This Land Is Your Land: The Angry Protest Song That Became an American Standard

This Land Is Your Land

On October 6, 2008 at Eastern Michigan University, as the U.S. faced a deep financial crisis, one of the country’s biggest living rock stars took the stage to sing on behalf of a United States presidential candidate. As Bruce Springsteen began strumming his guitar, the candidate stood in a tent behind the scenes with his family. The candidate, who would be elected the country’s first African-American president a month later, sang to his children and danced to the chorus of “This Land Is Your Land.”

“This Land Is Your Land,” along with “America the Beautiful,” is an unofficial national anthem. But this song that presidents sing — and that sometimes is sung in response to presidents’ actions — began as something different.  It was written by a non-conforming down-and-out American troubadour more than seventy-five years earlier.

The Origins of “This Land Is Your Land”

Before “This Land Is Your Land” became a beloved American standard, it was a protest song. According to Joe Klein’s book Woody Guthrie: A Life, the 27-year-old Woody Guthrie began writing the song in 1940 out of anger and frustration.

At the time, Guthrie was living alone in a run-down hotel called Hanover House near Times Square in New York.  He had moved there after wearing out his welcome as a house guest with singer-actor Will Geer and his wife Herta.

Having seen the struggles of common people across America, Guthrie turned his frustration on Irving Berlin’s portrayal of a perfect America in “God Bless America.” Radio disc jockeys repeatedly played Berlin’s song on the radio in the 1930s. In response, Guthrie began writing a song with the sarcastic title “God Blessed America”:

this land is your land woody guthrie This land is your land, this land is my land,
From California to Staten Island,
From the Redwood Forest, to the Gulf Stream waters,
God Blessed America for Me.

Guthrie wrote five more verses ending with the refrain “God Blessed America for me.” And one verse reported on the men and women standing in lines for food.

One bright sunny morning in the shadow of the steeple,
By the relief office I saw my people —
As they stood there hungry,
I stood there wondering if
God blessed America for me.

Guthrie continued to work on the song.  He soon changed “Staten Island” in the refrain to “New York Island.” And he put the lyrics to the tune of the Carter Family’s “Little Darlin’, Pal of Mine.”

The Carter Family, though, did not originally write the music.  They took the tune of “Little Darlin’, Pal of Mine” from the Baptist hymn, “Oh My Lovin’ Brother.”

After Guthrie finished “God Blessed America for Me” on February 23, 1940, he put the song away. The song then sat untouched for several years.

Then, in April 1944, Guthrie began recording a large number of songs for record executive Moe Asch.  During the last recording session that month, Guthrie pulled out the old protest song.  By now, it had a new tag line and a new title, “This Land Is Your Land.”

The recorded version of “This Land Is Your Land” did not include the verse about the relief office. One may speculate about the reasons, but Guthrie may have made the changes for a nation at war.  Or perhaps he no longer saw a need to respond to “God Bless America.”

The artist and the producers did not treat “This Land Is Your Land” any differently than the other songs recorded at the sessions. Asch did not have the money to release any of the songs.  So, once again the song sat in limbo. Asch, however, later claimed he recognized something important in the song. (p. 285.)

By December of that year, Guthrie had started using “This Land” as the theme song for his weekly radio show on WNEW. And the Weavers recorded the song too.

Most early recordings by Guthrie and other artists omitted one of the more controversial verses.  The verse criticized capitalism and private property.  It evoked a time when Guthrie and other Okies were turned away at the California border:

There was a big high wall there that tried to stop me;
Sign was painted, it said private property;
But on the back side it didn’t say nothing;
This land was made for you and me.

Versions of “This Land Is Your Land”

Since Guthrie wrote the song, many artists have covered it.  The song has been sung by artists such as Johnny Cash, Steve Earle, Billy Bragg, Sharon Jones, The Seekers, Renée Zellweger, Bob Dylan, Tom Morello, Tennessee Ernie Ford, Marc Scibilia.

For example, below is a 1989 collaboration between Los Lobos with Bob Weir and Jerry Garcia of the Grateful Dead.

Below, watch a recording of “This Land Is Your Land” that features several major artists.  The singers include Bono, Emmylou Harris, and Little Richard.  This version appeared in the documentary A Vision Shared: Tribute to Woody Guthrie & Leadbelly.  A different version appears on the album of the same name.

I like the way this version starts with Woody, and then it transitions into his son Arlo Guthrie and other singers.  The song stays understated before becoming a joyous hoedown with John Mellencamp.

Bruce Springsteen has performed “This Land Is Your Land” for decades.  He included it on his Live 1975-1985 box set. And he also performed it with Guthrie’s friend Pete Seeger at a special concert in Washington to celebrate Pres. Barack Obama’s inauguration in 2009.

More recently, on February 5, 2017, Lada Gaga included “This Land Is Your Land” in her Super Bowl halftime performance. As the country seemed divided in recent weeks following the inauguration of Donald Trump as president, Lady Gaga began with “God Bless America” and then went into “This Land Is Your Land.” Knowing that Guthrie wrote his song in response to “God Bless America” gives one a deeper understanding of Lady Gaga’s message that this land is for you and me.

Yet, I suspect many people who came of age around the 1960s first heard “This Land Is Your Land” sung by Peter, Paul & Mary. The trio, like many other artists, recognized that the song works best when everyone sings along.

The Legacy of “This Land Is Your Land”

“This Land is Your Land” took on a life of its own.  And it no longer belongs to one person. For example, it can be used for discussion and criticized for its failure to connect the land to the Native Americans (although other artists have altered the song to do so).  As noted in previous posts on Woody Guthrie, his work and his songs remain relevant today.  Like Guthrie’s other songs, his most famous and timeless song, “This Land Is Your Land,” remains relevant too.

If Woody Guthrie had done nothing else besides write “This Land Is Your Land,” we would still honor him. “This Land Is Your Land” is the first song you think of when you think of the singer-songwriter. It is the song that ends every Guthrie tribute show. “This Land Is Your Land” is the song that David Carradine sings on top of a box car in the final scene of the Guthrie bio-pic Bound for Glory (1976). Also, it is the first song listed in Guthrie’s Wikipedia entry.

Additionally, “This Land Is Your Land” is the first Guthrie song you learned in school.  And it is the song that Presidents dance to.

It all started with a relatively unknown drifter in the 1940s venting his anger and frustration in his lonely fleabag room.  In that room, thinking about what he had seen traveling from California to the New York Island, Woody Guthrie wrote one of the country’s most beautiful songs.

{Woody at 100 is our continuing series celebrating the 100th Anniversary of the birth of American singer-songwriter Woody Guthrie on July 14, 1912. Check out our other posts on Guthrie and the Woody Guthrie Centennial too. }

What is your favorite version of “This Land is Your Land”? Leave your two cents in the comments. Photo via public domain.

  • Tom Joad’s Inspiration
  • Where Woody Guthrie Wrote “This Land Is Your Land”
  • Woody Guthrie’s “Pretty Boy Floyd” Was About More Than an Outlaw
  • Land of Hope & Dreams, This Train, and People Get Ready
  • Woody Guthrie’s “So Long It’s Been Good to Know You”
  • You and Me and Cisco Know
  • (Some Related Chimesfreedom Posts)

    The Band Played “Night of the Johnstown Flood”

    In 1889, a Pennsylvania dam collapsed causing what would be known as the Johnstown Flood, a disaster referenced in a fake song in a real Bruce Springsteen song.

    Johnstown Flood

    On May 31 in 1889, a western Pennsylvania dam collapsed, flooding the town of Johnstown, Pennsylvania and killing more than 2,200 people. Many today know about the flood through a Bruce Springsteen song that references another “song” about the Johnstown flood. But in the late 1800s, people knew about the devastation of the flood and the socio-economic forces behind it.

    The Story of The Johnstown Flood

    The South Fork Dam was built on the Little Conemaugh River fourteen miles upstream from Johnstown. In the late 1800s, it constituted the largest earth dam in the United States.

    Wealthy men from the Pittsburgh area created the South Fork Fishing and Hunting Club and owned the dam that created Lake Conemaugh. Rich people from the area enjoyed the fishing lake stocked with black bass. For example, Andrew Carnegie was one of the members of the club.

    A steady heavy rain on May 30, 1889, however, weakened the dam. The next morning, the president of the South Fork Fishing and Hunting Club noticed that the dam was under great pressure from the water.  A number of men rushed to work to try to save the dam.

    springsteen nebraska As the water pushed against the dam, an engineer tried to warn the residents of nearby Johnstown, a town of 30,000 people about fourteen miles away. But the message did not get to the town in time.

    At 3:10 p.m. on May 31, the dam collapsed and around 20 million tons of water rushed at 40 mph toward the town.  As the water headed toward the town, it picked up debris along the way.

    The water crushed buildings, and whirlpools took down some of the taller structures. A bridge captured much of the debris.  Then the debris in the bridge caught fire, causing more casualties (see image above). All together, 2,209 people died.

    After the devastation, relief efforts, including one of the first by the Red Cross, came to the town’s aid.  The rebuilding of the town took five years. Below is a documentary about the flood that was created by Charles Guggenheim and introduced by David McCullough.

    Several years ago, I visited the Johnstown Flood National Memorial and the Johnstown Flood Museum, and they are worth a visit if you are in the area. I first heard of the Johnstown Flood and became interested in visiting the area because it is mentioned in Bruce Springsteen’s “Highway Patrolman” from the Nebraska (1982) album.

    Springsteen and “Night of the Johnstown Flood”

    The Highway Patrolman of Springsteen’s song, Joe Roberts, tells how he struggles with his loyalties when his brother Franky breaks the law. In the song, Roberts remembers a carefree time dancing with his future wife Maria to a song about the Johnstown Flood.

    Yea we’re laughin’ and drinkin’, nothin’ feels better than blood on blood;
    Takin’ turns dancin’ with Maria as the band played “Night of the Johnstown Flood;”
    I catch him when he’s strayin’, teach him how to walk that line;
    Man turns his back on his family he ain’t no friend of mine.

    Although in “Highway Patrolman” Springsteen mentions a song called “Night of the Johnstown Flood,” from what I can tell, there was no song with that title. But eventually, after Springsteen’s song, some bands have performed a song with that name.

    Artists who have subsequently recorded songs named “Night of the Johnstown Flood” include The Rock Creek Jug Band (from their CD Simpler Times (2010)), Rustwater, Chicken Little (below and free download on the band’s site), and Pygmylush.  The epic nature of the flood deserves its own song, but it is interesting how Springsteen’s fictional song title inspired other writers.

    Legacy of the Johnstown Flood

    Some blamed the Johnstown Flood on the wealthy men who used Lake Conemaugh for their recreation. Their lake created a hazard that killed thousands of working people.

    The aftermath of the flood led to some early expressions of outrage during the U.S. Industrial Age against corporate powers and the wealthy. We see some of the same concerns being raised today.

    Other things stay the same too. Although the 1889 flood is one of the most famous floods in U.S. history, the town of Johnstown again faced deadly floods in 1936 and 1977.

    Painting of “The Great Conemaugh Valley Disaster” via public domain. Leave your two cents in the comments.

  • This Land Is Your Land: The Angry Protest Song That Became an American Standard
  • Bruce Springsteen’s Fighting Prayer for the U.S.
  • Is Kris Kristofferson’s Greatest Song “Sunday Mornin’ Comin’ Down”?
  • 10 Thoughts on Bruce Springsteen’s “Only the Strong Survive”
  • Local News Coverage of Bruce Springsteen in 1978
  • Belgians Reach Out to Bruce Springsteen With “Waiting on a Sunny Day”
  • (Some Related Chimesfreedom Posts)



    Tom Joad’s Inspiration

    grapes of wrath john steinbeck

    In 1940 after John Ford made John Steinbeck’s novel Grapes of Wrath into a popular film, Woody Guthrie was finding some fame while living with various friends in New York. In the biography Woody Guthrie: A Life, Joe Klein explained that as Victor Records worked to produce a set of Guthrie’s Dust Bowl ballads, the company asked Guthrie to write a song that would capitalize on Grapes of Wrath‘s popularity. (p. 163.)

    It was a good fit to have the balladeer who had first-hand experience with the Dust Bowl write a song about a fictional character who experienced it. In the clip below, New York Times film critic A.O. Scott discusses the film.

    Writing “Tom Joad”

    So, Guthrie went to work on his song. One night Guthrie asked his friend the young Pete Seeger where he could get a typewriter to use to compose the song related to the film. Seeger took Guthrie to the lower East Side to see an artist friend with a typewriter.

    Guthrie sat down at the machine with a half gallon of wine and began writing, periodically going to his guitar to test out what he was writing. When Seeger woke up the next morning, he found the song written on the typewriter next to an empty wine bottle and Guthrie passed out on the floor.

    The seventeen-verse song summarized Tom Joad’s story. Despite the length, the record company recorded the entire song on May 3, 1940 in its New Jersey studios.  Then, the record company had to use both sides of a record to get it to fit.

    Guthrie was usually dissatisfied with his songs.  But he was proud of this song, saying, “I think the ballad of the Joads is the best thing I’ve done so far.”

    The Music from “John Hardy”

    Guthrie took the music for “Tom Joad” from an outlaw ballad he had been playing, “John Hardy.” In the clip below, Roscoe Holcomb sings “John Hardy,” where you can hear the music behind Guthrie’s “Tom Joad.”

    Holcomb, who grew up in Daisy, Kentucky, recorded a number of traditional songs in the 1960s after John Cohen and Smithsonian Folkways discovered the authentic voice in the Appalachian Mountains.

    Guthrie’s Lyrics

    While the music of “John Hardy” helped inspire Guthrie to write “Tom Joad,” Guthrie’s lyrics captured Steinbeck’s book and Henry Fonda’s portrayal of Joad in Ford’s film. At the end of all the book, the film, and the song, Tom Joad makes an impassioned speech to his mother.  And Guthrie included that key scene in his lyrics.

    Wherever little children are hungry and cry,
    Wherever people ain’t free.
    Wherever men are fightin’ for their rights,
    That’s where I’m a-gonna be, Ma.
    That’s where I’m a-gonna be.”

    How “Tom Joad” Inspired Others

    While several sources influenced Guthrie, he of course influenced others. In particular, “Tom Joad” influenced Bruce Springsteen making an album about troubled men and women.

    Consistent with recent Springsteen comments that he found “fatalism tempered by a practical idealism” in Guthrie’s works, the title track of Springsteen’s The Ghost of Tom Joad (1995) follows Guthrie’s song in capturing Joad’s conversation with his mom.

    Now Tom said “Mom, wherever there’s a cop beatin’ a guy,
    Wherever a hungry newborn baby cries,
    Where there’s a fight against the blood and hatred in the air,
    Look for me mom I’ll be there;
    Wherever there’s somebody fightin’ for a place to stand,
    Or a decent job or a helpin’ hand,
    Wherever somebody’s strugglin’ to be free,
    Look in their eyes Mom you’ll see me.”

    It is somewhat amazing that one conversation from Steinbeck’s book has resonated so much for other artists.  But the words are timeless.

    As long as there are economic inequalities, the words about fighting for the common people will resonate in society.  Steinbeck’s version passed on to John Ford who then connected to Woody Guthrie who then connected to Bruce Springsteen.  And the line will continue.

    Already, Springsteen has passed the Joad mantle onto Tom Morello, who performed a Guthrie song during a May Day protest, and his band Rage Against the Machine.

    We do not know who will take it next.  But as long as somebody’s strugglin’ to be free, Joad’s words will be there.

    Rage Against the Machine’s version of the Bruce Springsteen song sounds a long way from Woody Guthrie’s guitar. But I suspect that if Woody were around today and heard the song’s critique of society’s treatment of the poor, he would be on stage with them. “That’s where I’m a-gonna be.”

    {Woody at 100 is our continuing series celebrating the 100th Anniversary of the birth of Woody Guthrie in 1912. Check out our other posts on Guthrie too. }

  • Anniversary of “The Grapes of Wrath”
  • Mumford & Sons Join Elvis Costello on “Ghost of Tom Joad”
  • This Land Is Your Land: The Angry Protest Song That Became an American Standard
  • Tell Me, What Were Their Names?
  • The Killing of “Two Good Men”
  • Land of Hope & Dreams, This Train, and People Get Ready
  • (Some Related Chimesfreedom Posts)

    Passover: Moses and the Price You Pay

    ten commandments In popular culture, most references to Moses focus on the high points of his life.  These include him leading the Israelites to freedom by parting the Red Sea and his trip to Mount Sinai to bring forth the ten commandments.  But in the final scene of the film The Ten Commandments (1956), the film ends with a less celebratory scene.  The movie ends with Charlton Heston’s Moses left behind, paying for what seems like a minor transgression.

    I remember watching the movie as a kid, seeing the low-key ending as a letdown after the excitement of the action of the parting of the Red Sea. I also found it confusing because the entire movie shows Moses as special to God and then all of a sudden God is punishing him.

    Perhaps my confusion about the ending of the movie is one of the reasons I immediately fell in love with Bruce Springsteen’s “The Price You Pay.” Springsteen captures the tragic sadness of that moment in his song from The River (1980).

    Little girl down on the strand,
    With that pretty little baby in your hands,
    Do you remember the story of the Promised Land?
    How he crossed the desert sands,
    And could not enter the chosen land,
    On the banks of the river he stayed,
    To face the price you pay.

    Similarly, in “Adam Raised a Cain,” he explains that the notion of sin and punishment is so deep that paying for our own sins is not enough:  “You’re born into this life paying / For the sins of somebody else’s past.”

    But Springsteen, who both embraces and rebels against his Catholic upbringing in his songs, does not let the story of “The Price You Pay” end there. Although there is nothing Springsteen can do about the story of Moses (or Cain and Able), in “The Price You Pay” the singer rebels against the rules that say we must always be paying for sins.

    But just across the county line, a stranger passing through put up a sign
    That counts the men fallen away to the price you pay;
    And girl before the end of the day,
    I’m gonna tear it down and throw it away.

    In some ways, “The Price You Pay” is a sequel to Springsteen’s “The Promised Land” from Darkness on the Edge of Town (1978).  In that song, the singer sang of faith in a promised land and a coming twister that will “blow away the dreams that break your heart.”

    The idea of escape from punishment for sin is present in much of Springsteen’s music. In “The Price You Pay,” though, he connects the past and present in a way where the present-day hero is not crushed by old rules.  Instead, he rises up and rebel not only for himself, but for the sinners of the past, including Moses.  It may be nothing more than tearing down a sign, but he rejects the notion that life is about paying for sin.

    Whether or not you celebrate one of the holidays this month, may you have a year free from the haunting of past sins. And at the same time may you tear down the sign and forgive others for their burdens.

    What do you think is the meaning behind “The Price You Pay”? Leave your two cents in the comments.

  • Bob Seger and Bruce Springsteen “Shout” In Their Third Performance Together
  • Bruce Springsteen: Always Roaming With a Hungry Heart
  • “New” Springsteen Track: “Meet Me In the City”
  • “The River” Had a Happy Ending After All
  • Bruce Springsteen’s Fighting Prayer for the U.S.
  • 10 Thoughts on Bruce Springsteen’s “Only the Strong Survive”
  • (Some Related Chimesfreedom Posts)


    You Can Get Killed Just for Living in Your American Skin

    Last Friday, Bruce Springsteen dug his song “American Skin (41 Shots)” from Live In New York City (2000) out of the vault in Tampa, Florida. Without any comment from Springsteen, the reason for the song eventually became clear to the crowd. Although it was written about New York police shooting the unarmed Amadou Diallo in February 1999, the refrain about getting killed just for living in your “American Skin” resonated in Florida, where this February the 17-year-old unarmed Trayvon Martin was killed.

    While everyone is still sorting out what happened in the incident, both liberal and conservative commentators have been doing a lot of yelling. While one may debate whether Springsteen’s decision to bring back “41 Shots” helps with the debate or just adds more confusion to the developing story, when Nils Lofgren’s electric guitar kicks in after the 3-minute mark, there is no question. Even more than the refrain, the building tension and screaming guitars say that despite all of the rhetoric on both sides, it’s a damn tragedy.

  • Living Colour: “American Skin (41 Shots)” (Cover of the Day)
  • Bruce Springsteen & the E Street Band: “Purple Rain”
  • Nils Lofgren Helped Write A Classic 1970s Rod Stewart Ballad
  • Bruce Springsteen on Jimmy Fallon: Wrecking Ball
  • Bruce Springsteen’s Fighting Prayer for the U.S.
  • 10 Thoughts on Bruce Springsteen’s “Only the Strong Survive”
  • (Some Related Chimesfreedom Posts)