Sturgill Simpson provided us with a musical treat during the coronavirus pandemic. To raise money for charity, Simpson and his band gave us some bluegrass performed live at Nashville’s Ryman Auditorium. Due to the pandemic, there was no audience beyond those watching online.
Legendary musician and banjo player Earl Scruggs passed away this morning at the age of 88. Even if you were not listening to bluegrass at the time and were a kid watching television, you still knew Flatt & Scruggs, as I did every week when I watched The Beverly Hillbillies and they played their instruments on “The Ballad of Jed Clampett” to open the show (with Jerry Scoggins singing on the version used on the show).
During his great career, Scruggs played with a number of famous artists, including Bob Dylan, the Byrds, Ravi Shankar, King Curtis, Elton John, and many others. The actor, comedian, and banjo-player Steve Martin wrote about Scruggs in The New Yorker earlier this year, “Few players have changed the way we hear an instrument the way Earl has.” Below is a clip from 2006 where Martin joins Scruggs to play “Foggy Mountain Breakdown” on The Late Show with David Letterman.
Scruggs started with Bill Monroe’s Blue Grass Boys in 1945, but then left with Lester Flatt to form the Foggy Mountain Boys, which later became known just as Flatt & Scruggs through the 1950s and 1960s. Scruggs also was one of the few country or bluegrass artists who spoke out publicly against the war in Viet Nam, appearing at the 1969 US Vietnam Moratorium in Washington, DC. Below is Flatt & Scruggs playing “Roll in My Sweet Baby’s Arms.”
Flatt passed away in 1979. Here’s hoping somewhere the two are making some sweet music again. RIP.
With Thanksgiving approaching in the U.S., it seems appropriate to discuss one of my all-time favorite CDs, Marty Stuart’s The Pilgrim (1999). In another post, we discuss another Marty Stuart CD that covers the other side of the original Thanksgiving table.
Click album photo to see outstanding Amazon reviews.
Although we often associate the word “pilgrim” with the English colonists who sailed on the Mayflower ship, settled in Plymouth, and dined on the first Thanksgiving meal, the word in its broader meaning applies to any traveler or more specifically, “one who embarks on a quest for something . . .sacred.”
It is in this sense that Marty Stuart’s concept album uses the word “pilgrim.” On the album, we first hear the word in Emmylou Harris’s voice on one of the first songs on the CD (above): “I am a lonesome Pilgrim, far from home/ . . . I might be tired and weary, but I’m strong / ‘Cause pilgrims walk, but not alone.”
The True Story Inspiration
The Pilgrim is based on a true story about people Stuart knew in his hometown of Philadelphia, Mississippi. Over the years, Stuart continued to think about the tale, and after attending Bill Monroe’s funeral, he began putting the story into an album.
The Pilgrim begins with the words of a man — the Pilgrim — who is in love with a friend, Rita. But unknown to the Pilgrim, Rita was married to Norman, who was jealous of his former beauty queen wife.
In the song “Harlan County,” bluegrass legend Ralph Stanley, reveals Norman killed himself because he believed he had been betrayed. In “Reasons,” Marty Stuart recounts Norman’s suicide note, where Norman explained, “I keep looking for reasons.”
Norman’s suicide sends the Pilgrim on the road as he struggles with how his love for Rita led to Norman’s death. He drowns his troubles in alcohol (“Red, Red Wine and Cheating Songs“) and travels as a hobo, heading west for the Pacific Ocean and “trading sorrows for tomorrows,” while “Goin’ Nowhere Fast.”
During the Pilgrim’s travels, an observant crow sees the Pilgrim passing by in “Observations of a Crow”: Take a look at that pilgrim, passing by; He’s looking for love, I can see it in his eyes; He’s running ’round in circles, you can take it from me; His shadow begs for mercy of every lost and found, In city after city, town after town, Tortured by the memory of a love he thought was supposed to be.
Eventually, across the miles, in “The Greatest Love of All Time” and “Draggin’ Round These Chains of Love,” the Pilgrim thinks back on Rita. He considers his love for her despite everything that has happened.
The Pilgrim visits a small graveyard where his mother is buried. At his mother’s grave, in “Redemption,” he says, “I keep hearing her and Jesus say ‘Surrender son and rest.'” The Pilgrim finally is able to forgive himself and accept his love for Rita. He returns home to marry her and raise a family.
The Music: “A Fabulous Journey”
Of course, an album would not be great with just a good story. The music on the album is wonderful too, covering a number of styles of country music, including rockabilly, a drinking song, and some excellent short bluegrass instrumentals. While the songs together tell a story, they each may stand on their own outside the story too.
Marty Stuart’s voice tells most of the tale, but a few friends show up to help out, including Ralph Stanley, Earl Scruggs, Pam Tillis, and George Jones. The music fits the Pilgrim’s tale perfectly throughout.
Unfortunately, the album did not do well in sales when it was first released, even though critics gave it good reviews. Because of the poor sales, MCA Nashville dropped Stuart from his record deal at the time.
In retrospect, Stuart has accepted the loss well, realizing he created something worth more than a sales number. Stuart recognizes, “But when all of those plastic things that came out around that time are gone, The Pilgrim will still be around.”
The Pilgrim is one of the great overlooked country CDs of recent decades. Johnny Cash called it “a fabulous journey.” You might discount Johnny’s statement because he was friends with Stuart. Also, he helped with the album, as his deep booming voice provides the final words on the album, quoting Alfred Lord Tennyson’s “Sir Galahad.”
But if you do not trust Johnny’s assessment, you can trust me.
I am a lonesome Pilgrim, far from home, And what a journey I have known. I might be tired and weary, but I’m strong; ‘Cause pilgrims walk, but not alone.
May your journeys this Thanksgiving and throughout the holiday season all be safe and happy ones.
What do you think of The Pilgrim? Leave your two cents in the comments.
Many years ago, a newspaper published a list of the top romantic movies for Valentine’s Day, and the writer included Shane (1953) on the list. At first, the choice surprised me.
I had always thought of the movie as a great action Western. But after reading the article, I focused more on the relationship between Shane, played by Alan Ladd, and Marian Starrett, played by Jean Arthur. And I came to see that the author of the list was right.
The Unusual Love Story in “Shane”
The unrequited love between Shane and Marian is something we do not see in modern movies. The relationship is subtle, buried in hidden looks and unspoken feelings. They both are torn, as Marian still loves her husband Joe and Shane is Joe’s friend.
There are many things to love about the film Shane. It has great scenery, Jack Palance as a villain, the gunfights, and the decent man trying to change his life. But the Shane-Mariann relationship makes the movie more complex than your usual action yarn.
The Shane-Mariann relationship is so subtle that descriptions of the movie rarely mention it. I suspect that a modern movie version might feature a scene of the two having sex to make the same point made in Shane with a few words and glances.
When Clint Eastwood made Pale Rider (1985), largely based on Shane, he avoided a similar relationship in his story altogether. Instead he went for religious overtones, which was probably easier to do.
Shane’s Ending
{Spoiler ahead} The final scene of the movie is a classic scene in American film. Shane explains to Mariann’s son Joey: “There’s no living with a killing. There’s no goin’ back from one. Right or wrong, it’s a brand… a brand sticks. There’s no goin’ back. Now you run on home to your mother and tell her… tell her everything’s alright. And there aren’t any more guns in the valley.”
The wounded Shane rides off into the sunset. And Joey yells after him, pleading for him to return.
Interpreting the scene with our modern vocabulary, Joey yells the funniest line in the movie for those have picked up on the Shane-Mariann relationship: “Mother wants you. I know she does!” Although the child doe not know exactly what is going on, he has sensed some love.
Below is the trailer for Shane, although I do not understand why the trailer maker used the final scene of the movie in the trailer.
Jean Arthur & Alan Ladd
Another unusual aspect of the movie compared to modern movies is that the female lead, Jean Arthur, was more than a decade older than the male lead. Nowadays, too often producers choose older men to be romantic leads with very young women. But at the time Shane was released, Alan Ladd was 40 and Jean Arthur was 53.
Arthur had appeared in several great classic movies, including Mr. Smith Goes to Washington and Mr. Deeds Goes to Town, but she was reclusive and did not like the limelight. She had retired prior to the making of Shane, and she made an exception to return to make Shane, which was her final film and the only one where she appeared in color.
When You Say Nothing at All
If Chimesfreedom were in charge of music for Shane, we would add “When You Say Nothing at All” to the final credits. The words capture the unspoken relationship between Shane and Mariann.
The smile on your face lets me know that you need me, There’s a truth in your eyes sayin’ you’ll never leave me, The touch of your hand says you’ll catch me if ever I fall; You say it best when you say nothing at all.
The version above by Alison Krauss and Union Station appeared on Keith Whitley: A Tribute Album (1994) and on Now That I’ve Found You: A Collection (1995). A live version appeared on Alison Krauss & Union Station – Live.
“When You Say Nothing at All” was written by Keith Whitley, a singer-songwriter who died at the young age of 34 from alcohol poisoning. Although Whitley only released four albums during his career, he influenced future generations of singer-songwriters. He wrote some beautiful songs like “When You Say Nothing at All.”
And yes, contrary to the song, Shane did leave her.
What other movies feature subtle romantic relationships? What about Casablanca? Leave a comment.
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