The Ending of “Judgment at Nuremberg” And the Film’s Lesson for Today

The film “Judgment at Nuremberg” ends with a stunning indictment from Spencer Tracy’s character that should offer a chilling lesson for today.

The 1961 film Judgment at Nuremberg, directed by Stanley Kramer and written by Abby Mann, presents a fictionalized trial based on real events following World War II. There were twelve trials in military courts in Nuremberg, Germany regarding Nazi crimes committed during the war. The movie centers on a trial similar to the actual trial of jurists and lawyers (sometimes called “The Judges’ Trial“). [Warning: This post contains some spoilers for the movie.]

Judgment at Nuremberg features many great actors of the time, including Marlene Dietrich, Judy Garland, Richard Widmark, Montgomery Clift, Maximilian Schell (who won the Best Actor Oscar) and a young William Shatner. Much of the fim, though, centers on the characters played by Spencer Tracy and Burt Lancaster.

Spencer Tracy and Burt Lancaster

Spencer Tracy, who was 61 at the time and looked older, plays Chief Judge Dan Haywood, one of the judges overseeing the trial. Tracy’s Maine judge is in many ways the heart of the film, as we see through his eyes the war-torn streets of Germany and the moral questions surrounding the war and the atrocities.

Lancaster, plays Dr. Ernst Janning, one of the German defendants. Initially appearing defiant, Janning is troubled by what the Nazi’s did. Eventually, Janning takes the stand as a witness for the prosecution. During his testimony indicting the works of the Nazis, he confesses his own role in sentencing a Jewish man to death for having sex with a 16-year-old Gentile girl when he knew the charges were not true.

Lancaster was a great handsome movie star, and he brings his gravitas to the role, evoking sympathy from us for the guilt he feels and for his willingness among the defendants to admit the sins of the Germans. Tracy and Lancaster were long-time movie stars by this point, and we were familiar with Tracy as a trustworthy character and Lancaster as a strong man with a vulnerable heart and intense eyes.

The Final Confrontation

Janning: “Those people . . . Those millions of people. I never knew it would come to that. You must believe it. You must believe it.”

Haywood: “Herr Janning, it came to that the first time you sentenced a man to death you knew to be innocent.”

At the end of the film, we do finally get a one-on-one scene between the two heavyweight actors. After Janning and the other three defendants are found guilty and sentenced to life in prison, Janning asks Judge Haywood to visit him in his cell. And Judge Haywood agrees. Throughout the film, Tracy has played Haywood as a man conflicted about how blame may be assessed among the living for the crimes of the Nazis, and we have seen him moved by Janning’s acceptance of guilt. So, the viewer may expect that this final scene of the two men (and great actors) meeting alone, will provide some common understanding between the two judges. But that is not what happens.

The two men complement each other. Lancaster’s Janning tells Spencer’s Haywood that his decision of the court was a just one. Haywood responds that Lancaster’s testimony was what needed to be said.

Then, Burt Lancaster’s Janning turns to the reason he wanted to talk to the judge in private. He does ask for some type of understanding, if not forgiveness from Spencer Tracy’s judge, explaining he did not know the extent of the horrors and the killings of the Jewish people. He pleads, “Those people . . . Those millions of people. I never knew it would come to that. You must believe it. You must believe it.”

But Spencer Tracy’s judge does not give forgiveness or understanding, only an indictment. He replies, “Herr Janning, it came to that the first time you sentenced a man to death you knew to be innocent.” The camera captures Lancaster’s pained and haunted face as the movie ends with his prison door closing.

America’s Dilemma

That scene from Judgment at Nuremberg has always stayed with me, and I have been thinking about it a lot lately. In the news, we have read and seen about the Trump administration rounding up immigrants and sending them to an inhumane prison in El Salvador. A few years ago, it might have been hard to imagine the United States sending convicted criminals to such a place, but because these men are not citizens of the U.S. and the administration asserts they are members of the MS-13 gang, so far we have mostly accepted sending people who have been convicted of no crimes.

As we find out more about some of the men sent, we should be more troubled. There is Andry Jose Hernandez Romero, a gay makeup artist who sought asylum in the United States last year. He was sent to the prison based on a signature from a disgraced former police officer, now a private prison contractor, with a record of lying.

Merwil Gutiérrez also was sent to the El Salvador prison. The 19-year-old with no criminal record and reportedly no gang affiliation was taken from the Bronx and sent to the prison. Reportedly, he was seized after an ICE agent realized he was not who they were looking for. But another agent responded “take him anyway,” so they did. Gutiérrez’s father is still trying to get information on his son.

Ábrego García also sits in the El Salvador prison, though his case has already gone to the U.S. Supreme Court. The lawyer for the foreign-born Maryland father says he has no ties to criminal gangs. The U.S. has admitted it was a mistake to send García to El Salvador, and the Supreme Court has ordered the government to “facilitate” his return to the U.S. But the Trump administration continues to do nothing and claim both that they cannot do anything to get García back — and anyway García is still a bad guy who is not a citizen.

García’s case in particular might remind one of Spencer Tracy’s rebuke to Burt Lancaster’s character in Judgment at Nuremberg. After observing Lancaster’s sympathetic performance, like his character, we are reminded that one bore the blame for the atrocities that followed once one was complicit in the first injustice.

I don’t know if we are there yet, and of course we are not Nazi Germany. But there are lessons to be learned from history (and movies).

And many of us are surprised that more of our fellow citizens are not outraged at the thought of innocent people being sent to this inhumane foreign prison. And to have our government concede it committed a mistake that results in suffering and do nothing to correct it (even assuming anyone should be in this prison) is something out of a horror movie if you imagine what these people are going through each day.

The U.S. has never been perfect. And maybe in recent years the fact that people did not stand up to the horrors we perpetrated in the wake of 9/11 like torturing suspects and accepting the mistreatment, torture, and rapes at Abu Ghraib prison have made us immune to these atrocities committed by our country against non-citizens.

Twenty-five years ago, I would have thought that my fellow citizens would not have allowed these things to happen. Yes, some have stood up and many are fighting the administration’s cruelty and bullying today. For example, constituents showed up in Iowa at a Republican senator’s town hall to ask what was being done about getting García out of the prison where he does not belong.

Yet, how many of us will allow our government to send people to an inhumane prison without any type of due process?

Maybe like Burt Lancaster’s Janning character we will be thinking that later we will be able to claim that we never knew it would come to whatever comes next.

Find your representatives in Congress to call them athttps://www.congress.gov/members/find-your-member. Leave your two cents in the comments.

Bruce Springsteen’s Fighting Prayer for the U.S.

The night after the 2024 U.S. presidential election, Bruce Springsteen opened his show in Canada with two of his most powerful songs.

On November 6, 2024, Bruce Springsteen awakened feeling like many people in the United States did following the previous night’s election of Donald Trump. While many were happy, in a divided country there were around just as many people who were sad, angry, scared and/or feeling despair. Those feelings have amplified for many people in the months following the election.

Back in November, like many of us, Springsteen did not have the option of staying in bed all day and had to go to work. Unlike most of us, though, Springsteen had to do his job in front of a large audience.

And as he often does, he let his music speak for his feelings. So that night, playing for our neighbor and friend Canada, Springsteen opened with a brief comment introducing what he called “a fighting prayer” for his country, which was a one-two punch of two of his most powerful songs.

First, he opened with “A Long Walk Home” from his 2007 album Magic. He had never opened with that song prior to the election. The song, inspired by a Stanley Brothers song, is in the voice of a person coming back home and not recognizing where he once lived. Originally written about the George W. Bush and the post-9/11 years, the song is even more relevant for many today.

But Springsteen is not one to leave us in the dark, as his songs and performances bring together his fans and lifts them up. So, as part of the opening after “A Long Walk Home” he followed with one of his most hopeful songs, which we have previously discussed more in-depth, “Land of Hope and Dreams.”

While many may not have felt they were living in such a land that morning, Springsteen reminded us that your community is what you make of it. ” This Train / Dreams will not be thwarted; / This Train / Faith will be rewarded.”

Music does not change the world overnight. But at least for now, here is something to listen to during the next several years when you need to feel less alone and to find some hope to get you through the night.

The full audio of the November 6, 2024 show is also available on Nugs.net. Leave your two cents in the comments.

Lucinda Williams: “Good Souls Better Angels” (album review)

Lucinda Williams Good Souls

The new album from Lucinda Williams — Good Souls Better Angels (2020)– is a far cry from her 1992 album Sweet Old World. Of course, the world has changed a lot since 1992 and so has Williams. But her new album, veering at times more toward punk music and blues than country, still reflects her great talent.

Recorded in Nashville with Williams’s band Buick 6, the album Good Souls Better Angels is from a powerful singer and strong person asserting herself amidst a crazy world. In the opening blues track, Williams proclaims, “You Can’t Rule Me,” and you believe her.

Her energy comes through on such songs as “Wakin’ Up,” about an abusive relationship, and “Man Without a Soul” (“You bring nothing good to this world”) about Donald Trump.

But she also reveals softer moments in some of the highlights of the album, including “Big Black Train” and the closing track “Good Souls.”

Many reviewers love the new album. Pitchfork calls it an “unsparing new album” with “some of the heaviest, most inspiring music of [Williams’s] career.” Others have compared it unfavorably with her best work. AllMusic reports that Good Souls Better Angels is “full of fierce, engrossing music from a great band with a mesmerizing frontwoman, but as fine as that is, it comes from someone who is capable of better work.”

I’m still listening to the album more and more. And although at this moment I do not yet know if it will become my favorite Lucinda Williams album, it is the album for our current era. Williams captures the anger, insanity, and, yes, beauty, of our times in a powerful album. And I’m not sure you can ask for more than that.

What do you think of Good Souls Better Angels? Leave your two cents in the comments.

  • Lucinda Williams: “Man Without a Soul”
  • The Ending of “Judgment at Nuremberg” And the Film’s Lesson for Today
  • Bruce Springsteen’s Fighting Prayer for the U.S.
  • Matthew Ryan Reminds Us What Matters on New EP “Fallen Ash & Embers”
  • Lucinda Williams Joins Jesse Malin on “Room 13” (Song of the Day)
  • Matthew Ryan Finds Beauty Within Our National Affliction: “On Our Death Day”
  • ( Some related Chimesfreedom posts.)

    Lucinda Williams: “Man Without a Soul”

    Lucinda Williams Man Without Soul Trump

    Lucinda Williams is tackling social and political issues in her upcoming album, Good Souls, Better Angels (2020). The first track released off the album is the song “Man Without a Soul.”

    From the title, one may correctly surmise that the song is about the current occupant of the White House. In the song, she warns the president that somehow it will all come to an end. Williams sings, “You bring nothing good to this world, beyond a web of cheating and stealing/ You hide behind your wall of lies, but it’s coming down/ Yeah, it’s coming down.”

    You may hear the track at Rolling Stone or check out a live performance of “Man Without a Soul” below.

    Williams and her husband Tom Overby produced the album with Ray Kennedy. Good Souls, Better Angels will hit the Internet on April 24, 2020 through Highway 20/Thirty Tigers.

    Leave your two cents in the comments.

  • Lucinda Williams: “Good Souls Better Angels” (album review)
  • The Ending of “Judgment at Nuremberg” And the Film’s Lesson for Today
  • Bruce Springsteen’s Fighting Prayer for the U.S.
  • Matthew Ryan Reminds Us What Matters on New EP “Fallen Ash & Embers”
  • Lucinda Williams Joins Jesse Malin on “Room 13” (Song of the Day)
  • Matthew Ryan Finds Beauty Within Our National Affliction: “On Our Death Day”
  • ( Some related Chimesfreedom posts.)

    Matthew Ryan Reminds Us What Matters on New EP “Fallen Ash & Embers”

    Matthew Ryan continues to be one of the few artists creating great music out of our strange historical moment, struggling to provide us with understanding, catharsis, faith, hope, and beauty out of unsettling times. Now, he is releasing a new EP, Fallen Ash & Embers. As Ryan explains on his website, the EP is “inspired by the moment we’re in, but not tied to. It’s more interested in who we’ll be after this fever breaks.”

    Fallen Ash & Embers follows another three-song release earlier this year that featured “On Our Death Day.” Like many of us, Ryan is questioning the current state of affairs in the United States and around the world. And he is using his talents to create great music to let you know you are not alone in the battle to save our humanity and the earth. Ryan recommends listening to these songs with headphones, and that is good advice for capturing the music and the lyrics of this EP that is essential listening for our time.

    “Are You the Matador?”

    The first song on the EP asks the question “Are You the Matador?”  The song came out of a poem Ryan wrote that he later matched to music written by Doug Lancio that Ryan describes as “Spanish noir.”  Ryan explains that he offers the song of “inclusion” with “acknowledgement, affection, thanks and welcoming to Hispanic and Latino people, and their cultures.”

    Ryan often writes of his love of Leonard Cohen, and the beautiful lyrics, as well as the sound of the song, reverberate like a lost Cohen masterpiece.  But where is the question of the title directed?

    Are you the matador?
    Or are you the bull?
    Are you the weapon,
    Or a tool?
    Or are you a third thing,
    Something like air,
    That’s felt and fluid and moving
    Like a water that wasn’t there?

    The opening made me think of a question well-worth asking about our current president. While a listener might instead think of someone they know, I hear a question about whether our president has been the reason for the misfortunes of our country (i.e., the matador), or is he merely the result of darker forces that have controlled things (i.e., the darker side of politics)?  Or is he and the hate for immigrants a “third thing” like “air” that has been present around us all along but we just didn’t see it?

    It is an essential question of our time, and one not being addressed adequately.  And that is why we need more artists to ask questions that need to be asked.

    “Warm Lightning”

    The other songs on the EP remind us what is at stake from the questions of the lead track. It is not just democracy or our government that is at risk, but everything that really matters, like our loved ones and the world.

    “Warm Lightning” is a radiant love song that Ryan explains is “about the now and the room to still explore and grow while together.” It’s a deep and complex painting of mature love, and all of its depth makes my eyes water every time I hear it.

    Photo by Mike Dunn

    Ryan notes that the song was inspired by Elvis Presley’s haunting version of “Blue Moon.” I hear that connection in the ambient music of the song. But the new song reminded me more directly of one of my favorite Bruce Springsteen album tracks, “Dry Lightning,” from The Ghost of Tom Joad (1995).

    The songs convey two sides of love. Both begin with a portrait of a part of the day with the singer getting dressed. Springsteen begins his song, “I threw my robe on in the morning / Watched the ring on the stove turn to red,/Stared hypnotized into a cup of coffee . . . .” In Ryan’s song, it is nighttime, and the singer is not alone: “I buttoned my shirt; She laid on her side; I leaned down to kiss her; She put her hand over her eyes.”

    The similarity in the titles first made me connect these two memorable songs. Springsteen’s “Dry Lightning” is about a man who cannot lose the memory of a lost love. But the lightening in Ryan’s song is “warm,” as he reflects on a current true companion. Even though she asks him to “leave” in the opening stanza, you soon realize that it is not a request to never come back. The singer is just going for a ride in the dark.

    And unlike Springsteen’s protagonist, Ryan’s subject is not lonely in the morning. The singer recounts how he enjoys the mornings when his lover is up before him and he can still smell her perfume. By contrast, it is a similar smell that instead haunts the brokenhearted in Springsteen’s song (“But you can’t lose your memory,/ And the sweet smell of your skin.”).

    The tragedy, if there is one, of Ryan’s story is that time goes by so fast, and the aging singer laments that sixty — or six hundred — “years can go by in a minute.” But it is a warm lament, like the warm lightning of the title, as the singer reminds her, “Wherever you go/ I want to be near.”

    “The Last Event”

    The final song on the EP, “The Last Event,” ties together themes from other two tracks. Ryan calls the ballad, written by him and David Ricketts, “the centerpiece” of the EP. It is “The Last Event” that also features the lyrics that gives the EP its name, Fallen Ash & Embers.

    “The Last Event” is a warning that reminds us what is at stake. We risk the world and all that we love. And in the story, we lose it all in “the last event” that we should have seen coming: “Don’t say it comes as any shock / Things just go and go and go until they stop.”

    What causes the “last event”? Ryan doesn’t say, but one could easily hear the unheralded warnings about climate change as well as other stupidity in governments. In the tale, Ryan recounts how people “smiled and cheered” at people in “rented black sedans” while “Monsters crept behind tall buildings.” And we were not blameless ourselves, “We were so beautiful we forgot we were human.”

    Even as we think things will never end, they “go and go until they stop.” But as the singer of “The Last Event” recounts the end, he is still thinking of those he loves and how they were something (even if they “weren’t too bright” about where things were leading).

    Although the singer in “The Last Event” is telling us about the end that came step-by-step in ways that we should have seen, Matthew Ryan is trying to tell us something now before it is too late and the last event becomes “falling ash and embers.” As he also recognized in the previous song, “Warm Lightning,” time goes by fast.

    After this post initially published, Ryan announced that he was adding a fourth song to this EP, “Avalanche of Stars.” This additional song features Kate York on lead, and as Ryan says, it is a “beautiful ending to this collection.”

    The entire EP Fallen Ash & Embers is essential listening for anyone who hopes, dreams, and wonders about where we are, what matters, and where we are going. Ryan’s new EP does what the greatest music sometimes is able to accomplish in a timely and timeless way by making us question, think, feel, and even dare to hope.

    Fallen Ash & Embers will be released October 4, 2019 and is available for pre-order (with immediate download of “Are You the Matador?”) through Bandcamp. Buy it and listen to it through over-the-ear headphones as Ryan recommends (and over and over again, as I recommend). Leave your two cents in the comments.