To celebrate Abraham Lincoln’s birthday, listen to Aaron Copland’s A Lincoln Portrait. Copland was commissioned in 1942 to create a composition to comfort a nation at war still reeling from the attack on Pearl Harbor. Copland felt overwhelmed with the assignment. But then he came up with the idea to find comfort for the country in the words of the greatest U.S. President.
The composition uses excerpts from several of Lincoln’s speeches, along with original music that samples American folk songs from Lincoln’s time period, such as “Camptown Races” and “Springfield Mountain.”
For a 1943 program book of the Boston Symphony Orchestra, Copland explained that the work is roughly in three sections. First, he noted, “In the opening section I wanted to suggest something of the mysterious sense of fatality that surrounds Lincoln’s personality. Also, near the end of that section, something of his gentleness and simplicity of spirit.”
Copland continued, “The quick middle section briefly sketches in the background of the times he lived in. This merges into the concluding section where my sole purpose was to draw a simple but impressive frame about the words of Lincoln himself.”
In the following recording, Gregory Peck provides the voice of Lincoln.
The composition was not among Copland’s favorites according to a 1953 New York Times article. If I had to choose, I would choose his Appalalachain Spring, which is one of my favorite pieces of music of all time. But I still love A Lincoln Portrait. It is a fitting tribute to the sixteenth president of the United States. Did you know that 2011 was the Civil War Sesquentennial, i.e., the 150th year since the start of the Civil War? On March 4, 2011, it was 150 years since Lincoln was sworn into office. What do you think? Leave a comment.
On the morning of December 2 in 1859, the abolitionist John Brown was hanged in Virginia for treason and for inciting a slave insurrection.
That fall, Brown led 21 men on a raid of Harpers Ferry Armory in what is now West Virginia with the hope that others would join and there would be a slave uprising. That day, a baggage master who was a free black man became the first man killed by Brown’s group in their attempt to free the nation’s slaves.
Brown was an interesting person. Assessments indicate he was part demented and part prophet, part terrorist and part patriot, part genius and part failure, part hero and part villain, part powerful and part powerless. How do you classify a man who was so right in his cause? He died for what he believed, and he was right in his goal. As for his means . . . ?
The first shots fired at Harpers Ferry were the first shots of the Civil War. There were many connections between Brown and the upcoming war. At Harpers Ferry, Colonel Robert E. Lee led the U.S soldiers against Brown, and an army lieutenant named J.E.B. Stuart first talked to the raiders in negotiation attempts. In the audience for Brown’s December execution were John Wilkes Booth and Thomas Jonathan Jackson, who less than two years later would earn the nickname “Stonewall” on the battlefield.
Then, there is the song. Although the Pete Seeger version is more famous, here is an older version of “John Brown’s Body” by J.W. Myers in 1913. According to some accounts, the song started out as a fun song created by soldiers singing about a comrade named “John Brown,” and when others heard the song they assumed it was about John Brown the abolitionist and added verses to that effect. Then, of course, Julia Ward Howe created new lyrics for the music to create another song for the Union that you know from school: “The Battle Hymn of the Republic.”
John Brown’s Body by J.W. Myers
Photos: John Brown (public domain); John Brown’s Grave (by Chimesfreedom)
On an autumn day on this date in 1863, Abraham Lincoln delivered a speech that only took a few minutes and was a mere ten sentences long. The most famous photo of the speech shows Lincoln stepping down after finishing, because the photographer had assumed the speech would last longer than it did.
The Gettysburg ceremony took place to dedicate a new national cemetery several months after the July 1-3 battle that left around 50,000 soldiers injured or dead. Organizers invited Lincoln to deliver a few remarks after the main oration by Edward Everett, a former Secretary of State, Governor, and Senator. Everett spoke for two hours, while Lincoln took only a few minutes to deliver his ten sentences. Newspaper reviews for the President’s speech at the time were mixed, often along partisan lines, but soon people recognized how his ten sentences defined the war and the nation.
Gary Wills in his book Lincoln at Gettysburg, as well as others, note historical parallels between the language of the speech and Greek sources, the Bible, etc. One of my favorite connections was noted today by James Hume, who was a speechwriter for Eisenhower, Nixon, Ford, Reagan, and George H.W. Bush. He wrote that when Lincoln was ten, a farmer loaned Lincoln a book, Mason Weems’ Life of George Washington. After the book was significantly ruined by rain that had leaked into the cabin, Lincoln had to work off the book by pulling tree stumps, and then the waterlogged book became one of the boy’s few possessions. A page that was still legible showed a picture of Washington at a Valley Forge memorial with the inscription, “That these dead shall not have died in vain.” The 54-year-old Lincoln incorporated those words into his famous speech.
It took me twelve sentences to tell the above background story. Lincoln defined a nation in ten.
Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.
But, in a larger sense, we can not dedicate, we can not consecrate, we can not hallow this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth.
Often, Lincoln actors have deep booming voices — with one exception being Henry Fonda’s wonderful portrayal in the movie Young Mr. Lincoln. But Lincoln actually had a high-pitched voice, so the recording below done by Jeff Daniels — where he also realistically seems to be sort of yelling as Lincoln would have had to do at the event without artificial amplification — is probably more accurate than most simulations.
For those of you who prefer your information in Powerpoint, click here.
Photo of Lincoln at Gettysburg via public domain. Update: In 2013, a second photo was found that featured Lincoln at Gettysburg. Leave your two cents in the comments.