Recently, while playing in Seattle’s Key Arena on The River Tour, Bruce Springsteen brought Pearl Jam’s Eddie Vedder onstage. Backed by the E Street Band, Springsteen and Vedder let loose on “Bobby Jean” from Springsteen’s Born in the U.S.A. (1984) album.
There are few songs that sound as joyous as “Bobby Jean,” as the singer recounts a long-lost love and the peace he has found with the separation. Vedder seems to be having a blast too as he dances around the stage. Check out the March 24, 2016 performance.
One person who does not look happy onstage is Steven Van Zandt. Look at his face. Is he jealous that someone else is taking his place on the song that Springsteen supposedly wrote for him when he left the band for a period in the 1980s? I suspect he is just concentrating on the music or thinking about his recent appearance on American Idol as a mentor and wondering how Jennifer Lopez could forget his name. Or maybe he is just taking an emotional break while Springsteen, Vedder, and saxophonist Jake Clemons bring the joy on this song.
During Bruce Springsteen‘s current The River tour with the E Street Band, Springsteen celebrates the 1980 album each night by playing all of the songs from the album in order. While one may debate which song on The River is the best, it is hard to dismiss the popularity of Springsteen’s first top-ten hit, “Hungry Heart,” which went to number five on the Billboard charts at the time of its release.
The current tour also promotes the new release of The River along with outtakes and the album Springsteen almost released instead of The River in 1979. The box set The Ties That Bind: The River Collection (2015) is a fun exploration of a road not taken even as it affirms The Boss for the most part made the correct choices.
“Hungry Heart” always has been one of my favorite Springsteen songs, even though its production — including speeded up lead vocals — sounds different from many of the other E Street Band songs I love. The original also features amazing backing vocals from Mark Volman and Howard Kaylan (aka Flo & Eddie) of The Turtles.
Perhaps another reason “Hungry Heart” sounds a little different from other Springsteen songs is that Springsteen initially wrote the song for The Ramones. But after writing the song, Springsteen decided to keep it. Joey Ramone explains the genesis of the song in this video, and Springsteen more recently told the story to Jimmy Fallon too.
Another way the song is somewhat unusual is the uplifting music combined with what otherwise would be a depressing tale of heartbreak. The song begins with the singer telling us he left his wife and kids in Baltimore. Similarly, in Arizona, I once met a man who had run away from his wife and kids back East somewhere to start a new life. I always recall him being from Baltimore, but I suspect I conflated his story with the song. Anyway, he did not seem to regret his choice at the time we spoke, but I later heard that he eventually went back East.
The singer in “Hungry Heart,” however, makes no return. He keeps looking for home and a place to rest, similar to the hero in the poem that inspired the title of the song: Alfred, Lord Tennyson’s “Ulysses” (“For always roaming with a hungry heart / Much have I seen and known”).
Yet, despite the sad story of the lyrics, “Hungry Heart” is still a joyous song. Like Bob Dylan’s great “Like a Rolling Stone,” Springsteen’s “Hungry Heart” gains a new meaning from the band. The uplifting music and the singer’s joy in singing about his quest defines the song. Although the singer never finds a new family or enduring love, his recognition that we are all looking for the same thing provides some comfort.
The singer never declares he is alone with his hungry heart, and the chorus does not exclaim “I’ve got a hungry heart.” Through his travels he joyously realizes that while in many ways each person must walk one’s life alone, we are bound to all other humans who also must do the same. Everybody’s got a hungry heart.
I like the following recent E Street Band performance of “Hungry Heart” that took place in Toronto on February 2, 2016. It is a nice quality fan video, and I love how Jake Clemons (Clarence’s nephew) is able to keep playing his saxophone as he helps the crowd-surfing Springsteen back to his feet. Check it out.
Bruce Springsteen has yet to have a number one song on the Billboard charts, but he did surpass the number five position achieved by “Hungry Heart” four years later. In 1984, another song about loneliness, “Dancing in the Dark” went to number two on the charts.
Tho’ much is taken, much abides; and tho’ We are not now that strength which in old days Moved earth and heaven, that which we are, we are; One equal temper of heroic hearts, Made weak by time and fate, but strong in will, To strive, to seek, to find, and not to yield. — Alfred, Lord Tennyson, “Ulysses”
In the various E Street Band live versions of Bruce Springsteen singing “Drive All Night,” I have always felt that Springsteen cannot capture the loneliness and angst of the original recording on The River (1980). As the next-to-last song on side four of the two-album set, “Drive All Night” brings together all of the sadness of the album, reminding the listener (along with the underrated final song “Wreck on the Highway“) that the only hope of surviving the despair is with love, even if there is no guarantee that it will do anything more than make a moment better.
The best place to listen to “Drive All Night” is to put the song on the stereo in a dark room while you think about everything you have ever lost. By contrast, a live full-band version cannot capture that feeling because a Springsteen concert is a celebration of community with a large crowd and the E Street Band backing up the singer. But when Glen Hansard sings his version of “Drive All Night” live, he comes close to the feeling of the original recording.
Singer-songwriter (and sometimes movie actor) Glen Hansard has a voice made for evoking sadness and pain. There are great versions of Hansard covering “Drive All Night” by himself. As the title track for a 2013 EP, Hansard recorded his own version of “Drive All Night” with Eddie Vedder helping on vocals and E Street Band member Jake Clemons playing saxophone. Check it out.
Springsteen must have recognized Hansard’s skill with the song, as he invited him to sing the song with him in July 2013 when Springsteen played in Kilkenny, Ireland. When Hansard begins singing, Springsteen has a look on his face like, “This guy gets this song.” Check it out.
But my favorite Hansard version is where he sings alone with a guitar with a little help from Once co-star and former Swell Season bandmate, Marketa Irglova. The two have voices that blend perfectly, and the fact that the two are former lovers adds another layer of poignency to the performance. Check it out.
What is your favorite version of “Drive All Night”? Leave your two cents in the comments.
Last night in Gothenburg, Sweden, E Street Band history was made as Bruce Springsteen performed “Jungleland” for the first time on the new tour without the late Clarence Clemons. But the family name lives on as Clemons’s nephew — and new band member — Jake Clemons carried on the family tradition of evoking the pain and joy of the song. Below is his solo in “Jungleland,” which was the next-to-last song of the night (you may watch the entire song from a much further distance here):
“Jungleland will forever be associated with the Big Man Clarence Clemons, but it would have been a disservice to him to abandon the great song after his passing. Although we already had seen Jake play the song with another band in another setting, Springsteen did the right thing by waiting a short time and then bringing the song back with Jake as an unexpected surprise. As you can see in the video, at the end of the big solo, the crowd shows its appreciation. It was a bittersweet moment, as everyone was happy for Jake but also sad to be reminded of Clarence’s absence.
There is only one thing to do in the face of such sadness in life. Pause for a moment, and then get up to dance to the show closer “Twist and Shout.”
What do you think of the new “Jungleland”? Leave your two cents in the comments.
A previous post discussed the news that Eddie Manion will be playing saxophone along with Jake Clemons on the upcoming tour with Bruce Springsteen and the E Street Band. It will be interesting to see how the two trade off on the solos, how often they play together, and whether they fill different parts on different nights.
Although nobody can replace Clarence Clemons, the previous post showed how Manion is able to tackle the epic “Jungleland” solo. If you are curious about Jake Clemons’s chops, here is his take on “Jungleland.” Note, though, that the guy who kind of looks like Bruce is not Bruce but Robert Philippi of the European cover band BruceBand. (Video starts at sax solo.)
Jake Clemons has the music in his blood, being the nephew of Clarence Clemons. Springsteen’s decision to include both the experienced Manion and the talented young Clemons seems like an inspired choice. But then again, the Boss usually does not let down his fans. And the inclusion of Jake Clemons, and Jake’s decision to join the band, seem consistent with the message of the new single, “We Take Care of Our Own.” 29 July 2012 Update: Jake Clemons played “Jungleland” with the E Street Band in Sweden last night.
What do you think of the addition of Jake Clemons to the band? Leave your two cents in the comments.
(2015) is a fun exploration of a road not taken even as it affirms The Boss for the most part made the correct choices.
