In his later years, Elvis Presley notoriously used a lot of silk scarves on stage. According to the Elvis History Blog, Presley’s practice of giving away scarves started in September 1970 in Phoenix, Arizona. At that show, Presley gave his green scarf to a young fan in the front row, and her joyous reaction eventually led to Presley continuing the practice.
I remember as a kid watching his 1973 Hawaii special and being puzzled and amazed as he used scarf after scarf to dab his sweat, giving each scarf to a happy audience member. Watch how a little bit of Elvis brings such joy as he sings “Love Me.”
In more recent years, even as I have continued to listen to Elvis Presley’s music, I have not given much thought to those scarves. But this year, on All-Star Celebrity Apprentice, the season’s runner-up Penn Jillette of Penn & Teller revealed where the scarves came from as he discussed the charity he was representing on the show.
Each scarf Elvis used did a little bit of good beyond drying his face and thrilling a fan. Elvis and his manager Colonel Tom Parker supported a charity Opportunity Village by buying scarves from this organization that still provides a number of programs for people with intellectual disabilities.
This local Las Vegas news channel tells the story about Opportunity Village and Elvis.
Knowing the story behind the scarves now makes me smile even more when I see Elvis using them on stage. Now that the King is not around, if you would like to walk a mile in Elvis’s shoes and help Opportunity Village, you may donate at the organization’s website.
[Update August 2013 and 2021: A recent discussion about this post on the Elvis Collectors website recounts a different scarves story from Ed Bonja, Elvis’s photographer and tour manager from 1970-1977. According to the post, Bonja explained that in early 1975 Colonel Parker became concerned about the high cost of the scarves so they began ordering cheap scarves from Korea. It is possible Elvis got the scarves from both sources or that after awhile they stopped getting them from Opportunity Village, which lists itself as “the official manufacturer of Elvis’ scarves” on its website, although {update 2021} the website now has narrowed that claim to the “original manufacturer of the scarves that Elvis Presley tossed to his adoring fans during his record-setting run at the International Hotel in the 70s.” Still, even if Opportunity Village did not supply all of the scarves, it is still a good cause and worth checking out its website.]
What do you think of Elvis and his scarves? Leave your two cents in the comments.
For these and other reasons, in recent years states like Connecticut, Illinois, New Jersey, New Mexico and New York also have stopped using capital punishment. Other state legislatures continue to consider bills to abolish the death penalty.
“Green, Green Grass of Home” and Its Twist Ending
Thinking about Maryland’s death penalty, I remembered a hit song from the 1960s called “Green, Green Grass of Home.” Claude “Curly” Putman, Jr. wrote “Green, Green Grass of Home,” which is probably his biggest hit song along with Tammy Wynette’s “D-I-V-O-R-C-E.” He also co-wrote the George Jones classic “He Stopped Loving Her Today.”
“Green, Green Grass of Home” belongs in a unique group of songs that have a twist ending. The song begins with the singer talking about a trip home, but in the last verse, we learn that it was all a dream. Although there is no specific reference to the death penalty or executions, the verse makes clear that the singer will die at the hands of the state in the morning. Then I awake and look around me, At the four gray walls that surround me, And I realize that I was only dreaming, For there’s a guard and a sad old padre, Arm in arm we’ll walk at daybreak, And at last I’ll touch the green green grass of home.
Putnam performs a clever sleight of hand in the song. In the opening part of the song, he draws in the listener to see the singer as a human being. The singer has feelings we can relate to, because everyone has been homesick.
Only after we connect with the singer does Putnam let us know that the singer is on death row. Had the song begun by telling us the singer was condemned, we would have seen him in a different light and judged him as something other than human. But like Steve Earle’s “Over Yonder,” the song “Green, Green Grass of Home” lets us see the humanity even in the worst of us, which is pretty cool.
But Porter Wagoner was the first one to have a hit with “Green, Green Grass of Home” in 1965. Check out this performance and note the subtle special effects where the prison bar shadows appear at the end.
Tom Jones Version
The next year in 1966, Tom Jones had a hit with the song. His version went to number 1 on the U.K. charts.
This TV rendition of the song goes for a less subtle approach than the Porter Wagoner shadows. Here, Tom Jones sings from a jail cell. The setting of the song, though, kind of spoils the surprise ending.
Jerry Lee Lewis Version
Tom Jones was inspired to record “Green, Green Grass of Home” after hearing it on Jerry Lee Lewis’s 1965 albumCountry Songs for City Folk. While it is easy to remember Lewis’s place in rock and roll history, sometimes his excellent country work is overlooked.
Here is Lewis’s version.
Joan Baez Version
Joan Baez gives a unique version by being one of the rare woman’s voices to tackle the song. It is appropriate because there currently are approximately sixty women on death rows around the country.
Baez does a nice job in this performance from The Smothers Brothers Show.
Finally, Lewis and Jones have performed “Green, Green Grass of Home” together.
The lyrics of the song constitute a soliloquy that does not lend itself to being a duet. But it is still cool to see the great Tom Jones singing with the legend who inspired him to record one of his biggest hits.
Capital Punishment After “Green, Green Grass of Home”
One may only speculate about the impact of the song on society or society’s impact on the song. But in 1965-1966 when the song was a big hit for Porter Wagoner in the U.S. and for Tom Jones in the U.K., the death penalty was at low levels of popularity in those countries.
Great Britain would abolish the death penalty on a trial basis in 1965 and abolish it permanently in 1969. In the U.S., executions ground to a halt in the late 1960s as courts considered court challenges to the U.S. death penalty.
Within a decade, after states passed new laws, the U.S. death penalty machine began chugging along in the late 1970s, even as other countries continued to abolish capital punishment. But more recently, since the turn of the century, several states have joined the other states and countries that have decided the death penalty is unnecessary, uncivilized, and wasteful of resources.
Maryland has now joined those civilized states and countries. The end of the death penalty, unlike “Green, Green Grass of Home,” is not a dream.
What is your favorite version of “Green, Green Grass of Home”? Leave your two cents in the comments.
At the age of 23, Elvis Presley went into the U.S. Army in March 25, thus suspending his promising career that had already altered the music landscape.
On December 20, 1957, Elvis was drafted while he was celebrating Christmas at Graceland, and three months later on March 25, the 23-year-old Elvis went into the U.S. Army. During his time in the Army, Presley served as a member of two armor battalions, first completing basic and advanced training with Company A, 2d Medium Tank Battalion, 37th Armor, stationed at Fort Hood, Texas until September 1958.
Starting in October 1958, Presley served in Germany until March 2, 1960, as a member of the 1st Medium Tank Battalion, 32d Armor. It was during this time in Germany that he met the young teenager Priscilla Beaulieu, who would become his wife. Elvis left active duty on March 5, 1960 and received his discharge from the Army Reserve on March 23, 1964.
This newsreel has the story of the induction.
There were some downsides to these Army years. It was during this period that Elvis began abusing prescription drugs, a practice that would later lead to his death. As Elvis went into the Army, many wondered how his absence would affect his career.
When Presley returned from the Army, he showed he could still generate pop hits like “It’s Now or Never.” Additionally, he would return to making movies, but he was an adult and further away from his teenage rebel rock and roll years.
Although Presley would still make great music after his army years, the music scene had changed during the short time he was gone. In addition to the loss of Elvis during those years, Chuck Berry fell into trouble with the law, Little Richard joined the ministry, Jerry Lee Lewis lost his popularity when he married his young cousin, and Ritchie Valens, the Big Bopper, and Buddy Holly died in a plane crash in Iowa in early 1959.
While the survivors of those years would resurrect their careers to varying degrees, American music was never again like it was before the date in 1958 when Elvis went into the U.S. Army..
Do you remember when Elvis went into the Army? Leave your two cents in the comments.
There has been a movement to get January 8 to be a national day in honor of Elvis Presley. In 2012, some members of Congress signed a resolution to name the day in honor of the King of Rock and Roll, but other activities distracted the legislators from following through.
Of course, Elvis fans chose the date because Elvis was born on January 8, 1935 in Tupelo, Mississippi. But almost as importantly, January 8 is also the date in 1946 when the eleven-year-old Elvis, hoping for a bicycle or a rifle, was instead given a guitar. For his birthday, his mother Gladys took him to the hardware store where she bought him the instrument that would inspire his musical career and change history.
So, while the fiscal cliff and other matters distracted Congress from giving us an Elvis Presley day in 2013, we can still recognize that boy and his guitar here. One of my favorite Elvis Presley performances with a guitar is “One Night” from his 1968 “Comeback” TV special.
Elvis’s “One Night” was a slightly cleaned up version of Smiley Lewis’s recording of “One Night (of Sin),” a song that, depending on the source, is about an orgy or a trip to a whorehouse and was written by Dave Bartholomew, Pearl King, and Anita Steiman. “Colonel” Parker and the record company had reservations about the steamy song that Elvis liked, so the lyrics were cleaned up a little, including the change of “One night of sin is what I’m now paying for” to “One night with you is what I’m now praying for.”
The “clean” version was a hit in 1958. Although Elvis also recorded the original “dirty” version, it was not released until 1992. For a comparison of the two versions, check out this article on Crooked Timber. Below you can hear Smiley Lewis’s take on “One Night (of Sin).”
Although Elvis’s cover using the original lyrics was decades from being officially released, in his 1968 performance, he goes back to the original song in both attitude and some of the lyrics, singing the original lines “The things I did and I saw / Would make the earth stand still” instead of the clean version’s “The things that we two could plan / Would make my dreams come true.” And whereas Lewis’s take on those lyrics is slower, more regretful, and bluesy, Presley’s 1968 performance is steamy, funny, and steeped in joyful sexuality.
Elvis’s 1968 stage presence is a long way from an eleven-year-old with his first guitar. Music writer Greil Marcus has described the performance, “No one has ever heard him sing like this; not even his best records suggest the depth of passion in this music.” (Mystery Train, p. 126.) He adds, “It was the finest music of his life. If ever there was music that bleeds, this was it.”
This performance alone should earn the King an Elvis Presley Day.
What is your favorite Elvis Presley guitar performance? Leave your two cents in the comments?
This week, Lisa Marie Presley released a music video to go with the song “I Love You Because.” In August, Lisa Marie recorded her vocals to go with those of her father, Elvis Presley. Although the song was released in August in memory of the 35th Anniversary of Elvis’s death and played with the video at an anniversary concert in Memphis, demand for the video led to this release that features never-before-seen family photos as well as her four children. The video recently premiered on CMT and will be available on iTunes on October 25. Check it out. [Update: The video is no longer on YouTube. But I replaced it with the clip below that recorded the video during the anniversary concert. Some of the images are blurry, but you get the idea and you can hear the duet.]
A young Elvis recorded “I Love You Because” at Sun Studio in Memphis on July 4 and 5 in 1954 around the same time he recorded “That’s All Right.” It has held up pretty well, I’d say. Meanwhile, his daughter’s latest album, Storm and Grace (2012) was released in May.
What do you think of the new version of “I Love You Because”? Leave your two cents in the comments.