3 a.m. Albums: Elvis Presley’s “The Jungle Room Sessions”

Our series “3 a.m. Albums” examines albums that are perfect for those nights when you cannot sleep due to sadness, loneliness, or despair. Today we consider Elvis Presley’s “The Jungle Room Sessions” (and “Way Down in the Jungle Room”) a collection of songs from Presley’s final recording sessions.

Elvis Last Recording Just for the circumstances surrounding Elvis Presley’s recording of The Jungle Room Sessions (2000), the album constitutes the perfect “3 a.m. album.” The songs on The Jungle Room Sessions come from Presley’s final two studio recording sessions on February 2-7 and on October 29-30, 1976 in the late night and early morning hours. Presley was emotionally and physically drained, no longer wanting to go outside his home at Graceland even as he worked hard to fulfill his obligations for concerts booked by Colonel Tom Parker.

Because of Presley’s reluctance to leave Graceland, RCA brought a studio to him, setting up recording equipment in Presley’s famed “Jungle Room,” the den at the back of Graceland behind the kitchen. Although the room was not built for recording, Nashville engineer Brian Christian helped figure out how to adapt the room in ways such as draping the walls with heavy blankets to dampen the acoustics. Considering the obstacles, the music that came out of these sessions sounds fantastic.

The music from these sessions may be found on two similar releases from Sony’s Follow That Dream (FTD) specialty Elvis label.  The Jungle Room Sessions from 2000 features outtakes from the sessions.  FTD later released Way Down in the Jungle Room in 2013 as a two-CD set that includes both the masters and various outtakes. I own and love both of these releases, which are somewhat duplicative, with some differences.  Either one makes for great three a.m. listening.

The masters from these Jungle Room sessions produced the final two official albums of Elvis’s career: From Elvis Presley Boulevard, Memphis, Tennessee (1976) and Moody Blue (1977). The Jungle Room Sessions and Way Down in the Jungle Room compile unreleased songs from these recording sessions that according to Ernst Jorgensen’s Elvis Presley: A Life in Music, generally started after 9:00 p.m. and went all through the night.  A more recent

And it is these gems and alternate takes — sometimes stripped down, sometimes featuring false starts and comments by Presley — where Presley through his beautiful voice sacrifices his own anguish to help heal yours. As his weakened body gives his lifeblood to each song, you find a close companion in the night. Allmusic describes the Jungle Room Sessions album as “one of the most revealing and emotionally draining releases ever issued by Elvis. Hear it and weep.”

The Jungle Room Sessions generally follows the order in which the songs were recorded, beginning with “Bitter They Are, Harder They Fall.” This recording includes some opening conversation by Elvis and two short takes before getting to the complete fifth take of the song. The missteps and chatter draw you into the sessions, so you feel you are sitting with Elvis and the band in the middle of the night in Graceland, or maybe they are with you wherever you are.

Other songs include a nice take on “The Last Farewell,” “Moody Blue,” “Danny Boy,” and “Blue Eyes Crying in the Rain.” Another highlight is “She Thinks I Still Care,” a George Jones classic that was written by written by Dickey Lee and Steve Duffy.

The collection of songs also includes alternate takes on “Hurt,” a song where in Presley’s cries of anguish Greil Marcus found an “apocalyptic attack.” Similarly, Dave Marsh wrote, “If [Presley] felt the way he sounded, the wonder isn’t that he only had a year left to live but that he managed to survive that long.” This alternate take matches that description.

Finally, the Jungle Room Sessions album ends with the rocking “Fire Down Below.” But you no longer hear Presley on this track, except for a brief clip of Presley singing “America” after the track ends. The instrumental recording for “Fire Down Below” was made for Presley to later add his vocals. But he died before he got the chance to do that.

“Fire Down Below” is a fitting way to end the album, with the listener missing Presley, wondering what he might have done with the music, a track that sounds more like a sunrise than a 3 a.m. song.

Check out other albums in our series “3 a.m. Albums.”  The Jungle Room Sessions and Way Down in the Jungle Room appeara on Graceland’s special collector label Follow That Dream and are available through Graceland’s official store.  What is your favorite 3 a.m. album? Leave your two cents in the comments.

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    Johnny Cash Imitating Elvis

    Cash Presley

    In this video, Johnny Cash shows that he could have had another career as an Elvis impersonator. The clip is apparently from 1959 when Cash was 27 years old and touring as an opening act for Elvis Presley.

    Before his performance of “Heartbreak Hotel,” Cash clarifies that he is not impersonating Elvis directly. He explains it is “an impersonation of a rock and roll singer impersonating Elvis is what this really is.”

    Perhaps he wanted to add the extra layer of making fun of an impersonator rather than Elvis to somewhat insulate himself from making fun of his former colleague at Sun Records. In fact, the two men admired each other, and Elvis Presley even introduced Cash’s future wife June Carter to the wonder of Johnny Cash’s music.

    Who is your favorite Elvis impersonator? Leave your two cents in the comments.

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    Tom Jones: “Elvis Presley Blues”

    Elvis Presley Blues

    The 75-year-old Tom Jones continues to create interesting music, and he is releasing a new album that includes a cover of Gillian Welch‘s “Elvis Presley Blues.” While it may seem unusual for Jones to cover a folk/Americana singer-songwriter like Welch, Jones has always been willing to sing great songs, no matter what the genre.

    Jones’s cover of “Elvis Presley Blues” is also interesting because Jones was friends with Elvis Presley. Welch’s song is a tribute to Presley and a lament, as the singer thinks “about the day he died,” comparing Presley’s world-changing shaking to the steel-driving man John Henry. Jones, who also was famous for “shaking it,” seems the perfect person to sing the song. His version and the video featuring Jones watching video of his friend makes the song more personal, adding a new poignancy to the lyrics.

    “Elvis Presley Blues” appears on Jones’s upcoming album Long Lost Suitcase. Check out the video for the song.

    Long Lost Suitcase, a CD being released as a companion of sorts to Jones’s recent autobiography Over the Top and Back, hits stores December 5. Jones’s website describes the new album as “a catalogue of tracks that have impacted on Tom throughout his legendary career.”

    What do you think of the new Tom Jones video? Leave your two cents in the comments.

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    Elvis Presley With the Royal Philharmonic Orchestra: “If I Can Dream”

    Presley Orchestra

    An upcoming album — called If I Can Dream — repackages some classic Elvis Presley recordings into new versions backed by the Royal Philharmonic Orchestra. Priscilla Presley is the executive producer of the album, explaining in Rolling Stone that the new release likely is an album that Elvis would have wanted to make. The first single is a re-working of the classic “If I Can Dream” from his “1968 Comeback Special.”

    We have heard some reworkings of Elvis recordings in recent years with some success like “A Little Less Conversation,” which became a 2002 hit as a remix by Junkie XL. So it is not too surprising to see some other attempts along those lines. The original “If I Can Dream” already featured some orchestra instruments, so it is not too far of a leap to add a little more. So the song does not sound radically different, merely building on what was already there so you can imagine Elvis reworking his catalog with new recordings along these lines. Check it out.

    The new album will feature both beloved classics and lesser-known songs. So alongside songs like “Love Me Tender,” “American Trilogy,” and “Burning Love,” we will hear reworkings of “Steamroller Blues,” “Anything That’s Part of You,” and “And the Grass Won’t Pay No Mind.” There is also a duet with Michael Bublé on “Fever.”

    Priscilla explains that the album’s goal is to keep Elvis current by staying true to his voice. She is already thinking about songs for a second volume. Of course, she knew Elvis and I did not, but listening to “If I Can Dream,” it seems like a tasteful way to keep the King relevant in the new century. If I Can Dream: Elvis Presley With the Royal Philharmonic Orchestra will hit stores on October 30.

    What do you think of the plans for the album: consistent with Elvis’s work or just a money grab? Leave your two cents in the comments.

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    Wayne Carson and “Always on My Mind”

    Mind Wayne Carson, who wrote songs such as “Always on My Mind,” passed away on Monday, July 20, 2015. The 72-year-old Carson, who was born with the name Wayne Carson Head, had been suffering a number of health problems.

    Carson wrote or co-wrote a number of great songs such as “The Letter,” which was a hit for The Box Tops and for Joe Cocker, and “She’s Actin’ Single (I’m Drinkin’ Doubles),” which was a hit in 1975 for Gary Stewart. But his song “Always on My Mind,” for most people, is the first song that will come to mind.

    Johnny Christopher and Mark James, who helped with the bridge of the song, are listed as co-writers, but Carson started writing “Always on My Mind” and finished much of it himself. Since then, more than 300 people have recorded “Always on My Mind,” including a hit version by Willie Nelson in 1982.

    Many people first heard “Always on My Mind” from Elvis Presley, who recorded the song on March 29, 1972 as his marriage to Priscilla Presley was falling apart. Presley recorded several excellent songs that capture the anguish he felt during the time, but “Always on My Mind” stands out. Even though he did not write the songs, Presley knew how to tap into his own emotions to reach the depths of a song’s lyrics.

    While “Always on My Mind” dwells on a common concept of heartbreak, the lyrics strip bare every ounce of pain in the opening lines of regret. Carson recognized that sometimes the worst regret is not for things that we have done but for things that we did not do.

    Maybe I didn’t treat you,
    Quite as good as I should have;
    Maybe I didn’t love you,
    Quite as often as I could have;
    Little things I should have said and done,
    I just never took the time.
    You were always on my mind.

    The greatness of the song is revealed by the fact that two of our greatest interpreters of songs — Nelson and Presley — gave moving renditions of “Always on My Mind.” Today, we mourn the loss of Wayne Carson while thanking him for putting beautiful words and music together that help capture the human condition.

    What is your favorite version of “Always on My Mind”? Leave your two cents in the comments.

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