See how local news stations covered a young Bruce Springsteen after the release of “Darkness on the Edge of Town.”
Many of us are so used to Bruce Springsteen being a rock icon that it can be easy to forget a time before Springsteen and the E Street Band attained legendary status. Therefore it is interesting to look back at local news coverage of the band early in Springsteen’s career.
The following video features a couple of local television news interviews with the young Bruce Springsteen starting off his Darkness on the Edge of Town tour. The interviews feature some cool concert footage too, as “the kid from Asbury Park” talks about “the most important” night of his life. Check it out.
On Sunday, May 29, 2016, U2’s Bono joined Bruce Springsteen and the E Street Band for a rousing rendition of “Because the Night.” The duet occurred while Springsteen and the E Street Band were in Dublin for part of The River Tour at the city’s Croke Park.
“Because the Night,” which was written by Springsteen and Patti Smith, first appeared on the Patti Smith Group album Easterand was released as a single in 1978. Springsteen earlier began working on the song for his album Darkness on the Edge of Town, although his recordings of the song would not appear on official albums until the 1986 box set Live/1975–85 and the compilation CD The Promise (2010).
The recent Dublin performance by Springsteen and Bono is not the first time the two men have performed the song in public together. In 2003, they sang “Because the Night” at a Springsteen show in Miami, and then they teamed up again on the song during U2’s portion at the 25th Anniversary Rock and Roll Hall of Fame Concert at New York’s Madison Square Garden in 2009. What song would you like to hear Bono and Springsteen sing together? Leave your two cents in the comments.
The long-awaited special edition of Bruce Springsteen’s 1980 classic double-album The River will hit stores on December 4. The Ties That Bind: The River Collection will include the original album, outtakes, a documentary, a never-before seen concert, and more. The project sets out to document an important era in Springsteen’s career with 52 tracks on four CDs and four hours of never-before-seen video on three DVDs.
In advance of the box set, Springsteen has released one of the songs, “Meet Me In The City.” Check it out.
One of the CDs in the set will be The River: Single Album, which is is the ten-track album that Springsteen recorded in 1979 but never released. At the time, Springsteen believed that the album lacked “unity and conceptual intensity,” so he took the band back into the recording studio. Seven of the tracks did end up on the official release of The River, some in alternate versions. But it will be cool to hear the album first conceptualized as the follow-up to Darkness on the Edge of Town (1978).
Will you purchase the new box set? Leave your two cents in the comments.
Bruce Springsteen explained that the lick for “Badlands” was taken from “Don’t Let Me Be Misunderstood” by the Animals.
During a 2012 talk at the South by Southwest (SXSW) music conference, Bruce Springsteen explained that he found the lick for “Badlands,” which appeared on Darkness on the Edge of Town (1978), in “Don’t Let Me Be Misunderstood” by the Animals. Then he exclaimed, “Listen up youngsters, this is how successful theft is accomplished!”
The video of the entire speech is no longer on YouTube, but there are segments available, including the video below, which is set to start where he begins talking about the Animals.
In the rest of the speech, Springsteen explained the role that music has played in his life, including Elvis, Roy Orbison, and the Beatles. He discussed The Animals, complete with an acoustic rendition of “We Got to Get Out of This Place,” concluding, “that’s every song I’ve every written.”
I found the story about the “Badlands” riff interesting because I had not made the connection. But one may hear it now that he pointed it out. Here are the Animals performing “Don’t Let Me Be Misunderstood” on The Ed Sullivan Show. The lick appears at several points, including the beginning and the end of the song.
Here is Springsteen performing “Badlands” at the Pinkpop festival in 2009.
Can you hear it? He did not mention the lyrics, but one might wonder whether “Don’t Let Me Be Misunderstood” also inspired the “understood” line in the “Badlands” chorus: “We’ll keep pushing ’til it’s understood / And these Badlands start treating us good.”
After the speech, Springsteen performed at SXSW and was joined onstage by Eric Burdon, the lead singer of the Animals (Chicago Tribune review here). So apparently there are no hard feelings about the larceny — or Springsteen’s comments earlier in the speech about how Burdon’s ugliness made him realize he could be a rock star too.
What do you think? Leave your two cents in the comments.
When Bruce Springsteen was asked which of his songs featured a character he would want his children to understand, he replied with “Racing in the Street.”
In early 2011, VH-1 Classic broadcast a program, Bruce Springsteen: a Conversation with his Fans. The program — which promoted Bruce Springsteen’s release of the Darkness on the Edge of Town box set, including the new album, The Promise — featured fans asking Springsteen questions. The fans were chosen in advance based on their questions, and many of the questions were very good.
My favorite question was quite thoughtful. One woman asked Springsteen which character from the songs on the set would he “most want his children to understand.” It was a great question, requiring him to reflect about his life and the meaning behind his songs. He responded that “‘Racing in the Street’ sums up a lot for me.” He explained that he would like his children to be “untouched by that particular sadness, but that’s not the way the world works.”
Noting that the song “Racing in the Street” is still very emotional for him, Springsteen added that he would want for them to “have that understanding [conveyed in the song] without the pain, but that is not possible.” So, he would like for his kids to “have the resilience . . . to be able to navigate their way through that kind of pain because that is what we all have to do.”
It was an insightful statement about a beautiful song. “Racing in the Street” is one of the saddest songs written by someone who writes a lot of sad songs. If you go back through his catalog during the first fifteen years of his career, it would be impossible to find more than a few songs that are not touched by some type of sadness.
The Pain in “Racing in the Street”
What is “that particular sadness” in “Racing in the Street”? The song is narrated by a young man who makes money by racing his ’69 Chevy for money by riding from town-to-town with his friend Sonny (“We only run for the money, got no strings attached/We shut ’em up and then we shut ’em down”). The guy does not die in a crash, and he even gets the girl in the end. So why is the song sad?
There are two reasons the song is sad. First, the lyrics reveal that the song is not a James Dean fantasy. They recognize the pain of real life and the existential struggle to just survive in the face of so much bleakness in the world.
Some guys they just give up living And start dying little by little, piece by piece, Some guys come home from work and wash up, And go racing in the street.
Although the hero won the girl by blowing away a Camaro driven by “some dude from L.A.,” that one happy moment happened three years ago. You do not get such heroic moments every day of your life. So, in the present, the man and the woman both live with the pain and consequences of day-to-day life.
But now there’s wrinkles around my baby’s eyes And she cries herself to sleep at night . . . She sits on the porch of her Daddy’s house But all her pretty dreams are torn, She stares off alone into the night With the eyes of one who hates for just being born
The other big reason the song is so sad is Roy Bittan’s piano. Even if the song had no lyrics, Bittan’s piano playing on “Racing in the Street” would still convey that “particular real world sadness” that Springsteen mentioned in response to the fan’s question. Throughout the song, the piano’s relentless rhythm, sometimes accompanied by a metronome drum sound, echoes the continuous steps the hero must take to just live through each day in a world where there are not victorious car races every moment.
The lyrics end with a little hope, as Springsteen sings, “Tonight my baby and me, we’re gonna ride to the sea/And wash these sins off our hands.” After his voice fades, Bittan’s piano continues its rhythm, also offering some hope by echoing existential angry defiance in the face of hopelessness.
As the Boss wished for his children, in your life too, may you have the resilience to find your way through that kind of pain.
Bonus “Racing in the Street”: The video above is a live performance from 1978 in Houston. “Racing in the Street” appeared on the original Darkness on the Edge of Town album, but Springsteen included an alternate version of the song, entitled “Racing in the Street (78),” on the new The Promise album. This Promise version, which had been around on Bootlegs through the years, features a full band sound throughout most of the song. The music focuses on the anger and resistance part of the song, and for much of the song the rock sound is inconsistent with the lyrics. The band sounds great, but the band version lacks the focus of Roy Bittan’s piano in the original. Although I enjoy this other version, Springsteen made the correct choice in the 1970s to put the quieter piano version Darkness on the Edge of Town.
and was released as a single in 1978. Springsteen earlier began working on the song for his album Darkness on the Edge of Town, although his recordings of the song would not appear on official albums until the 1986 box set Live/1975–85 and the compilation CD 
(2010).
box set, including the new album, 
— featured fans asking Springsteen questions. The fans were chosen in advance based on their questions, and many of the questions were very good.