Big Ol’ Jet Airliner & Paul Pena

Paul Pena New Train Reports about Boeing’s Dreamliner jet airplanes reminded me of the Steve Miller Band song “Jet Airliner,” and the author of the song, Paul Pena, who died on October 1 in 2005. Pena had one of the most unique music careers in the last fifty years. If you do not recognize his name, it is because of his bad luck in the music industry. But if you know of him, that was the result of chance too.

Paul Pena and His Unreleased Record

Pena was born on January 26, 1950 with congenital glaucoma and was completely blind by the time he was twenty.  He started a music career in the late 1960s. After opening for Jerry Garcia and other musicians, he recorded a self-titled album in 1972.  Then, he followed it up with New Train in 1973.

The latter album’s style ranged from R&B to folk to Jimi Hendrix-style blues, and it included a future hit song. But the album was not released. The owner of the record company refused to release the album after a dispute with Pena and his manager. Due to contractual obligations, Pena could not record elsewhere either, so his career stalled.

Steve Miller, however, heard the unreleased New Train and with the Steve Miller Band recorded a hit version of Pena’s song “Jet Airliner” on 1977’s Book of Dreams. The royalties from the Steve Miller Band recording helped Pena, who later suspended his music career to care for his wife, who was suffering from kidney failure.

New Train Is Finally Released

New Train sat in the vaults for almost three decades until it was finally released in 2000. Although not a top-40 hit, the album garnered Pena some attention.

I first heard of Pena when an alternative rock station played songs from the “new” album around this time. Pena toured a bit to support the album, even appearing on Late Night with Conan O’Brien to play his version of “Jet Airliner.”

The first Pena recording I heard was another song from New Train, “Gonna Move.” I loved the song immediately, as did a number of artists.

Several musicians recorded cover versions of “Gonna Move,” including Susan Tedeschi and the Derek Trucks Band.

Pena’s Discovery of Tuvan Throat Singing

In the time between the recording of New Train in the 1970s and the album’s release in 2000, though, Pena was not idle. In the 1980s, while listening to shortwave radio, he accidentally discovered Tuvan throat singing, which is a unique vibrating style of singing used by the Tuva people in southern Siberia.

Fascinated by the discovery, Pena began to study the language and the singing style, eventually traveling to Tuva to perform there. Filmmakers covered Pena’s new singing style and his trip to Tuva in the 1999 documentary Genghis Blues.

The movie was nominated for an Oscar at the 2000 Academy Awards and won the 1999 Sundance Film Festival Audience Award. The soundtrack to the film features more music from Pena. Below is the trailer for the movie.

Rediscovery and Death

So in 2000, with the Genghis Blues Oscar nomination and the long-awaited release of New Train, one might think that the story leads to a successful and happy career for Pena. But around this time, Pena was diagnosed with pancreatitis, and he died on October 1, 2005.

His death was a sad ending to a story that waited so long for a happy resolution.  It reminded one of the lyrics to “Jet Airliner”: “You know you got to go through hell / Before you get to heaven.”

But few artists get the chance to leave us with such great songs as “Gonna Move” and “Jet Airliner.” On top of that, he also introduced us to another culture’s music legacy.

It is sometimes frustrating and funny how fate works. But it was his work on Tuvan throat singing which led to the 1999 documentary.  And that led to the reason why New Train was finally released in 2000.

The release of New Train, then, was  the only reason I and many others were introduced to Pena’s music.  And all of that came about because of a strange accident.

One night in 1984, a blind man who had a lot of bad luck thought his career was over.  After searching for a Korean language lesson on shortwave radio, he accidentally found a new music that intrigued him on Radio Moscow. Had Pena done something else that night or turned the radio dial another way, his life and legacy might have turned out differently.  There would have been no Tuvan throat singing, and then no movie.  And then New Train might never have been released.

That all would have been a real tragedy.

I found out, not too long,
Their rules wouldn’t let me sing my song;
I knew in order to be a man,
I had to pull up roots once again and move on in this land.

I’m gonna move away from here,
You can find me if you want to go there;
I’m gonna move away from here,
You can find me if you want to go there.

— Paul Pena, “Gonna Move”

What do you think of Paul Pena’s music? Leave a comment.

  • Music You Might Have Missed: Chris Whitley
  • Virginian Jake Kohn’s Young Soulful Voice Sounds Older Than the Hills in “Dreams”
  • Amythyst Kiah: “Wary + Strange” (Short Review)
  • Lonnie Johnson: “Another Night to Cry”
  • Barbara Dane’s Cool Musical Legacy: “Wild Woman,” “Gasser,” “Hard-Hitter”
  • Skip James: “Hard Times Killing Floor Blues”
  • (Some Related Chimesfreedom Posts)

    Buy from Amazon

    Goodnight Irene

    Lead Belly Goodnight Irene As Chimesfreedom prepares for Hurricane Irene in New York, we wish others in the hurricane’s path to be safe in weathering the storm. Hopefully, we soon will be wishing Irene goodnight, as in the great song. Unlike the hurricane, “Goodnight Irene” is timeless, so that nobody knows where the song originated. Huddie Ledbetter, i.e., Lead Belly, made the first recording of the song while he was in the Louisiana State Penitentiary. His recording is a beautiful, haunting version of the song about the deep sadness of lost love, as the singer tries to warn others to avoid his fate (“Stay home with your wife and family / And stay by the fireside bright”).

    Goodnight Irene, Lead Belly

    Pete Seeger’s The Weavers helped make the song a national hit in 1950.  And there have been numerous covers through the years, including interesting upbeat versions by Fats Domino and by Brian Wilson (the latter is on the tribute CD, Folkways: A Vision Shared (1988)).

    In the version below, Pete Seeger sings with the great Mississippi John Hurt, who tells a story about getting his first guitar. Then, the group, which includes folk-singer Hedy West (“500 Miles“) and banjo player Paul Cadwell, breaks into playing “Goodnight Irene.”

    The above performance appeared on Rainbow Quest, a show Pete Seeger started on a local UHF New York television station in the 1960s. At the time, many television stations feared featuring Seeger, who had been blacklisted because he asserted his First Amendment rights before the House Un-American Activities Committee. Fortunately, through YouTube, many more people get the opportunity to see some great performances hidden away at the time. Seeger, who now is a respected sage from a different time, has always been a bit of a hurricane himself.

    What is your favorite version of “Goodnight Irene”? Leave a comment. In times of natural disasters, it is always a good reminder to help others by donating to organizations like the Red Cross.

  • Mississippi John Hurt: “Lonesome Valley”
  • Burl Ives & Johnny Cash
  • Watch Night, Emancipation, and “Mary Don’t You Weep”
  • Amythyst Kiah: “Wary + Strange” (Short Review)
  • Everyone Needs a Little Extra “Love And Mercy” Now
  • Trini Lopez: Hammerin’ Out Danger
  • (Some Related Chimesfreedom Posts)

    Buy from Amazon

    Louis Armstrong Born

    Definitive Louis Armstrong On August 4, 1901, the world was graced with the birth of one of the great musical geniuses, Louis Daniel Armstrong. Armstrong, who was born in New Orleans, often said he was born on the Fourth of July, although his actual birth date was August 4. Either way, we should still have fireworks on his birthday. Just as July 4 is seen as the birth date of our country, one might easily say that August 4 is the birth date of American music.

    Below is one of my favorite Louis Armstrong recordings, “West End Blues.” This perfect song was recorded in 1928 by Louis Armstrong and His Hot Five when Armstrong was in his late 20s.

    The “West End” in the title refers to an area with night life on the shore of Lake Pontchartrain in New Orleans. The jazz classic appears on various CDs, including Complete Hot Five & Hot Seven Recordings. The following video provides some interesting information about what you are hearing as you listen to the song. Enjoy. Happy birthday Pops.

    What is your favorite Louis Armstrong recording? Leave a comment.

  • Barbara Dane’s Cool Musical Legacy: “Wild Woman,” “Gasser,” “Hard-Hitter”
  • Louis Armstrong’s Genius and “West End Blues”
  • Happy Birthday Eleanora Fagan (i.e., Billie Holiday)!
  • Amythyst Kiah: “Wary + Strange” (Short Review)
  • The World Needs a Little Louis Armstrong Right About Now
  • Louis Armstrong and Jimmie Rodgers: “Blue Yodel 9” (Duet of the Day)
  • (Some Related Chimesfreedom Posts)

    Music You Might Have Missed: Chris Whitley

    Chris Whitley Dirt Floor

    Chris Whitley may be the singer with the most CDs in my collection who most of my friends have never heard of. His music covered a wide range of styles, varying from album to album, but much of it was steeped in the blues, as he was an incredible guitar player. He often used alternate tunings on his guitar, creating a unique sound that is difficult to match.

    Whitley was discovered by legendary producer Daniel Lanois, and a protege of Lanois produced Whitley’s first album, where you can hear Lanois’s influence. I bought Whitley’s Living With The Law (1991) on a cassette tape when I lived in Arizona, and I played the atmospheric songs every time I drove through the desolate painted desert in the northern part of the state. I especially love the opening title track and the second song, “Big Sky Country.”

    “Dirt Floor” is the title song from a solo album Whitley recorded in one day in a Vermont log cabin. The sound of the album Dirt Floor (1998) and the sparse title song contrast greatly with the sound of Whitley’s first album, but “Dirt Floor” finds its power in a dark place that hides in the blues.

    As you see above, Whitley is posing with a cigarette on the album cover of Dirt Floor. Seven years later, the title song “Dirt Floor” was posted on Whitley’s website when he died in 2005 from lung cancer at the young age of 45. Whitley, who was born on August 31 in 1960, left behind a daughter.

    “There’s a dirt floor underneath here / To receive us when changes fail./ May this shovel loose your trouble, /Let them fall away.”

    If you like the music, check out more of his work.

    What do you think of Chris Whitley’s music? Leave a comment.

  • Chris Whitley: “Firefighter”
  • Big Ol’ Jet Airliner & Paul Pena
  • Virginian Jake Kohn’s Young Soulful Voice Sounds Older Than the Hills in “Dreams”
  • Amythyst Kiah: “Wary + Strange” (Short Review)
  • Lonnie Johnson: “Another Night to Cry”
  • Barbara Dane’s Cool Musical Legacy: “Wild Woman,” “Gasser,” “Hard-Hitter”
  • (Some Related Chimesfreedom Posts)

    Happy Birthday Robert Johnson!

    Robert Johnson Centennial Collection

    Blues legend Robert Johnson (probably) was born on May 8, 1911 in Hazlehurst, Mississippi. Although he was only 27 when he died — possibly poisoned by a jealous husband in Mississippi — and he only left us 29 recordings, he is more than a legend in the music world. The singer and guitar player who allegedly sold his soul to the Devil for his guitar skills has influenced generations of musicians.

    In Escaping the Delta: Robert Johnson and the Invention of the Blues, Elijah Wald recounts a description of the birth written by Peter Guralnick: “Robert Johnson was born probably on May 8, 1911, the eleventh child of Julia Major Dodds, whose ten older children were all the offspring of her marriage to Charles Dodds. Robert was illegitimate, which . . . was the cause of the name confusion and the cause of many of Johnson’s later problems.”

    Here is a roundup of some websites about Johnson and stories from 2011 about the 100th anniversary of his birth:

    – A Sudbury Star article discusses Robert Johnson’s life and his influence on modern musicians.

    USA Today gives an overview of events occurring to celebrate the anniversary, along with a video of Gregg Allman talking about Johnson.

    – The Gibson Guitar website has in interview with Robert Johnson’s grandson.

    – The Seattle Post Intelligencer has a review of a new 2-CD collection of Johnson’s music, The Centennial Collection. Amazon offers additional reviews of The Centennial Collection.

    – Here is a YouTube video of academics discussing what is thought to be the only known video of Johnson.

    The Republic from Columbus, Indiana has an article about the connection between Johnson and Bob Dylan.

    – Mississippi’s Jackson Clarion Ledger discusses the planned celebration in Greenwood, Mississippi, where Johnson died in 1938.

    Crawdaddy has a short article connecting Robert Johnson to current Mississippi blues.

    The Robert Johnson Notebooks has a literary analysis of the lyrics to his songs.

    Of course, it all comes down to the music, so consider Robert Johnson playing and singing “Cross Road Blues.” Although many assume the song is about Johnson’s encounter with Satan at the crossroads, there is no mention of the Devil in the song. Instead, the song is most likely about the singer’s attempt to get home before dark, a genuine fear during a time when African-Americans did not want to encounter lynching parties in the South.

    For an electric version of the song, here is Eric Clapton introduced his version of “Crossroads,” by explaining what Johnson means to him. “It really shook me up.”

    Robert Johnson seems to be such a legendary figure of the past, one may find it hard to believe that his birth was not really that long ago. He could have lived to be alive today. Happy birthday Mr. Johnson, wherever you are.

  • Dion’s Tank Full of Blues (CD Review)
  • Charlie Rich’s Journey Through Many Record Companies: Where to Begin with His Music?
  • Amythyst Kiah: “Wary + Strange” (Short Review)
  • Lonnie Johnson: “Another Night to Cry”
  • Barbara Dane’s Cool Musical Legacy: “Wild Woman,” “Gasser,” “Hard-Hitter”
  • Skip James: “Hard Times Killing Floor Blues”
  • (Some Related Chimesfreedom Posts)