3 Movies That Make Us Mad

{ Ignorance – Lori McKenna (Kasey Chambers cover)}

lorimckenna_ignorance

The Cove In the Kasey Chambers song “Ignorance,” covered above by folk-singer Lori McKenna, she sings, “If you’re not pissed off at the world / Then you’re just not paying attention.” There have have been several excellent documentaries in recent years that reveal disturbing information about our world that should make us mad. Chimesfreedom recently wrote about Gasland. Here, we discuss three other movies that make us mad: The Corporation, Food, Inc., and The Cove. All three movies are now available on DVD and Blu Ray.

(1) The Corporation (2003) is a documentary about the role of corporations in our society. The movie paints a disturbing picture of the power that corporations have and the damage they have caused with almost complete immunity. The movie is very disturbing, and almost overwhelming at times. In watching it, I kept wanting to take a break from the movie but could not stop watching. Just when you think the stories could not get any more disturbing, they do, such as information about how American corporations profited through supporting Nazi Germany.

Certainly, The Corporation has an agenda, so one should maintain a little skepticism. For example, the movie unnecessarily went a little overboard with a segment about corporations meeting the definition of a psychopath. But many of the techniques, like using movie clips, are designed to make the information entertaining. And if the movie makes you seek more information, then it is a success. Many of those interviewed provide intelligent commentary. In addition to insight from some who you would expect, like Noam Chomsky, there is interesting commentary from people like Ray Anderson, the CEO of Interface, the world’s largest commercial carpet manufacturer, who had an epiphany after many years.

(2) Food, Inc. (2008) reveals information about the sources of our food. Yes, the movie includes some information about where our meat comes from, and I know a lot of people try to avoid being reminded of that knowledge. But animal flesh is not the focus of the majority of the movie. Among the interesting information is the extent to which corporations own and patent some of our basic food sources, a topic also briefly addressed in The Corporation.

(3) The third movie, The Cove (2009), is not as broad as the other two movies. Instead, it explores a narrower issue. The Cove delves into secrets behind the dolphin meat industry, focusing on a hidden cove in Japan. While you are learning that dolphins are more intelligent than you thought they were, you also may realize that humans are more devious than you expected. The Cove won the Academy Award for Best Feature Documentary of 2009.

Unfortunately, these three movies are not uplifting. The good news, though, is that there are intelligent people making these movies and that people are watching these movies to learn about the world around them.

It is easy to look away from unpleasant Truths. And there is a cost to having your eyes opened. These movies may affect how you view your food, the corporations around you, and your decision whether or not to visit Sea World. Do you want to know the information or not? It is like the movie, The Matrix (1999). Your decision whether or not to watch these movies is similar to the offer of whether to take the red pill or the blue pill. Welcome to the desert of the real.

“And you can turn off the TV
And go about your day.
But just ’cause you don’t see it,
It don’t mean its gone away.”

— Kasey Chambers, “Ignorance”

What is your favorite movie that makes you mad? Leave a comment.

  • Movies That Make Us Mad: “Merchants of Doubt”
  • An Industry Attempts to Prevent Gasland from Winning an Oscar (Mad Movies)
  • The Tillman Story (Mad Movies)
  • Although the Oscars Passed Over “Little Richard: I Am Everything,” You Shouldn’t
  • Kasey Chambers Covers Eminem’s “Lose Yourself”
  • The Love Story of Joey + Rory: “If I Needed You”
  • (Some Related Chimesfreedom Posts)

    A Film Unfinished (Short Review)

    At the end of the outstanding documentary Anne Frank Remembered (1995), there is a scene that takes my breath away. It is a short clip of a home movie taken by people celebrating a wedding outside where Frank and her family lived before they had to go into hiding. The silent black and white home movie captures a window above for a few seconds, where one fleetingly sees Anne Frank as a happy girl leaning out watching the wedding celebration below. The scene is a testament to the power of video in capturing something unfathomable about the Nazi atrocities by merely showing a little girl on a balcony on a nice day.

    A Film Unfinished

    The images in the movie A Film Unfinished (2010) — released on DVD this month — are different but haunting in a similar way. So that after watching it, I felt like I had not breathed for the entire 88 minutes running time. Yael Hersonski’s documentary examines an unfinished Nazi propaganda film taken of the Warsaw Ghetto in May 1942, a few months before the people there started being sent to the Treblinka extermination camp. Although that uncompleted propaganda film, called “Das Ghetto,” was found soon after the end of World War II, another film of outtakes found in 1998 revealed how much of the propaganda film was staged. The Nazis made the Jewish people in the film participate in staged scenes to highlight a contrast between the poor and those who appeared to be more affluent.

    A Film Unfinished unveils the Nazi propaganda to reveal footage of profound suffering of people trying to survive. The footage is more disturbing knowing what awaits most people in the film in the months ahead of them. Hersonski makes wise choices about when to add explanation and when to let the scenes speak for themselves. Some of he power of the movie comes from hearing from some survivors as they watch the video (““What if I see someone I know?”).

    Most of the movies we discuss on Chimesfreedom are moving in a way that the filmmakers designed. Here, although the exact propaganda designs of the original Nazi filmmakers of “Das Ghetto” are unclear to this day, the resulting movie has the opposite effect to those original plans. The portrait of history and human suffering revealed in A Film Unfinished is difficult, but essential, viewing.

  • Although the Oscars Passed Over “Little Richard: I Am Everything,” You Shouldn’t
  • The Missing Marine From the Iwo Jima Flag Photo
  • The Human Costs of World War II
  • Franklin D. Roosevelt and “the Four Freedoms”
  • Trailer for Roger Ebert Documentary “Life Itself”
  • D-Day Flays Open the Soul
  • (Some Related Chimesfreedom Posts)

    2011 Oscar Predictions Roundup

    Most commentators agree on predictions for the top awards at tomorrow night’s 2011 Academy Awards presentations. According to them, the Oscar goes to:

    Academy Award, Oscar

    Best Picture: The King’s Speech (with The Social Network in second);
    Best Director: David Fincher for The Social Network, with Tom Hooper a close second for The King’s Speech;
    Best Actress: Natalie Portman from Black Swan (with Annette Bening from The Kids Are All Right in second);
    Best Actor: Colin Firth from The King’s Speech (with Jesse Eisenberg from The Social Network a distant second);
    Best Supporting Actress: Melissa Leo for The Fighter, with Hailee Steinfeld for True Grit a close second.
    Best Supporting Actor: Christian Bale for The Fighter, with Geoffrey Rush for The King’s Speech a close second.

    Anything outside these picks will be a big surprise, but surprises are always possible. The contested areas with close two-horse races are Best Director, Best Supporting Actress, and Best Supporting Actor Categories.

    For a random sampling of predictions and other Oscar news around the Internet:

    – For the three contested slots of Director/Supporting Actress/Supporting Actor, Roger Ebert opts for the non-Fighter leaders and is in the Hooper/Steinfeld/Rush category. While agreeing with the consensus on the other picks, he notes that if he were voting for Best Picture, he would opt for The Social Network even as he predicts The King’s Speech to win.

    – Roger Ebert’s former TV co-host Richard Roeper of the Chicago Sun-Times goes a different route, opting for the Fincher/Leo/Bale combination. Also, he is one of the few who are still predicting The Social Network as the Best Picture, although he hedges his bets by saying it might be safer to go with The King’s Speech.

    Melenia Ryzik at The New York Times liked The Fighter and is in the Fincher/Leo/Bale category. Moviephone also liked The Fighter‘s supporting nominees and is in the Fincher/Leo/Bale category, as is Rick’s Predictions at Awards Wiz.

    Peter Hartlaub at the San Francisco Chronicle agrees, going with Fincher/Leo/Bale, although he thinks The Social Network will upset The King’s Speech.

    – Gregory Ellwood at the HitFlix Blog bravely predicts a Fighter split with the Supporting Acting awards going to Steinfeld and Bale.

    – Jeff Johnson over at Popdose also mixes it up a little bit, going with a Hooper/Leo/Bale combination, and The Best Picture Project agrees.

    – Five critics at The Guardian UK differ among themselves, but with most saying the contested three categories will go to Fincher, Bale and . . . the country’s own Helena Bonham Carter for Best Supporting Actress (The King’s Speech)! Three of the five also pick The Social Network as Best Picture.

    – For another take on the Ocars, Oscar the Grouch from Sesame Street makes his predictions (Best Actor: “Colin Filth”).

    Cinematical has some interesting Oscar statistics. Did you know that the movie with the highest number of Oscars while winning 100% of nominated categories was The Lord of the Rings: The Return of the King (2003) with 11 wins out of 11 nominations?

    – For a trip down memory lane, Salon has a slide show of past Oscar Moments Everyone Should See.

    Among other big categories, the sure things seem to be Toy Story 3 for Best Animated Feature and The Social Network for Best Adapted Screenplay. The Best Documentary category seems to be a battle between Exit Through the Gift Shop and Inside Job. See Chimesfreedom’s previous post on an industry’s campaign against another Best Documentary nominee, Gasland.

    Conclusion on the Big Awards? It is always tricky to predict the winners because you are not selecting the “Best” but who you think others will say is the “Best.” So Chimesfreedom will leave the predictions to others (but see related posts below for thoughts on some of the contenders). From our random sampling, it will be a big surprise if The King’s Speech does not get Best Picture or if Natalie Portman does not get Best Actress or if Colin Firth does not get Best Actor. The difference in the close races will depend on whether or not the voters completely loved The King’s Speech and how much they liked The Fighter, as The Fighter lovers are going for Fincher/Leo/Bale while The King’s Speech lovers opt for Hopper/Steinfeld/Rush.

    But if predictions were always right, we would not need the awards show. So our prediction is simply that somewhere along the line, there will be a surprise or two.

  • The King’s Speech Wins Best Picture
  • An Industry Attempts to Prevent Gasland from Winning an Oscar (Mad Movies)
  • True Grit ’10 vs. True Grit ’69
  • The King’s Speech (short review)
  • Although the Oscars Passed Over “Little Richard: I Am Everything,” You Shouldn’t
  • Times Like These by The Live Lounge All-Stars
  • (Related Posts)

    What are your thoughts on the predictions? Who do you think will win? Who should win? Leave a comment.

    The Tillman Story (Mad Movies)

    The Tillman Story, Pat Tillman

    The Tillman Story (2010) is one of those movies that reveals information about a story you thought you already knew. As you probably recall from extensive media coverage, Pat Tillman was an Arizona Cardinal football player who enlisted in the U.S. Army after the 9/11 events in June 2002. Director Amir Bar-Levi’s movie delves into the story behind Tillman’s life and his death in Afghanistan on April 22, 2004.

    At the time of his enlistment and after his death, Tillman was portrayed by the government and the media as an American hero who gave up a lucrative NFL contract out of patriotism and then died as a hero saving the lives of other American soldiers. The truth, however, was something more complex.

    Much of the movie focuses on the struggle by the Tillman family to discover the truth about Pat Tillman’s death. Tillman was a hero, but he did not see himself as anything special and he did not want his life or death used for propaganda purposes. Similarly, his family is interesting, colorful, intelligent, and sympathetic in their attempts to cut though all of the government deceit.

    The movie is both heartbreaking and uplifting. You can see the pain in the faces of the Tillman family members when several government officials appear before Congress to lie about the cover-up regarding Tillman’s death. It is frightening to see people with power who are incompetent, dishonest, or both. But you also admire the determination and love of the family to seek the truth, no matter what the costs.

    The family worked hard to honor Pat Tillman as a real person, not as a cartoon character created to serve the government’s purpose. Among their efforts, there is the Pat Tillman Foundation, developed to assist veterans through education and community.

    I have intentionally avoided revealing too much about the movie, because you should see it for yourself and find your own outrage.

    The Tillman Story, which many people missed when it played in theaters, is narrated by actor Josh Brolin and was recently released on DVD and Blu Ray.

    Missed Movies is our series on very good movies that many people did not see when first released.

  • Missed Movies: Project Nim (short review)
  • Dear Zachary (Missed Movies)
  • An Industry Attempts to Prevent Gasland from Winning an Oscar (Mad Movies)
  • 3 Movies That Make Us Mad
  • Although the Oscars Passed Over “Little Richard: I Am Everything,” You Shouldn’t
  • Nicolas Cage Shines In Modest But Surprising “Pig” (Short Review)
  • (Related Posts)