You Only Are What You Believe: 1967 Anti-War Protest and the Year’s Music

Viet Nam war protest D.C. On October 21 in 1967, one of the most significant signs of public disgruntlement with the Vietnam conflict began.  Nearly 100,000 people showed up in D.C. to protest the U.S. role in the war.

The March on the Pentagon to Confront the War Makers started near the Lincoln Memorial, and approximately 50,000 of the protesters then went to the Pentagon, where many remained until October 23 and where some participated in acts of civil disobedience. Author Norman Mailer captured many of the events of the protest in his novel, Armies of the Night.

That year there were other protests around the country, as polls showed that the support for the war had dropped below 50%.  All of those factors led President Lyndon Johnson’s administration to respond with a public relations campaign in support of the war.

But the protest, and complaints after the Tet offensive in early 1968, illustrated that many Americans would continue to raise their voices to end the U.S. involvement in Vietnam.

Music Reflects the Protests Against the War

At the time, one might have noticed from the music that something was in the air. The year 1967 began with the Rolling Stones appearing on The Ed Sullivan Show in January.  At the show’s request, the band famously changed the title lyrics of “Let’s Spend the Night Together” to the less sexy “Let’s Spend Some Time Together.” But by September, the Doors appeared on the same show after also agreeing to alter the lyrics to their song, “Light My Fire.” But Jim Morrison captured the growing youth rebellion by going ahead and singing the offending line “Girl we couldn’t get much higher.”

In other 1967 music news, Buffalo Springfrield released “For What It’s Worth” in January. In February, Aretha Franklin recorded “Respect.” In March, the Who performed for the first time in the U.S. In June, the Beatles released Sgt. Pepper’s Lonely Hearts Club Band.

Also in June, the Monterey Pop Festival brought young people together to hear such artists as Janis Joplin, Jimi Hendrix, and Otis Redding.  Redding soon would write and record “(Sitting on) the Dock of the Bay.”

John Lennon in How I Won the War

Then, on October 18, three days before the Washington protest, the first issue of Rolling Stone magazine came off the presses with a cover photo of John Lennon from the film How I Won the War.  The film was a comedy where Lennon first appeared with his famous round glasses.

Phil Ochs Declares the War is Over

Of course, there was music at the protest in D.C. too. One of the performers at the protest was Phil Ochs. He performed his recent song that imagined a future without the war, “The War is Over.”

In the song at the protest, Ochs proclaimed “This country is too young to die,” so “I declare the war is over.” He concludes, “You only are what you believe.”

Below is a video of a different live performance of “The War is Over.”

The U.S. eventually withdrew its troops from Viet Nam, but it would be nearly six more years before the war was actually over for the U.S. soldiers and their loved ones at home.

Photo via public domain.

What is your favorite music or event from 1967? Leave your two cents in the comments.

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    WTF?: Janis Joplin With Tom Jones?

    raise your hand tom jones janis joplin A biography of Bruce Springsteen reports that Janis Joplin once unsuccessfully pursued a romance with Springsteen. One can only dream about the talented children they would have had. Although Springsteen and Joplin never performed together, Joplin was known for her performance of the show-stopper “Raise Your Hand” and Springsteen often highlights the song too.

    We never got a Springsteen-Joplin pairing on “Raise Your Hand,” but in 1969, Joplin sang the song with an interesting choice. That year, Tom Jones and Janis Joplin sang “Raise Your Hand” together on the This is Tom Jones TV show. I must say, it is pretty awesome. Not Springsteen-Joplin-baby awesome, but awesome nonetheless.

    This is Tom Jones ran on TV from 1969 to 1971. Jones featured a lot of big stars from the day, including Dusty Springfield and Stevie Wonder.

    Can you think of an odder pairing than Tom Jones and Janis Joplin? Leave your two cents in the comments.

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    God May Have a Silver Thunderbird, But Sally Has a Mustang

    ford thunderbird On June 16 in 1903, Henry Ford signed the papers incorporating Ford Motor Company. A month later, the first Ford car was manufactured in Detroit. But it would not be until later when the company really began doing well, following the 1908 introduction of the Model T and the 1913 creation of an assembly line allowing mass production.

    The automobile is intertwined with American history as well as with popular culture, as there are numerous songs about the highway and cars. Some popular songs are specific about the vehicles, such as Janis Joplin’s desire for a Mercedes Benz, Don McLean’s Chevy at the levy, and Prince’s Little Red Corvette.

    Ford Motor Company products appear in songs too. In the video below, Marc Cohn sings about Ford’s Thunderbird car in “Silver Thunderbird.”

    The title of the song “Silver Thunderbird” focuses on the car, which began manufacturing in 1955 and ended its run in 2005. But the lyrics of the song address Cohn’s childhood memories of how his father loved his car. “Great big fins and painted steel;/ Man it looked just like the batmobile,/ With my old man behind the wheel.”

    “Silver Thunderbird” captures what a car can mean to a family. And I can relate, having grown up with parents who for some reason thought it was important to be loyal to one car company.

    “Silver Thunderbird” is from Marc Cohn’s self-titled album from 1991 that also included the hit, “Walking in Memphis.” “Silver Thunderbird” later was covered by Jo Dee Mesina.

    The most famous song about a Ford car is also one of the greatest car songs ever. “Mustang Sally” was written by Mack Rice and immortalized by Wilson Pickett in 1966.

    The song, which asks Sally to slow her Mustang down, is not quite as wholesome as Cohn’s song about the Thunderbird. But the difference in song themes matches the different reputations of the two cars.

    Although nobody can surpass Pickett’s version, there are a number of good covers of “Mustang Sally.” For example, in the excellent rise-and-fall-of-an-Irish-soul-band movie The Commitments (1991), the band’s performance of the song is one of the highlights of the film, which came out the same year as Cohn’s song about the Thunderbird.

    The movie scene with The Commitments performing the song is no longer available on YouTube. But here is one of the group’s live performances, featuring lead singer Andrew Strong.

    “Mustang Sally” has been performed by a wide range of artists, including Bruce Springsteen, Hootie and the Blowfish, and Sam & Dave. But it is impossible to surpass Pickett’s version.

    In the interest of full disclosure, although I have owned other cars, following my parents, I drive a Ford today.

    What are your favorite songs about cars? Leave your two cents in the comments.

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