Alan Lomax Archives - chimesfreedom

Folksinger, actor, and famous snowman Burl Ives was born in Illinois on June 14, 1909. Ives had one of the most recognizable voices of American singers, although I suspect that most people today know him for one TV role more than anything else. But many of us, like Johnny Cash, learned some of our first songs from Ives.

In the 1930s, Ives became an important figure in the folk-revival movement. After moving to New York City, he worked for progressive causes and performed with musicians that included Pete Seeger, Josh White, Alan Lomax and Lead Belly.

A rift later developed between Ives and Seeger after Ives, accused of being a communist, cooperated with the witch hunt by the House Un-American Activities Committee in 1952. Ives saved his career as others who stood up for the First Amendment suffered. Seeger compared him to a “common stool pigeon.” But Ives and Seeger eventually reconciled decades later.

Ives recorded a number of successful albums and helped popularize songs like “Blue Tail Fly” and “Big Rock Candy Mountain.” Growing up, my family welcomed Christmas every year with Ives’ interpretation of Christmas folk songs on the record album Christmas Eve (1957).

Many associate Ives with Christmas for another reason. He provided the voice for the narrator Sam the Snowman in the 1964 Rudolph the Red-Nosed Reindeer holiday TV special. Ives also developed a career as an actor, including roles in films like Cat on a Hot Tin Roof (1958). He won an Academy Award for Best Supporting Actor for his performance in The Big Country (1958).

Throughout it all was his wonderful voice. The warmth of his tone made every song welcoming and familiar.

Below, Ives appears on Johnny Cash’s television show. After performing by himself, Ives is joined by Cash to sit down, tell some stories, and sing some folk songs. Cash introduces the songs by noting how he learned some of his first songs and chords by listening to Ives.

Ives, who was a pipe and cigar smoker, died from complications related to oral cancer on April 14, 1995.

What is your favorite Burl Ives recording? Leave your two cents in the comments.

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The excellent Coen Brothers’ movie O Brother, Where Art Thou? (2000) opens with a scene of prisoners in the old South working on a road and singing the work song “Po’ Lazarus.” Unlike many of the other songs on the T-Bone Burnett produced soundtrack, though, “Po’ Lazarus” was not recorded specifically for the film.

Recording of “Po’ Lazarus”

The recording of “Po’ Lazarus” was one of the many recordings made by Alan Lomax and his father John Lomax. The two men visited the Mississippi State Penitentiary in 1959 and recorded prisoner James Carter leading a group of other prisoners in the song.

That recording of “Po’ Lazarus” later appeared on Lomax’s 1960’s album Bad Man Ballads credited to James Carter and the Prisoners. The song recounts a sheriff going to arrest Lazarus. Then, the sheriff ends up shooting “Po’ Lazarus”: “Well then they taken old Lazarus/ Yes they laid him on the commissary gallery.”

Finding James Carter

But that background is not even the coolest part of the story. According to The Southern Journey of Alan Lomax by Tom Piazza, the Coen Brothers movie brought a little more good will to singer James Carter.

After the soundtrack to O Brother, Where Art Thou? became a bestseller, Alan Lomax’s daughter Lomax Chairetakis and others tracked down the 76-year-old Carter living in Chicago. They gave him a substantial royalty check. And then in February 2002 flew him, his wife, and two daughters to the Grammy Awards ceremony. At the ceremony, the soundtrack won the album of the year for 2001.

The New York Times noted that Carter had left home at age 13 and did time in prison for theft, a parole violation, and weapons possession. Before his rediscovery, he barely recalled singing the song for the recording.

James Carter passed away in November 2003, less than two years after his trip to the Grammys. The other prisoners in the recording have never been identified. But together they created an outstanding recording used in a classic film.

What is your favorite song from O Brother, Where Art Thou? Leave your two cents in the comments.