Dill from “To Kill a Mockingbird” Was (Almost) in “The Godfather, Part II”

hyman roth

One of the most memorable childhood characters from film (and novels) is Dill from Harper Lee’s To Kill a Mockingbird (1962). In the movie version, John Megna portrayed Dill, who Lee had based upon her friend Truman Capote. Megna also almost appeared in The Godfather, Part II (1974), in a scene deleted from the movie before it was released.

Megna was born in Queens, New York on November 9, 1952. He had several roles as a child and young man in film and television, notably appearing near the beginning of another classic film, Hush. . . Hush, Sweet Charlotte (1964), a few years after Mockingbird.

Fans of the original Star Trek series may remember him as one of the Onlies from the “Miri” episode. Yet, his most memorable role remains his portrayal of Dill in To Kill a Mockingbird.

Megna nearly appeared in another all-time great movie. Director Francis Ford Coppola filmed a scene featuring Robert DeNiro as the young Vito Corleone meeting a young man played by Megna. As the young man’s name is discussed, Corleone bestows a new name on him. The scene connects to the modern story with Micheal Corleone (Al Pacino) and his conflicts with Hyman Roth.

Ultimately, though, Coppola cut the scene. Perhaps the backstory was so convenient it might not be believable for viewers. But either way, it was unfortunate Megna lost his scene.  [2020 Update: Unfortunately, the scene seems to no longer be available on YouTube.]

In the cut scene, the young man names Arnold Rothstein as a man he admires. Rothstein was famous for allegedly fixing the 1919 World Series featuring the Chicago White Sox (“Black Sox”) and the Cincinnati Reds.

As for Megna, he eventually left acting. For a while he directed plays, and then he taught high school English in California. He died on September 4, 1995 at the age of 42 from AIDs-related complications. Despite his young death, he left his mark on movie history as one of our most beloved childhood characters.

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    Richard III and Guy Clark: Out in the Parking Lot

    richard iii olivier DNA tests revealed that the body of King Richard III had been found last year in a municipal parking lot in the English city of Leicester. Richard, who Shakespeare portrayed in a less than flattering light, was the last English King to die in battle, dying at the Battle of Bosworth Field. After his death in August 1485, his body was put on display and then he was quickly buried near a church without much fanfare.

    Since the discovery, scientists have used the body to make a 3D model of the way Richard might have looked. But Richard’s days of being involved in battles are not over. While Leicester plans to give Richard a new burial more fitting of his life’s station, the city of York, where Richard was from, is arguing that it should take charge of Richard’s burial. Richard belonged to the House of York, which was part of the the ruling Plantagenets.

    Shakespeare and others have painted Richard III as a villain who murdered his two nephews. That version of Richard has been played by many stellar actors, including Laurence Olivier, Ian McKellen, and Al Pacino. Some historians, though, have argued that history has treated Richard unfairly. While the new discovery will not end the debate, it did resolve one issue, showing that Richard’s curved spine did not create a hunchback as described by the Bard of Avon in the play written in 1592. At the end of Shakespeare’s play, Richard III, we see Richard exclaiming, “A horse! a horse! My kingdom for a horse!” before he is killed. Interestingly, he would end up spending decades not with horses, but with cars out in a parking lot.

    guy clark parking lot Singer-songwriter Guy Clark wrote “Out in the Parking Lot” with Darrell Scott, who has penned a few hits himself. While I have loved the music of other Texas songwriters from the Clark’s era like Townes Van Zandt, it is only recently where I have started to appreciate Clark’s body of work. One of the songs I have been listening to during the last several months is Clark’s “Out in the Parking Lot,” which appears on several Clark albums including Songs & Stories (2011).

    As Clark explains in this performance in a bar in Homer, Alaska from 2003, he wrote the song about the parking lot of a bar in West Texas. But the song strikes universal themes, and anyone who has been in a parking lot outside a bar late at night recognizes the scene. There have been many songs about honky tonks, bars, and pubs, but nobody else has captured the mixed emotions ranging from anger to joy to pathos that stirs just outside the action of the drinking establishment, out in the parking lot. There, “Some have given up, some have given in / Looks like everybody’s lookin’ for a friend / Out in the parking lot.”

    While Guy Clark has never had the mainstream popularity of big Nashville artists, there are some folks in Nashville that have good taste, such as Brad Paisley, who covered “Out in the Parking Lot” on his Time Well Wasted album from 2005. Alan Jackson joined Paisley in bringing this excellent song to a wider audience.

    While I like Paisley’s work and I am glad he brought the song to a wider audience, I hope it ended up bringing some fans to Guy Clark’s great body of work too. While I cannot guess as to which version Richard III might prefer, I suspect his body saw many of the same scenes in his parking lot.

    “Now everybody’s gone, they’ve shut out all the lights / The dust begins to settle and it’s never been so quiet / Out in the parking lot.”

    Do you know any other songs about parking lots? Leave your two cents in the comments.

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    Best New Year’s Eve Scene in a Film

    New Year's Eve Movies

    Is there a better New Year’s Eve movie scene than this one in When Harry Met Sally? The movie makes perfect use of the holiday, including Harry Burns’s (Billy Crystal’s) questions about “Auld Lang Syne.”

    Below is the climactic scene from the movie. {Spoiler alert: This clip is the film’s ending.}

    After When Harry Met Sally shows Harry’s loneliness magnified by the special night, Sally Albright (Meg Ryan) wonders about the role the holiday played in Harry’s surprise appearance. She wonders if he is just lonely because he is by himself on New Year’s Eve. Harry directly confronts that possible explanation for why he ran to Sally: “And it’s not because it is New Year’s Eve. . . When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” Where are my tissues?

    When Harry Met SallyFor romance, one might compare Meg Ryan’s New Year’s Eve meeting with Tom Hanks in Sleepless in Seattle. That movie does a good job of not overplaying when the two finally meet.

    But the movie New Year’s Eve kiss that one might compare to When Harry Met Sally for dramatic impact is when Michael Corleone (Al Pacino) kisses Fredo (John Cazale) with the kiss of death at a New Year’s Eve party in The Godfather: Part II. Michael tells Fredo, “You broke my heart. You broke my heart.”

    More tissues, please.

    Happy New Year. In the new year, may your kisses be of the When Harry Met Sally type instead of of the Godfather: Part II type.

    What is your favorite portrayal of New Year’s Eve? Leave your two cents in the comments.

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    Is Your Job Your Life?: Lessons from A Folk Singer & Al Pacino

    U.S. Department of Justice
    The New Yorker recently published a sad story by Jeffrey Toobin about the prosecution of Alaska Senator Ted Stevens, and how the fallout from the case affected a young Justice Department lawyer named Nicholas Marsh, who committed suicide. (Casualties of Justice, Jan. 3, 2011).

    The media is all over a story until suddenly the story disappears, and it was that way with the Sen. Stevens prosecution.  There was extensive coverage of the case against Ted Stevens, who was charged with failing to report gifts of reduced rates on renovations to a house. While the case was pending, Stevens lost reelection in 2008. Then the media coverage died down. But the Stevens case did not result in a conviction, and the Attorney General’s Office ultimately asked for all charges to be dropped against Stevens because prosecutors breached ethics by failing to disclose information indicating Stevens may not have been guilty. Stevens died in a plane crash in Alaska in 2010.

    Nicholas Marsh was one of the prosecutors in the Alaska investigation that resulted in nine successful convictions revealing corruption in the state political system. Although Marsh participated in the Stevens case, Toobin wrote that apparently Marsh had nothing to do with the unethical actions by his fellow prosecutors. But because of Marsh’s involvement in the case, officials removed Marsh from his high-esteem position and moved him to a lower-prestige department. Meanwhile, the Office of Professional Responsibility continues to investigate the conduct of the Stevens prosecutors.

    Even though Marsh may ultimately be cleared, the stress from the ongoing investigation took its toll on him. Depressed and unsuccessfully fighting his demons, in September 2010 he hanged himself in the basement of his suburban Washington, D.C. home. Married less than five years, he did not leave a note for his young wife.

    It is tragic to think of Marsh feeling his life was crashing down as his career identity was crumbling. Maybe he could have left town and started over again and eventually been happy again. But one suspects that for whatever reasons he felt like he could not get away.

    In an earlier post about life lessons, Chimesfreedom discussed Ernest Becker’s Pulitzer-Prize winning book, Denial of Death.  In the book, Becker explained that people identify with things — be it possessions, esteem, organizations, sports teams, etc. — to give meaning to their lives and to give us defense mechanisms against our fears.  Many of us identify ourselves by our jobs. And, as has happened frequently to far too many people in the last several years during the recession, if we lose a job we feel we lose our entire identity and our defense mechanism against our fears.

    Railroad Workers The story about the Stevens case reminded me of a song by folk-singer and activist Charlie King.   King is an excellent performer, full of stories and good songs about social issues.  One song, entitled “Our Life is More than Our Work,” has common-sense lyrics reminding us something we often forget when we get wrapped up in our own worlds: “You know that our life is more than our work / And our work is more than our jobs.”

    The song reminds us that we are not our jobs.  Additionally, we each have work to do during our lives that is beyond our jobs. But even that broader work is not the whole of your life.

    The New Yorker story about the Alaska prosecution also reminded me of Insomnia (2003), a movie that focuses on a criminal case in Alaska involving questionable professional ethics that haunt the lead character. Insomnia is a very good movie about a Los Angeles detective played by Al Pacino who goes to Alaska to investigate a crime. While there, he is unable to sleep from the constant daylight and from being haunted by his past choices. The movie, directed by Christopher Nolan, features excellent acting by Al Pacino, Hilary Swank, and a creepy Robin Williams. It reveals how our jobs can take us down a well-worn path where we feel we do not have control.

    Most likely, there were other factors contributing to the Nicholas Marsh tragedy besides the ethics investigation, and it is ridiculous to think that lessons from an action movie or a folk song could save a life. But music and movies can make us think about our lives and maybe change our attitudes a tiny bit. And that’s something. As Charlie King sings, “Think how our life could be, feel how our life could flow / If just for once we could let ourselves go.”

    King, Charlie – Our Life Is More Than Our Work

    {Our Life Is More Than Our Work – Charlie King}

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