The Last Simon & Garfunkel Concert

Simon & Garfunkel last performed a concert in 2010 with Art Garfunkel struggling through the performance due to health issues at the time.

On Saturday, April 24, 2010, Simon & Garfunkel performed at the 2010 New Orleans Jazz and Heritage Festival. Due to health issues, Art Garfunkel struggled through the performance, supported by Paul Simon. Seeing the two onstage as the show was coming to a close, someone in the audience would be surprised that it would be the last concert the two performed together.

The two would reunite briefly two months later for one song, “Mrs. Robinson,” at an American Film Institute Life Achievement Award tribute to director Mike Nichols. But the New Orleans Jazz Festival remains the last show the two did together.

Through the years, Paul Simon and Art Garfunkel became almost as well known for their feuds and breakups as for their beautiful harmonies and great library of recordings. And then there were the various reunions, including the famous 1981 Concert in Central Park. Another one of their reunions was the 2010 New Orleans Jazz Festival. It was not meant to be their final concert, and many additional shows were planned as part of the tour.

In New Orleans, though, Art Garfunkel had been sick and showed up with what was later diagnosed as vocal cord paresis. The difficulties with his voice during the show led him later to explain, “I was terrible, and crazy nervous. I leaned on Paul Simon and the affection of the crowd.”

His voice struggles and the ensuing support from Simon and the crowd highlight the main set closing song, “Bridge Over Troubled Water.” While reports regarding earlier parts of the show focused on the troubled performance and ruined songs, the closing number was a triumph, at least in context of Garfunkel’s problems.

Oh, if you need a friend,
I’m sailing right behind;
Like a bridge over troubled water,
I will ease your mind;
Like a bridge over troubled water,
I will ease your mind.

Garfunkel made it through the difficult song, supported by his lifelong friend and sometimes nemesis, and urged on by the crowd. It is beautiful to watch, especially in light of the message of the song about supporting a friend.

“Bridge Over Troubled Water” was the closing number of the 15-song set. But the two came back on stage for an encore with three more songs, “Sounds of Silence,” “The Boxer,” and “Cecilia.” It would be the main closer “Bridge Over Troubled Water,” though, that remains most remembered for the song’s reliance on Garfunkel’s challenged solo voice to hit the high notes.

Yet, despite what appears to be love and good will between the two men onstage in New Orleans, that good will would be lost once again after the performance. They had to cancel the rest of the tour due to Garfunkel’s vocal problems.

After the show, Garfunkel looked forward to eventually continuing performing as a duo. But his claim to Simon that he would be able to continue within a year did not come true. Simon felt Garfunkel was not honest about the seriousness of the problem. Once again, their exchanges damaged the trust between the two men. The distrust, as well as the friendship, went back to when they were teenagers (when Garfunkel first felt Simon breached a trust by signing a record deal without him).

After the New Orleans performance and delays, more words were exchanged through the media. In a 2015 interview, Garfunkel called Simon a “jerk” and “idiot” for breaking up the duo, though he still left open the possibility of a reunion. But in 2016, Simon said, a reunion was “out of the question” and that the two men no longer even talked.

Garfunkel’s voice did return, as shown by a 2019 solo acoustic performance of “Bridge Over Troubled Water.” But with the exception of the short 2010 tribute to The Graduate director Mike Nichols, Simon and Garfunkel never returned to the stage together.

While we can still hope for a reunion, Paul Simon announced his retirement from touring in 2018. But he has appeared live since then, including a 2019 show where he sang “Bridge Over Troubled Water.”

What is your favorite Simon & Garfunkel song? Leave your two cents in the comments.

  • Super Bowl Songs: The Only Living Boy in New York
  • American Tune
  • Jackson C. Frank’s Beautiful Music From a Tragic Life
  • American Tune: We Came on a Ship in a Blood Red Moon
  • Good Ole Boys Like Me
  • Dion: “New York Is My Home”
  • ( Some related Chimesfreedom posts.”)

    Jackson C. Frank’s Beautiful Music From a Tragic Life

    Jackson C. Frank’s life featured a lot of pain, but he also created great beauty with his 1965 folk album, which featured “Blues Run the Game.”

    Jackson Carey Jones was born on March 2, 1943, later taking the surname of his stepfather to become Jackson C. Frank. Between the birth and his death at age 56 on March 3, 1999, Frank encountered many tragedies and released one of the great “lost” folk albums of the 1960s.

    Paul Simon produced Frank’s 1965 album, Jackson C. Frank. The album failed to launch the career that Frank’s music deserved, although it influenced other artists and is loved by man today. The leadoff track, “Blues Run the Game” has been covered by several artists and appeared on TV and in movies.

    Livin’ is a gamble baby,
    Lovin’s much the same;
    Wherever I have played, and
    Whenever I’ve thrown those dices,
    Wherever I have played,
    The blues have run the game.

    A number of singers have since covered the song. Artists who covered “Blues Run the Game” include Nick Drake, Sandy Dennis, Counting Crows, and John Mayer. The wonderful TV series featured Frank’s original version over a montage giving the heartbreaking backstory of one of the characters.

    Paul Simon would also record “Blues Run the Game” with Art Garfunkel. The song appeared on the Simon & Garfunkel box set Old Friends.

    Frank would never release another album during his lifetime, although he did create more music (now available). His life seemed to be haunted. When he was eleven, a furnace exploded at his school, severely burning Frank and killing fifteen of his classmates, including his young sweetheart.

    After recording his 1965 album, Frank suffered from depression and other mental and physical health problems. At one point he was homeless. He died of pneumonia in Massachusetts in 1999.

    The following short clip from a Buffalo news stations gives a little more information about his life.

    I only discovered Frank’s music recently after seeing a reference on Twitter. It is clear he was a great talent, so it is no wonder that he is well-respected despite the unfortunately small amount of music we have from him. Check out more of his music if, like me, you are new to his work.

    Leave your two cents in the comments.

  • The Last Simon & Garfunkel Concert
  • American Tune
  • American Tune: We Came on a Ship in a Blood Red Moon
  • Dion: “New York Is My Home”
  • Whatever Happened to Mike Ireland & Holler?
  • Troubled Waters Plays “Me and Julio Down by the Schoolyard”
  • ( Some related Chimesfreedom posts.)

    American Tune

    American Flag

    Happy Fourth of July weekend for our readers in the U.S. In a recent post, we considered Willie Nelson’s recording of “Graceland” on his album, Across the Borderline (1993). That CD also featured another classic song written by Paul Simon, “American Tune.” The beautiful music in the song, though, was not original to Simon.

    The music we know from “American Tune” appears in the chorale from “St. Matthew Passion,” BWV 244, written by Johann Sebastian Bach (1685-1750) about the crucifixion of Christ. You may hear “American Tune” in that composition in No. 21 (Chorale – “Acknowledge Me My Keeper”), No. 23 (Chorale – “Near Thee I Would Be Staying,” and No. 53 (Chorale – “Wha’ever may vex or grieve thee”). But Bach did not create the theme.

    Bach’s composition reworked “Mein Gmüth ist mir verwirret,” composed by Hans Hassler (1564-1612), a German composer who wrote the tune around a century before Bach was born. Hassler’s song was a secular love song known in English as “My Heart is Distracted by a Gentle Maid.” Hymnist Paul Gerhardt (1607-1676) also borrowed Hassler’s tune in one of his compositions. We might call Hassler the “Father of Recycling.” Through Gerhardt and Bach, Hassler’s love song became a religious hymn (“O sacred Head, now wounded, with grief and shame weighed down,/ Now scornfully surrounded with thorns, Thine only crown.”). Here’s the Bach version:

    Paul Simon took the beautiful music and transformed it with new meaning in “American Tune,” which appeared on There Goes Rhymin’ Simon (1973), released as Simon’s second album after his breakup with Art Garfunkel and as America was tangled in Viet Nam and Watergate. As columnist Anne Hill explained, the song “captures perfectly all the complexity of an idealism that died but still lives; the bitter disappointment and deeper hope which are intertwined in the soul of this country.” The lyrics are vague enough to allow for various interpretations, but the music conveys the melancholy of the song while still maintaining the beauty.

    But it’s all right, it’s all right;
    You can’t be forever blessed.
    Still, tomorrow’s going to be another working day;
    And I’m trying to get some rest;
    That’s all I’m trying to get some rest.

    Paul Simon and Art Garfunkel performed Simon’s song, “American Tune,” at their famous free concert in Central Park on September 19, 1981. The performance appears on the CD, Concert in Central Park. Here is Simon solo.

    Here is Willie Nelson and Simon performing “American Tune” from Nelson’s CD, Across the Borderline. On the album version, Paul Simon produced the recording and backed up Nelson. Check it out below (YouTube also has a live version of the song performed by Nelson and Simon.)

    Eva Cassidy does a beautiful version of the song too. Among others, Peter, Paul and Mary recorded a folk song, “Because All Men Are Brothers,” which was written by Tom Glazer and is based upon the same Bach music. The song’s lyrics include: “My brother’s fears are my fears, yellow, white, or brown; / My brother’s tears are my tears, the whole wide world around.”

    Thus, Hassler’s tune written in 1601 has functioned as a song of brotherhood, a love song, a hymn of faith, and an American tune about dreams surviving a time of lost innocence. That’s a pretty good record, and a nice theme for Independence Day.

    Photo of flag and barn via woodleywonderworks.

    What do you think “American Tune” means? Which version of the music do you prefer? Leave a comment.

  • The Last Simon & Garfunkel Concert
  • Graceland: Happy Birthday Willie Nelson!
  • American Tune: We Came on a Ship in a Blood Red Moon
  • Jackson C. Frank’s Beautiful Music From a Tragic Life
  • Super Bowl Songs: The Only Living Boy in New York
  • When is Mickey Newbury’s “33rd of August”?
  • (Some Related Chimesfreedom Posts)

    Buy from Amazon