Tag: Death Penalty

Bono and Glen Hansard: The Auld Triangle

The Quare Fellow Bono recently joined Glen Hansard, who was taping for Sirius/XM’s The Loft at The Living Room in New York. Together, the U2 frontman and the Once film star sang “The Auld Triangle.” The 1960’s song was written by the brothers Brendan and Dominic Behan for the play The Quare Fellow.

Hansard often plays “The Auld Triangle” on his own and with his band The Frames. Several Irish music artists like The Pogues, The Dubliners, and Dropkick Murphys have played the song. Bob Dylan and the Band also played the song during their recording of “The Basement Tapes” in 1967. Here is the latest take on this Irish classic from Hansard and Bono:

“The Auld Triangle,” which has gone on to a life of its own outside the play, opened the play set in a prison the day that a prisoner is set to be executed. The triangle in the song refers to a metal triangle that was banged to wake the inmates every morning at Mountjoy Prison in Ireland: “And that auld triangle went jingle-jangle / All along the banks of the Royal Canal.”

The play The Quare Fellow, which was loosely made into a 1962 movie with Patrick McGoohan, grapples with a number of social issues, including Ireland’s use of the death penalty at the time. Ireland has since abolished capital punishment.

2014 Bonus Version Update: “The Auld Triangle” appeared in the movie Inside Llewyn Davis (2013). In the movie, the song is performed by The Punch Brothers, Marcus Mumford, and Justin Timberlake. Below is a concert inspired by the movie, featuring The Punch Brothers and Marcus Mumford.

What do you think of the Hansard-Bono duet? Leave your two cents in the comments.

  • “Nebraska” and the Death Penalty
  • Dylan’s “Julius & Ethel”
  • The Journey of “Hang Me, Oh Hang Me” From the Scaffold to the Screen
  • The End of Maryland’s Death Penalty and “Green, Green Grass of Home”
  • The Killing of “Two Good Men”
  • Connecticut’s Hangman and Johnny Cash’s Last Song

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    Connecticut’s Hangman and Johnny Cash’s Last Song

    hangman With Governor Dannel Malloy’s signature in April 2012, Connecticut became the fifth state in five years to abolish the death penalty. Connecticut makes seventeen states that do not have capital punishment, along with the District of Columbia, as more states are realizing that the death penalty is expensive, unfair, arbitrary, unnecessary, and risks executing the innocent.

    Similarly, recently the man who wrote California’s death penalty law and the man who led the drive for that state to adopt capital punishment have changed their position and said that life without parole is a better option than the death penalty. For various reasons, the civilizing trend around the country is leading to more states abolishing the death penalty.

    Capital punishment is still used as a political issue, though. Even as Connecticut abolished the death penalty for future cases, it did not overturn the death sentences of the few people currently on death row in the state.

    Johnny Cash’s Last Song: “Hangman”

    Speaking of executioners, in this video, Marty Stuart tells about his final meeting with Johnny Cash.  Stuart recalls how Cash helped him write the song, “Hangman.”

    Stuart was inspired to start writing the song after visiting Folsom Prison and seeing where Cash had performed for the inmates. While working on the song, he told Cash about the song, and Cash gave Stuart some help.

    As Stuart explains before he performs the song in the video below, it was probably the last song Cash helped write.  Four days after they worked on “Hangman,” Cash passed away on September 12, 2003.

    “Hangman” later appeared on Stuart’s album, Ghost Train: The Studio B Sessions (2010).

    The song begins with the singer talking about killing another man: “I’ve lost count at thirty, and I’ve grown too numb to grieve.” After he tells how alcohol and dope helps him get by, the chorus comes in to reveal the twist. The song is not about a serial killer but the hangman.

    Martyh Stuart Ghost Train Hangman Hangman, Hangman,
    That’s my stock and trade.
    Hangman, Hangman,
    Sending bad men to their grave.
    But who killed who? I ask myself,
    Time and time again.
    God have mercy on the soul,
    Of this Hangman.

    In the video, Stuart tells how Johnny Cash helped him with the chorus and the poetic line, “But who killed who? I ask myself.” The line, and the song evoke the concerns of the Connecticut legislature.

    Both the legislature and Gov. Malloy realized that the death penalty is not about what we do to convicted murderers. Capital punishment is about what it does to us when our government kills people already in prison for the rest of their lives. Connecticut is saving the hangman, not the prisoners.

    What do you think of “Hangman”? Leave your two cents in the comments.

  • The End of Maryland’s Death Penalty and “Green, Green Grass of Home”
  • Oregon’s Death Penalty: 25 Minutes to Go
  • “Nebraska” and the Death Penalty
  • Dylan’s “Julius & Ethel”
  • The Journey of “Hang Me, Oh Hang Me” From the Scaffold to the Screen
  • The Killing of “Two Good Men”

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    Oregon’s Death Penalty: 25 Minutes to Go

    Johnny Cash Folsom Prison 25 Minutes to Go Last week, Oregon Governor John Kitzhaber granted a reprieve to a condemned man and announced that he would do the same for any scheduled execution during the remainder of his term in office. Gov. Kitzhaber asked state officials to consider other options besides the death penalty and explained, “I simply cannot participate once again in something that I believe to be morally wrong,” Gov. Kitzhaber further explained that as a licensed physician he had taken an oath to “do no harm.” In making his emotional announcement, Gov. Kitzhaber told how he was haunted by the fact he had allowed Oregon’s only two modern executions.

    Whether one agrees with Gov. Kitzhaber or not, one must respect someone who is willing to admit he erred in the past and who takes a moral stand. Gov. Kitzhaber recognized that the trend around the world in recent years has been toward taking a moral stand against state killings when other options, like life in prison, exist. Recognizing there are a number of problems with the American death penalty, Gov. Kitzhaber is putting a moratorium on Oregon executions to allow the state to reconsider whether or not it wishes to continue executing people.

    The immediate reprieve stopped the execution of 49-year-old Gary Haugen, who had waived his appeals and wished to be executed. Haugen’s attorney noted that the condemned man, desiring his own execution, would not be happy with the reprieve.

    Haugen was within two weeks of his scheduled execution, but Johnny Cash performed a song going further in imagining a condemned man counting down the final 25 minutes before his execution. The song, “25 Minutes to Go,” was written by Shel Silverstein, who also wrote Cash’s hit song, “A Boy Named Sue.” One may hear Silverstein’s sense of humor even in a song like “25 Minutes to Go.” The song’s author may be best known for his children’s books, including The Giving Tree.

    In the following video, someone has put together some cool illustrations to go with Johnny Cash’s performance of “25 Minutes to Go” from his famous performance at Folsom Prison on Jan. 13, 1968. (Do you know who did the animation?) Check it out.

    You also may watch Cash in another live performance in a video on YouTube. Johnny Cash was another gutsy man like Gov. John Kitzhaber. I miss him.

    Bonus Johnny Cash-related Death Penalty News: Johnny’s daughter Roseanne Cash is reuniting with her ex-husband Rodney Crowell for an anti-death penalty concert in Nashville on December 19. John Hiatt will also perform.

    What do you think of Johnny Cash’s “25 Minutes to Go”? Leave your two cents in the comments.

  • The End of Maryland’s Death Penalty and “Green, Green Grass of Home”
  • Connecticut’s Hangman and Johnny Cash’s Last Song
  • “Nebraska” and the Death Penalty
  • Dylan’s “Julius & Ethel”
  • The Journey of “Hang Me, Oh Hang Me” From the Scaffold to the Screen
  • The Killing of “Two Good Men”

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    Troy Davis & Clint Eastwood’s True Crime

    Georgia executed Troy Davis tonight, as his supporters claimed he was innocent of the murder for which he was executed. Davis was convicted of shooting and killing a young police officer who intervened in an altercation involving a homeless man and one of Davis’s friends. In the years since the 1989 crime, several witnesses who testified at trial have recanted their identification of Davis, and other witnesses have come forward to claim that someone else did the shooting. People from around the world fought to prevent the execution because of the questions about Davis’s guilt. Yesterday, the Georgia pardons board denied clemency, but through today, Davis’s attorneys were requesting the opportunity to have Davis take a lie detector test.

    Clint Eastwood True Crime

    With the discovery of a number of innocent people on death row in recent years, there have also been questions about the guilt of some people who were executed. A number of media sources, including The New Yorker, raised questions about whether Texas executed an innocent man when it executed Cameron Todd Willingham. That case was based on questionable scientific evidence and has been prominent in the news because the governor who oversaw the execution, Rick Perry, is now running for president. At one point there was a commission that was reviewing the case, but the governor’s office instituted changes that limited the inquiry into the case.

    A number of movies focus on the death penalty and executions, perhaps because the time leading up to an execution permits a large amount of drama on the screen. One movie that focused on questions about the innocence of a death row inmate is True Crime (1999). That movie, directed by and starring Clint Eastwood, focused on a journalist covering an upcoming execution who eventually comes to believe the condemned is innocent. The movie did not do well commercially or critically, but it has some good moments.

    {Contains spoilers, so stop reading here if you do not want to know about the ending of True Crime!}

    Most of the movie is fairly traditional, so I understand why most critics and viewers did not get too excited about the movie. But if True Crime happens to be on television and it is near the end, I will watch it every time. The coda to the film, like the coda of the Assassination of Jesse James by the Coward Robert Ford (2007) and unlike the coda of Wyatt Earp (1994) (discussed previously), is quite beautiful and exceeds everything else in the film.

    The movie follows its somewhat predictable route of having newspaper writer Clint Eastwood racing to try to stop the execution with the newly discovered evidence of innocence. The camera flashes between Eastwood and the execution as it begins. We see the lethal injection begin, and then the phone rings. The warden rushes to stop the execution but the injection has already started. The condemned is unconscious when they pull out the needle. But is he dead or alive?

    Most movies would let us know right then what happened, with a tragic ending or a feel-good rescue. Instead, the beautiful coda to the film then begins. It is Christmas, and we see the grumpy Eastwood doing some Christmas shopping, exchanging some conversation with the sales person, where we learn that good things have happened to the character’s career. As Eastwood leaves the store, he looks across the way and sees the formerly condemned man, alive with his family. The two acknowledge each other across the way without words, showing respect for each other, and then go on with their lives. Diana Krall sings the haunting “Why Should I Care” and the movie ends. Below is the song’s video, which includes scenes from True Crime.

    Unlike most films, and even the rest of True Crime, the coda is so subtle and unusual that it grabs your attention. Like the jazz song that plays, it conveys something complex, revealing more than words. I wish more movies had at least a few minutes of such intelligence.

    A clip of the ending used to be on YouTube but it is no longer available, so below is the trailer for the film. Overall, although the movie is not great, it is a decent movie and worth renting at least just to watch the full ending.

    But sometimes life does not come out like in the movies, as Tim Robbins’s character discovered while trying to make a death penalty movie in The Player (1992). Tonight, for Troy Davis, there was no Clint Eastwood rescue.

    What do you think about Eastwood’s True Crime? Leave your two cents in the comments.

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  • “Nebraska” and the Death Penalty
  • Dylan’s “Julius & Ethel”
  • The Journey of “Hang Me, Oh Hang Me” From the Scaffold to the Screen
  • The End of Maryland’s Death Penalty and “Green, Green Grass of Home”
  • One for Ten: Traveling Online Film Series on Capital Punishment

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    Paradise Lost: West Memphis 3 Released

    Paradise Lost On Chimesfreedom, we have often noted the power of movies, and one example of that occurred today when Damien Echols, Jason Baldwin and Jessie Misskelley walked out of an Arkansas court today as free men. Known as “the West Memphis 3,” the three were convicted in 1994 of killing three young boys. One of the three victims was mutilated, making some suspect a Satanic ritual killing, which cast suspicion on Echols, Baldwin, and Misskelley, partly because Echols practiced Wicca. When they were convicted in 1993, Echols was eighteen and the other two were under eighteen. The conviction was based in large part on an inconsistent confession that police obtained from the borderline mentally retarded Misskelley after twelve hours of interrogation.

    In 1996, directors Joe Berlinger and Bruce Sinofsky released the award-winning documentary Paradise Lost – The Child Murders at Robin Hood Hills about the case. I remember seeing the film years ago and being intrigued by the disturbing case. The documentary raised serious questions about the guilt of the three youths convicted of the crime.

    In 2000, a sequel Paradise Lost 2: Revelations raised further questions about the evidence and focused on continuing efforts to prove Echols and the other two were innocent. Watching the movies, one begins to suspect another person featured in the films may have been involved in the murders. The movies helped gain support for the West Memphis 3 from a number of celebrities, including Eddie Vedder and Natalie Maines (Dixie Chicks), who were at the court hearing in Arkansas this morning. A third movie on the case is scheduled for a January release.

    Today, following the discovery that DNA evidence did not connect the three to the crime, prosecutors allowed the three to plead guilty and maintain their innocence. Through the plea deal, the three were released for their time already served in prison.

    Are they innocent? It is difficult to tell with a plea deal like this, and there is some evidence against them while there are also serious questions about much of the evidence. Either way, though, they have each spent seventeen years in prison, with Echols having spent part of that time on death row when he initially was sentenced to death. In light of today’s news, it is quite fortunate that he was not executed. Hopefully, some justice was done in the case. But paradise cannot be regained, as their time in prison cannot be returned, and the lives of the murdered boys cannot be brought back.

    The release of Damien Echols, Jason Baldwin and Jessie Misskelley is due largely to the work of their attorneys and supporters, but it is fair to wonder whether or not they would have gained this attention and received the quality of legal representation they did without the notoriety that came from the films. Movies can make us happy, they can make us cry, they can comfort us, they can make us angry, they can inform us, and maybe they can correct injustices.

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