse,
The goin’ up was worth the comin’ down.

Like many of Kristofferson’s songs, it works as pure poetry. His lyrics in “The Pilgrim, Chapter 33,” describe a man of contradictions, leaving much room for interpretation.

I have never read an explanation for the “Chapter 33” in the title, but I suspect it is a reference to a man being near the end of his life, just as Chapter 33 will fall near the end of a book. Perhaps that is why the song seems to describe so many of the brilliant artists mentioned by Kristofferson in the introduction mentioned above.

May we all be so lucky that the going up is worth the coming down.

In another performance, Kristofferson interprets the song with a more upbeat version of the song with a full band.

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    Jeopardy: Humans vs. Machine Continues

    Johnny Cash – The Legend Of John Henry’s Hammer The Legend of John Henry’s Hammer – Johnny Cash (At Folsom Prison) (press play button)

    After last night, the computer is tied for the lead with one of the humans. For the next two nights Jeopardy will feature the ongoing battle between an IBM computer named Watson and two of its all-time champions: Ken Jennings and Brad Rutter. After the first stage of the three-part competition, Watson is tied with Rutter for the lead. Because last night’s show featured stories about Watson and IBM, they did not finish the first match, and tonight is Double Jeopardy. Tune in to see how it comes out.

    toy Wall-E

    IBM has been working on Watson for three years. The competition was taped in January, but we will not know the results until the shows are broadcast. Someone has already written a book about the battle: Stephen Baker’s book Final Jeopardy: Man vs. Machine and the Quest to Know Everything.

    It is interesting how complex the machine must be to take on humans in Jeopardy. It is not like a program on your computer that already has the answers to play a pre-written game such as Jeopardy or other trivia game. Watson is really “thinking” about phrases it has never heard, processing the meaning of the words, and answering them in the form of a question without access to the Internet. The machine takes up a large room.

    But will humans still claim dominance over the machine? Above is Johnny Cash’s version of the song about John Henry, performed live at Folsom Prison. For the warm-up Jeopardy match broadcast last month, Chimesfreedom wrote more about the epic human versus machine battle covered in songs about John Henry. In case you missed it, check out the post here.

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    A Pop Culture Tribute to the End of the Terror Color Levels

    Terror Threat Colors
    Starting last Thursday, the U.S. Homeland Security Department began phasing out the color-coded terror-threat system that was created after September 11, 2001. The system will end completely by April 26, 2011. The national level has been at yellow (elevated) since 2006, with air flights being at orange (high risk).

    Hopefully, in the future, anyone born after today will not know anything about this system. For posterity, here is a popular culture explanation of the meaning behind all of the colors:

    * Red: severe risk: When we are at this level, it is like the days when we thought the communists were taking over and were going to attack. Panic time. (The movie Reds, starring Warren Beatty.)

    * Orange: high risk: This level is like being locked in prison. You cannot go anywhere.  (“Orange Blossom Special” at San Quentin, by Johnny Cash.)

    * Yellow: Elevated – significant risk: When you are at this level, it is a little bit better than being in prison, as you may leave your room, but you still cannot go out. It is like being in a submarine.  (“Yellow Submarine” by the Beatles.)

    * Blue: Guarded – general risk: It’s better than the options above, but you’re still a little sad.  (“Blue” by the Jayhawks.)

    * Low (green): low risk: This is a happy level, like living with puppets. But it’s not easy to get this green level.  (“It’s Not Easy Being Green,” by Kermit the Frog.)

    In all seriousness, I recommend the movie and the songs above. But if you only watch one, check out “Blue” by the Jayhawks. It is a great song with an introduction by a very young Jon Stewart.

    Here’s to hoping we never hear anything more about terror levels again.

    Will you miss the terror colors? Leave a comment.