Glen Sherley: Prison, Johnny Cash, & “Greystone Chapel”

Glen Sherley’s first brush with fame came while in Folsom Prison when Johnny Cash sang one of his songs. Despite his talents, though, Sherley could not escape his demons.

Glen Sherley

Singer-songwriter Glen Sherley was born in Oklahoma on March 9, 1936. Between his birth and his self-inflicted death in Gonzales, California on May 11, 1978 at the age of 42, Sherley’s life had several highs and lows. He is most known for his brief brush with fame when Johnny Cash performed one of Sherley’s songs during his famous 1968 concert at Folsom Prison.

When Cash performed the song, Sherley sat in the audience. He was serving time for armed robbery.

Greystone Chapel

Sherley wrote songs while in prison. He and his wife had had a son, Bruce, and a daughter Ronda. And his extended family often visited him, giving him tapes to record his songs. One of those tapes made it to Johnny Cash.

Prior to Johnny Cash’s 1968 performance at Folsom Prison, Floyd Gressett, a Folsom preacher and friend of Cash’s, gave Cash a copy of Sherley’s song “Greystone Chapel.” Cash liked the song about the chapel at Folsom, and he decided to perform it at the show. On January 11. with Sherley in the front row, Cash surprised the inmate by introducing him and singing his song. Cash later recognized it was a “terrible thing” to single out Sherley in such a setting, but the other inmates cheered.

The recording of the show was released as the album At Folsom Prison (1968) was a crossover hit for Cash, resurrecting his career. And as singer-songwriter Marty Stuart explained, the Sherley’s song “was kind of the heart of that record.”

Cash was not Sherleys’ only encounter with fame while in prison. After being transferred to Vacaville Prison in California, Sherley befriended country singer and former television personality Spade Cooley, who was serving life in prison for the murder of his wife. Sherley and Cooley even wrote a song together in 1969 called “Big Steel Prison Gate.”

And in 1971, another one of Sherley’s songs was recorded by a country star. Eddy Arnold recorded Sherley’s “Portrait Of My Woman.”

And then Sherley was given the chance to record his own album live while still in prison in 1971. The record company originally released the album as entitled Glen Sherley, and later it was re-released as Glen Sherley Live at Vacaville California (Bear Records).

Also in 1971, an episode of This Is Your Life was devoted to Johnny Cash. The show featured a video of Sherley in prison thanking Cash. You can see Cash’s jaw drop when the announcer introduces Sherley. And then Cash tears up at the warm tribute (starting around the 6-minute mark in the video below).

Release from Prison

Sherley was paroled from prison later in 1971. Johnny Cash welcomed him to freedom at the gates of the prison. Cash began a mentorship trying to help Sherley on the outside with his career and life.

The former country star who had befriended Sherley in prison, Spade Cooley, however, was not around to provide additional support. Although Cooley had been granted parole effective a year earlier, he died of a heart attack in late 1969 while giving a concert on furlough before he could be released.

Sherley remarried in 1972. Cash took Sherley on tour. Sherley’s children Bruce, 14, and Ronda, 11, for the first time saw their dad perform, not in a club, but at the Los Angeles Forum with an audience of 17,000 people.

Later that year, Ronda moved from California to Nashville to live with her dad. But she saw him struggling with the change from prison to the musician’s life. She later explained that although he knew how to be in prison, “he didn’t know how to be the person people wanted him to be out here.”

A Flower Out of Place

In 1974, Sherley, apparently with support from Johnny Cash, hosted a TV special recorded at Tennessee State Prison called A Flower Out of Place. Sherley performed some songs, alone and with Johnny Cash, while introducing other acts like comedian Foster Brooks, Linda Ronstadt, and Roy Clark.

In watching the special, one may wonder whether Sherley was nervous or maybe back on drugs. Though his song performances are still very good, the title of the special captured an aspect of Sherley’s life outside the joint.

Out of prison, Sherley could not escape whatever demons haunted him from his past. Sherley, whose migrant farmer family moved from Oklahoma to California when he was young, was apparently in trouble often since a young age, often while drunk. In the 1950s, he committed crimes with little planning, such as robbing a man of a cash roll of one-dollar bills or holding up an ice cream company for $28 with a toy gun. By the time Cash met Sherley at Folsom, his armed robbery career had sent him to serve time in several penal institutions.

And once out of prison, Sherley again had behavior issues, carrying a gun and finding solace in drugs and alcohol. Eventually, reportedly he threatened to kill Johnny Cash’s bass player and road manager Marshall Grant (“I love you but what I’d really like to do to you, I’d like to get a butcher knife and start cutting you all to hell”).

So, reluctantly, Johnny Cash, who had turned his own life around to become sober, dismissed Sherley from his performing group. The setback for Sherley preceded other problems such as more drugs, alcohol, and Pall Malls, eventually becoming estranged from his wife and kids.

Sherley’s Downward Spiral

And despite great talent and a taste of fame, Glen Sherley ended up losing his star. He worked other non-music jobs, including feeding cattle at a cattle farm. Like many who struggle after life in prison, his use of drugs and alcohol contributed to the downward spiral.

According to Wikipedia, in May 1978, while high on drugs, Sherley shot another man in California. But it is hard to find any details about that shooting anywhere else, so I am not sure if that is true.

But we do know that on May 11, 1978, Sherley, who did not want to go back to prison, stood on his brother’s porch and committed suicide by shooting himself with a gun to his head.

Johnny Cash paid for Sherley’s funeral. Sherley was buried outside Bakersfield, California, a place made famous by another singer-songwriter who had attended a Johnny Cash concert while in San Quentin prison, Merle Haggard.

Sherley’s Legacy

Knowing Sherley’s story, it is hard to separate the man’s life (as well as his incarceration at the time) from the music while listening to Glen Sherley Live at Vacaville California (or the re-released version with bonus tracks Glen Sherley: Released Again). The narration and lyrics to the live performances often remind the listener of the singer’s situation.

But it is also hard to ignore that Glen Sherley was a great talent who showed much potential. With a booming voice, he sounds great, and his songs at their best show flashes of Cash, Haggard, Paycheck, and Jones. For example, his version of “Portrait of My Woman” illustrates a tenderness that outshines Eddy Arnold’s cover.

In his live performances, perhaps he understandably at times tries a little too much to copy Johnny Cash’s swagger. And maybe that swagger, trying to copy Cash’s bravado without understanding how Cash eventually embraced his vulnerability too, helped keep Sherley playing the tough guy in his life even when he needed help.

And of course, in the 1970s, there was not the type of understanding or mental health support that someone getting out of prison would need. Despite all Johnny Cash tried to do for Sherley, he could not have understood that Sherley needed much more than a guitar and an audience to adjust to life and freedom.

Sherley largely remains a footnote to the Johnny Cash story, unfortunately. Even his hosting and performing in the A Flower Out of Place TV special was later edited to completely exclude Sherley in a DVD release as well as scrubbed from a Johnny Cash album called A Concert: Behind Prison Walls (2003) (even while it includes the drunk comedy routine of Foster Brooks).

There exists more music that Sherley wrote and recorded as demos while in prison. His family has talked of releasing some of it, although so far the only additional music are three extra bonus tracks added to the Bear Records release of Glen Sherley Live at Vacaville California. And below, his daughter plays one of the tapes. She introduces the unreleased song “My Last Day,” a song about a man on death row. If there are more songs like these recent releases, I hope some day we get to hear more of Sherley’s music stored on cassette tapes in a box.

Leave your two cents in the comments.

Is Kris Kristofferson’s Greatest Song “Sunday Mornin’ Comin’ Down”?

Kris Kristofferson got his big break with “Sunday Mornin’ Comin’ Down,” which may be the greatest song ever written about loneliness.

Kris Kristofferson passed away on Saturday, September 28, 2024. As many of the obituaries point out, he had an amazing career, songwriter, actor, singer, Rhodes scholar, army helicopter pilot, and so much more. I was lucky while visiting a childhood friend to see Kristofferson in Houston back in March 1990 as he started the first Highwaymen tour with Johnny Cash, Willie Nelson, and Waylon Jennings. But if you ask me the first thing that comes to mind when I think of Kristofferson, it is the song “Sunday Morning Comin’ Down.”

Kristofferson may have had greater songs, and you can easily make the case for “Me and Bobby McGee” or “Help Me Make It Through the Night,” among others. But “Sunday Mornin’ Comin’ Down” may be the greatest song ever written about loneliness.

On the Sunday morning sidewalks,
Wishing, Lord, that I was stoned;
Cause there’s something in a Sunday,
That makes a body feel alone;
And there’s nothin’ short of dyin’,
Half as lonesome as the sound,
On the sleepin’ city sidewalks,
Sunday mornin’ comin’ down.

Johnny Cash first recorded the song. In 1969, Kristofferson was working sweeping floors at Columbia studios and hoping to be a songwriter. You can hear this part of Kristofferson’s life in “Sunday Mornin’ Comin’ Down,” where he had moved to Nashville, alone, alienated from his family, and struggling to get by.

Kristofferson famously flew a helicopter to Johnny Cash’s house to get Cash’s attention and give the singer a tape of his songs that included “Sunday Mornin’ Comin’ Down.” Cash subsequently played the song on his weekly television show, telling the audience about the up-and-coming songwriter. Cash released the song on record, and his version became the one that most people remember hearing first.

Lyrics and Johnny Cash’s Changes

Johnny Cash did tweak a few of the words in “Sunday Mornin’ Comin’ Down.” In his version, he refers to “Then I washed my face and combed my hair / And stumbled down the stairs to meet the day.” But in Kristofferson’s original version, he sings about shaving instead of washing, “And I shaved my face and combed my hair / And stumbled down the stairs to meet the day.”

Also, Kristofferson’s original describes the kid differently than Cash: “But I lit my first and watched a small kid / Cussin’ at a can that he was kickin’.” Cash took out the referencing to cussing: “But I lit my first and watched a small kid /
Playin’ with a can that he was kickin’.”

Why did Cash change a few words? Some have speculated Cash’s version is a little more optimistic, with the singer washing off his sins and seeing kids playing instead of cussing. I have not seen Cash or Kristofferson explain the small changes, but my theory is a little different.

Recall that when Cash first recorded the song, Kristofferson was not the established songwriter we know. He was new to the business and was the annoying guy trying to get his songs heard. So, Cash, even while recognizing a great song, did not approach it with reverence. So, he might have just thought the word changes sounded better. Regarding the kid kicking the can, Cash’s change got rid of the more blatant alliteration “cussin’ at a can” and stretched it out more, tying together the “w” in the first phrase (“watched”) to two more “w” words in the next phrase (“with”/”was”). Regarding the other change, he may have just liked the elongated sound of “washed” over “shaved.”

Cash’s tweaks were small, and he left most of the song alone, including what I consider the most heartbreaking line in the song, about smelling frying chicken. Most folks who have moved away from home can relate to recalling family dinners on Sundays and what it means to now be on your own.

Then I crossed the empty street,
And caught the Sunday smell of someone fryin’ chicken;
And it took me back to somethin’,
That I’d lost somehow, somewhere along the way.

We lost something else when we lost Kris Kristofferson, but we still have his music to lift us up and to comfort us when we are down and alone.

Leave your two cents in the comments.

  • Ira Hayes Won’t Answer Anymore
  • Cowboy Jack Clement: “I Guess Things Happen That Way”
  • Columbia Records Drops Johnny Cash: “God’s Gonna Cut You Down”
  • “Bird on a Wire” and the Return of the Bald Eagle
  • Devil’s Right Hand Arrest in New York City
  • Taxi Driver Music: “The Pilgrim, Chapter 33”
  • (Some related Chimesfreedom posts.)

    Clarence Ashley: “The Cuckoo” & “Little Sadie”

    Folksinger Clarence “Tom” Ashley left a lasting legacy with his versions of songs like “The Cuckoo” and “Little Sadie,” influencing artists such as Bob Dylan.

    Clarence Ashley was among the folk and blues singers “rediscovered” during the 1950s and 1960s. Ashley, known as “Tom,” began performing in the early 1900’s, singing and playing banjo or guitar. He played with artists such as Doc Watson and lived to see his influence on a range of singers, even sharing a stage with Bob Dylan at the 1963 Newport Folk Festival. He is known for his performances of songs such as “The Cuckoo” and “Little Sadie.”

    Ashley was born in Tennessee on September 29, 1895, and he died in North Carolina on June 2, 1967. You may have first heard his voice on Harry Smith’s Anthology of American Folk Music records, where one of the songs he performs is “The Coo Coo Bird.”

    The song, also with other titles such as “The Cuckoo” and “The Cuckoo is a Pretty Bird,” is an English folk song. The song begins with the bird, which is often associated with spring and with infidelity, and then goes on in various versions to lament about luck in love or gambling. Ashley’s version focuses on the latter.

    I’ve played cards in England;
    I’ve played cards in Spain;
    I’ll bet you ten dollars,
    I’ll beat you next game
    .

    In the video below from the DVD “Legends of Old Time Music,” Ashley performs his version of “The Cuckoo.” Also, at the beginning of the clip he is interviewed about his music career. Check it out.

    Another song that Ashley recorded, but with a darker tone, is “Little Sadie.” Ashley recorded the folk ballad in 1928. The singer, named Lee Brown, tells about killing a woman (in some versions his wife), fleeing, getting caught, and ultimately being sentenced by a judge: “Forty-one days and forty-one nights / Forty-one years to wear the ball and the stripes.”

    Music critic Greil Marcus, writing in the liner notes for Bob Dylan’s Bootleg Series Vol. 10: Another Self Portrait (1969-1971), noted, “There’s something horribly laconic about Ashley’s 1929 recording of “Little Sadie.” Crinklingly ominous banjo notes trace a circle in which every story goes back to its beginning and starts up again, a circle in which every act is inevitable, worthless, and meaningless, a folk nihilism long before existentialism caught on in Paris.” Below is Ashley’s version of “Little Sadie.” Check it out.

    Bob Dylan recorded a version of “Little Sadie” that appeared on his Self-Portrait (1970) album. And two more versions appear on Dylan’s Bootleg Series Vol. 10: Another Self Portrait (1969-1971), which was released in 2013. On the latter album, Marcus found Dylan’s “In Search of Little Sadie” to be “a revelation.”

    Marcus traces this Dylan version as the voice of a blustering killer, not caring (as in the character in Ashley’s version). But then the murderer finds fear in what may happen to himself.

    In The Bob Dylan Encyclopedia, author Michael Gray notes that it is most likely that Dylan’s versions of “Little Sadie” were because of his knowledge of Ashley’s recording. He also notes that Dylan would have known Ashley’s recording of “The Coo-Coo Bird” from the Anthology of American Folk Music.

    Dylan’s versions of “Little Sadie” are not on Youtube, but perhaps the most famous descendant of Ashley’s song is Johnny Cash’s version of “Cocaine Blues.” Singer-songwriter T.J. “Red” Arnall wrote “Cocaine Blues” as a reworked “Little Sadie” and recorded the song in 1947. Here, Cash performs “Cocaine Blues” in 1968 at Folsom Prison.

    I do not believe anyone has yet connected the subject of the folk song “Little Sadie” to a real person. Some have found evidence that the song originated in an African-American community in the South. Wherever the song came from, singers like Clarence Ashley have kept the tale alive in their own ways.

    Leave your two cents in the comments.

  • Glen Sherley: Prison, Johnny Cash, & “Greystone Chapel”
  • Johnny Cash’s Concerts at San Quentin
  • The First Farm Aid
  • “I’ll Fly Away” and the Prisoner
  • New Old Dylan: “Pretty Saro”
  • Cowboy Jack Clement: “I Guess Things Happen That Way”
  • ( Some related Chimesfreedom posts.)

    Rosanne Cash Takes a Stand With “Crawl Into the Promised Land”

    Rosanne Cash engages with the pressing issues we face with her new angry yet hopeful song, “Crawl Into the Promised Land.”

    Rosanne Cash has released a timely new song with John Leventhal, “Crawl Into the Promised Land.” The song tackles many of the issues we have been facing in 2020. In a handwritten note accompanying the song on her website, Cash asks about “Why we elected such an unfit person to guide us, Why do we kill Black people with impunity, Why our leaders dismantle and mock every institution. . . .”

    Cash adds that the “magnitude of the moment requires time and an ocean of reflection.” Recognizing that an election is approaching, the song lyrics ask us to be delivered from Tweets and lies. But it is deep down a song of hope. I even detect what seems to be a reference to her father Johnny Cash (“The old man surely must have known / To kick the lights and make his stand / Would give us strength back from the brink.”

    The video that accompanies “Crawl Into the Promised Land” song is a “visual corollary,” offering images including the Civil Rights, women’s rights movements, and such important figures as the late Justice Ruth Bader Ginsburg. The video was directed by Phyllis Housen and Eric Baker. Check it out.

    Proceeds from the song go to the Arkansas Peace & Justice Memorial Movement.

    Leave your two cents in the comments.

  • I’ll See You In My Dreams: Goodbye 2020, Hello 2021
  • Remembering Johnny Cash During “September When It Comes”
  • Glen Sherley: Prison, Johnny Cash, & “Greystone Chapel”
  • Is Kris Kristofferson’s Greatest Song “Sunday Mornin’ Comin’ Down”?
  • Arlo McKinley Gets To the Core of “This Mess We’re In” On New Album
  • The Pines at Night (Matthew Ryan) Releases Full Album,”A Year of Novembers”
  • ( Some related Chimesfreedom posts.)

    Johnny Cash’s Journey and “The Gift”

    Johnny Cash The Gift

    YouTube Originals has produced a documentary about Johnny Cash called, The Gift: The Journey of Johnny Cash (2019). Director Thom Zimny — who also made Elvis Presley: The Searcher and Springsteen on Broadway, tells the story of the Man in Black. The title is inspired for a term Cash’s mother used to describe Cash’s voice, “the gift.”

    With cooperation from Cash’s estate, Zimny uses archival footage, home movies, and audio interviews to help tell the story. The film focuses on major invents in Cash’s life, such as the death of his brother as a child and the singer’s Folsom Prison concert.

    The documentary is currently streaming for free on YouTube. Check it out in its entirety below.

    What do you think of The Gift: The Journey of Johnny Cash? Leave your two cents in the comments.

  • Glen Sherley: Prison, Johnny Cash, & “Greystone Chapel”
  • Is Kris Kristofferson’s Greatest Song “Sunday Mornin’ Comin’ Down”?
  • Clarence Ashley: “The Cuckoo” & “Little Sadie”
  • Rosanne Cash Takes a Stand With “Crawl Into the Promised Land”
  • Louis Armstrong and Jimmie Rodgers: “Blue Yodel 9” (Duet of the Day)
  • Sheryl Crow & Johnny Cash: “Redemption Day”
  • ( Some related Chimesfreedom posts.)