The Gang’s All Here: Muhammad Ali & Sam Cooke

Muhammad Ali album

In 1963, boxer Cassius Clay, who soon would become known as Muhammad Ali, recorded the album titled, I Am the Greatest. The title may not really describe the great boxer as a singer.  But Ali was aided on one of the songs by one of the world’s greatest singers, Sam Cooke.

In this short interview, Cooke explains to Dave Clark that he had been working with some young singers. And the subject of his song with Ali, “The Gang’s All Here” comes up.

The combination of the music star and the rising boxer garnered some attention, with The New York Times covering the recording session of the song, which was arranged by Horace Ott. During the session, according to Peter Guralnik’s biography of Sam Cooke, Cooke provided guidance while keeping everyone’s spirits up. And Ali played around on the drums and recited poetry.

While Ali and Cooke were working on the song for the album, Harry Carpenter interviewed Ali for the BBC sports TV show, Grandstand. During the interview, Cooke showed up and exchanged some quips with his friend Ali. Then, the two sang a segment of the song they recorded together, “The Gang’s All Here.”

Here is the recording of “The Gang’s All Here” from the album. The tune add some tweaks but is based on the old classic “Hail, Hail, the Gang’s All Here,” which was written in 1917.

The original song features lyrics by D. A. Esrom based on a tune written by Arthur Sullivan for the 1879 show The Pirates of Penzance. Check out Muhammad Ali’s take on the song.

Six months after releasing I Am the Greatest, Ali lived up to the title of the album. The twenty-two year-old boxer became champion of the world by beating Sonny Liston in the ring on February 25, 1964.

(Note: In Peter Guralnick’s excellent and well-researched biography of Cooke, Dream Boogie: The Triumph of Sam Cooke, he describes that the above Grandstand interview with Cooke and Ali took place after the Liston fight in 1964. But in the video, Ali says that he and Cooke are working on the song, which was released in 1963. So it seems more likely that the Grandstand interview above took place after Ali fought Harry Cooper.  That fight took place in 1963 at Wembley Stadium, Wembley Park.)

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    3 a.m. Albums: Sam Cooke’s “Night Beat”

    Sam Cooke Night In our series “3 a.m. Albums,” we look at albums that are perfect for those nights when you cannot sleep due to sadness, loneliness, despair, or other reasons. This post in the series considers Sam Cooke’s twelfth album, Night Beat, released in August 1963.

    When you think of singer-songwriter Sam Cooke, who was born on January 22, 1931, you probably first think of the singles and his wonderful tracks like “You Send Me,” “A Change Is Gonna Come,” and “Twistin’ the Night Away.” But if you ask a Sam Cooke fan to name their favorite album by the R&B singer, chances are they will name an album without any of his most recognizable hits: Night Beat.

    The Recording and “Nobody Knows the Trouble I’ve Seen”

    Early in 1963, less than two years before Cooke’s tragic death, he went into the studio for some late night recording sessions with talented musicians such as pianist Ray Johnson (piano), the sixteen-year-old Billy Preston (organ); Barney Kessell (guitar), Hal Blaine (drums), Ed Hall (drums), Cliff Hils (bass), Clif White (bass), and René Hall (rhythm guitar). During those nights, they created a moody masterpiece for late-night listening.

    The opening track on side one of the album creates the mood with Cooke singing an old spiritual, “Nobody Knows the Trouble I’ve Seen.” While the singer tells us about his lonely troubles, Cooke adds a layer of rhythm and blues that both provides comfort to the troubled and offers a little bit of hope.

    Cooke’s Originals on the Album

    Night Beat includes some Cooke originals, like “Mean Old World,” a song Cooke had recorded with the Soul Stirrers six years earlier. The other songs written by Cooke were “Laughin’ and Clownin'” and “You Gotta Move.”

    Below is “You Gotta Move.”

    An Uplifting Coda

    Most of the songs were written by other artists, including classics like the blues song “Little Red Rooster.” Indeed, many of the songs are steeped in the blues, with many of the songs reflecting themes of heartbreak.

    The one song, however, that stands out as an uplifting coda is the closing track on side two, Cooke’s version of “Shake, Rattle, and Roll.” It is as if after sorting through the heartbreak, he wants to remind us that after you get through it all you will find pure joy once again.

    So, after reflecting on your misery, “Get out of that bed, go wash your face and hands.”

    The Song That Sums Up the Album

    According to Peter Guralnick’s excellent biography of the singer, Dream Boogie: The Triumph of Sam Cooke (2005), the song that best summed up the mood of the album was recorded at the end of an evening, “Lost and Lookin’.” Cooke’s voice in the minor-key number faces the world alone, accompanied only by bass and the cymbals on the drum set.

    According to Guralnick, “Lost and Lookin'” “showed off every one of Sam’s characteristic vocal effects.” But it did so “without in any way suggesting, either to the listener or himself, that they were effects, so intrinsic were they to his feeling for the music, to the feelings he wanted to express.”

    An Album To Get You Through the Night

    The album is a wonderful friend to have late at night. Allmusic explains, “The songs are intimate blues, most taken at the pace of a late-night stroll, but despite the dark shading and heart-rending tempos, Cooke’s voice is so transcendent it’s difficult to become depressed while listening.”

    So, the next late night where you need some company to help get you through until sunrise, put on Sam Cooke’s Night Beat.

    What is your favorite 3 a.m. album? Leave your two cents in the comments.

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