Clark Gable Archives - chimesfreedom

On February 4, 1961, United Artists released The Misfits to mixed reviews. While the movie today has a somewhat iconic status as the last completed film from movie greats Marilyn Monroe and Clark Gable, at the time of its release, not many people saw the movie about four losers struggling in the West. John Huston directed the film, which also starred Montgomery Clift and Eli Wallach. Playwright Arthur Miller wrote the story for his wife Monroe, although the two became estranged during the filming of the movie.

Perhaps in 1961, viewers did not want to see a depressing black and white film, and even Gable initially had trouble understanding the film. But later critics have been kind to the movie, recognizing it for a story about modern society and the end of the old West. Rotten Tomatoes gives the movie a 100% critics rating, while the audience rating of 79% still shows that viewers struggle a little with the movie.

A recent documentary, Making the Misfits (2002), explores the the subject of the movie and how it was made. Gail Levin directed the documentary, which features interviews with the only surviving lead star of the film, Eli Wallach. Below is part one of the documentary.

Here is part two of Making the Misfits. You might recognize the voice of the narrator, who is actor Brian Dennehy.

Here is the third and final part of the documentary. This part contains some interesting revelations about how they filmed some of the scenes with the horses.

What is your opinion of The Misfits? Leave your two cents in the comments.

“The Magnificent Seven” Trailer With Denzel Washington

The Legacy of Bridget Bishop and the “Witches” of Salem

Elton John Plays at Princess Diana’s Funeral

Anniversary of Publication of Gone With the Wind

(Some related Chimesfreedom posts.)

Margaret Mitchell’s novel Gone With the Wind was published on June 30, 1936. Mitchell spent about ten years writing the book, using her own imagination, her research, and her childhood memories of family gatherings where relatives “refought the Civil War.” Her work over such a long time period paid off. More than 30 million copies of the book are in print around the world, and David O. Selznick’s 1939 movie version of the novel is considered the biggest earning film of all time if you adjust for inflation.

Like movies such as Star Wars and The Big Lebowski, the book and film Gone With the Wind has rabid fans, calling themselves “Windies.” There is a museum devoted to the book and movie in Marietta, Georgia, which I recently visited. The movie, which deviates from the novel in some ways, has detractors who note the movie’s glorification of the South’s cause and that the film ignores slavery’s inhumanity. On the other hand, some note that the movie and the book have a strong feminist theme, with an unusually strong portrayal of a female lead role for 1939. Is it okay to love and hate a movie at the same time?

Gone With the Wind leaves us with a similar problem presented by Birth of a Nation and other movies. One must ponder how to deal with a work of art that is tainted by ignorant beliefs and stereotypes from a prior time period. A lot of movies have confused messages about important topics. Like anything, the solution is education as opposed to censorship. We might still learn from films, even if what we learn is not the producer’s intended lesson. But it is also possible that the mixed messages may ruin the entertainment value.

Gone With the Wind is a great artistic achievement, but its legacy might be something more if it is used as a starting point for discussion and education about the Civil War and our country’s legacy of slavery. Everything about America and race is complicated, and so is the movie’s legacy. Gone With the Wind features stereotypical African-American characters like Mammy, but then the wonderful Hattie McDaniel broke through a barrier and became the first African-American to win an Academy Award (as Best Supporting Actress) because of her portrayal of the character.

One thing about Margarett Mitchell’s book, though, is certain. There are few twentieth-century novels that have been as popular, or had such an impact around the world, or which still may provoke such controversy, as her 1936 novel about Katie Scarlett O’Hara.

Above is an interesting clip of screen tests for the movie, leaving one to wonder how different the film might have been without the performances we know by Vivien Leigh, Clark Gable, Hattie McDaniel, and others.