Anniv. of Civil War’s Start: Elvis’s American Trilogy

Fort SumterOn April 12, 1861, the first shots of the American Civil War were fired. In the early morning hours at 4:30 a.m., Confederate soldiers opened fire on the Federal Government’s Fort Sumter in Charleston Bay, South Carolina.

The state of South Carolina had seceded from the United States in December 1860 soon after Abraham Lincoln was elected president. By the time he took office in March, the situation at Fort Sumter was nearing a crisis and seven states had seceded.

Once the bombardment of Fort Sumter began on the morning of this date, it continued for 34 hours. And, on April 13 U.S. Major Robert Anderson surrendered the fort to Confederate General P.G.T. Beauregard.

According to David Herbert Donald in the book Lincoln (1995), during the weeks between Pres. Lincoln’s inauguration and the first shots at Fort Sumter, the president was physically exhausted by stress. But there was some relief after this date. Because the first shots were fired by the Confederates, the rebels now had the burden of starting the war, not the North.

And after the first shots of the Civil War, Lincoln’s choices became clearer. Two days later, Pres. Lincoln issued a proclamation calling for volunteer soldiers. Within a week, Virginia voted to secede, and more states followed. The war would rage for the next four years.

Perhaps no song in recent history has attempted to encapsulate the Civil War era like “An American Trilogy,” a song that Elvis Presley performed regularly in concert toward the end of his life. The song was actually three popular American songs arranged by Mickey Newbury. It begins with the unofficial Confederate anthem “Dixie,” followed by the African-American spiritual, “All My Trials,” and closes with “The Battle Hymn of the Republic,” the Yankee marching song.

What is the meaning of “An American Trilogy”? Paul Simpson’s The Rough Guide to Elvis notes that Mickey Newbury’s original intent is unclear, as the combination could have been about America’s lack of innocence or been intended ironically in reference to Pres. Nixon and the Viet Nam War.

For Elvis, “An American Trilogy” might have been about patriotism. But Charles Reagan Wilson wrote in Judgment and Faith in Dixie (1997) that Elvis’s “slow, reflective, melancholy” performances of the song in the 1970s “suggested an emotional awareness of the complex past of regional conflict and Southern trauma.”

In his excellent book Mystery Train (1975), critic Greil Marcus considered “An American Trilogy” to be Elvis’s attempt to combine all aspects of America and bring everyone together in a fantasy of freedom. But Marcus believed that Elvis’s song failed in that goal because the lack of complexity in the song creates “a throwaway America where nothing is at stake.” (p. 124.) For example, Marcus claimed, “There is no John Brown in his ‘Battle Hymn,’ no romance in his ‘Dixie,’ no blood in his slave song.”

Maybe Marcus wants too much out of a four-minute song. Yes, the song is gaudy in its performance, and Elvis’s jumpsuit is a long way from the soldiers and slaves. But as discussed in another Chimesfreedom post, John Brown is inherent in “Battle Hymn,” just as the romance is inherent in “Dixie,” and as blood is inherent in the dying in “All My Trials.”

There is another layer of confusion regarding the meaning of the song today because Elvis sings it. And Elvis, especially since his death, has become a complex American icon, as some consider him a revolutionary, some call him a thief, and some see him as a fat man steeped in excess. Yet perhaps the contradictions of Elvis, like the contradictions of the song, are the only way you can try to sum up the Civil War, in particular, and the complexity of America in general.

Finally, one additional complication is that what Newbury and Presley apparently thought was an African-American spiritual, was not. Many today believe that the center of the trilogy, “All My Trials,” which is also sometimes called “All My Sorrows,” has somewhat muddled origins. Many current scholars believe that the song was assembled from fragments of existing songs in the 1950s and set to the music of a lullaby from the Bahamas to make it sound like a traditional spiritual.

Newbury and Presley were not the only ones who thought it was an actual slave spiritual. In the 1950s, music critic Nat Hentoff wrote that it came from an African-American song, and in the 1960s, Joan Baez and others referred to the song as a slave spiritual.

So, there are more questions in “An American Trilogy” than answers. But on a day that started the deadliest war in our nation’s history, I prefer the people with questions over the armed generals who think they have the answers.

Bonus American Trilogy Version: For you Celebrity Apprentice fans, here is Meat Loaf singing “American Trilogy” at a 1987 tribute to Elvis Presley.

What do you think is the meaning of “American Trilogy”? Leave a comment.

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    The Better Angels of Our Nature: Lincoln’s 1st Inaugural

    Abraham Lincoln Bobblehead On March 4, 1861, Abraham Lincoln was sworn in for his first term as President of the United States as the nation was on the verge of coming apart. As Lincoln addressed the crowd from the steps of the unfinished U.S. Capitol building, he sported a beard he had grown a few months earlier.

    Lincoln grew the beard after Grace Bedell, an 11-year-old girl from New York, had written the then smooth-faced presidential candidate suggesting the facial hair.  She wrote, “[Y]ou would look a great deal better for your face is so thin.”

    Lincoln’s Speech at His First Inaugural

    But on this date in 1861, Lincoln had other things on his mind besides his appearance. In writing his speech, he had struggled to find the words to keep the South from seceding and to keep his Northern supporters in his corner in case of a civil war. He closed his speech with poetic words that offered a warning to those who might divide the nation (I will crush you!).  But he also offered an olive branch (We are friends!):

    “In your hands, my dissatisfied fellow countrymen, and not in mine, is the momentous issue of civil war. The government will not assail you. You can have no conflict without being yourselves the aggressors. You have no oath registered in Heaven to destroy the government, while I shall have the most solemn one to ‘preserve, protect, and defend it.’

    “I am loath to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearth-stone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.”

    Hal Holbrook as Lincoln

    In a previous Chimesfreedom post, we noted how most contemporary accounts of Lincoln’s voice classified it as high-pitched or squeaky, unlike many of the deep baritone portrayals we usually hear today. This short clip of Hal Holbrook giving Lincoln’s closing of the First Inaugural seems along the lines of what the crowd heard on this date in 1861.

    The video is from the TV miniseries Sandburg’s Lincoln (1974-76).  Check it out.

    Hal Holbrook is well-known for a number of roles, including his portrayals of Mark Twain. He was nominated for a Best Supporting Actor Academy Award for his recent role in Into the Wild (2007), which made the 82-year-old the oldest actor to be nominated for an Oscar in that category. For more, see Holbrook’s IMDb page.

    Bonus First Inaugural Coverage: The New York Times has several essays about the historical importance and background behind the First Inaugural. You may also read the entire speech.

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    George Washington’s Escaped Slave: Told By a Drunk

    Happy Presidents’ Day Weekend! In a previous post about Abraham Lincoln, Chimesfreedom noted the importance of remembering that great leaders were human because we should recognize that fallible humans may still accomplish fantastic feats. Nothing makes us more human than our stupidity, and early U.S. leaders were idiots when it came to slavery. So this post features a story about Oney “Ona” Judge, a slave in George Washington’s household who escaped when she was 23 years old from the Philadelphia President’s House in 1796 while Washington was president.

    History does not have to be boring, so we will let someone else tell the tale about Oney Judge in a funny video featuring actors Denny McBride and Tymberlee Hill. But storyteller Jen Kirkman is drunk and swears a bit (so do not play loud at work) . . .

    Not only did Oney Judge escape slavery, she escaped from the U.S. President! How cool is that? According to Wikipedia, at the time when Philadelphia was the U.S. capital, Pennsylvania had a law that prohibited nonresidents from possessing slaves in the state for more than six months. If six months passed, the slaves had legal power to free themselves. George and Martha Washington, though, worked around the law by rotating their slaves in and out of the state so none were in the state for six months or more. So even though the Father of our Country did many terrific things as a general and as a president, he also could be a douchebag. This website for the President’s House in Philadelphia features two interviews with Judge from the 1840s.

    But what about that video? My friend Mike recently introduced me to the Drunk History videos on YouTube. I am a little late coming to the party, so you may have already seen them. But if not, check out some other ones too. Drunk History videos feature a drunk person telling about a historical event while famous actors reenact what is being described. The series started a few years ago on the Funny or Die website. The series, created by comedian Darek Waters, is pretty funny, but be warned that they generally include swearing and some other drunken activities. Kids: Don’t try this at home. Not only are they funny, though, they are entertaining and educational discussions of history. Check out the links below.

    Bonus Drunk History Video
    : Here is a funny Drunk History video about Nikola Tesla and Thomas Edison, featuring John C. Reilly and Crispin Glover. Yes, even the pigeon part is true.

    More Bonus Drunk History Video Links: Here is a Drunk History video about Abraham Lincoln and Frederick Douglass, starring Will Ferrell and Don Cheadle. Here is the original Drunk History episode, about Aaron Burr.

    Bonus George Washington Information: In case you need to be reminded of some of the great things that George Washington accomplished, check out the official White House page for a short biography.

    What do you think? Leave a comment.

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    Happy Birthday Mr. Lincoln

    Abraham Lincoln's Cabin Birthplace
    “Granny Woman,” Nancy Walters remembered:

    It was Saturday afternoon when Tom Lincoln sent over and asked me to come. They sent for Nancy’s two aunts, Mis’ Betsy Sparrow and Mis’ Polly Friend. I was there before them, and we all had quite a spell to wait, and we got everything ready. Nancy had a good feather-bed under her; it wasn’t a goose-feather bed, hardly anyone had that kind then, but good hen feathers.

    Nancy had about as hard a time as most women, I reckon, easier than some and maybe harder than a few. The baby was born just about sunup, on Sunday morning. Nancy’s two aunts took the baby and washed him and dressed him, and I looked after Nancy. And I remember after the baby was born, Tom came and stood beside the bed with that sort of hang-dog look that a man has, sort of guilty like, but mighty proud, and he says to me, ‘Are you sure she’s all right, Mis’ Walters?’ And Nancy kind of stuck out her hand and reached for his, and said, ‘Yes, Tom, I’m all right.’ And then she said, ‘You’re glad it’s a boy, Tom, aren’t you? So am I.'”

    And Dennis swung the baby back and forth, keeping up a chatter about how tickled he was to have a new cousin to play with. The baby screwed up the muscles of its face and began crying with no let-up.

    Dennis turned to Betsy Sparrow, handed her the baby and said to her, “Aunt, take him! He’ll never amount to much.”

    So on that 12th of February, 1809, was the birth of a boy they named Abraham after his grandfather who had been killed by Indians — born in silence and pain from a wilderness mother on a bed of perhaps cornhusks and perhaps hen feathers — with perhaps a laughing child prophecy later that he would “never come to much.”

    The above quote from Carl Sandburg’s Abraham Lincoln is one of my favorite quotes about Lincoln. Yesterday, we posted and discussed Aaron Copland’s A Lincoln Portrait. In that work, when you hear the great words, the building music, and Gregory Peck’s strong voice, it is easy to think of Lincoln as super human. We have this perception that he was something like Superman, flying around in perfection winning the war and freeing the slaves, when the truth is more complex.

    A Lincoln Portrait, the Lincoln Memorial, and other monuments to the man are the reasons I like the story about the crying baby. The story reminds us that Lincoln was a human who dealt with many of the same problems we do, and then some. In his own home, he faced depression, marital problems, and the loss of a child while the nation was coming apart. He was imperfect, he had flaws, and he was sometimes wrong (such as early support for colonization of slaves).

    Yet, for us today, it is good to be reminded that Lincoln was not perfect. The reminder that Abraham Lincoln was human like us serves two purposes. First, it makes us appreciate even more what Lincoln accomplished because he was not Superman. Second, because Lincoln was once a crying baby just like we all were, it reminds us that we may aspire to a little bit of greatness in our everyday lives too.

    Happy Birthday, Mr. Lincoln.

    Battle Cry Of Freedom 2 (Jacqueline Schwab) (from A Civil War Soundtrack) (click to play)

    Bonus Birthplace Information: The above photo is a cabin enshrined at Lincoln’s birthplace in Hodgenville, Kentucky. I have visited the location several times over the years. Unfortunately, they do not believe the cabin is the actual one where Lincoln was born, but it is a similar one that was found in the area at the time.

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    A Lincoln Portrait

    Abraham Lincoln MemorialTo celebrate Abraham Lincoln’s birthday, listen to Aaron Copland’s A Lincoln Portrait. Copland was commissioned in 1942 to create a composition to comfort a nation at war still reeling from the attack on Pearl Harbor. Copland felt overwhelmed with the assignment. But then he came up with the idea to find comfort for the country in the words of the greatest U.S. President.

    The composition uses excerpts from several of Lincoln’s speeches, along with original music that samples American folk songs from Lincoln’s time period, such as “Camptown Races” and “Springfield Mountain.”

    For a 1943 program book of the Boston Symphony Orchestra, Copland explained that the work is roughly in three sections.  First, he noted, “In the opening section I wanted to suggest something of the mysterious sense of fatality that surrounds Lincoln’s personality. Also, near the end of that section, something of his gentleness and simplicity of spirit.”

    Copland continued, “The quick middle section briefly sketches in the background of the times he lived in. This merges into the concluding section where my sole purpose was to draw a simple but impressive frame about the words of Lincoln himself.”

    In the following recording, Gregory Peck provides the voice of Lincoln.

    The composition was not among Copland’s favorites according to a 1953 New York Times article. If I had to choose, I would choose his Appalalachain Spring, which is one of my favorite pieces of music of all time. But I still love A Lincoln Portrait. It is a fitting tribute to the sixteenth president of the United States.

    Did you know that 2011 was the Civil War Sesquentennial, i.e., the 150th year since the start of the Civil War? On March 4, 2011, it was 150 years since Lincoln was sworn into office. What do you think? Leave a comment.

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