What Is the Meaning of the Song “Scarlet Ribbons (For Her Hair)”?

What is the song “Scarlet Ribbons (For Her Hair),” which has been recoreded by many artists, really about? While appearing to be a religious song, the message tells us something about parenthood and childhood.

A number of famous artists have recorded the song “Scarlet Ribbons (For Her Hair).” Although Jo Stafford first had some success with a recording of the song in 1949, one of the most popular versions is Harry Belafonte’s version, first released in 1956. Because of Belafonte’s recording and performances of the song, it has continued on as a classic of sorts, having been covered by Roy Orbison, The Cats, Dinah Shore, Jim Reeves, Gene Vincent, Joan Baez, the Kingston Trio, and in more recent years by artists like Sinéad O’Connor (one of my favorite), Cliff Richard, and Willie Nelson. Perry Como called it “perhaps the most beautiful tune I ever sang.”

But what is the song about? The song is in the voice of a parent, who is looking in on their daughter at bedtime. The daughter is in prayer and asks “for me some scarlet ribbons,/scarlet ribbons for my hair.” The parent then recounts how all of the stores in town were closed and they could not find any scarlet ribbons for the child that night.

In the morning, though, the parent again looks into the child’s room and sees in her room, “In gay profusion lying there,/ Lovely ribbons, scarlet ribbons.” The singer ends, amazed at the mystery.

If I live to be a hundred,
I will never know from where,
Came those lovely scarlet ribbons;
Scarlet ribbons for her hair
.

On his Stardust album bonus track, Willie Nelson changed the line about living to “a hundred” to “two hundred.”

Evelyn Danzig wrote the music for the song, and then in 1949, during a party at her home, Jack Segal filled in the lyrics. The song, however, sounds like a timeless folk tale, complete with a mysterious ending that seems fitting of many old folk songs. But what is the song really about?

The Writing of “Scarlett Ribbons”

The song’s lyricist, Jack Segal, has explained that he was visiting the home of composer Evelyn Danzig on Long Island, NY and heard her play some music. She played a piano exercise she wrote that intrigued him, sounding to him like a child’s lullaby. Right there, after he was left alone in the room, he sat down and composed the lyrics in fifteen minutes.

Although the song was soon recorded by several artists, it was not until Belafonte recorded a stripped down version on his second album that the song started to resonate into the classic it has become.

What is the Meaning Behind “Scarlet Ribbons”?

The simple explanation behind the song is that it is about a girl’s faith in God being rewarded. Her prayer for the scarlet ribbons is miraculously answered. The proof of the miracle is provided by the parent. The parent had confirmed there was no other way that the little girl could have obtained the ribbons that night, as all of the stores were closed.

The interpretatin of the song as one about God and faith is consistent with the way many have used the song. For example, after Jim Reeves’ death, his record company included the song on the Jim Reeves gospel collection, A Beautiful Life: Songs of Inspiration (2014) (even though he originally included it on the partly religious album Songs to Warm the Heart (1959)).

Others have even listed it as a Christmas song.

While we often should defer to the simplest explanation of something, I think regardless of the songwriter’s intent, there is another reason the haunting song has resonated through the years. The reason is not that people were looking for a song about God providing a girl with ribbons for her hair. At least for me, there is another way that the song has meaning for me. And this interpretation is reflected in the video that Jim Reeves made for the song, where the focus is on the father overlooking his sleeping child. Maybe the song is about parenthood and childhood.

Like many fathers of a young child, I worry about her constantly. What will life bring for her? What can I do to protect her? How do I make sure she has what she needs and learns what she needs to know?

So, when I hear “Scarlet Ribbons,” the lyrics provide the viewpoint of the parent. The parent worries that they cannot provide the daughter with the scarlet ribbons she prays for. Wanting to help the daughter find what she wants, and perhaps also to maintain the child’s belief in miracles for a little while longer, the parent searches the town for the ribbons even though it is late.

So, I relate to the parent’s anxiety. But what about the miracle of the ribbons appearing in the morning? As most parents know, the lives of our children are filled with small miracles every day. Every morning when I wake up, I see my daughter growing in new ways. And each day, she is capable of something new, with or without my help.

And like the miracle of the ribbons, these little miracles appear and bring me great joy. They also reassure me that something more powerful than me is looking after my daughter, whether that something be what we call “God” or nature or years of evolution or growing up or whatever. And whatever it is called, it is still a miracle.

One may ask why did the author chose “scarlet ribbons” to reflect the child’s growth? Of course, it could just that Segal in writing lyrics for Danzig’s music found the four-syllable phrase fitted the music. But if the “scarlet ribbons” were selected for a specific meaning, the most obvious one might be that the red ribbons reflect a symbol of a girl growing up and changing, i.e., getting her first period. That of course is not to argue that he song is about menstruation, but such a symbol would tie into one of the ways children change and grow.

Whether or not the choice of “scarlet ribbons” was made for a reason, the song still seems to be about a parent’s anxiety and faith in a child’s growth. Ribbons may seem silly or insignificant. But in the song they remind us that the little miracles surrounding our children are sometimes more powerful than the parting of the Red Sea.

Leave your two cents in the comments.

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    When is Mickey Newbury’s “33rd of August”?

    Mickey Newbury’s song “33rd of August” had a special connection for singers like David Allan Coe. But what is the song really about?

    Mickey Newbury’s 1969 album Looks Like Rain is one of the rare albums where every song is great. Newbury, who John Prine called “probably the best songwriter ever,” hits you in the guts with every song. Upon repeated listens, each song on Looks Like Rain grows deeper. And one song in particular that stands out is “33rd of August” (paired on the track with “When the Baby in My Lady Gets the Blues”).

    Mickey Newbury was born in Houston on May 19, 1940 and died in Oregon on September 29, 2002. During his lifetime, he became well-respected by his songwriting peers, even if huge commercial success eluded him.

    Newbury’s song “33rd of August” has been covered by artists such as Waylon Jennings, Willie Nelson, and Joan Baez. One of the more famous versions is by David Allan Coe. Coe released the song on his third album The Mysterious Rhinestone Cowboy (1974), which was also his first album devoted entirely to country music. Coe, an outstanding songwriter himself, recognized songwriting talent, also including a song by Guy Clark on the album.

    David Allan Coe Sings “33rd of August” from a Cell

    But Newbury and his song “33rd of August,” obviously touched a special chord with Coe. Coe dedicated his album The Mysterious Rhinestone Cowboy to Newbury. On the album, he even included a letter he had written Newbury, including the line: “Freedom is knowing how to remember the weight of your chains once they’ve been removed, for each man feels his own pain in prison and each man must pull his own time.”

    Coe’s references to “freedom” and “prison” were hard won. Coe was sent to reform school at age nine, and subsequently spent a number of years in correctional facilities, including three years serving time at the Ohio Penitentiary.

    Around the time he released The Mysterious Rhinestone Cowboy (in 1974 or 1975), he sang “33rd of August” from one of the cells where he had spent time.

    When is the 33rd of August?

    When a song has a specific date in the title (such as Matthew Ryan’s “3rd of October“), it is logical to ask about the significance of that date to the song. Here, the song is not clear about the meaning behind the made-up date of August 33. So, one might also wonder when is the thirty-third of August since the month only has thirty-one days?

    The logical answer, would be that it must be September 2, or two days after August 31. But of course, the song is not really about September 2 or the events of a specific date.

    The song opens, apparently, at a train station with a reference to a typical train station welcoming party from film. There is a crowd there, but the band has left. The only remaining musician is a singer who cannot see. The person narrating the song came to town seeking salvation on the thirty-third of August.

    Well, today there’s no salvation;
    The band’s packed up and gone;
    Left me standin’ with my penny in my hand;
    There’s a big crowd at the station,
    Where a blind man sings his songs;
    He can see what I can’t understand,
    It’s the thirty-third of August . . .

    The singer is troubled, possibly addicted to drugs (with references to “I am finally touchin’ down” and “a thousand voices screamin’ through my brain”). The singer tells us he was once busted for vagrancy and spent time in jail. He has angry thoughts and demons dancing and singing inside his “fevered brain.”

    It’s the thirty-third of August,
    And I am finally touchin’ down;
    Eight days from Sunday, Lord,
    Saturday bound.

    So what is the significance of the “thirty-third of August” reference? Maybe the singer is trying to beat his addiction. But the day of redemption (Sunday) is farther away than the seven days of a week — it is eight days away. The singer cannot get to Sunday, instead bound for the day traditionally reserved for sinning, “Saturday bound.” And, if you count, “eight days from Sunday” if you are counting from today’s date, it would mean today is also Saturday.

    So the singer is stuck on Saturday, trying to get to a Sunday that is out of reach. Similarly, like Sunday’s redemption, the thirty-third of August is a day that never comes.

    So the singer is struggling for the salvation mentioned in the first line of the song, trying to get to the day traditionally associated with redemption, Sunday. But the singer remains locked in a cycle of Saturday nights, the traditional night of sin.

    One line near the end of the song, though, provides a little hope for the singer, who declares, “Not all my God-like thoughts, Lord, are defiled.” In other words, the singer still has some good thoughts and is still struggling for salvation and has not given up. But that leaves us with the question of whether he would be better off if he had given up and was not reaching for something out of reach, like salvation, or the 33rd of August.

    Of course, everyone is entitled to interpret a song in whatever way has meaning for them. Others have found other meaning in “33rd of August.” One commenter has explained, that the lyrics “capture a feeling of disorientation, despair, and resilience in the face of adversity. The lyrics paint a picture of a person trying to make sense of a confusing world while also finding inner strength and resilience.”

    Others have found more specific meaning. Another writer has emphasized the religious connections in the song, going so far as to cite other references to the number “33” in the Bible. That author finds the rain the prisoner sees coming from his cell as the rain of redemption and cleansing.

    Another website, lists “33rd of August” as an anti-war song, although it does not explain how it came to that conclusion. It does make sense that the narrator in the song might be a veteran of the Vietnam War. Traditionally, it is soldiers who might expect a band welcoming them at a train station. Many vets of that war also battled drug addiction and would have faced violent thoughts from their service.

    And in the late 1960s, when the song was released, the war was on everyone’s minds, and so likely the songwriter Mickey Newbury might have placed the song in the voice of a veteran.

    I haven’t found any interviews or performances where Newbury talks about the inspiration for “33rd of August.” Of course, listeners can hear whatever they hear. But the song of course had meaning for the songwriter Mickey Newbury. On his album Looks Like Rain, he a line of “33rd of August”(“And outside my cell it sure as hell / It looks like rain”) as the title for the wonderful album that features the song. Below is Newbury’s version of his song with the lyrics.

    What do you think “33rd of August” is about? Leave your two cents in the comments.

    Leave your two cents in the comments.

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    Emmylou Harris and Mary Chapin Carpenter performed three songs in honor of Joan Baez at the 43rd Kennedy Center Honors ceremony.

    The 43rd Kennedy Center Honors paid tribute to Garth Brooks, Joan Baez, Dick Van Dyke, Debbie Allen, and Midori. CBS broadcast this year’s ceremonies, which were recorded during several weeks at outdoor events in light of the ongoing pandemic. But, after the event was completely cancelled last year, the show gave us a little hope for the future.

    Among several highlights (and one of the hopeful moments), Mary Chapin Carpenter and Emmylou Harris appeared together to perform in honor of legendary folksinger and activist Joan Baez. The two sang  “Diamonds & Rust,” “God is God”( written by Steve Earle), and “We Shall Overcome.” Check it out below.

    What was your favorite performance at the Kennedy Center Honors? Leave your two cents in the comments.

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    Joan Baez in Concert

    For singer-songwriter-activist Joan Baez’s January 9 birthday, watch a wonderful live television performance from 1965.

    Joan Baez Concert

    Singer-songwriter-activist Joan Baez was born on January 9, 1941 in Staten Island, New York.  In many ways, Baez is the voice of the 1960s.  She started out as an important part of the folk movement in the early part of that decade, recording many popular songs throughout the decade.  And in 1969, she performed at Woodstock.

    Baez also became one of the early and most vocal artists working for social justice issues. She continues to be a voice for important causes. For example, she marched next to Martin Luther King, Jr. and went to jail for supporting the draft resistance. And, she sang in the first Amnesty International tour.

    Rock and Roll Hall of Fame

    Baez is still making music and doing other important work as she nears the end of her professional career.  On April 7, 2017, Jackson Browne inducted her into The Rock and Roll Hall of Fame. During her induction speech, she noted the current political climate and made the following appeal to the people:

    “Where empathy is failing and sharing has been usurped by greed and the lust for power, let us double, triple, and quadruple our own efforts to empathize and to give of our resources and our selves. Let us together repeal and replace brutality, and make compassion a priority. Together let us build a great bridge, a beautiful bridge to once again welcome the tired and the poor, and we will pay for that bridge with our commitment.

    “We the people must speak truth to power, and be ready to make sacrifices. We the people are the only one who can create change. I am ready. I hope you are, too. I want my granddaughter to know that I fought against an evil tide, and had the masses by my side.”

    “When all of these things are accompanied by music, music of every genre, the fight for a better world, one brave step at a time, becomes not just bearable, but possible, and beautiful.”

    For 2018, Baez has planned the “Fare Thee Well Tour 2018.”  And in 2018, she also plans to release her first album since 2008 when she released Day After Tomorrow.  Joe Henry is producing the new album, Whistle Down The Wind.

    1965 Live Performance

    Celebrate Baez’s birthday by going back to 1965 as you watch her perform a televised concert that year.  June 5, 1965, she performed at the BBC Television Theatre in Shepherd’s Bush, London.  Watching her perform does make the world a little more bearable and beautiful.

    >

    What is your favorite Joan Baez song? Leave your two cents in the comments.

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    4 Little Girls on a “Birmingham Sunday”

    4 Little Girls On September 15, 1963, racists exploded a bomb at the 16th Street Baptist Church in Birmingham, Alabama, injuring several people and killing four little girls aged 11-14: Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley. The incident is largely seen as a turning point that helped inspire the Civil Rights Movement.

    In Spike Lee’s excellent documentary about the incident, 4 Little Girls (1997), many of the people who knew or were related to the girls give moving stories about the events surrounding the bombing.

    It would be decades before some of those involved in the bombing would be brought to justice.  The movie interviews former Alabama Attorney General William Baxley, who reopened an investigation into the bombing in the early 1970s, resulting in the conviction one of the men involved in the bombing in 1977.

    Baxley had long been interested in pursuing justice in the case even before he was attorney general. In the movie, he explains how he used to listen to Joan Baez’s song “Birmingham Sunday” every day.

    “Birmingham Sunday,” which was written by Richard Fariña, appeared on Baez’s album, Joan Baez/5 (1964).  It was released in the year after the bombing.

    The way the song helped inspire Baxley through the years to help bring some justice to the tragedy helps show the power of song. Spike Lee’s movie 4 Little Girls also shows the power of film.


    Photo of church window at 16th Street Baptist Church, donated by the people of Wales after the bombing, via public domain.

    Leave your two cents in the comments.

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