10 Thoughts on Bruce Springsteen’s “Only the Strong Survive”

Here are 10 thoughts about Bruce Springsteen’s “Only the Strong Survive,” an album of covers of classic Soul and R&B songs.

Springsteen Only the Strong Survive

Bruce Springsteen released a covers album of classic Soul and R&B songs called Only the Strong Survive (2022). Springsteen has often covered songs live and he has done another album of covers (We Shall Overcome: The Seeger Sessions). Yet, many fans are disappointed that the songwriter is not releasing an album of new material. There are plenty of sources providing in-depth reviews, so instead Chimesfreedom gives you ten quick takes.

1. Short Overall Review: If you like Springsteen, Only the Strong Survive features the artist singing great songs. So if you get past being disappointed by the lack of new original songs, you should just sit back and enjoy this lovely album.

2. Do album reviews matter anymore? Most folks pay for a streaming service and can listen to anything they want without commitment. So if you like Springsteen or are curious, you can listen to the album and make up your own mind. I am old school and resisting streaming so I did buy it as I have done for every Springsteen album; and I’m happy I did.

3. Springsteen’s Voice: As others have noted, Springsteen’s voice has aged like a fine wine, and he is able to pull off these classic songs quite well. For example, on “I Wish It Would Rain,” one of the greatest pop records of all time, nobody can hold a candle to the Temptations’ David Ruffin. Springsteen does not surpass Ruffin or any of the originals, but he does a darn good job.

4. Well, then why do we need this album if we have the better originals? First, Springsteen has earned the right to do whatever he wants, and great songwriters can do tributes to music they love (as Merle Haggard did with albums honoring Jimmie Rodgers and Bob Wills). Second, if you are a fan, it is fun to hear him sing these classics. And third, while compilation albums can be good and you could make a playlist of the original versions of these songs, one artist doing a covers album offers a consistency to your listening that jumping between artists does not.

5. Good Song, Strange Video: Springsteen’s weird hand movements in the video for the Commodores’ “Nightshift” are distracting and may make it one of his worst videos ever. His facial expressions are distracting too.

6. Sounds Like a Springsteen Classic: By contrast, his recording of and video for “Do I Love You (Indeed I Do)” sounds like a classic Springsteen song from the first moment when the Boss yells “C’mon.” The video is fantastic and fun too.

6. The Music: The musicians, including the E Street Horns, and backing singers (Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Dennis Collins, and Fonzi Thornton) on this album are absolutely fantastic.

7. A Southside Johnny Album? Not surprisingly, Springsteen singing R&B covers at times makes you think you are listening to an album by that other guy from Jersey, Southside Johnny. That is not necessarily a bad thing. At no point is the Southside Johnny connection stronger than on “Don’t Play that Song,” initially made famous by Ben E. King. Springsteen even inserts a reference to the Jersey Shore.

8. Covering Diana Ross: Maybe my favorite track on the album is the final song, with Springsteen singing “Someday We’ll Be Together,” made famous by Diana Ross & the Supremes. Along with Aretha Franklin’s “Don’t Play That Song” and Jackie Shane’s “Any Other Way,” the Supremes song features one of the selections where he is covering a song made famous by female singers. So Springsteen’s recording does add a twist to hear a male voice sing the lyrics. Or maybe it is that Springsteen finds a special connection to the song, having previously written a song with the nearly identical title, “Someday (We’ll Be Together).” Springsteen wrote that outtake from Darkness on the Edge of Town around 1977, but first released it on The Promise (2010).

9. Guest Artist: It’s cool that Sam Moore from Sam & Dave sings on two tracks with Springsteen. But why not a Sam & Dave song? Springsteen has indicated there were a lot of tracks recorded that are not on the album, so I wonder if there will be a sequel album.

10. Repeated Listens: Okay, you could have just read the first point and stopped reading. But the more I listen to the album, the more I get past focusing on differences from the originals and let go and just enjoy the songs. While this album probably won’t be at the top of my list of the greatest Springsteen albums, it will likely be in the running for one of the Springsteen albums I am most likely to play. It will be a great one to play if you have company who may not think they are Springsteen fans.

What do you think of Only the Strong Survive? Leave your two cents in the comments.

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    Berry Gordy and the Legend of Motown

    Berry Gordy Motown Berry Gordy, the founder of the Motown record label, recently appeared on CBS Sunday Morning to discuss his amazing career and a new Broadway musical about the early days of the label called, appropriately, Motown: The Musical. In the interview, Gordy told interviewer Anthony Mason how he started out writing songs for Jackie Wilson, his opening of Hitsville, USA, his affair with Diana Ross, and why he initially did not want to work with Stevie Wonder and Michael Jackson.

    [October 2013 Update: The CBS Sunday Morning video is no longer available for embedding, although you may watch the segment on YouTube. Below is another interview featuring Barry Gordy.]

    What is your favorite Motown song? Leave your two cents in the comments.

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    Is That All There Is?: Jerry Leiber, Rest in Peace

    Leiber and Stoller Hound Dog On August 22, 2011, Jerry Leiber, part of the great song-writing team with Mike Stoller, passed away at the age of 78 from cardiopulmonary failure.

    Leiber’s impact on your life may be best summarized by this list of songs he co-wrote, mostly writing the lyrics while Stoller handled the music: Big Mama Thornton and Elvis Presley’s “Hound Dog,” Elvis’s “Jailhouse Rock,” Dion’s “Ruby Baby,” The Drifters’ “There Goes My Baby,” The Coasters’ “Yakety Yak,” The Searchers’ “Love Potion No. 9,” Peggy Lee’s “Is That All There Is?,” Ben E. King’s “Stand By Me” (written w/ Ben E. King and also recorded by John Lennon), Ben E. King’s “Spanish Harlem” (Leiber and Phil Spector), George Benson’s “On Broadway,” and Stealers Wheel’s “Stuck in the Middle With You.”

    Take away Leiber’s work and you have to imagine Elvis without “Jailhouse Rock,” or the movie Stand By Me without the song — or Reservoir Dogs without “Stuck in the Middle With You” (not for the faint of heart).

    Although many may not recognize the name, the above songs and others will be there for generations. Rolling Stone has a nice article about Leiber’s career.  A career that included forming a partnership with Stoller that put them in the Rock and Roll Hall of Fame in 1987.

    Rest in peace Mr. Leiber, and thanks for the songs, including this advice from “Is That All There Is?”:

    For I know just as well as I’m standing here talking to you,
    When that final moment comes and I’m breathing my last breath, I’ll be saying to myself,

    Is that all there is, is that all there is?
    If that’s all there is my friends, then let’s keep dancing;
    Let’s break out the booze and have a ball,
    If that’s all there is.

    UPDATE (Tuesday, Aug. 23, 2011): After the above story was posted, we learned that we lost another great songwriter. Nick Ashford died of cancer at the age of 69. Like Jerry Leiber, Ashford was famous for writing great songs with a partner, Valerie Simpson, who eventually became Ashford’s wife too. Their songs included Diana Ross’s “Ain’t No Mountain High Enough” and “Reach Out and Touch,” Ray Charles’s “Let’s Go Get Stoned” and “I Don’t Need No Doctor” (covered here by John Mayer and John Scofield), Chaka Khan’s “I’m Every Woman” (covered by Whitney Houston too), and one of my favorites, the Marvelette’s “Destination Anywhere,” which was featured in the movie The Commitments. Ashford & Simpson had success as performers too, including a hit with a song that has a title that described Ashford’s songwriting talent: “Solid (as a Rock).”

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