Guy Clark Has Heard Doc Watson Play “Columbus Stockade Blues” (Song Within a Song)

Dublin Blues Columbus Stockade Blues In the wonderful song “Dublin Blues,” Guy Clark sings about a lost love and his own pain. The alcoholic singer sits in Dublin with the shakes wishing he were back in Austin, drinking “Mad Dog Margaritas/ And not carin’ where you are.” The singer ask for forgiveness and recounts some of the sights he has seen, but he cannot forget the object of the song or walk away from her.

“Dublin Blues”

In “Dublin Blues,” the singer lists some of his travels. And Clark notes what he has seen and heard.

I have seen the David,
I’ve seen the Mona Lisa too,
I have heard Doc Watson
Play “Columbus Stockade Blues.”

The line about “Columbus Stockade Blues” caught my ear. Songs do sometimes refer to other songs, but it is not often you hear them compared to the Mona Lisa.  Here is Guy Clark singing “Dublin Blues.”

Why Does Clark Reference “Columbus Stockade Blues”?

I was not sure I had heard Doc Watson play “Columbus Stockade Blues.” So I became curious about this song that Guy Clark compares to Leonardo da Vinci’s Mona Lisa and the Michelangelo’s David.

“Columbus Stockade Blues” is so old that nobody knows who wrote it. An informative Grateful Dead website notes that the earliest known version is by Darby and Tarlton. On Doc Watson’s album, the song is credited to Jimmy Davis and Eva Sargent.

Jimmy Davis, the Louisiana governor famous for “You Are My Sunshine,” made “Columbus Stockade Blues” popular in the 1940s. But it is the Doc Watson version that haunted Guy Clark so much that he cited it in “Dublin Blues.”

What is interesting about Guy Clark’s tribute to “Columbus Stockade Blues” is that Watson’s song has the same theme as Guy Clark’s song that references it. Those unfamiliar with the Watson song, however, will miss the connection because the title does not give it away.

As in “Dublin Blues,” the song “Columbus Stockade Blues” begins with the singer wishing he were somewhere else, as he sits in Columbus, Georgia wishing he was “back in Tennessee.” He recounts that he thought the woman would love him forever, but he recognizes the woman loves another. Broken-hearted, he tells her to go ahead and “Leave me, little darling, I don’t mind.” But we know he does mind.

The real difference between Watson’s song and Clark’s song comes where we find out the reason for the title, “Columbus Stockade Blues.” Watson’s singer is in prison.

Last night as I lay sleeping,
Oh, I dreamd that I was you in my arms;
When I woke I was mistaken;
Lord, I was still behind these bars.

Inspiration for “Dublin Blues” from “Handsome Molly”

“Dublin Blues” is connected to another song besides “Columbus Stockade Blues.”  Singer-songwriter Tom Russell has noted that “Dublin Blues” has its origins in a song called “Handsome Molly,” written by fiddle player D.B. Grayson, who was born in 1887.

Like “Dublin Blues” and “Columbus Stockade Blues,” the song “Handsome Molly” is about heartache.  It begins in a similar way to “Dublin Blues” with the singer wishing he were somewhere else. “Well, I wish I was in London,/ Or some other seaport town.” The sound of “Dublin Blues” is similar to “Handsome Molly,” although Clark slows it down to emphasize the agony of the heartbreak.

Clark possibly was inspired to use the tune from “Handsome Molly” because Watson recorded a famous version of “Handsome Molly.”  Thus, Clark’s “Dublin Blues” is doubly connected to Watson, referencing a Watson song while using music from another song connected to Watson.  Here is Watson playing “Handsome Molly.”

Both Bob Dylan and Mick Jagger have recorded “Handsome Molly.” Below is Dylan’s version of “Handsome Molly.”

Conclusion

Ultimately, Clark’s song “Dublin Blues” is a nice tribute to Watson, who passed away in 2012. Clark honors Watson and the traditional song by comparing “Columbus Stockade Blues” to great works of art while incorporating much of the storyline into his own song.

Clark’s singer sits in Dublin outside the penitentiary, but he remains locked in his own prison of alcoholism, sorrow, and regret. These are two great songs about lost love and the destruction that may result from a broken heart.

And they are both great works of art.

What is your favorite song that mentions another song? Leave your two cents in the comments.

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    The Perfect Song for Every Film: “Walk of Life”

    Walk of Life

    Peter Salomone started out with a brilliant and simple premise about movie endings. His hypothesis: “‘Walk of Life‘ by Dire Straits is the perfect song to end any movie.” Spoiler alert: This post features the endings of several classic films.

    Perhaps the truth of his hypothesis is an underlying assertion about the universality of human emotion. Or maybe “Walk of Life” is just so incredibly awesome. Is it really possible to improve The Godfather (1972)? Well, just add some Dire Straits.

    Charlie Chaplin’s City Lights(1931) has one of the most perfect endings of any film, where the formerly blind woman recognizes the man who had once helped her. The only way to make it better is to add “Walk of Life.”

    Were you confused at the end of 2001: A Space Odyssey (1968)? Well, it makes more sense if you think of the star child as Johnny coming along “singing oldies, goldies / Be, bop, a, lua, baby, what I say.”

    And it works with more recent movies too, like 2015’s Mad Max: Fury Road.

    For more examples, check out the Walk of Life Project website, with its dedication and devotion, “Turning all the night time into the day.”

    What film would you like to see added to the Walk of Life Project? Leave your two cents in the comments.

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    Duet of the Day: Cher and The Jackson 5

    Jackson 5 Cher

    Between February 1975 and January 1976, Cher hosted her own variety show on CBS after her divorce from Sonny Bono had led to the end of The Sonny & Cher Comedy Hour, which had run on CBS from 1971 to 1974. Like the preceding show, Cher featured a number of talented guests singing with their host. One such memorable moment occurred on March 16, 1975, when The Jackson 5 appeared on her show.

    In this segment, Cher joins The Jackson 5 on such songs as “I Want You Back,” “I’ll Be There,” and “Never Can Say Goodbye.” While nobody can keep up with Michael Jackson’s moves, Cher gives it a good shot. Check it out.

    After Cher’s successful solo variety show and Sonny’s 1974 The Sonny Comedy Revue, she re-teamed with her ex-husband for The Sonny & Cher Show, which ran from 1976-1977. The Jacksons appeared on the various incarnations of the Sonny and Cher shows several times, also including September 1972 and March 1974 appearances on The Sonny & Cher Comedy Hour. After the couple split up, the Jacksons did not take sides. In addition to the above appearance on Cher, the group appeared on The Sonny Comedy Review in September 1974.

    What do you think of the Cher-Jackson 5 performance? Leave your two cents in the comments.

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    Marty Brown Profiled on Episode of “Kentucky Life”

    Kentucky Profile Marty Brown

    Singer-songwriter Marty Brown was recently profiled on “Kentucky Life” on television channel KET. In the video profile, Brown discusses what inspires his music while his wife Shellie Brown discusses his groundbreaking performance on America’s Got Talent.

    As noted earlier on this blog, Marty Brown, who initially found some success in the early 1990s, recently released his version of Bob Dylan’s “Make You Feel My Love,” the song that launched his recent comeback starting on America’s Got Talent. Below is the new KET segment about the Kentucky native country singer, which also includes clips of him singing “The King of Music Row” in the studio. Check it out.

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    The Irresistible Rhythm and Harmonies of The Cactus Blossoms

    You're Dreaming Brothers Jack Torrey and Page Burkum of The Cactus Blossoms create some great harmonies reminiscent of another pair, The Everly Brothers. The Cactus Blossoms’ new debut album You’re Dreaming, featuring mostly songs written by each of the brothers, is essential listening for classic country fans.

    On The Cactus Blossoms’ website, the brothers discuss how as Minnesota teenagers they began to be enthralled by pre-1960s country music. They explain, “We weren’t born in the wrong era. We just got into some music from a different era and found a way to make it our own.”

    I am always a sucker for tight country vocals that blend well, and there is something about the way that brothers can sing together. Burkham explains to Rolling Stone, though, that he thinks the brotherly bond adds to the music in another way: their sense of rhythm. He reasons, “If you have two good singers who aren’t related, they can both hit beautiful notes together, but if their timing is different or the way they breathe is different, it will have a harder time linking up.”

    See what you think of their vocals and their rhythm. Below is “Stoplight Kisses” from You’re Dreaming.

    In this video, the brothers perform “Here Today, Gone Tomorrow” at Rhythm & Roots. If you hear a little of the ghost of Hank Williams, you are not alone.

    You’re Dreaming was produced by rockabilly singer-songwriter JD McPherson and released January 22, 2016.

    Leave your two cents in the comments.

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