80 Years of Willie: From Opry Singer to Outlaw to Wizard

Willie Nelson Heroes Eighty years ago this week, Willie Hugh Nelson was born on April 29, 1933 in Abbott, Texas. Nelson is still going strong making music, and he using his annual birthday concert to benefit the West, Texas volunteer fire department that was affected by the recent fertilizer plant explosion that killed fourteen people and injured many others.

We have highlighted some of Nelson’s songs in other posts, and the man has such a range it is hard to select one song to celebrate the special occasion. So here are several spanning the birthday boy’s career.

Here is some early Willie Nelson from before the long hair and the beard. In this video, he performs a medley of songs at the Grand Ole Opry. One of the songs he performs is “Night Life,” which he wrote and which became a hit for Ray Price. Nelson also played bass for a time in Price’s band. Nelson also performs part of his classic ‘Crazy,” which of course was a big hit for Patsy Cline.

Around 1970, Nelson left Nashville and moved back to Texas, where he became an “outlaw.” Here in this performance from 1974, Nelson performs “Good-Hearted Woman,” which he wrote and recorded with Waylon Jennings.

Here is a 1975 performance of “Blue Eyes Crying in the Rain.” The song was written by Fred Rose, but the song is forever linked to Willie Nelson after he covered the song on his great concept album, Red-Headed Stranger (1975).

Here is one you might have missed, a more recent song from Nelson. Nelson is a great interpreter of a range of styles and songwriters, which he shows here in a cover of “Gravedigger,” a Dave Matthews song. The song appeared on Nelson’s 2008 album Moment of Forever.

Finally, here is something even more recent showing Nelson’s sense of humor. Conan O’Brien recently showed Willie Nelson’s audition tape for the role of Gandalf in Hobbit 2. Of course, there is some of Nelson’s pot humor as well as a short rendition of “Mamas Don’t Let Your Babies Grow Up to be Orcs.”

Whether you like early Willie, Outlaw Willie, or modern Willie, put on some music today.

What is your favorite Willie Nelson song? Leave your two cents in the comments.

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    Julie Roberts: From Country Star to “Voice” Contestant

    Julie Roberts The Voice In 2004, I discovered the debut self-titled album from country singer Julie Roberts. It’s traditional sound stood apart from much of the mediocre music that comes out of Nashville. I particularly liked her version of “Break Down Here,” and it is one of my favorite country songs of the last decade.

    I liked the album so much that when her next album, Men and Mascara (2006) came out two years later, I picked it up when I saw it at a Tower Records going out of business. While it never grabbed me as much as her debut album, it was a solid sophomore effort, and I particularly liked the title track.

    While Roberts generally recorded songs from other artists on her first two albums, she showed a good taste for music and a talent for interpretation, choosing songs by people such as the talented Julie Miller. The first album, Julie Roberts, had good sales and reviews, leading to national TV show appearances and nominations from the Academy of Country Music and a CMT Awards breakthrough artist nomination.

    Her follow-up CD, Men and Mascara, did moderately well but was not as successful. It was a rough time for the music industry overall, and a few years later her record company Mercury Records dropped her. While I had wondered what had happened to Roberts, I did not know until being surprised while watching an episode of The Voice this week.

    The years since her breakthrough debut album have not been kind to Julie Roberts. She has failed to surpass or even reclaim the success of her first album, even though she self-released another try in 2010. A 2010 flood in Nashville ruined her home and belongings. And then she was diagnosed with multiple sclerosis while she was making her second album.

    Which brings us to this week on The Voice, where Roberts hoped for a second chance in her career, much like the winner of season three, Cassadee Pope, did when she auditioned. While it was great to see Roberts again, she appeared not as a guest performer but as a contestant, singing for the four judges who face away from contestants and only opt to turn around if they choose to keep the singer on the show as part of their team.

    Roberts selected a song by one of the judges she knew during better times, Blake Shelton’s “God Gave Me You.” As she sang, she hoped Shelton or at least one of the judges would hit the button on their chair to give her and her career a new chance. [2016 Update: Unfortunately, The Voice video segment with Julie Roberts is no longer available.]

    Ultimately, none of the judges turned their chair around for Roberts, and Blake Shelton felt especially bad after he recognized the singer he had just rejected. Roberts probably made a mistake singing a song recorded by one of the judges because the judges can be more picky when they think a contestant is trying to win them over with the song selection, especially when it is a song with personal meaning to the judge.

    Roberts does much better on other songs. And she probably would have been selected had she sang a song like “Blue Eyes Crying in the Rain,” which is available along with other stripped down “Naked” recordings on her website.

    This week, Julie Roberts released a statement on her website about her experience on The Voice. In it, she notes that the rejection “was heartbreaking for me on many levels but I believe with all my heart that God has other plans for my life that He is working on behind the scenes for me right now.” The good news is that she plans to record new music and head back out on the road. We wish her well with her life, her health, and her career.

    [July 2013 Update: After her TV appearance, Julie Roberts signed a record contract with Sun Records and will release an album in October 2013.]

    What is your favorite Julie Roberts song? Leave your two cents in the comments.

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