When I heard that several stars like Bruce Springsteen, Billy Joel, Christina Aguilera and Sting were going to appear last Friday on a one-hour “Coming Together” TV concert on NBC, I could not help thinking of the similar benefit that had aired on the four major broadcast networks September 21, 2001 after the 9/11 attacks. There were similarities to that benefit because both marked sad times with performances by many of the same artists in a darkened studio. There were some differences this time, though, such as the fact that the Fox network tried to stir up some controversy about NBC’s Sandy fundraiser.
Also, on Friday’s show, some of the performers were able to touch on some hopeful notes while still acknowledging the devastation caused by Hurricane Sandy. For example, Jimmy Fallon and Stephen Tyler remembered better times and looked to the rebuilding when they sang “Under the Boardwalk,” accompanied by some of the other artists.
As the show went on, I tried to anticipate what Bruce Springsteen might sing. After reasoning that “4th of July, Asbury Park (Sandy)” probably would not fit with the night’s theme, I had suspected that Bruce Springsteen might perform the somber “My City of Ruins,” which he wrote about Asbury Park and which he performed after 9/11 and had performed at another show in the wake of Hurricane Sandy.
Instead, though, when Springsteen and the E Street Band took the stage for the final song, they reached into their catalog for one of Springsteen’s more hopeful songs, “Land of Hope and Dreams.”
For an explanation of the legacy, history and optimism of “Land of Hope and Dreams,” check out our previous Chimesfreedom post on the song, including how the song connects to Springsteen’s ending reference here to “People Get Ready.”
Finally, remember that organizations still need your help even after Hurricane Sandy is no longer on the front pages. Visit Red Cross’s website or some of the other organizations offering help to volunteer or donate. Or text REDCROSS to 90999 to donate $10.00 to help those hit by the hurricane.
(Some related Chimesfreedom posts.)
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calls it the “slightest composition” on Time Out of Mind. In Still on the Road, Clinton Heylin claims that the song shows Dylan’s inability to emulate Tin Pan Alley and that the song “truly belonged” on the Billy Joel album. Critics of the cover artists and shows like American Idol might argue that those artists reflect the poor quality of the song. They are wrong.
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, Oliver Trager says that the song “is at best a lament for, or at worst a creepy plea to, an unattainable woman from a man getting more desperate by the minute.” He also points out that some have interpreted the song as being about the relationship between humans and Christ (“I could hold you for a million years”).