Dwight, Lucinda, and Steve: “Dim Lights, Thick Smoke (and Loud, Loud Music)”

Loud Smoke

Dwight Yoakam recently posted a video of a rehearsal of “Dim Lights, Thick Smoke (and Loud, Loud Music).” Yoakam is currently touring with Steve Earle and Lucinda Williams. So, the two join in for a rousing rendition of the song.

Yoakam, Earle, Williams and the band jam on the song with the band in the dressing room before their show, which is part of their “LSD Tour.” Check it out.

“Dim Lights, Loud Smoke (and Loud, Loud Music)” goes back many decades. Joe Maphis, Rose Lee Maphis and Max Fidler wrote the song, which was first recorded in 1952 by Flatt & Scruggs.

The video is by Emily Joyce Photography. Leave your two cents in the comments.

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    Salt and Nails

    iodized salt A recent article in the New Yorker recounted how during World War I, U.S. Army doctors doing medical inspections discovered a high incidence of goitre. Because of a lump on their necks from a swelling of a thyroid gland, a number of men could not button the top button of their uniforms. Eventually, doctors also noticed that the recruits were more likely to have the problem if they lived far from the ocean. (Malcolm Gladwell, “Man and Superman,” New Yorker 16 (9 Sept. 2013).)

    Eventually, they determined that an iodine deficiency caused the goitre, as well as deficiencies in intelligence. Those who lived nearer the ocean were getting more iodine in their diet while those elsewhere were not getting enough of it because oceans maintain iodine levels better than soil. Because iodine is not present in a lot of food, the government convinced the Morton Salt Company to start adding iodine to its salt in 1924. And IQ’s rose and incidences of goitre dropped. Iodine supplements have similarly increased IQ’s around the world.

    One of the best songs with “salt” in its title is “Rock Salt and Nails,” written by Utah Phillips. Although YouTube does not have a video of Phillips singing his song, in this video, Tony Norris plays part of the song and tells how Phillips came to write it.

    A number of artists have covered the song, including Joan Baez, Flatt & Scruggs, and Waylon Jennings. The song is not really about iodized salt, and the reference to salt in the title does not appear in the song until the final shocking line. In the song, the singer reveals his sorrow because a lover has betrayed him. The song reflects both his anger and his sadness. Regarding the latter, he cannot help thinking back on happier times: “Now I lie on my bed and I see your sweet face / The past I remember time cannot erase.” But at the end of the song, he exclaims that if ladies were squirrels, he would “fill up his shotgun with rock salt and nails.”

    Steve Young
    recorded what many consider a landmark outlaw country album in 1969 that used Phillips’s song for the title track. The album featured guest musicians like Gram Parsons.

    My favorite version, though, is the one by Buddy and Julie Miller from their 2001 album Buddy & Julie Miller. I am a fan of anything by Buddy and Julie, and here Buddy’s powerful voice captures the anger and sadness in the song perfectly.

    So today’s lesson is eat a little salt for your thyroid and to get smarter. But try to get through your day without loading some salt and nails in your shotgun.


    What is your favorite version of “Rock Salt and Nails”? Leave your two cents in the comments.

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    RIP Earl Scruggs

    Earl Scruggs Legendary musician and banjo player Earl Scruggs passed away this morning at the age of 88. Even if you were not listening to bluegrass at the time and were a kid watching television, you still knew Flatt & Scruggs, as I did every week when I watched The Beverly Hillbillies and they played their instruments on “The Ballad of Jed Clampett” to open the show (with Jerry Scoggins singing on the version used on the show).

    During his great career, Scruggs played with a number of famous artists, including Bob Dylan, the Byrds, Ravi Shankar, King Curtis, Elton John, and many others. The actor, comedian, and banjo-player Steve Martin wrote about Scruggs in The New Yorker earlier this year, “Few players have changed the way we hear an instrument the way Earl has.” Below is a clip from 2006 where Martin joins Scruggs to play “Foggy Mountain Breakdown” on The Late Show with David Letterman.

    Scruggs started with Bill Monroe’s Blue Grass Boys in 1945, but then left with Lester Flatt to form the Foggy Mountain Boys, which later became known just as Flatt & Scruggs through the 1950s and 1960s. Scruggs also was one of the few country or bluegrass artists who spoke out publicly against the war in Viet Nam, appearing at the 1969 US Vietnam Moratorium in Washington, DC. Below is Flatt & Scruggs playing “Roll in My Sweet Baby’s Arms.”

    Flatt passed away in 1979. Here’s hoping somewhere the two are making some sweet music again. RIP.

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