Salt and Nails

iodized salt A recent article in the New Yorker recounted how during World War I, U.S. Army doctors doing medical inspections discovered a high incidence of goitre. Because of a lump on their necks from a swelling of a thyroid gland, a number of men could not button the top button of their uniforms. Eventually, doctors also noticed that the recruits were more likely to have the problem if they lived far from the ocean. (Malcolm Gladwell, “Man and Superman,” New Yorker 16 (9 Sept. 2013).)

Eventually, they determined that an iodine deficiency caused the goitre, as well as deficiencies in intelligence. Those who lived nearer the ocean were getting more iodine in their diet while those elsewhere were not getting enough of it because oceans maintain iodine levels better than soil. Because iodine is not present in a lot of food, the government convinced the Morton Salt Company to start adding iodine to its salt in 1924. And IQ’s rose and incidences of goitre dropped. Iodine supplements have similarly increased IQ’s around the world.

One of the best songs with “salt” in its title is “Rock Salt and Nails,” written by Utah Phillips. Although YouTube does not have a video of Phillips singing his song, in this video, Tony Norris plays part of the song and tells how Phillips came to write it.

A number of artists have covered the song, including Joan Baez, Flatt & Scruggs, and Waylon Jennings. The song is not really about iodized salt, and the reference to salt in the title does not appear in the song until the final shocking line. In the song, the singer reveals his sorrow because a lover has betrayed him. The song reflects both his anger and his sadness. Regarding the latter, he cannot help thinking back on happier times: “Now I lie on my bed and I see your sweet face / The past I remember time cannot erase.” But at the end of the song, he exclaims that if ladies were squirrels, he would “fill up his shotgun with rock salt and nails.”

Steve Young
recorded what many consider a landmark outlaw country album in 1969 that used Phillips’s song for the title track. The album featured guest musicians like Gram Parsons.

My favorite version, though, is the one by Buddy and Julie Miller from their 2001 album Buddy & Julie Miller. I am a fan of anything by Buddy and Julie, and here Buddy’s powerful voice captures the anger and sadness in the song perfectly.

So today’s lesson is eat a little salt for your thyroid and to get smarter. But try to get through your day without loading some salt and nails in your shotgun.


What is your favorite version of “Rock Salt and Nails”? Leave your two cents in the comments.

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    Julie Roberts “Not Getting Any Better at Goodbye(s)”

    Julie Robets Good Wine Chimesfreedom previously discussed singer Julie Roberts, her first taste of success in 2004, her bad breaks, and her attempt at a comeback on The Voice. After her one appearance on that show, none of the judges selected her to continue. But Roberts did get a new record contract, producing the newly released Good Wine and Bad Decisions (2013).

    One decision that definitely was not bad was her choice to include on the album a Buddy Miller song, “Not Getting Any Better at Goodbyes.” The song is one of my favorite heartbreak songs, and Roberts does justice to the excellent song about loss. Check it out.

    Roberts did make one change to the song, though. Buddy Miller’s original uses the singular, “Not Getting Any Better at Goodbye,” but for some reason Roberts makes “Goodbye” plural. I like the original lyric better, but she still does a fine job with the song. “Not Getting Any Better at Goodbye” originally appeared on Buddy Miller’s wonderful CD, Cruel Moon (1999), which is one of my favorite albums of the last fifteen years.

    Interestingly, this comeback album for Julie Roberts is also a comeback of sorts for her record company, the legendary Sun Records. As she explains at the start of this video for “He Made a Woman Out of Me,” another song from her new album, this record is the first one from Sun Records in decades.

    Welcome back, Julie, and welcome back Sun Records. We hope neither of you will be saying “goodbye” or “goodbyes” soon.

    What do you think of “Not Getting Any Better at Goodbyes”? Leave your two cents in the comments.

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    Buddy Miller and Jim Lauderdale Team Up for a Tiny Desk Concert

    Buddy Miller and Jim Lauderdale, who at the end of 2012 released their first joint album appropriately called Buddy and Jim (2012), recently stopped by the offices of National Public Radio. The result, which is part of NPR’s Tiny Desk Concert series, was some great music and a lot of fun. Check it out.

    The songs in the video are: “The Train That Carried My Gal From Town,” “It Hurts Me,” and “I Lost My Job Of Loving You.” As someone who likes Lauderdale and already has every Buddy Miller album, I may have to get around to getting this collaboration just for the excellent harmonies.

    What is your favorite album by Buddy Miller or Jim Lauderdale? Leave your two cents in the comments.

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    New Music from Ryan Adams and The Jayhawks

    When I read that the Americana Music Association recently gave the Artist of the Year Award to Buddy Miller, I had mixed feelings. On the one hand, I love Buddy Miller’s work as well as his new CD, so I am always glad to see him get the recognition he deserves. On the other hand, I did not even know there were Americana Music Association Awards, and I wondered what is the status of Americana music — or alt-country — two decades after writers started using the terminology to describe a type of music. There is a lot that may be said, and Chimesfreedom may revisit the topic in the future. For now, one answer is provided in new releases by two giants of the field, Ryan Adams and The Jayhawks.

    Jayhawks Mockingbird Time Mockingbird Time (2011) by The Jayhawks: The new CD by the Jayhawks created much excitement with the return of Mark Olson to the band for the first recording since the classic Tomorrow the Green Grass (1995). I was excited too, but in looking through my CD collection, I was surprised to learn that I had not missed a CD from the band’s catalog, and that I do love all of the albums, including the ones without Olson where Gary Louris continued to lead the band in interesting directions.

    I have been listening to the new CD for several weeks because it often takes many listens before I know how much I like a new album. The new CD does capture some of the magic of Tomorrow the Green Grass, although I have yet to fall in love with the new music as much as I did with some of the songs on the 1995 album. For me, the new album does not exceed the Olson-less Smile and Sound Of Lies, but I realize that many fans prefer this version of the band. Give it a chance. “Closer to Your Side” is one of the highlights of the new album:

    Ashes & Fire by Ryan Adams: Like The Jayhawks CD, a new Ryan Adams CD has to compete with a back catalog of great albums and music. When I first heard Heartbreaker (2000) and Gold (2001), I immediately fell in love with the albums and could not stop hitting the replay button. I had a similar reaction to his work with Whiskeytown. Ashes & Fire, Adams’s latest effort, did not immediately grab me like those albums, but it is a solid effort with some great (“Lucky Now”) and almost-great (“Ashes & Fire”) songs.

    Ryan Adams Ashes & Fire The opening lines of the first song on Ashes & Fire, “Dirty Rain” (““Last time I was here it was raining / It isn’t raining anymore”) even evoke the opening cadence of the superior classic “Oh My Sweet Carolina” from Heartbreaker. I have always been more of a fan of Adams’s country-ish and upbeat songs over his contemplative slow songs (or his digressions into other genres). This new album stays close to alt-country but delves into his slower folk side too. But it continues to grow on me like some of his other albums that started out okay for me but that I later came to love, like Jacksonville City Nights (2005). So I am reserving judgment and plan to enjoy the CD many more times.

    Conclusion? Many of the great “alt-country” artists of the last few decades continue to record great work (even if one may classify the music in different categories). If you are a fan of Ryan Adams and/or The Jayhawks, you will like the return to form on their new CDs, which are both solid enjoyable efforts. If you are not familiar with their work, though, you might want to start with some of their other albums. But either way, these new CDs are a fine addition to already fantastic catalogs. For Ryan Adams, who was diagnosed with Ménière’s disease five years ago, the return is especially triumphant.

    Bonus Reviews, Because Why Should You Trust Me?: For a detailed mixed review of Ryan Adams’s Ashes & Fire, check out Pitchfork. For a positive review, check out Popmatters. By contrast, Popmatters gave a mixed review to Mockingbird Time by The Jayhawks. Consequence of Sound argues that The Jayhawks almost get it right.

    What do you think of the new music from Ryan Adams and The Jayhawks? Leave a comment.

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    Buddy Miller’s Majestic Silver Strings (CD review)

    Buddy Miller Majestic Silver StringsI love Buddy Miller’s music, and I love Bill Frisell’s jazz guitar playing. So when I heard they were working together, along with guitarists Marc Ribot and Greg Leisz, and singers that included Patty Griffin and Julie Miller, it did not take me long to plop down my money for the CD, Majestic Silver Strings. I own all of Buddy Miller’s eight albums, and I admire his other work too. This new album, released earlier this month, continues his excellence.

    In recent years, as Buddy Miller has worked on producing other artists and backing them up, he has not released as much of his own music as he otherwise might. But he continues to make great music, and this new album is no exception. Majestic Silver Strings differs from his other albums by adding a large number of guests and a more atmospheric sound from the excellent guitarists on board, but it is still great music. While some versions of the songs stay close to their country roots, other versions stray further from traditional country, such as the outstanding reworking of Roger Miller’s “Dang Me” by Chocolate Genius that gives the song new force and power over its humorous roots. The album is full of excellent music, no matter how you label it. But you will not hear this album on most commercial music radio stations, which generally ignore the great work done by both Miller and his wife, Julie Miller.

    Majestic Silver Strings features covers of a number of classic country songs — such as “Cattle Call” and “Bury Me Not On the Lone Prairie” — as well as some originals. While there is an emphasis on the instrumentation, there are also excellent vocals by Buddy Miller along with Patty Griffin, Julie Miller, Shawn Colvin, Emmylou Harris, Lee Ann Womack, and Ann McCrary. Because of the number of guest artists, Majestic Silver Strings is in many ways more like a tribute album than a one-artist album. So like most tribute albums, there are a variety of sounds from song-to-song. Sometimes that works on albums and often it does not, but here the excellent musicians throughout make this album more cohesive than many other multi-artist albums. My favorite tracks on the album include Shawn Colvin singing “That’s the Way Love Goes” and Lee Ann Womack singing “Return to Me,” neither of which would sound out of place on the Grand Ole Opry stage or in a smoky jazz nightclub.

    Conclusion? If you do not mind variety and a little jazz atmosphere mixed in with your music, you will most likely love Majestic Silver Strings. If you are looking for something that sticks closer to great traditional country sounds consistently throughout an album, you might want to start with one of Buddy Miller’s other albums, like the excellent Cruel Moon. You cannot go wrong either way.

    Bonus Bill Frisell Video: If you are not familiar with Bill Frisell’s outstanding guitar work, while his home is in jazz, he often incorporates country music elements into his work. Additionally, he has covered songs by artists that include Bob Dylan and Madonna. Check out his take on the classic song “Shenandoah” from his Good Dog, Happy Man album.

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